Unethical Quote Of The Week: San Francisco School Board Member Alison M. Collins

“This is not history; it is a remnant from a bygone era.”

—–San Francisco School Board Member Alison M. Collins, expounding to the New York Times and expressing her displeasure with the school board’s vote to nullified an earlier vote to spend over $600,000 to paint over Depression-era school murals depicting slavery and the deaths of Native Americans.

I love this unethical quote; it might be my favorite of all the unethical quotes Ethics Alarms has ever featured. It tells us so much in so few words.

Ethics Alarms wrote about the school board’s earlier vote that this one, for now, at least, undid, last June, noting,

The San Francisco school board unanimously voted this week  to spend at least $600,000 of taxpayer money to eliminate the  “Life of Washington,” a 13-panel, 1,600-square-foot mural that has been on view in the  city’s George Washington High School since 1936. It was considered politically incorrect at the time, but in a way that explicated American history rather than whitewashing it.  Among the mural’s many scenes is one depicting slaves picking cotton at Mount Vernon and Virginia colonists walking past a dead Native American.  The Horror. Although these scenes are historically accurate as well as provocative, “The truth will make you free” has been substantially abandoned by the Left in the U.S. Taking their cues from the dead and rotten Soviet Union and “1984”,  the new slogan is George Orwell’s “Who controls the past controls the future.”

Ms. Collins’ classic quote perfectly expresses how her city, her party and her ideological clones reached the state of delusion and the worship of manipulated reality (remember, the Democratic Party’s leading contender for the White House “gaffed” by admitting last week that “we choose about truth, not facts”) that have so many of our political leaders flirting openly with totalitarianism.

The idea is to prevent young citizens (and older ones too) from acquiring the kind of messy information that requires critical thought to sort out, the information known as “history”and “life.”Without forceful filtering, people of sound and open minds are liable to reach conclusions that don’t advance those of the ascendant (they think) re-engineers of American values and culture. Those poisoned by the past and traditional American values  might be willing to treat  with fairness and respect, rather than contempt and abuse, those who hold non-conforming, non-woke positions and policies. They might tolerate the rebels and iconoclasts who refuse to follow in lock-step their betters of superior virtue and wisdom . Continue reading

Ethics Warm-Up, 7/3/2019: Holiday Follies [UPDATED]

The end of Pickett’s Charge, July 3, 1863

Happy weird mid-week day before a holiday when almost nobody seems to be working…and remember Pickett’s Charge, July 3, 1863.

But ethics never takes a break…

1. Oops! Did we miss the real holiday? On this date in 1776, John Adams wrote to Abigail that the day before, July 2, 1776, the Continental Congress had voted to declare American independence from the British Empire. Adams predicted that July 2 would eventually be celebrated by every generation of Americans with parades, speeches, songs and fireworks, which Adams called  “illuminations.” Why did he turn out to be wrong? Oh, because history is messy, mistakes don’t get corrected, and tradition becomes more important than facts. (Once again, “The Man Who Shot Liberty Valence” rule applies: “When legend becomes fact, print the legend!” )

What happened on July 4th? The unsigned but ratified Declaration was sent to the printer on that date, and the printer dutifully marked his prints with “July 4, 1776”. The delegates didn’t start signing the document until August 2, and all the signatures weren’t down on parchment until November. The dramatic depiction of the signing taking place on July 4 in the musical and movie  “1776” is fake history.  It’s not all Broadway’s and Hollywood’s fault: the iconic painting “Declaration of Independence,” by John Trumbull, a version of which hangs in the Capitol Rotunda in Washington and which the actors are staged to re-enact in “1776” is often captioned “July 4, 1776.”

Trumbull’s artwork actually shows the moment on June 28 when the Declaration drafting committee officially presented its work to  the chairman of Continental Congress. John Hancock, There never was a signing ceremony.

Nonetheless, July 4 has, for some reason, been an unusually felicitous and significant day in U.S. history. It would be difficult to pick another that carried so much history, even without being the chosen date to honor the nation’s founding. Three of the first five U.S. presidents died on July 4, with John Adams and Thomas Jefferson famously dying on that date within hours of each other in 1826, fifty years after….the Declaration was sent to the printer.

But July 4, 1803, was the day word arrived from Paris that the Louisiana Purchase was complete, having been signed by Napoleon.  Without it, the United States would have been a very different country, and a much weaker and poorer one.

July 4, 1863 also was the date Robert E. Lee acknowledged his defeat at Gettysburg after his desperate, risky, massed attack on the Union line across a fence-strewn field and up a grade into artillery fire failed. That defeat probably sealed the fate of the Confederacy, and meant that this unique nation would, despite a bloody close call,  have a new birth of freedom, and that government of the people, by the people, for the people, shall not perish from the earth. Continue reading

When Bad Ideas Grab The Culture By The Throat: San Francisco Gives A Demonstration

In my one lucky private audience with genius and futurist Herman Kahn, he mused about how societies periodically forget important lessons of conduct that had been that absorbed by the culture over decades or even centuries. The result, he said, can be disastrous, even fatal to a civilization.

At the time he was talking about the Sixties-sparked cultural amnesia about the reasons sexual promiscuity and having children out of marriage were societal poison–forgetting THAT has worked out well, don’t you think?  Yet I have thought about Kahn’s observation a lot lately, as for the second time in my life the nation I live in appears to be suffering from a cultural nervous breakdown.

As toxic as it is, the embrace of historical airbrushing is far from the most dangerous of the  examples of this phenomenon that threaten the U.S. today, but it is one of the flagrant. Not for the first time, San Francisco is giving us a vivid demonstration of what happens when, as Herman put it, “whole cultures go stupid.” If the right lesson are learned  before it is too late, maybe the ultimate effects will be positive.

I am not optimistic.  After all, San Francisco’s peculiar version of social justice has led to a city culture that regards human feces on sidewalks and public places as acceptable. Continue reading

Saturday Ethics Pick-Me–Up, 6/15/2019: The “Oh, Fine, It’s Afternoon Already And I’m Barely Awake” Edition

Bvuh.

Travel hangover today: I’ll do the best I can…

1. Thank you, loyal commenters, for a yeoman job in yesterday’s Open Forum.

2. Confederate Statuary Ethics Train Wreck update. Now the historical airbrushers (all from Progressiveland, just in case you couldn’t guess) are going after Civil War recreations and commemorative events. The head of the Lake County Forest Preserve in Illinois declared that there would be no more annual Civil War Days event after next  month’s edition, if he gets his way. He doesn’t think Confederate flags should ever be displayed, even in battle recreations. Besides, he wants the event to be retooled so that instead of commemorating the single most important period and struggle in U.S. history, it advances an understanding of climate change.

(Who are these people? How did they get this way? What do we do about them so the cultural damage they inflict is contained?)

The home-grown historical censor also said,

“This has nothing we want, nor should celebrate, nor re-enact. When southern states are being made to tear down every statute representing this racist, murdering chapter of our history, I can’t believe here in Lake County our own forest preserve is preserving and celebrating it every year, and with our tax dollars.”

This deliberately brain-dead approach to U.S. history is working (aided greatly by the atrocious neglect of American history in our schools), and by working I mean promoting ignorance so citizens can be more easily misled. The Wall Street Journal reported that visits to Civil War national battlefields are falling off. Over 10 million Americans visited  Gettysburg, Antietam, Shiloh, Chickamauga/Chattanooga, and Vicksburg  in 1970. They only had 3.1 million visitors last year.

That’s about as many tourists as visited the “Cheers” bar in Boston.

3. Oberlin race-baiting update: in case you missed it, the jury in the Gibson’s Bakery case  hit the college with the maximum punitive damages, capped by law at 22 million dollars.  Continue reading

Comment Of The Day: “Memorial Day Weekend Ethics Warm-Up, 5/25/2019: Julian, Conan, Naomi, and Ousamequin”

The Myles Standish Monument

Regular readers  know that there are many superb comments here that I don’t re-publish as Comments of the Day.  One category of comment that is often neglected is the jeremiad, and dire predictions of the dystopian, Orwellian future that the current all-out assault on American values, traditions and institutions will eventually produce. 

I don’t like fearmongering as a tactic; if I ever did, the disgusting resort to it by Democrats as a way to sabotage President Trump would have been sufficient to reverse my approval forever. Nor am I a pessimist regarding this remarkable nation and the strength of its unique culture and the citizens who maintain it. 

That does not mean, however, that I think we should ignore the dangers to democracy that are now building in intensity. In this Memorial Day themed Comment of the Day, Steve-O-in NJ raises legitimate concerns. Remember that MSNBC host Chris Hayes once said that he was uncomfortable calling fallen soldiers heroes.

This is the predominant ethos of today’s American Left, an anti-patriotic, anti-exceptionalism, anti-American, anti-nationalist mindset that really has absorbed John Lennon’s infantile vision of utopia—no borders, no nations, nothing to live or die for—as a driving philosophy.

Here is Steve-O’s Comment of the Day on the post,Memorial Day Weekend Ethics Warm-Up,5/25/2019: Julian, Conan, Naomi, and Ousamequin:

This holiday itself might come under attack.

The origins of Memorial Day aren’t as clear as you might think. The idea of decorating the graves of the fallen with flowers dates back to before the founding of this country, but here it was largely confined to families or, occasionally communities until the time of the Civil War. In 1861 Southern women organized to clean up and decorate the graves of the South’s fallen in Warrenton, VA and Savannah, GA, which leads to the concept that the holiday has Confederate roots. On May 1, 1865, the freedmen of Charleston, SC, led a parade of 10,000 to honor 257 Union soldiers who they had rescued from a mass grave and reburied. The earliest record of Decoration Day in the North was in 1868, proclaimed by General John Logan, Commander in Chief of the Grand Army of the Republic (Union veterans’ organization). Only in 1967 does Federal statute make it the holiday we know today.

The holiday is not a Confederate invention, nor was that first observance, in Charleston, even about the dead of the South.

Continue reading

Memorial Day Weekend Ethics Warm-Up, 5/25/2019: Julian, Conan, Naomi, and Ousamequin

Happy Memorial Day Weekend!

It’s going to be a Sousa weekend here. The piece above is one I bet you haven’t heard before. President Chester A. Arthur ordered Sousa to compose a replacement for  1812’s   “Hail to the Chief,” which had announced Presidents since John Quincy Adams, although it went in and out of fashion. (President Polk, it is said, always had “Hail to the Chief” played because he was so physically unimpressive that nobody noticed when he entered a room without the fanfare!) After Arthur left office, Presidents returned to to”Hail to Chief,” and Eisenhower made it the official tune of the office in 1954.

1. A First Amendment stretch. Julian Assange has been indicted. Good. He conspired with a weak-minded and troubled soldier to prompt him, now her, to steal U.S. secrets so he could publish them and promote his anarchist website, Wikileaks. The act almost certainly got U.S. agents killed and did other irreparable harm. Assange isn’t a journalist, and publishing stolen classified information isn’t journalism. Naturally journalists are lining up to defend Assange, especially the New York Times, which was the beneficiary of the Pentagon Papers ruling. They see a conviction of Assange the way abortion zealots see bans on late-term abortions: a camel’s nose in the tent, the slippery slope.

The use of journalistic publications as illegal document laundering devices has always been the least compelling aspect of First Amendment protection of freedom of the Press. I have never believed that it was a wise and fair protection, and if Assange’s just desserts weaken the right of newspapers to publish troop movements,  private citizens’ tax returns, and grand jury proceedings, good.

2. Did Conan O’Brien steal a writer’s jokes? You decide! Here is a joke Robert Kaseberg wrote on Twitter on June 9, 2015: Continue reading

And Another One BitesThe Dust: Bowling Green State’s Unethical Slap At Lillian Gish [UPDATED]

The problem with so many of the statue-toppling/ renaming debacles at U.S. universities isn’t just that they are  transparent grandstanding, virtue-signalling and pandering to power-seeking black activists. The more disturbing problem is the intellectual vacuousness and lack of critical thought that school administrators display in the process of their grovels. The recent action of Bowling Green State University in Ohio is a particularly noxious example.

[Correction notice: the post originally had the university in Virginia, perhaps because I was once pulled over for reckless driving in Bowling Green, Virginia. Anyway, that was wrong. My apologies.]

Lillian Gish ( 1893-1993) had an epic  film career spanning 75 years, from 1912, in silent films,  to 1987. She was frequently  called the “First Lady of American Cinema,” and film historians credit her with introducing basic movie performing techniques to her craft. The PBS series, American Masters devoted an episode to Gish’s life and achievements; Turner Classics Movies observes,

Having pioneered screen acting from vaudeville entertainment into a form of artistic expression, actress Lillian Gish forged a new creative path at a time when more serious thespians regarded motion pictures as a rather base form of employment. Gish brought to her roles a sense of craft substantially different from that practiced by her theatrical colleagues. In time, her sensitive performances elevated not only her stature as an actress, but also the reputation of movies themselves. 

She had 120 film and TV credits before she was done, including “Night of the Hunter,” an enduring classic. In short, she was important. She enhanced the culture and her industry, and she earned her honors. She should be remembered.

Bowling Green State University has honored  Lillian Gish (and her less-celebrated acting sister Dorothy) for more than 40 years. But members of the college’s Black Student Union objected the theater’s name, on the grounds that in 1915, when she was 22 years old, she was one of the stars in D.W. Griffith’s “Birth of a Nation,” a seminal work in the U.S. film canon by one of its most talented and influential directors. The film, despite its artistic merits and importance to the development of the movies, is widely regarded as racist in content and purpose, celebrating as it does the rise of the Klu Klux Klan. The film is also blamed in part for the rise of Jim Crow in the South, also aided by President Woodrow Wilson’s open promotion of the movie as well as Griffith’s political views.

None of which has anything to do with Lillian Gish. Actors don’t write scripts or control a movie’s message, nor are they responsible for how audiences perceive a film beyond their own performances. D.W. Griffith was not only the early 20th Century’s equivalent of a Stanley Kubrick or Steven Spielberg, he was young Lillian’s patron and metor. She had literally no choice other than to accept his decision to cast her in his Reconstruction opus; to rebuff him would have risked ending her career. Nor was there any way, in 1915, for Gish to know what the impact of “Birth of a Nation” might be, or to know, while she was being filmed, what the director would do with the footage.

Gish was not responsible for the movie, and holding that she was is as ignorant and indefensible as it is unfair. Continue reading