censorship

The Other Shoe Drops: How Will The MSM Deny Twitter’s Viewpoint Censorship Now?

/ Jack Marshall / 21 Comments

Just as Ethics Alarms was flagging the frantic efforts among the left-biased news media and others to deny the obvious and accurate implications of Twitter’s Hunter Biden laptop story censorship—the social media platform deliberately used its power to mislead the public and bolster Democrats— New York Times refugee Bari Weiss dropped the next metaphorical shoe, reporting on more newly released Twitter documents that show its pre-Elon Musk regime was “creating blacklists, preventing disfavored tweets from trending, and actively limiting the visibility of entire accounts or even trending topics—all in secret, without informing users” and all based on an anti-conservative, pro-progressive agenda.

I can’t wait to see how The Washington Post, Phillip Bump and TechDirt apply Yoo’s Rationalization (“It isn’t what it is”) to muddy the issue this time.

Bari Weiss revealed her conclusions from studying the evidence sent to her by Twitter Avenger Elon Musk in a Twitter stream like the one employed by Matt Taibbi in the earlier revelations—you know, about how the Hunter Biden laptop facts were censored, which the New YorkTimes, Washington Post and the news networks shrugged off as “a nothingburger” because it was “old news,” Hunter Biden didn’t matter, and the laptop story wouldn’t have changed the result of the election anyway, so who cares if was censored by Twitter, and yes, them too?

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Ethics Leftovers, 11/25/22: Macy’s, Police Brutality, Giving Thanks For Genghis Khan, And More

/ Jack Marshall / 4 Comments

I have now seen three gags online using that introduction above. All of them were really mean; one made me laugh out loud, and I was sorely tempted to use it. However to do so would be neither ethical nor in the spirit of the season, so I’ll just encourage readers to use their imaginations.

I was especially tempted after hearing President Biden and the First Lady call into the NBC broadcast of the Macy’s Thanksgiving Day Parade—I wasn’t watching at the time, but someone sent me the video yesterday. First, it was an intrusion into what is supposed to be a completely non-political holiday event  for the President to try to exploit it. If Biden had even attempted to be the unifying leader he claimed to be while campaigning in 2020, I’d give it a pass, but at this point anything he does or says has to be taken as purely partisan, not to mention calculated and managed by his “handlers,” as in puppeteers. The phone call also went as you might expect: there were about 20 seconds of dead air time, which is an eternity on TV, as the Bidens could be faintly heard speaking incomprehensibly while NBC weather reporter Dylan Dreyer, smiling like a zany, went through a classic “Can you hear me? I can’t hear you…” routine. Finally, after Joe told  Dreyer that she was doing a “good job” and giving  credit to her for the good weather—she’s the weather girl, see; I think that bit was old by 1964—the First Couple replied  to Dreyer’s invitation to say something of substance to the audience,

Mrs. Biden: “We just want to say we’re so grateful for the people, for this opportunity, for the health that we have now in America, and Joe, what do you want to say?”

Joe: “I want to say thanks to the firefighters and police officers, first responders. They never take a break.”

Mrs. Biden:  “And God bless our troops for sure.”

Joe:  “And by the way, we’re going to be talking to some of our troops later in the day, both here and abroad. I hope everybody remembers. We remember them every single day. God bless our troops for real.”

1. More Macy’s Thanksgiving Day Parade ethics.…On the one parade broadcast I did watch for a while, the commentators used the buzz-word “diversity” three times in less than fifteen minutes, explaining at one point that a marching band was wonderful because it was “diverse.” Bands are good when they look and sound good; it shouldn’t matter what colors it is or whether there is a nonbinary flute player. Then I remembered that Macy’s had just dropped the Salvation Army and will no longer allow its Santas and bell-ringers to solicit seasonal charity contributions, because the conservative religious organization isn’t sufficiently all-in with Macy’s political and social pandering mission to “grant funding to advance human rights, racial justice, workforce development and economic opportunity.” This despite last year’s embarrassing attempt by the Army to jump on the Critical Race Theory bandwagon. The government/media/corporate alliance to mandate beliefs and opinions and punish dissenters brooks no deviation.

The last metaphorical straw was when some female pop star I had never seen, heard or heard of before serenaded the viewers with the brain-numbing Christmas song, “What Christmas Means to Me”:

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Unethical (And Ominous) Quote Of The Month: 600 “Members Of The Writing, Publishing, And Broader Literary Community”[Link Fixed]

/ Jack Marshall / 15 Comments

“As members of the writing, publishing, and broader literary community of the United States, we care deeply about freedom of speech. We also believe it is imperative that publishers uphold their dedication to freedom of speech with a duty of care. We recognize that harm is done to a democracy not only in the form of censorship, but also in the form of assault on inalienable human rights. As such, we are calling on Penguin Random House to recognize its own history and corporate responsibility commitments by reevaluating its decision to move forward with publishing Supreme Court Justice Amy Coney Barrett’s forthcoming book….”

—Signatories (600 and rising) from the world of publishing in an open letter titled “We Dissent,” demanding that Penguin Random House refuse to publish a book by Supreme Court Justice Amy Coney Barrett.

Here is the whole, head-exploding, censorious thing, an “it isn’t what it is” (Yoo’s Rationalization again!) classic that could have been composed by the lackeys of “1984’s” Big Brother: Continue reading →

Comment Of The Day: “For Some Strange Reason, The Playwright Didn’t Think ‘N-Word’ Carried The Same Dramatic Punch…”

/ Jack Marshall / 2 Comments

Confession: before I wrote the post that Curmie fashioned into his Comment of the Day, I emailed him the underlying story in advance, given his unofficial position as the Ethics Alarms dramaturg. I almost asked him to write a guest post on the head-exploding tale of a university banning a black playwright’s work about the civil rights movement because it has white characters using the word “nigger,” but I guessed, fortunately correctly, that he would provide a Comment of the Day on the topic whatever I wrote.

And do he did, very well indeed.

Here is Curmie’s Comment of the Day on “For Some Strange Reason, The Playwright Didn’t Think ‘N-Word’ Carried The Same Dramatic Punch…“

***

The first comment on this post, by JutGory, is especially apt. [ JutGory wrote: “The Woke Paradox: We must teach ‘real history’ even if it might hurt the feelings of white kids/We can’t teach ‘real history’ if it will hurt the feelings of black kids.”]

But, as someone who taught college-level theatre courses for over forty years and continues to do some scholarly writing in the field, I’d like to take the analysis a little further.

In the interest of full disclosure, I should mention that I have directed two plays which contain the word “nigger.” Both, Tennessee Williams’s Cat on a Hot Tin Roof and Athol Fugard’s ”Master Harold”… and the boys, are widely anthologized and both are regarded as among the greatest works of 20th-century drama. The latter, which includes a particularly crude racist joke, is also unquestionably an anti-racist play, as Down in Mississippi appears to be (I confess I haven’t read it or seen it).

I was also asked by a recently-graduated black student a decade or so ago to play the role of a slave-owning plantation owner in a short film he had written and was directing. The character probably used the dreaded epithet at least a half dozen times in a four- or five-minute scene. I agreed to play the role, but for whatever reason the film shoot never happened.

My first question, unanswered by the linked article, is precisely who made the decision to cancel the performance. It certainly wasn’t the (black) playwright, who said that “maybe you should be less fragile. And try to listen to what your former generations are trying to teach you for the well good being of all of us,” and it’s unlikely to have been the theatre department, given that they were the ones who decided to produce the play to begin with.

Administrators above the level of department chair are almost never involved in the process of selecting a production season. But they will stick their noses into the process if there’s a potential controversy, even a fallacious one. We can reasonably surmise that it’s a dean, a vice president, or a president who is the Designated Weenie in this case. It certainly wasn’t the chairman of the Board of Trustees, Glenn O. Lewis, himself a black man, who points out that censorship is not a solution, and that “you don’t learn anything new until you get out of your comfort zone, and I think that is what Mr. Brown intended for this play to do.”

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More “Little Mermaid” Ethics: The White Ariel Version Of The Black Ariel Version Of The White Animated Ariel

/ Jack Marshall / 34 Comments

In yesterday’s post, “Stop Making Me Defend Disney!,” Ethics Alarms looked at the controversy over Disney’s live-action version of its 1989 classic animated film “The Little Mermaid” that casts a black performer, Halle Bailey (not Halle Berry) as the Hans Christian Anderson heroine. Well, this one is moving fast.

One of the many fans who object to imposing “diversity, equity and inclusion” on “The Little Mermaid” announced via Twitter that technology was now available that could digitally transform Bailey into a white, red-haired mermaid just as Disney had transformed its original Ariel into a black one:

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Dear Twitter: How Exactly Is Protecting Hateful Assholes From Being Exposed Ethically Justified?

/ Jack Marshall / 6 Comments

I was unaware, and likely to remain unaware, of this now viral tweet before reading the Ethics Alarms Open Forum today. The tweeter, Uju Anya, is a linguistics professor who is a professor at Carnegie Mellon University. She tweeted the above as news broke that Elizabeth, 96, was “under medical supervision.”

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From The Book Of Great Stupid: Pat Benatar’s Virtue-Signaling Self-Censorship

/ Jack Marshall / 19 Comments

It is kind of sad, really. So many progressive ideologues are so bereft of persuasive arguments, real facts and non-emotion-based analysis that they must resort to a paltry supply of tools, most of which are unethical: insults, fear-mongering, intimidation, race-baiting, bullying, protests and rioting, and attempted restriction of speech and expression. It is the last that is the topic here at the moment, and an especially stupid example.

Senior rock singer Pat Benatar now refuses to perform her hit song “Hit Me with Your Best Shot” as a protest against mass shootings. That song is 42 years old, and, correct me if I’m wrong, but is the song Benatar is most associated with. Her refusing to sing “Hit Me with Your Best Shot” is like Andy Williams refusing to sing “Moon River.” But you see, in increasingly delusional Woke Land, eliminating words, pictures and song lyrics that relate to bad things, event, people, places and things, like guns and shooting, is a step toward making everyone “safe.”

Except that “hit me with your best shot” doesn’t refer to guns or shooting at all, but never mind: anything to signal virtue, however moronically. Benatar is removing a popular, indeed classic piece of popular culture to accomplish absolutely nothing constructive at all, while standing for the fatuous proposition that banning artistic works that mention guns ( even though her song doesn’t) will help address the problem of homicidal gunmen. Or maybe her idea is to hold her own song hostage until the Second Amendment is repealed.

Hmmm…is that a more or less stupid theory than the first one?

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Even More Weird Tales Of The Great Stupid! WaPo Publishes A Peak Stupid Op-Ed, Then Censors Readers Who Say It’s Stupid

/ Jack Marshall / 11 Comments

I really do wonder at what point the vast majority of Americans who have not become irreversibly deranged by the confluence of the Trump Freakout, the George Floyd Freakout, the Trans Freakout ,the Wuhan Virus Freakout and the Roe Reversal Freakout sharply slap their foreheads “I could have had a V8!” style and ask, “Why are we letting these unstable, untrustworthy people dominate our discourse and manipulate our culture?”

For the provocation keep escalating. The Washington Post’s editors actually thought that a Poe’s Law evoking piece headlined “My name is a Confederate monument, so I cross it out when I write it” was worthy of publication. In an orgy of narcissism, U.S. history-hatred and virtue-signalling, a writer named Bayard Woods saluted his ridiculous habit of crossing out his own name, which he says, “had stood as a Confederate monument over every story I had ever written.” See, the Bayards and the Woodses had owned slaves. By this brilliant logic, I should cross out my name too, since Chief Justice John Marshall was a slaveholder and “Jack” honors Jack the Ripper.

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Dictionary Of The Great Stupid: Our Leftist Institutions Of Learning Think Controlling Speech Is The Secret To A Better Society

/ Jack Marshall / 2 Comments

Campus Reform, a conservative site with the depressing job of tracing the ethics rot in our educational institutions, has covered some truly nauseating examples of colleges and universities (or influential figures in them) encouraging  censorship and language manipulation as legitimate methods of indoctrination, or, as they call it, “education.”

Here are some highlights:

Not “inclusive” enough….

You know why. Now there will be a “Spirit of Pitt” award to avoid acknowledging the existence of genders.

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Morning Ethics Warm-Up, 5/26/2022: Mug Censorship, A Scientist Is Cancelled, And Happy Birthday Duke!

/ Jack Marshall / 21 Comments

https://www.youtube.com/watch?v=VoH_BeOTidY

John Wayne was born Marion Robert Morrison on this date in 1907, in Winterset, Iowa. His family eventually moved to Glendale, California, where he grew up and attended USC on a football scholarship. Through a series of events too complex to write about here, Wayne found his way into movies and eventually devoted his career to the mission of creating of an iconic American male hero. That creation, which included some dark elements as well as admirable ones (See “Red River,” “The Searchers” and “The Man Who Shot Liberty Valance”) that still has a strong influence, and I believe an overwhelmingly positive one, on the culture.

In this he was assisted by two of the greatest of American film directors, Howard Hawks and John Ford, but creating “John Wayne” was Marion Morrison’s life’s work, to the extent where he refused to shoot a character (who has shot him and was running away) in the back in his final film, “The Shootist,” stating that it would violate the principles “John Wayne” stood for.

The man was not the character and didn’t claim to be. He was well-read, preferred to wear sports jackets and slacks, loved chess and by Hollywood standards—not a high bar admittedly— was an intellectual. Wayne once said that he never though of himself as John Wayne and still had “Marion Morrison” locked in his brain. They called him “Duke” in his pre-Wayne days, so he preferred that name off camera.

There are only five genuine Hollywood icons: Chaplin, Marilyn Monroe, Shirley Temple, Fred Astaire and John Wayne, and despite efforts to “cancel” him, Wayne remains the most vibrant, influential, and visible of the group. When I was teaching ethics to lawyers in Mongolia, the judges and lawyers knew virtually nothing about American culture, but they knew (and admired) John Wayne.

Mission accomplished.

1. I’m old enough to remember when it was conservatives who were always trying to censor free speech...apparently many triggered Democrats on social media are demanding that the websites that sell this mug be shut down, or that the mug be censored “like those racist Dr. Seuss books.”

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