Lots of excellent comments around the blog this week, perhaps because the number of quality comments tends to be inverse to the number of posts I’m able to put up. I haven’t even scratched the surface of Tuesday’s Open Forum, which, I am told, contains many treasures.
I’m putting up two Comments of the Day that resulted from the two Christmas music posts. The first is unusually short for a COTD, but it made me laugh out loud, which is hard to do these days. Joel Mundt was commenting on a Christmas song from Hell called “Fairytale of New York” that Steve-O was kind enough to plant on our brains. The upbeat ditty’s lyrics:
You’re a bum You’re a punk You’re an old slut on junk Lying there almost dead on a drip in that bed You scumbag, you maggot You cheap lousy faggot Happy Christmas your arse I pray God it’s our last
Joel earned Comment of the Day honors by writing,
“Fairytale of New York” still sounds better than “Simply Having a Wonderful Christmastime”, which is the worst song – Christmas-related or otherwise – in the history of humanity.
If there was a Christmas song with the title of “I Chopped the Presents Up With an Axe on Christmas Day Before I Kicked the Neighbor in the Head and Burned the Churches Down and Spit on the Mistletoe and Let the Dog Pee in the Egg Nog”…that song would still be better than “Simply Having a Wonderful Christmastime.”
And I LOVE Egg Nog…
A bit harsh, perhaps (my son, who is an afficianado of all pop music written after 1963 likes Paul’s Christmas song), especially when the competition for Worst Song Ever is so fierce. By all means, submit your nominees.
“O Come All Ye Faithful” is so stirring that it almost makes up for all other Christmas music botches.
This isn’t so much an ethics analysis as an expression of frustration. For a cultural holiday that relies so much on music, Christmas is wounded today by accumulated incompetence on that front, as well as a lack of diligence. Just a little more attention and industry could make the traditional repertoire so much better. You know those AT&T wireless commercials about how “good enough” isn’t good enough? That’s the issue in a nutshell. We have to hear these songs year after year. Can’t they be cleaned up?
Let’s begin with the traditional songs and carols that weren’t written to avoid the origins of Christmas. These are the strongest and most evocative of all the season’s songs, in contrast to the”popular” Christmas music that came down to us from Tin Pan Alley. I have to ask, though: What the hell is “I Saw Three Ships” about?
I saw three ships come sailing in, On Christmas day, on Christmas day, I saw three ships come sailing in, On Christmas day in the morning.
And what was in those ships all three? On Christmas day, on Christmas day, And what was in those ships all three? On Christmas day in the morning.
The Virgin Mary and Christ were there On Christmas day, on Christmas day, The Virgin Mary and Christ were there On Christmas day in the morning.
Pray whither sailed those ships all three? On Christmas day, on Christmas day, Pray whither sailed those ships all three? On Christmas day in the morning.
Oh, they sailed into Bethlehem, On Christmas day, on Christmas day, Oh, they sailed into Bethlehem, On Christmas day in the morning.
I assumed that there was an acknowledged and well-researched metaphor buried here, but no, there really isn’t. The nearest body of water to Bethlehem is the Dead Sea, and it’s 20 miles away: Bethlehem is land-locked. Where were those ships coming from? How did Jesus and Mary end up on a ship, and why were three necessary? This is the fake news of Christmas Carols. The song makes no sense, so scholars and critics have been positing justifications for this nonsense, without any evidence at all other than, “It must mean something!” One batty theory is that the the three ships are references to the Nina, the Pinta, and the Santa Maria. Wikipedia concludes that the reference to three ships “is thought to originate in the three ships that bore the purported relics of the Biblical magi to Cologne Cathedral in the 12th century.” Then the song has nothing to do with Christmas at all? The entry continues, “Another possible reference is to Wenceslaus II, King of Bohemia, who bore a coat of arms “Azure three galleys argent”. Ah! It’s a song about a coat of arms! Sure! THAT makes sense. Then it goes on to a theory that I considered years ago along with everyone else, that the ships represent the camels used by the Magi, as camels are frequently referred to as “ships of the desert.” Continue reading →
[As promised, here is the Ethics Alarms Christmas package, lightly revised, last posted three years ago]
I don’t know what perverted instinct it is that has persuaded colleges and schools to make their campuses a Christmas-free experience. Nor can I get into the scrimy and misguided minds of people like Roselle Park New Jersey Councilwoman Charlene Storey, who resigned over the city council’s decision to call its Christmas tree lighting a Christmas Tree Lighting, pouting that this wasn’t “inclusive,” or the CNN goon who dictated the bizarre policy that the Christmas Party shot up by the husband-wife Muslim terrorists had to be called a “Holiday Party.” Christmas, as the cultural tradition it evolved to be, is about inclusion, and if someone feels excluded, they are excluding themselves. Is it the name that is so forbidding? Well, too bad. That’s its name, not “holiday.” Arbor Day is a holiday. Christmas is a state of mind. [The Ethics Alarms Christmas posts are here.]
Many years ago, I lost a friend over a workplace dispute on this topic, when a colleague and fellow executive at a large Washington association threw a fit of indignation over the designation of the headquarters party as a Christmas party, and the gift exchange (yes, it was stupid) as “Christmas Elves.” Marcia was Jewish, and a militant unionist, pro-abortion, feminist, all-liberal all-the-time activist of considerable power and passion. She cowed our pusillanimous, spineless executive to re-name the party a “holiday party” and the gift giving “Holiday Pixies,” whatever the hell they are.
I told Marcia straight out that she was wrong, and that people like her were harming the culture. Christmas practiced in the workplace, streets, schools and the rest is a cultural holiday of immense value to everyone open enough to experience it, and I told her to read “A Christmas Carol” again. Dickens got it, Scrooge got it, and there was no reason that the time of year culturally assigned by tradition to re-establish our best instincts of love, kindness, gratitude, empathy, charity and generosity should be attacked, shunned or avoided as any kind of religious indoctrination or “government endorsement of religion.” Jews, Muslims, atheists and Mayans who take part in a secular Christmas and all of its traditions—including the Christmas carols and the Christian traditions of the star, the manger and the rest, lose nothing, and gain a great deal.
Christmas is supposed to bring everyone in a society together after the conflicts of the past years have pulled them apart. What could possibly be objectionable to that? What could be more important than that, especially in these especially divisive times? How could it possibly be responsible, sensible or ethical to try to sabotage such a benign, healing, joyful tradition and weaken it in our culture, when we need it most?
I liked and respected Marcia, but I deplore the negative and corrosive effect people like her have had on Christmas, and as a result, the strength of American community. I told her so too, and that was the end of that friendship. Killing America’s strong embrace of Christmas is a terrible, damaging, self-destructive activity, but it is well underway. I wrote about how the process was advancing here, and re-reading what I wrote, I can only see the phenomenon deepening, and hardening like Scrooge’s pre-ghost heart. Then I said… Continue reading →
Considering that Christmas is our culture’s ethical holiday, it is remarkable that only one traditional carol—and no modern holiday songs—celebrates ethical conduct. The one carol is “Good King Wenceslas,” and a strange one it is.
The lyrics are by J. M. Neale (1818-66), and were first published in 1853. Neale is a superstar in the Christmas Carol firmament: he also is responsible for the English lyrics of “Good Christian Men, Rejoice,” and “O Come, O Come, Emmanuel,” both of which you hear much more frequently than “Good King Wenceslas.” One reason is that the ethical carol tells a story in ten verses, and if you don’t sing them all, the story doesn’t make sense. There are very few recordings of the song in which all the verses are sung. Ten verses is also a lot to remember for any song. My elementary school used to teach the whole carol to sixth graders for the Christmas assembly, but let them have crib sheets. This was before it was decreed that allowing children to learn, sing and listen to some of the most lovely and memorable songs in Western culture was a form of insidious religious indoctrination.
Here is the whole carol:
Good King Wenceslas looked out On the feast of Stephen, When the snow lay round about Deep and crisp and even;
Brightly shone the moon that night Though the frost was cruel, When a poor man came in sight, Gath’ring winter fuel.
‘Hither, page, and stand by me, If thou know’st it, telling Yonder peasant, who is he? Where and what his dwelling?’
‘Sire, he lives a good league hence, Underneath the mountain, Right against the forest fence, By Saint Agnes’ fountain.’
‘Bring me flesh and bring me wine, Bring me pine logs hither, Thou and I will see him dine When we bear them thither.’
Page and monarch forth they went, Forth they went together, Through the rude wind’s wild lament And the bitter weather.
‘Sire, the night is darker now And the wind blows stronger; Fails my heart, I know not how, I can go no longer.’
‘Mark my footsteps, good my page, Tread thou in them boldly: Thou shalt find the winter’s rage Freeze thy blood less coldly.’
In his master’s steps he trod, Where the snow lay dinted; Heat was in the very sod Which the Saint had printed.
Therefore, Christian men, be sure Wealth or rank possessing, Ye who now will bless the poor Shall yourselves find blessing.
For one thing, “Good King Wenceslas” has little to do with Christmas Day, and doesn’t mention Jesus or the Nativity. The Feast of St. Stephen is also known as Boxing Day, the day after Christmas, December 26. It is a British Commonwealth tradition that never caught on in the U.S. In some European countries like Germany, Poland, the Netherlands and the Nordic countries, the day is celebrated as a Second Christmas Day. Continue reading →
At the rate things are going, I am certain that before long no pop vocal interpretations of traditional Christmas music will be easily accessible on the radio. This is a cultural loss—it’s a large body of beautiful and evocative music—and someone should have, one would think, the obligation of preventing it. But I have no idea who.
I realized this when I felt myself getting nostalgic and sad as I listened to a series of “Christmas classics.” For one thing, they all reminded me of my parents, whose absence beginning in 2011 permanently kicked my enjoyment of the season in the groin. For another, all the artists were dead. Bing: dead. Frank: dead. Andy Williams, Nat King Cole, Dean Martin, Judy Garland, Burl Ives, Gene Autry, The Andrews Sisters, Perry Como, Elvis, John Denver–dead. Long dead, in most cases. Christmas has become a serenade of dead artists. Except for the narrow range of country music stars for those who enjoy “O Holy Night” with a twang, living pop artists don’t sing these songs. OK, Mariah Carey and Michael Buble. Not many others. Sirius-AM was desperate to find living artists that it has been playing the Seth McFarland Christmas album. Seth can sing, but I’m sorry, but it’s hard to enjoy “Silent Night” while picturing “The Family Guy.”
Current pop stars are, understandably, looking for new Christmas hits that will be identified with them, and those have always been hard to come by. Bing Crosby made annual recordings of terrible entries in the Christmas song market—I just heard a station play a few of them. Gene Autry too: many of his efforts were bombs, though I rather like this weird one:
I don’t know what perverted instinct it is that has persuaded colleges and schools to make their campuses a Christmas-free experience. Nor can I get into the scrimy and misguided minds of people like Roselle Park New Jersey Councilwoman Charlene Storey, who resigned over the city council’s decision to call its Christmas tree lighting a Christmas Tree Lighting, pouting that this wasn’t “inclusive,” or the CNN goon who dictated the bizarre policy that the Christmas Party shot up by the husband-wife Muslim terrorists had to be called a “Holiday Party.” Christmas, as the cultural tradition it evolved to be, is about inclusion, and if someone feels excluded, they are excluding themselves. Is it the name that is so forbidding? Well, too bad. That’s its name, not “holiday.” Arbor Day is a holiday. Christmas is a state of mind. [The Ethics Alarms Christmas posts arehere.]
Many years ago, I lost a friend over a workplace dispute on this topic, when a colleague and fellow executive at a large Washington foundation threw a fit of indignation over the designation of the headquarters party as a Christmas party, and the gift exchange (yes, it was stupid) as “Christmas Elves.” Marcia was Jewish, and a militant unionist, pro-abortion, feminist, all-liberal all-the-time activist of considerable power and passion. She cowed our pusillanimous, spineless executive to re-name the party a “holiday party” and the gift giving “Holiday Pixies,” whatever the hell they are.
I told Marcia straight out that she was wrong, and that people like her were harming the culture. Christmas practiced in the workplace, streets, schools and the rest is a cultural holiday of immense value to everyone open enough to experience it, and I told her to read “A Christmas Carol” again. Dickens got it, Scrooge got it, and there was no reason that the time of year culturally assigned by tradition to re-establish our best instincts of love, kindness, gratitude, empathy, charity and generosity should be attacked, shunned or avoided as any kind of religious indoctrination or “government endorsement of religion.” Jews, Muslims, atheists and Mayans who take part in a secular Christmas and all of its traditions—including the Christmas carols and the Christian traditions of the star, the manger and the rest, lose nothing, and gain a great deal. Christmas is supposed to bring everyone in a society together after the conflicts of the past years have pulled them apart, What could possibly be objectionable to that? What could be more important than that, especially in these especially divisive times? How could it possibly be responsible, sensible or ethical to try to sabotage such a benign, healing, joyful tradition and weaken it in our culture, when we need it most?
I liked and respected Marcia, but I deplore the negative and corrosive effect people like her have had on Christmas, and as a result, the strength of American community. I told her so too, and that was the end of that friendship. Killing America’s strong embrace of Christmas is a terrible, damaging, self-destructive activity, but it us well underway. I wrote about how the process was advancing here, and re-reading what I wrote, I can only see the phenomenon deepening, and hardening like Scrooge’s pre-ghost heart. Then I said…
Christmas just feels half-hearted, uncertain, unenthusiastic now. Forced. Dying.
It was a season culminating in a day in which a whole culture, or most of it, engaged in loving deeds, celebrated ethical values, thought the best of their neighbors and species, and tried to make each other happy and hopeful, and perhaps reverent and whimsical too. I think it was a healthy phenomenon, and I think we will be the worse for its demise. All of us…even those who have worked so diligently and self-righteously to bring it to this diminished state.
Resuscitating and revitalizing Christmas in our nation’s heart will take more than three ghosts, and will require overcoming political correctness maniacs, victim-mongers and cultural bullies; a timid and dim-witted media, and spineless management everywhere. It is still worth fighting for.
More than five years ago, Ethics Alarms laid out a battle plan to resist the anti-Christmas crush, which this year is already underway. Nobody was reading the blog then; more are now. Here is the post: Continue reading →
OK, it’s not exactly “The Homecoming,” but the way they’re scraping the barrel for cable Christmas movies, you might see this one on LMN yet. I just hope I’m not played by Wallace Shawn
Everything was going swimmingly this Christmas morning. We had opened presents, and now Grace and I were making our contributions to the family dinner later today at my sister’s house. A main feature was Grace’s mother’s recipe for a holiday salad that was part of her family’s Thanksgiving and Christmas meals for decades, and now ours. The recipe:
Two bags of cranberries, chopped
2 chopped navel oranges, with peel
2 chopped Red Delicious apples, also unpeeled
2 cups of chopped walnuts
2 diced celery hearts
1-2 cans of cranberry juice concentrate
Sugar to taste, or not (we leave it out.)
All was well until I cored the apples, bought supposedly fresh yesterday at Harris Teeter. They went “squish,” despite being all shiny and crisp on the outside. This would not do, so I was dispatched to the store to pick up suitably fresh apples, without which grandmother’s famous salad just wouldn’t be right.
I jumped into our car (the one that replaced its predecessor that had burst into flames for no apparent reason in a mall parking lot—one of the many delightful events of our 2014). The gas-tank-low light was on, as it had been the day before. The gauge now said that I had five miles left, and the nearest station was only a bit more than two away. Well, these things aren’t perfect: my car stopped about 200 yards from the exit to the station, and in the middle of the street.
I called home, and my wife and son prepared to take his car to the station to get enough gas to let me drive the last leg of the journey, but his car, as is its wont, was dead. Meanwhile, I tried to push mine out of the middle of the street on my own, realizing too late that cars in neutral tend to pick up quite a bit of speed going down a grade, and are remarkably hard to steer and brake from outside the vehicle. I was barely able to stop the car from plowing into a parked Volvo by turning it to roll over the curb onto someone’s lawn. I was loath to leave it there untended while I hiked to the gas station, and I didn’t feel like paying fifty bucks or more for roadside assistance, but I was running out of options. Also time, if I was going to find fresh apples while a grocery store remained open.
I hadn’t seen a single car on the road, until an SUV stopped next to me. The driver, a woman in her thirties who was accompanied by her two teenaged sons, asked it I needed help. I explained my plight, and the two young men assisted me in rolling my car off the lawn into something approximating a legal parking space.
“Stay here: we’ll be right back,” the woman said. She was as good as her word, for she soon reappeared, with one of her sons carrying a festive red plastic gas can filled with fuel. The older son helped figure out how to work the damn spout, which had to be assembled. “See, here’s the flaw,” I explained. “The device solving this problem should not require more intelligence to operate than someone getting into this stupid situation is likely to have.” He agreed, politely. Then he poured all the gasoline into my empty tank.
I prepared to reimburse this family of Good Samaritans, but they refused. “Just pay it forward,” the mother said. “We’re glad we could help out.” I shook her sons’ hands, and hers, and wished them all a Merry Christmas. Then I got the apples, and the salad was perfect.
In the Marshall household, this will forever be known the Miracle of the Christmas Gas Can.
Let us sing!
(to the tune of “Good King Wenceslas” :
1. Jack’s wife said “You must go out. We’ve an apple crisis!” Never would he dare refuse ; Better to fight ISIS. So he set out in his car, Though t’was low in fuel Til it sputtered to a stop (Boy was he a foo-oo-el!)
2. Shifted into neutral then, It rolled t’ward disaster. Jack would soon be chasing it, As the car rolled faster. Pulling hard with all his might, He changed its direction Rested then on somebody’s lawn Waiting for collection.
3. Up now rolls an SUV Driven by a stranger “Trav’ler, tell us, how can we Help you stave off danger?” Her sons helped him move the car; There would be no ticket. Jack composed a secret wish, As if he could pick it.
4. “Find a can, and bring me gas This would be a blessing. Yet I’d be a total ass Their Christmas to be messing.” Suddenly they all drove off, Telling him to stay there Still he doubted they’d return Heeding his mayday there.
5. Damn! The time was running out, And the stores were closing. Should he not get gassed up soon Hope would be foreclosing. Hark! The SUV returns, With a gas can brimming Welcome sight more lovely than Firs with all their trimming.
6. “Let me pay you,” Jack implored. For I owe you greatly.” “No, my friend, just pay it for’d. That’s what’s right innately” Therefore learn the lesson well Be you high or lowly If we all are ethical Every day is holy.
It is slowly dawning on me that Christmas music, one of the annual joys of my childhood and perhaps yours, is in a perilous state, both culturally and aesthetically. The best of the songs musically are religious in nature, which means that schools won’t pass them along to their charges as happened routinely when I was a child, and even playing them on the radio is likely to be regarded as a religious statement. I just loved the music, as I think most kids would if they ever got the chance before they were brainwashed into believing the ancient songs were subversive.
A full court cultural press is underway to make those songs as rarely heard outside of church as hymns, and I don’t see the trend as reversible. One obvious bar to a comeback: current pop stars don’t have the pipes to sing most of them without causing a sound pollution emergency. Or, if one of the few singers who could actually hit the notes dared to cover a carol like “O Holy Night,” he or she would feel required to apply flourishes of the sort that make every rendition of “The Star Spangled Banner” at a major sports event an invitation to PTSD.
Even for the more secular Christmas repertoire, the clock is running out. The most listenable versions, and the definitive ones in most cases, are by performers of the past who are not just dead, but also long forgotten by the current culture. An hour of classic Christmas recordings on the radio is now a reminder of how old I am and close to joining great singers like Bing Crosby, Judy Garland, Andy Williams, Nat King Cole, Jo Stafford, Burl Ives, Gene Autry, Frank Sinatra, Dean Martin, Elvis—dead, dead, dead. I guess Brenda Lee is still alive, so “Rockin’ Around The Christmas Tree” is a little less depressing, but it’s a minor classic at best. It’s gotten so bad that when I hear “The Little Drummer Boy,” I find myself wondering if the whole Harry Simeone Chorale is dead too—Harry died in 2005, and the recording is 56 years old, after all.
Meanwhile, our post-modern culture is sneering at the whole idea of Christmas songs, and Christmas itself. Most modern Christmas songs either are making fun of Christmas, about sex, or just lousy. The tradition is being undermined in more creative ways, too: this week I watched a 2012 straight-to-video movie called “12 Disasters of Christmas,” based on the loopy premise that “The Twelve Days of Christmas” was really a coded recipe for stopping the 2012 apocalypse predicted by the Mayan calendar. “The Mayans knew that the knowledge would have to be preserved for centuries, so they devised a song that would carry the secret and would be passed on and learned by children for generations,” explains the old codger who’s figured it all out. (But why would they choose such a monotonous and stupid song?) Come on, guess: How does the “Chosen One” stop the end of the world?[Answer below.]*
The movie is on to something, though. The Christmas songs that have the best chance of persevering though this age of cynicism and cultural illiteracy may be those that either tell a story or that have an interesting one related to their creation. The simple and beautiful tune of “Silent Night,” for example, as one of those films they used to show in school assemblies every year before some anti-religious hysteric sued, was composed for guitar in response to a Christmas Eve crisis for a small church in the Austrian alps in 1818: the church organ wasn’t working. I have found that Irving Berlin’s “White Christmas” affects me far more deeply since I learned that the Berlins’ infant son died on Christmas day, and that while his children celebrated Christmas as a cultural holiday, Berlin and his wife did not. They spent each Christmas after their son’s death in mourning. The song is a wistful remembrance of a happier time that the composer will never experience again.
Maybe another Christmas song will persevere if its origins are remembered; I was reminded of its history this week as a result of the thaw in U.S. relations with Cuba. Though my wife hates it, the song is one of my favorites, perhaps because it brings back warm memories: I watched the song’s first national broadcast with my sister and parents, and the Marshalls bought the recording the next day.
It was 1962. Noel Regney and Gloria Shayne were a husband and wife songwriting team of modest success. They were saddened by the lack of any spiritual content in popular Christmas songs then; imagine what they would think today.
Like all Americans, they were petrified during the thirteen days of the Cuban Missile Crisis, when the world stood on the brink of nuclear annihilation. As the crisis intensified, Regney found himself inspired to write down a simple poem with a Christmas theme. (Later, the couple would say that neither of them could ever sing the song through, because of the strong emotions it recalled.) When the nation could finally take a deep breath of relief as the threat ended, Gloria devised a melody for her husband’s words, though he had always been the composer when he and wife wrote songs together.
The result of this unique variation on their collaboration was recorded before the end of 1962, but it wasn’t until the following year, when Bing Crosby sang the team’s creation live on ABC’s “Hollywood Palace,” that it became widely known. The song written during the Cuban Missile Crisis became a best-seller, Crosby’s last hit Christmas record, and also the last popular Christmas song to have a religious theme.
It was, and remains, a prayer for peace.
____________________________
* By finding and wearing FIVE GOLDEN RINGS, of course!
I don’t think it’s my imagination, or that I’m watching too much Bill O’Reilly (since I almost never watch Bill O’Reilly), but it became very clear to me this year that Christmas, as a society-wide cultural convergence in America, is losing its grip.
The reasons are varied and many, and to pick out any in particular one would betray my own biases. But I am a fairly obsessive observer of the popular culture, and there was markedly less Christmas this year in every way. Religious references to the Christmas story—the manger, the Wise Men, the Star of Bethlehem and the rest, are almost invisible outside of church. On television, that part of Christmas is taboo, apparently; on radio too, traditional carols, which once were standard fare, whether sung by pop singers like Bing Crosby or classical artists, are mostly relegated to the classical music channels. On the other stations, there was less Christmas music than I can ever recall, and perhaps because of that, I was very conscious of how dated virtually all of it is. The last non-frivolous Christmas standard to enter the playlist was 1962’s “Do You Hear What I Hear?, ” and the other newer ones are either songs about romance using Christmas as a backdrop, anti-Christmas novelties (“Grandma Got Run Over By A Reindeer”), or just lousy.
Meanwhile, listening to the parade of pop yule classics is an exercise in morbidity. Almost all of them are sung by dead artists that no one under the age of thirty (or forty?) could have ever heard or seen perform live. Bing, Dean Martin, Karen Carpenter, Andy Williams, Burl Ives, Gene Autry, Judy Garland, Nat King Cole, Mel Torme, Frank Sinatra—Andy just left us, but most of the rest, with the lingering exceptions of Johnny Mathis and Harry Belafonte, are not merely dead, but long dead, like Marley. No one has taken their place in this genre, and that means that it’s a dying genre.
It is obvious that Christmas movies are being run on television less than ever before, too. It was once impossible to avoid encountering several versions of “A Christmas Carol,” and sometimes the same one would keep popping up, annoyingly so. Not any more. “It’s A Wonderful Life” had its annual showing, and I stumbled upon “White Christmas” a couple of times, but the pickings were slim. The lousy Richard Attenborough “Miracle on 34th Street’ turned up; Turner Classics ran through most of the old Christmas classics once, but you had to look for them. There haven’t been any new Christmas movies from Hollywood that have made the grade for a very long time: with the exception of the first “The Santa Clause,” what Hollywood has been churning out are more or less bitter comedies (“Christmas With The Kranks,” “Jingle All The Way,” “Bad Santa,” “Christmas Vacation”–even the “Home Alone” films) that portray Christmas as suburban hell.
Then there are the wan or missing town hall and town center Christmas displays (Gotta watch out for those law suits), the tasteless Christmas TV commercials (the men in boxers jingling their “bells” is gross, in my opinion), and the hesitation you hear in strangers’ voices as they try to guess whether “Merry Christmas” will offend you or not. I used to encounter carolers several times every Christmas, in shopping malls if nowhere else. The malls are disappearing, and kids don’t go caroling any more. They don’t know carols any more, because if their school teaches them one (because it’s a lovely song) some fanatic will raise a stink and claim its religious indoctrination. Children, in a more innocent, less cynical age, were allowed to believe in Santa Claus well past the age of 5. (I was 26 before I knew the truth.) No longer. Christmas just feels half-hearted, uncertain, unenthusiastic now. Forced. Dying.
It was a season culminating in a day in which a whole culture, or most of it, engaged in loving deeds, celebrated ethical values, thought the best of their neighbors and species, and tried to make each other happy and hopeful, and perhaps reverent and whimsical too. I think it was a healthy phenomenon, and I think we will be the worse for its demise. All of us…even those who have worked so diligently and self-righteously to bring it to this diminished state.
Yes, it has come to this. The period between Thanksgiving and Christmas season is a pre-unethical condition, getting worse every year. (Pre-unethical conditions are situations that experience teaches us deserve early ethics alarms, since the stage is set for habitual bad conduct.) The financial stresses on the public and the business community in 2010 will only fuel the creeping tendency to ignore the moral and ethical values that are supposed to underlie the winter holidays—charity, gratitude, generosity, kindness, love, forgiveness, peace and hope—for the non-ethical considerations that traditionally battle them for supremacy: avarice, selfishness, greed, self-pity, and cynicism. Combine this with the ideological and political polarization in today’s America and the deterioration of mutual respect and civility, and the days approaching Christmas are likely to become an ethical nightmare…unless we work collectively to stop that from happening. Continue reading →
Joel earned Comment of the Day honors by writing,
A bit harsh, perhaps (my son, who is an afficianado of all pop music written after 1963 likes Paul’s Christmas song), especially when the competition for Worst Song Ever is so fierce. By all means, submit your nominees.
Joel’s COTD was in the Part II thread, about modern Christmas songs. Paul Compton’s Comment of the Day was in reaction to My Annual Christmas Music Lament: Part I, The Worst Carols.
His addendum about Bing Crosby’s star power compared to his disciples Frank and Dean also went straight to my heart… Continue reading →