censorship

Mid-Day Ethics Interruptions, 6/4/2021: After the First Item, You May Not Want To Read Any More…

/ Jack Marshall / 22 Comments

Screamfest

1. When ethics alarms were never installed...The question here is not whether this was unethical. Of course it was. The question is how such an episode could happen anywhere in this country. Eight high school football coaches at McKinley Senior High School in Canton, Ohio have been placed on paid leave after apparently forcing a 17-year-old player, a Hebrew Israelite whose faith forbids the consumption of pork, to eat a pepperoni pizza in front of the team as punishment for skipping a practice. The family is suing the school district for violating the student’s First Amendment rights.

The head football coach, Marcus Wattley, allegedly told the boy that if he didn’t eat the pizza, his team mates would be punished. I don’t comprehend this. How can someone live in the U.S. and think forcing a child to violate his faith is anything but abuse? How does someone like Wattley get hired by a public school and entrusted with the welfare of children? Why would any high school have eight assistant football coaches?

If the facts are confirmed in an investigation, more than the coaches should be fired and, one hopes, prosecuted. The principal and other administrators should also be canned. [Pointer: JutGory]

2. Nah, there’s no mainstream media bias…The dozens of ways the mainstream media warps the news and manipulates public opinion becomes oppressive once you are sensitized to it. The headline in the Times two days ago, for example, was “GOP Challenges Teaching of Racism’s Scope.” That headline presumes as fact that “Critical Race Theory” and the “1619 Project” fairly and accurately convey “racism’s scope.” “GOP Challenges What It Calls Anti-White, Anti-America Indoctrination In the Schools” would be a neutral headline. Later in the same article, the news story refers to President Trump’s “racist comments, ” which is just a continuation of a narrative build on a media-fueled Big Lie. President Trump made many insensitive, provocative and politically incorrect comments. None were “racist.”

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Waning Wednesday Ethics Wonders, 6/2/2021…

/ Jack Marshall / 20 Comments

What’s the ethical reaction to this story? Angelia Mia Vargas, 24, has been charged with deadly conduct with a firearm after she accidentally shot her 5-year-old son while trying to shoot an over-enthusiastic 6-month-old boxer puppy that got loose from a neighbor and was running through her yard. Neither the dog nor the boy were seriously injured. My reflex reaction, I confess, was, “HA! That should teach this idiot something about gun safety!” and then I instantly regretted it. The child was innocent: what really would have been condign justice was if her shot hit her car’s gas tank and it blew up. Shooting herself in the foot would have been good. “She could have handled it differently,” said Bruno the puppy’s owner. Ya think? Here’s the terrifying beast that Angelia thought justified deadly force:

Bruno

Should this woman have custody of a child? [Pointer: valkygrrl]

1. The rest of the story….There were a record number of Tulsa Race Massacre demonstrations on Memorial Day, as one might expect with “hate whitey” being the current fad. What was supposed to be the biggest one, in Tulsa of course, was cancelled after three survivors demanded $1 million each to appear. The May 31st Remember & Rise event was also supposed to feature John Legend and Stacey Abrams—boy, if only my sock drawer hadn’t been in such bad shape!– but it was called off because Viola Fletcher, 107, her brother Hughes Van Ellis, 100 and Lessie Benningfield Randle, 106, increased their appearance fee from $100,000 each to $1 million each. Their lawyers also demanded that a reparations fund be increased from the agreed-upon $2 million to $10 million. What does this tell us about how reparations would turn out if the U.S. were ever so unhinged as to agree to them?

I did learn that the young African-American, Dick Rowland, whose arrest after a white woman accused him of rape (or something) during an encounter in an elevator was the fuse for the violence wasn’t prosecuted. He was released, left Tulsa, and never returned.

I wonder why…

2. Here I go, obsessing about group identity again...In New York, the “Career Opportunities in the Accounting Profession” program, sponsored by the New York State Society of Certified Public Accountants and the Moynihan Scholarship Fund, will introduce 250 “promising underrepresented high school students” to the accounting profession. The program will include virtual sessions about forensic accounting, interviewing skills, public speaking, networking, and an “accounting profession overview” featuring a panel discussion with experts in the profession. What a great idea! Nine institutions, including Ithaca College, Medgar Evers College, Rochester Institute of Technology, St. John’s University, Siena College, SUNY New Paltz, SUNY Oswego, the University at Buffalo, and Westchester Community College co-host the program, which is free of charge for students.

Oh—white students may not apply. The online application for the program includes options for Hispanic, Black, Asian, and Native American students, but no option for white students. When confronted about the apparent discrimination involved, SUNY Oswego Provost and Vice President for Academic Affairs Scott Furlong huminahumina-ed that “SUNY Oswego participates in supporting the program and sees this as a beneficial service to the profession, but we strongly believe that all disadvantaged students would benefit from the COAP program.While we do not participate in recruiting the student participants in COAP or in the setting of policy for student membership, SUNY Oswego would prefer a more inclusive perspective regarding membership in COAP and the NYSSCPA policy…[which would] “align with SUNY Oswego’s ethos that is rooted in diversity of thought and people, equitable practices and policies, and inclusive experiences.” Furlong said that the matter “merits much future discussion for the purposes of having SUNY Oswego reassess our involvement and reconsider our sponsorship.”

Meanwhile, his institution will continue to participate in a program that discriminates against white students.

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A Deeper Dive Into The Western Washington University “No Exit” Protest

/ Jack Marshall / 1 Comment

empty seast

Guest Post by Rick Jones

[Before I turn the floor over to Rick, also known here as “Curmie,” a couple of comments are in order. I had hoped that the post yesterday about the Western Washington University student protest over the decision to produce “No Exit,” the 1944 existential drama by Jean-Paul Sartre, would generate commentary from Rick, for several reasons. First, he is one of my favorite bloggers on his own, the proprietor of Curmudgeon Central, which has a new post up right now regarding the George Floyd incident one year mark. More relevant to our topic right here and now, Rick is a distinguished college professor, drama teacher and stage director, who has special insight into university students and live theater. As he reveals in the article to come, he also is better qualified to discuss “No Exit” than I; indeed, he has now convinced me to give the work another chance, since it has been decades since I read or saw it.

I also was thrilled to receive this submission from Rick because I feel very strongly that live theater is imperiled in the U.S. I know most readers here do not share my dedication to theater; few Americans do, and fewer all the time. But I have lived a double life (as a character in Tom Stoppard’s “The Real Inspector Hound” adds “At least!”), spending  as much of my passions and energies on theater as any other pursuit from high school until to five years ago, when I ended the 20-year run of my small, maverick, professional theater company. My timing was excellent, because the panic-driven lockdown has killed many of The American Century Theater’s competitors here in the D.C. area, maybe most of them, and a year of using Zoom and streaming services has undoubtedly convinced many one time audience members that live theater isn’t worth the time, inconvenience or expense. In the same period, toxic political correctness, political obsession and woke fanaticism has grown exponentially, and these were existential threats to theater already.

The “No Exit” controversy is a symptom of a very serious threat to live performance art, which has been a force for uniting societies and enlightening the public for centuries. We need it more than ever now. A lot is at stake. JM]

***

My department has produced “No Exit”(which, by the way, I like a lot more than you do, Jack) twice in the last decade.  The first of these was directed by a talented and intelligent female student (an ardent feminist, by the way) who went on to earn a Master’s from a prestigious university overseas.  And we also did an online-only production last fall, directed by a colleague who’s one of the smartest people I’ve ever known, with a PhD in Theatre from arguably the best doctoral program in the country.  Oh, did I mention that she’s a lesbian? 

And, of course, the sense of isolation in the play was a major reason the play was chosen: because we all have a greater understanding of that phenomenon now than even the most creative thinkers could have managed a year earlier.  Moreover, please forgive me if I think that perhaps my colleague, who has published and taught courses on Queer Theatre, might have a more sophisticated understanding of the concepts at play in that particular theoretical framework than would a gaggle of pretentiously woke undergrads.

I am apparently lucky not to be at WWU.  When I announced my show for this spring as Jean Genet’s “The Maids”and described the two central characters as “would-be murderers who engage in sado-masochistic lesbian incest,” it generated interest on the part of most of our best actresses; if there was any dissent—from either very liberal students or a very conservative larger community—I never heard about it.  (Side note: although it wasn’t produced until later, “The Maids” was chosen and announced prior to”No Exit” which was a late substitution for a play we were unable to do.  I wouldn’t have chosen to do two existential French dramas from the 1940s in the same season, but that’s what we ended up with.)

But revenons à nos moutons.  When I started this response, I intended to go point by point through the students’ commentary, but that got really long, as virtually everything they say is nonsense.  So: a few general points:

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Ethics Half-Hero: Western Washington University

/ Jack Marshall / 3 Comments

noexit07a

When it comes to colleges and universities standing up to political correctness and woke demands for intellectual non-diversity, half-heroes are still better than the norm. The norm is abject cowardice and the ethical integrity of a sea sponge.

At Western Washington University, theater students attempted to cancel the Theater Department’s fall production of “No Exit,” the 1944 existential drama by Jean-Paul Sartre. (Full disclosure: I would rather be cursed to organize a thousand sock drawers than watch or read that play again.)

A letter of protest from students echoed many of the rationalizations for censorship and political cleansing of the arts that have metastasized into serious threats to intellectual freedom and creative liberty across the nation. Not to keep you in unnecessary suspense, the school did not cave to the student demands, nor grovel an apology for daring to arouse their ire, as most colleges (and high schools) would do today. “No Exit” will still be produced in the Fall. The school still only gets a half-hero rating for its verdict of no exit from “No Exit,” however, because it has agreed to provide “trigger warnings” for audience members.

As to the latter: Yecchh. By capitulating to this degree, the school has allowed the camel’s nose of faux ideological trauma into the metaphorical tent of the arts. Art, especially performance art, is intended to provoke strong reactions by introducing new and unexpected experiences and ideas into the unique dynamic of an audience. Someone who is so emotionally (read “politically programmed to be..) fragile that they have to be warned so they can avoid uncomfortable, jarring or, more frightening yet to crypto-totalitarians, non-conforming ideas should avoid the theater, like a tone deaf man who only appreciates commercial jingles should avoid the opera. By pandering to this part of the student demands, the school has abandoned a crucial principle without which theater cannot survive.

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Regarding “Uncle Tim”: Everybody’s Wrong.

/ Jack Marshall / 50 Comments

Scott response

South Carolina Republican Senator Tim Scott delivered a rarity, an opposing party “replay” to a Presidential address that was eloquent, powerful, and relevant. However, Scott also fell into the ethics abyss by demanding that Twitter take down tweets that included the hashtag “Uncle Tim.” Scott called the trend “upsetting” and “so disappointing” this morning, saying that it shows the left “are literally attacking the color of my skin.”

Well yes, they are. That shouldn’t be surprise, since they have also been attacking the color of MY skin.

The conservatives, as the mainstream media likes to say when Republican point out hypocrisy, “pounced”:

Tim tweet 1

Tim tweet 2

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Announcement: I’m Deleting My Twitter Account. It Is An Unethical Platform, And No One Should Support It

/ Jack Marshall / 25 Comments

Twitter, which has already shown that it is willing and ready to use it power to control whose opinions reach the public, admitted this weekend that it has agreed to a request from the Indian government to censor tweets from that nation been critical of Prime Minister Modi and his administration’s disastrous response to the Wuhan virus pandemic.

That’s from Prof. Turley’s article on this disgraceful conduct by an American corporation. Local Indian legislators are among those being silenced with Twitter’s complicity:

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Attention Democrats: Former President Trump Is Not Your Vaccination Monkey

/ Jack Marshall / 6 Comments

The arrogance and hypocrisy of the rising totalitarians of the Left is staggering.

Chelsea Clinton said yesterday that former President Trump ought do “the right thing” by publicizing photos of himself getting shot up with one of the various vaccines that we keep learning new information about that we were not informed of before we had the vaccines. After all, the one-time “First Daughter” asserts, this would encourage Trump voters, who polls show (if you trust them) are more dubious about Wuhan virus vaccines than the more compliant Americans, to throw aside their doubts and get with the program. Get in line. Follow orders.

First of all, Chelsea Clinton is a B or C list celebrity, and that’s all she is. She has no more legitimate authority than such empty-headed loud-mouths and “social media influencers” as the Kardashians or Alyssa Milano—less, in fact, since Milano actually built a career in show business with her own talent. Clinton is a woman who was lucky in the assignment of parents Fate gave her, and that bit of good fortune should entitle her to as much legitimacy as a critic of President Trump as the goof who won the last Powerball lottery.

I’ve met Chelsea, and she’s nice enough, but so is the elderly man who owns my local 7-11. I don’t see him telling Donald Trump what “the right thing is.”

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The New Fascists Among Us, Part II: The American Medical Association

/ Jack Marshall / 16 Comments

The tweet above is the smoking gun that proves the attitude toward freedom of thought, opinion and expression in the American Medical Association, a group that most Americans believe is dedicated to the area of expertise of its members: health and medicine. The tell-tale words of the fascist are right there: “harmful podcast and tweet,” because words that challenge the required orthodoxy must not be allowed, and “We are taking steps to ensure this doesn’t happen again,” meaning intimidation, punishment, indoctrination, and censorship. These are the tools of those who fear free speech, and who demand compliance with mandated beliefs.

Once the damning tweet was exposed by, among others, Campus Reform, the American Medical Association took it down. There is no reason to do this unless the group realizes that it reveals too much. This tweet, however remains:

That tweet exposes the AMA for what it is: a political ally of an ambitious rights-repressive regime, and an organization that is abusing its perceived authority and the public trust. As with a similar recent proclamation by the CDC, firearms and the Second Amendment are not the proper concern of the AMA. Using the power of a collective professional organization to lobby publicly or privately for restrictions on American rights unrelated to medicine is an abuse of power and a misrepresentation. (The American Bar Association, and many, many others, engage in the same insidious mission creep. It is why I refuse to belong to the ABA.)

In past posts on this topic, I have noted that if my doctor started questioning me about whether there is a firearm in my home (there is), I would a) end the discussion, b) leave the office and c) find a new doctor, just as I would if he quizzed me about how fast I drove or what kind of dog I owned. Physicians are authoritarian by nature, and I suppose it is to be expected that they would gravitate toward totalitarian government and its methods. Expected, I say, but not tolerated or excused, at least by me.

Nobody else should tolerate or excuse it either.

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The Great Stupid Rolls On: Once Again, The News Media Makes Us Play “Wheel Of Fortune”…

/ Jack Marshall / 28 Comments

Barely three weeks ago, Ethics Alarms offered this post, “The New York Times Refusing To Inform Its Readers What Meyers Leonard Was Suspended For Saying Is Far More Unethical Than Leonard Saying It.” Readers of the Times and many other news sources had revealed that the NBA’s Miami Heat center Meyers Leonard was in big trouble because he had used a word that was an ethnic slur so terrible that we couldn’t be told exactly what it was. This is censorship and journalism incompetence at its worse: without knowing the word, the story makes no sense. It is a central fact that the public must know in order to assess whether the outrage over the utterance and the eventual consequences were just.

Ethics Alarms had to inform readers that the word was “kike.” That’s not my job. Nonetheless, I have respect for the public, language, the duty of communication and free speech that the majority of American journalists do not.

Now, in an example of bad ethics deja vu, it’s happened again. Rather than do their job and tell the story, most of the news media is requiring the public to play “Wheel of Fortune,” and complete a phrase by guessing what a word is in order to understand why its utterance by a professional athlete is newsworthy.

Here was how USA Today reported the episode:

Tampa Bay Buccaneers cornerback Carlton Davis apologized for a tweet he sent Sunday night that contained an anti-Asian slur.  Davis said he confused the term for one he was intending to mean “lame” while trying to blame the media for the traction the tweet received.”I would never offend any group of people,” Davis, 24, wrote. “You reporters can look for another story to blow up. The term was directed towards a producer claiming he ‘ran Miami’ With that being said I’ll retire that word from my vocabulary giving the hard times our Asian family are enduring. According to ESPN, Davis wrote “Gotta stop letting (expletive) in Miami” in the tweet that has since been deleted. Anti-Asian attacks have increased recently as the COVID-19 pandemic continues into its second year.In response to the tweet, the Asian American Journalists Association Sports Task Force said in a statement that it “is disappointed by his sentiment, especially at a time when Asians in the United States are experiencing a sharp increase in anti-Asian hate which has resulted in harassment and attacks.”

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Saturday Ethics End Notes, 4/3/2021: “Let it be written, let it be done!”

/ Jack Marshall / 15 Comments

You can’t blame me for featuring this ethics landmark today: On April 3, 1948, President Truman signed the Economic Assistance Act, commonly known as the Marshall Plan, which authorizing the a program to help the nations of a war-torn Europe to rebuild. The effort was designed to stabilize Europe economically and politically so that the Soviet Union would not be able to spread communism further. U.S. Secretary of State George C. Marshall gave the plan its name with a speech at Harvard University on June 5 of the previous year. He proposed that the European states meet to agree on a program for economic recovery, and that the U.S. would would help fund it. The same month Britain and France invited European nations to send representatives to Paris to follow-through with Marshall’s formula. The USSR, Hungary, Czechoslovakia and Poland declined the invitation. The resulting Committee of European Economic Cooperation eventually presented its plan to Congress, which authorized the “Marshall Plan” on April 2, 1948. The next day, it was signed into law.

  1. It’s that time again! The Cecil B. DeMille classic “The Ten Commandments” airs at 7 p.m. tonight on ABC. I recommend renting it for a few bucks on Amazon Prime: commercials now add a full hour to the movie, which is already one of the longest U.S. films ever made. I watch the 1956 jaw-dropper at least once every year. No movie ever blew my mind like that one did when I saw it as a child, and, I noted with amazement last week when I watched it again, certain scenes still blow my mind now, like the Exodus, easily the greatest crowd scene that ever had been or ever will be. My top ethics notes:
  • The screenplay’s direct condemnation of slavery in Moses’ early speech is remarkable for the period, and gutsy for the most expensive movie ever made (to that point) that needed big audiences from the old Confederate states during the middle of a growing civil rights movement.
  • Like Ted Williams’ home run in his last at bat, DeMille bet everything on his biggest challenge at the end of his career when he had already made Hollywood history and was a living legend….and he succeeded. I admit, I’m a sucker for that. The movie killed him, essentially: CB suffered a heart attack while directing the huge scene where Moses leads the Jews out of Egypt, and never recovered. I’m sure he’d say it was still worth it.
  • As a director, I have learned that the greatest and most frightening challenge is trying to top yourself. I admire the artists who attempt it, and especially those who succeed. DeMille had already made a silent movie version of the story that stood as the top-grossing film of all time until his own talkies broke its record.
  • I cannot think of a better example of the ethical principle that if you are going to do something that matters, do it right and don’t cut corners. Like David O. Selznick’s “Gone With The Wind,” TTC is filled with astounding grace notes and details that are the mark of a perfectionist. On this week’s viewing, I noticed for the first time that when we see Egyptian princess Nefertiri primping in a mirror, her image is dark and indistinct. That’s because glass mirrors were unknown in ancient Egypt: the mirror is polished metal.
  • The 1957 Oscars , which largely snubbed De Mille’s masterpiece, show how bias makes you stupid, and how little the movie community understands its own medium. “The Ten Commandments” was the movie of the year and everyone knew it: it was the top grossing film and had scenes that were immediately recognizable as likely to become legendary (like the parting of the Red Sea.) But most of the Oscars, including Best Picture, went to “Around the World in 80 Days,” the over-stuffed “spectacular”—unwatchable now— made by industry darling Mike Todd. DeMille didn’t even rate a Best Director nomination. He was considered a conservative pariah and a dinosaur, and the “new Hollywood” wouldn’t bring itself to recognize an old pro doing his best work.

2. And now, speaking for the arrogant, biased, not as smart as they think they are people who lie to you daily, Lester Holt! At the 45th Edward R. Murrow Symposium at Washington State University, Holt received the Lifetime Achievement Award from the Edward R. Murrow College of Communication, presumably because they had to find a black journalist to give the thing to. Among his comments, which generally proved the stunning lack of self-awareness of himself and his industry, he said, .

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