awards

How Unethical Is Spike Lee’s Oscar Boycott?

/ Jack Marshall / 55 Comments

SpikeLee

Short answer: Incredibly unethical.

Spike Lee, ground-breaking black director, social commentator, Knicks fan and hot-head, announced that he’s boycotting the Oscars because its 2016 nominations list did not meet diversity mandates, and posted this rant/manifesto on Instagram:

“Again. I Would Like To Thank President Cheryl Boone Isaacs And The Board Of Governors Of The Academy Of Motion Pictures Arts And Sciences For Awarding Me an Honorary Oscar This Past November. I Am Most Appreciative. However My Wife, Mrs. Tonya Lewis Lee And I Will Not Be Attending The Oscar Ceremony This Coming February. We Cannot Support It And Mean No Disrespect To My Friends, Host Chris Rock and Producer Reggie Hudlin, President Isaacs And The Academy. But, How Is It Possible For The 2nd Consecutive Year All 20 Contenders Under The Actor Category Are White? And Let’s Not Even Get Into The Other Branches. 40 White Actors In 2 Years And No Flava At All. We Can’t Act?! WTF!! It’s No Coincidence I’m Writing This As We Celebrate The 30th Anniversary Of Dr. Martin Luther King Jr’s Birthday. Dr. King Said “There Comes A Time When One Must Take A Position That Is Neither Safe, Nor Politic, Nor Popular But He Must Take It Because Conscience Tells Him It’s Right”. For Too Many Years When The Oscars Nominations Are Revealed, My Office Phone Rings Off The Hook With The Media Asking Me My Opinion About The Lack Of African-Americans And This Year Was No Different. For Once, (Maybe) I Would Like The Media To Ask All The White Nominees And Studio Heads How They Feel About Another All White Ballot. If Someone Has Addressed This And I Missed It Then I Stand Mistaken. As I See It, The Academy Awards Is Not Where The “Real” Battle Is. It’s In The Executive Office Of The Hollywood Studios And TV And Cable Networks. This Is Where The Gate Keepers Decide What Gets Made And What Gets Jettisoned To “Turnaround” Or Scrap Heap. This Is What’s Important. The Gate Keepers. Those With “The Green Light” Vote….”

Now let me list as many of the ways Lee’s boycott is unethical (I may stray into why it is stupid as well),  as I can before my fingers get tired and nausea overwhelms me: Continue reading →

Diversity vs. Integrity: The 2016 Oscar Nominations

/ Jack Marshall / 23 Comments

All white Oscars

When I began to watch the televised announcement of the Oscar nominations, I was prepared for a wave of minority nominations. After all, the Academy for Motion Pictures Arts and Sciences was lambasted last year for the absence of African American nominees, and with the Academy stuffed with knee-jerk, left-wing, Democratic donors, I assumed that last year’s criticism would prompt the voters to place an affirmative action thumb hard on every scale. To my amazement, I was wrong! For the second year in a row, all 20 nominees in the acting category were white. The only  nonwhite nominee was for Best Director (Alejandro G. Iñárritu).

This tells me that the Academy Awards, though they may be influenced by so many biases that the final awards—except in rare cases where a performance was so outstanding that nobody could argue with the choice without looking silly—are meaningless as credible determinations of merit, have integrity. They are not “fixed.” The Academy, whose chair is a black woman, would have loved to have a large, or even a small group of black nominees to be able to show more  diversity. The awards, however, are supposed to be based on artistic merit, not EEOC targets. It looks like the Academy’s members voted that way. Good for them.

Oh, naturally, Chris Rock (the Oscar night host—do you really think the Academy would have engaged his services if it didn’t want and assume plenty of black nominees?) has been launching verbal grenades, and Al Sharpton, the renowned film auteur, is calling for a boycott (“when the only tool you have is a hammer…”).  In the end, however, the complaint of black activists is self-defeating and hypocritical Continue reading →

The Destructive, Useful, Unethical Presumption of Bigotry, Part 2: The Oscar “Snub”

/ Jack Marshall / 13 Comments

selma-4

For the second time in nearly two decades, and for the first time since 1998, the Oscars will be awarded to only white acting nominees. This, then, if you listen to the caterwauling race-baiters, is because Hollywood is racist. The Academy’s voters just hid it well since 1998, that’s all. Does that make any sense to you?

There are few more infuriating and transparently illogical examples of an unfair slapping down of the race card than looking for bigotry in the notoriously arbitrary, bias-soaked, essentially meaningless choices for “best” in the various Academy Award movie-making categories. Yet the race card sharks were up to the task.  Naturally, the authority on the subject was Al Sharpton, he whose own performance quality on his MSNBC TV show is so amateurish that it would be shut out in any community theater awards.

“In the time of Staten Island and Ferguson, to have one of the most shutout Oscar nights in recent memory is something that is incongruous,” Sharpton told The Daily News. Wait, what??? Incongruous is the assertion that the nominations for film-making excellence should be influenced in any way by how many blacks are killed resisting arrest. Anyone who finds that to be a logical argument for why more black actors should have been nominated for Oscars is useless to any rational discussion of the issue. I want a show of hands. Continue reading →

Professional Chauvinism At “Above The Law”

/ Jack Marshall / 19 Comments

Clooneys

Lawyers really need to get over themselves. This post, by Staci Zaretski at the legal gossip site “Above the Law,” was introduced in my e-mail inbox with this line:

“Amal Clooney’s lifetime achievements are far greater than those of her husband, George Clooney. Where’s her award?”

The flip answer would be: “George Clooney.” But to the point: one has to have an enhanced regard for the profession of the law and a dismissive and culturally ignorant attitude towards the arts to state that “Amal Clooney’s lifetime achievements are far greater” than those of George Clooney.” Zaretski is welcome to her biases, but by any fair measure, the lifetime achievements of an actor of Clooney’s popularity, daring and prominence far outstrips those of a lawyer like Amal Alamuddin Clooney.  “Above the Law” makes its case thusly:

“Amal is a human rights lawyer who worked on the Enron case, was an adviser to Kofi Annan regarding Syria, and was selected to a three-person U.N. commission investigating rules of war violations in the Gaza Strip.”

Hundreds of lawyers worked on the Enron case(s): you will have to prove to me that she had some special impact that another lawyer with similar skills, and there are thousands, would not have. So she was an adviser to Kofi Annan regarding Syria: is Zaretsky aware that Annan’s misguided and naive efforts to broker a Syrian peace saved not a single life, and may well have blocked more substantive and effective initiatives? Then she served on a commission “investigating rules of war violations in the Gaza Strip.” Translation: she is a willing participant in the U.N. effort to demonize Israel for defending itself from Hamas shelling.  She also is defending Julian Assange. I don’t hold that against her: he’s a criminal, but he deserves a defense. Would he have not gotten one without Amal Clooney? Of course he would have. Continue reading →

First Nomination For “The Donald Sterling Award Award”: The American Bar Association

/ Jack Marshall / 2 Comments

Cracked trophy

It’s time to launch  a new dubious honor here at Ethics Alarms: The Donald Sterling Award Award.

The DSAA gets its name from the embarrassing “Man of the Year” award that the San Diego NAACP was preparing to bestow on Donald Sterling shortly before his racially offensive comments to his mistress were recorded and leaked to the news media. Sterling had already engaged in conduct that seemed to make  NAACP recognition both unlikely and ill-advised, so his award, which the organization retracted, is the perfect model to emulate for future organizations determined to undermine their values and objectives by choosing inappropriate honorees.

And the first nomination for the The Donald Sterling Award Award is The American Bar Association, for its decision to give its 2014 Robert J. Kutak Award to New England Law/ Boston dean John F. O’Brien.  The award is given annually “to an individual who has contributed significantly toward increased cooperation among legal education, the practicing bar, and the judiciary.”

Well, maybe O’Brien technically deserves that award, but then Sterling had given a lot of money to local projects benefiting African-American kids in San Diego, too.  The problem is that O’Brien could serve as the poster boy for the ugly underbelly of legal education and its disconnect to the current economics of the legal profession. In 2013, he gave his school unwanted publicity when it was revealed that he earned a salary of $867,000, among the very highest law dean salaries in the country, while  low-ranked New England Law/ Boston charged $40,904 for yearly tuition. Before considering lowering his own compensation, he started cutting faculty positions, until he finally relented and took a pay cut to a paltry $650,000 a year. I know, it’s less than three Hillary Clinton speeches. But the going rate for deans at the top law schools has been estimated to be “only” $450,000, and O’Brien runs a school that is the opposite of “top.” Continue reading →

Emmy’s Transgender Nomination: Important, Inspiring, and a Breach of Integrity

/ Jack Marshall / 18 Comments

laverne-cox-timeThe Emmys made cultural history yesterday, nominating Netflix’s “Orange Is the New Black” actress Laverne Cox, who plays Sophia Burset in the prison drama, in the category of outstanding guest actress in a comedy series. It is the first time an openly transgendered actress has been nominated for an Emmy.

She joined several of her colleagues  on the show who were also recognized in various acting categories: stars Taylor Schilling, Kate Mulgrew, Uzo Aduba and Natasha Lyonne.

The problem is that Cox received the nomination for political and social reasons unrelated to her performing skills. This will be denied, of course, and since all awards are subjective, no one will be able to prove this is the case. It is, however. In the large, uniformly superb ensemble cast, Cox’s role is relatively minor, and I have a difficult time believing that anyone would objectively identify her as a standout in the show based on her acting. (In the current season, which I have seen in its entirety, her character is almost invisible). This isn’t intended to diminish Cox in any way, for in the role she plays, I cannot imagine it being played better. Nevertheless, there are many un-nominated actresses in that show—as well as other shows— whose characters are more vivid, who have to show more range, and who are more deserving of a nomination once the process is stripped of irrelevant political baggage. Among them: Taryn Manning, whose transformation into the complex religious fanatic Tiffany “Pennsatucky” Doggett is frightening; Yael Stone, as the heartbreaking stalker Lorna Morello; Samara Wiley, as te alcoholic moralist Poussey Washington, and several others.

Everyone is thrilled for Cox, with Cox, reasonably, leading the way. “I’m on cloud nine. I’m through the roof,” said the actress, whose path to an award was  paved when she was featured on the cover of Time magazine.“What a wonderful, wonderful day for “Orange” and for black trans-women,” she said.

Undoubtedly. It’s not such a great day for the acting profession generally, the Emmys, or the principle that awards based on merit should be decided based on merit, and not social and political agendas. I would say, “But that’s Hollywood,” except that it isn’t just Hollywood. Continue reading →

Ethics Quiz: “12 Years A Slave” Plays The Racial Guilt Card On Oscar Voters

/ Jack Marshall / 106 Comments

12_years_ad_2.jpeg

“It’s time.”

This is the  tag line in the post-Oscar nomination ads being prominently run in New York and California for  “12 Years A Slave,” a strong Academy Award contender (nine nominations, including best film).

Although there is room for disagreement, and the ad has the virtue of all clever advertising that it conveys different messages to different markets—Haven’t seen the film yet? “It’s time!”  Desperate to see the best movie you saw in 2013 finally get its due? “It’s time!”  When will the question of whether the most honored film of the last 12 months will win the biggest honor of them all be answered? “It’s time!”…or almost time, as the Oscar ceremonies are coming up on March 2—the consensus is that “It’s time” is mainly aimed at Oscar voters, and the message it conveys is, as Slate puts it, “it’s time for a movie about slavery, and with a significantly black cast and crew, to be recognized by the Academy of Motion Picture Arts and Sciences.” Film critic Phil Hammond puts it slightly differently:

“The ad not only can be interpreted as shining a light on a very dark period in American history, it also shines a light on the Academy’s fairly dismal record of awarding its top honor to any movie about the black experience. In fact there has been only one Best Picture winner in the 85 years the Academy of Motion Picture Arts and Sciences has been handing out Oscars that even remotely qualifies in this regard. In 1968, In The Heat Of The Night, a murder mystery set against the racial divide in a small Southern town, won Best Picture and four other Oscars just a few days after the assassination of Martin Luther King (the ceremony was even postponed two days out of respect). The votes were in before the King assassination, but it seemed then that “It’s Time” would have been an appropriate way to describe that victory. However, outside of lead actor Sidney Poitier — who also co-starred in another racially themed Best Pic nominee that year, Guess Who’s Coming To Dinner —  this movie  featured a largely white cast, white producer, screenwriter and director (Norman Jewison).”

If so many in the industry are interpreting the ad this way, it is fair to assume that this was at least one of the ad’s objectives, and on the assumption that it was an objective, your Ethics Alarms Ethics Quiz today is this:

“Is appealing to Oscar voters on this basis fair and ethical?”

I can see strong arguments for each position. Continue reading →

What A Hollywood Journalist Calls “Ethics”

/ Jack Marshall / 33 Comments
Listen to me, Roger, and I mean this in the nicest way: stick to gossip.

Listen to me, Roger, and I mean this in the nicest way: stick to gossip.

The Hollywood wagons are already circling around Woody Allen, accused—again, but now as an adult who can speak for herself—by Dylan Farrow of sexually abusing her when she was only 7 years old. Reading some of the statements issuing from Tinseltown, I am struck again by the ugly opposition any non-celebrity victim must face when accusing a powerful industry figure of wrongdoing. Luckily, many of the most vociferous defenders signal their desperation and their lack of basic comprehension of the issues, undermining their arguments.

Exhibit A is veteran Hollywood journalist Roger Friedman, who was quick to issue an article alleging, as he has for 20 years, that Dylan’s story is all part of a Mia Farrow plot to destroy innocent Woody. On his website, Friedman headlines his piece, “Mia Farrow Uses Close Pal Journalist in Woody Allen War: Writer of Latest Piece is Close Friend.” Friedman’s concept of what constitutes a “conflict of interest” is intriguing. His argument is that Times journalist Nicholas Kristof, who published Dylan’s open letter on his blog, is friends with Mia Farrow (Friedman implies that they are romantically involved while specifically saying that he isn’t implying it–his evident journalistic sliminess would undermine even a fair article, which this is not), and that this makes Dylan’s letter less credible. What he doesn’t explain, since he can’t, is why the same letter would be any more credible or reliable whether Kristof published it or someone else did. Continue reading →

Ethics Hero: Dylan Farrow (and Observations On Her Open Letter To Woody Allen’s Fans)

/ Jack Marshall / 55 Comments

dylan-farrow

Dylan Farrow was 7 years old when, she alleges, her adoptive father Woody Allen began sexually molesting her. Although this became the focus of the legal and public relations battle between her mother, actress Mia Farrow and Allen as their once romantic and domestic relationship—-already destroyed by Allen’s courtship, seduction and marriage of Dylan’s older, also-adopted sister Soon Yi—exploded onto the scandal sheets more than 20 years ago, the now-married Dylan has never spoken out about it herself, though her mother and other siblings have. Allen avoided any criminal charges despite an investigation that found probable cause, and his popularity among film-goers and his stature in Hollywood seemed to be undamaged. Last month, however, a lifetime achievement award at the Golden Globes (accepted by a fawning Diane Keaton) re-opened the unhealed wounds for the Farrows, and Allen’s Oscar nomination last week for his original screenplay for “Blue Jasmine” was apparently too much.

Now Dylan Farrow has decided to tell her own story, and has done so in open letter form, published on the blog of New York Times columnist Nicholas Kristof.

I ask that you read it now, here, before you read anything else. Her courage in writing this powerful statement earns the right to have it received on its own terms.

Observations: Continue reading →

Mariano’s Nobel Peace Prize

/ Jack Marshall / 17 Comments
Mariano Rivera moment

Mariano Rivera’s  moment at the All-Star Game

Rigged awards destroy the integrity of all awards, and every time an award based on merit is transformed into a cheap Hallmark card that means no more than “We really think you’re swell!”, I pray that the next recipient refuses it on the grounds that the award is a sham. The classic example, of course, was the Nobel Peace Prize given to Barack Obama for no reason whatsoever, but Mariano Rivera’s 2013 Major League All-Star Game MVP Award was equally blatant. Continue reading →