Flashback: Ethics Train Wreck: District Attorney Nifong and the Duke Lacrosse Rape Case (2007)

I alluded to my post on the old Ethics Scoreboard about the infamous Duke lacrosse team rape case in a recent EA post, suggesting that it may be a template for what we are going to see transpire in the still developing Cornell frat house gang rape saga. Fred Davidson, a cherished reader and commenter here, tracked down the essay on The Wayback Machine and sent the link in the comments. I’m reposting that essay here. If ever a prosecutor was a candidate to be just as unethical as Mike Nifong (who was disbarred), Letitia James is it. I want to acknowledge my webmaster for Ethics Alarms who edited and formatted all my posts, the talented Lauren Larson. Would that she was still working with me now.

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From the North Carolina Bar’s Rules of Professional Conduct:

“The prosecutor represents the sovereign and, therefore, should use restraint in the discretionary exercise of government powers, such as in the selection of cases to prosecute. During trial, the prosecutor is not only an advocate, but he or she also may make decisions normally made by an individual client, and those affecting the public interest should be fair to all. In our system of criminal justice, the accused is to be given the benefit of all reasonable doubt. With respect to evidence and witnesses, the prosecutor has responsibilities different from those of a lawyer in private practice; the prosecutor should make timely disclosure to the defense of available evidence known to him or her that tends to negate the guilt of the accused, mitigate the degree of the offense, or reduce the punishment. Further, a prosecutor should not intentionally avoid pursuit of evidence merely because he or she believes it will damage the prosecutor’s case or aid the accused.“

How Durham District Attorney Mike Nifong can reconcile his handling of the Duke lacrosse rape case with this explanatory comment from his bar association’s rule governing the ethics of prosecutors is a mystery. But it is no mystery what his violation of these principles has created: one of the worst ethics train wrecks of the past ten years, a mess that can stand with such recent ethics fiascos as the Terri Schiavo dispute and the Valerie Plame Affair. In fact, Nifong’s handiwork may have caused more human wreckage than either of these. But like all ethics train wrecks, this one had more than one shaky hand on the throttle:

The Duke lacrosse team: While not earning their horrific treatment by Nifong, many of the players on the team were irresponsible in their conduct, disrespectful to the hired exotic dancer who ultimately became their accuser, and reckless in their disregard for the reputation of the university and its sometimes contentious relations with the Durham community. For example, a few hours after the alleged rape, team member Ryan McFadyen sent an email to his team mates in which he fantasized about murdering and sexually abusing strippers. It may well have been composed as a tasteless joke, but it was certainly evidence of an unacceptable level of contempt and callousness toward the human beings the team had hired to entertain them at the party, not to mention strong evidence of a brain-pan insufficiency. McFadyen was suspended after a team mate, in another ethically questionable move, decided to circulate the disgusting e-mail so that it wound up in the hands of the police and, worse still, the media. Did it have any probative value in the case? No—McFadyen wasn’t one of the players implicated or indicted. Still, he ended up suspended from school, the local media used the e-mail to make the team look like a tribe of cannibals, and the seeds of racial conflict were sown and fertilized. The e-mail effectively threw gasoline on an already incendiary situation, and contributed mightily to the lacrosse team’s coach resigning and Duke canceling the lacrosse season.

Nice work, guys.

Morning Ethics Warm-Up, 7/27/18: Welcome Nausea, Disillusionment, Guilt, And Apathy…

Well, it’s morning.

1. Nausea. This is a real headline from this morning’s New York Times:

Truce on Trade Follows Route Obama Paved; Trump Claims Victory in Crisis He Started

Gee, the Times morphed into Media Matters so slowly that I hadn’t noticed!* In fact I had noticed, but that headline is a virtual declaration that the Times is now a fully committed partisan organ of the Democratic Party, and is no longer even pretending to be practicing ethical or objective journalism. Not only does the headline represent opinion rather than reporting, the Times was so desperate to color the story of the European Union tentatively reaching a new trade agreement with the U.S. that it felt it had to project its bias before anyone could read the story.

*With a nod to blogger Glenn Reynolds, who uses this as a regular jibe

2. Disillusionment. Netflix has finally concluded “The Staircase,” the now 13 episode documentary following the bizarre case of novelist Michael Peterson, who was convicted of murdering his wife Kathleen in 2001. Directed by French filmmaker Jean-Xavier de Lestrade, the first eight episodes aired on the Sundance Channel in 2005 and were an immediate sensation. It would be unethical to spoil the story or the documentary for you if you haven’t seen it, but a couple of spoilers lie ahead.

Anyone who continues to argue that it is ridiculous and “treasonous” for anyone to challenge the competence, objectivity, motives and trustworthiness of law enforcement, including the FBI, and prosecutors after watching this horror show has astounding powers of selective outrage.

The series also made me want to throw heavy objects at the TV screen as a result of the lazy, passive, indefensible conduct of the prosecutors and the North Carolina judge, who resided over every iteration of the case for 15 years. Since there was no way a rational jury could find Peterson guilty beyond a reasonable doubt based on the evidence, ethical prosecutors would never have charged and tried Peterson. (A jury finding a defendant guilty on inadequate evidence doesn’t necessarily mean that the case was a just one.) It is especially infuriating for the viewer (so imagine what Peterson thinks) to hear the judge today blandly concede that two controversial pieces of evidence he allowed into the trial were, upon reflection,  unjustly prejudicial, and that he believes that there was ample reasonable doubt for the jury to acquit. Then he tries to make the argument that the “system works” based on a mess of a case and an investigation that still hasn’t explained how Kathleen Peterson died.

It does explain, however, why so many Americans don’t trust the justice system or the alleged professionals who run it. Continue reading →

Morning Ethics Warm-Up: 7/20/17

Καλημέρα!

[This is pronounced “Kaliméra!,” not to be confused with “Calamari!” My father frequently got them confused when he visited Greece with my mom, the former Eleanor Coulouris, and embarrassed her by greeting the natives some mornings by cheerily saying, “Squid!“]

1. The newspaper Arts section headline says, “Mayor Ties Arts Money To Diversity.”

The mayor in question is New York City’s DeBlasio, and since his own family is “diverse,” naturally every other entity has to be, or it is baaaad. This is why I oppose government funding of the arts unless it guarantees that the nation, state or city will not attempt to use its support to control the arts organizations in any way.  Of course, governments will never do that, because manipulating the arts to advance  political agendas is usually the underlying motive in arts grants. Ideologues like De Blasio—wow, he’s terrible—will constantly be grandstanding and doing everything in their power to manipulate artists and their art to ensure that they send the “right” messages—you know, like Nazi art and Communist art. It is exactly the same theory and practice: art as political indoctrination.

Quick: who thinks that De Blasio will be focusing on “diversity” in the management (or on the website) of the Dance Theater of Harlem? Even if the government doesn’t attach strings to its support, arts organizations know that there are more of them than there is tax-payer money to disperse, so there is terrible and often irrsistable pressure to distort their product to give their state funders what the artists think they want—just to be safe.

My professional theater company refused to do that, sticking to the integrity of our mission and not resorting to tokens and virtue-signalling. My now defunct professional theater company, that is.

2. Yesterday, I highlighted the head-blasting comments of New York Times film critic A.O. Scott and his alternate-universe pronouncements about the Obama presidency. To be fair to A.O., his entire profession is packed with historical and political ignoramuses who make their readers dumber with every review. I once created a theater reviewer’s code of ethics, which I mailed to a critic, who sent it back to me with a note that said, “Mind your own business.” Years ago, I published an essay that was called “Why Professional Reviewers Are Unethical,” that began,

When Variety announced that it was firing its in-house film and drama reviewers, there was much tut-tutting and garment-rending over the impending demise of professional reviewing in magazines, newspapers and TV stations. The villain, the renders cry, lies, as in the Case of the Slowly Dying Newspapers, with the web, which allows any pajama-clad viewer of bootleg videos to write film reviews, and any blogger who cares to write a review of a play. “I think it’s unfortunate that qualified reviewers are being replaced,” said one movie industry pundit, “but that’s what’s happening.”

I say, “Good. It’s about time.”

It’s not happening quickly enough, though. “Dunkirk” is opening this week, and, as I predicted, film reviewers are showing their utter historical ignorance. The Washington Examiner skewers them deftly in an essay called “Why the (True) History of Dunkirk Matters.” Highlights, or rather lowlights:

  • USA Today critic Brian Truitt complains that “the fact that there are only a couple of women and no lead actors of color may rub some the wrong way.” He is not the only film critic to observe this.

Morons.

  • Slate.com critic Dana Stevens claims that the British Army at Dunkirk was the “last bulwark against Nazi invasion of the British mainland.”

Not even close to true. Continue reading →

Ethics Quiz: Prosecuting Juliet In “Romeo And Juliet 2017”

Last month, on March 14, 11-year old Tysen Benz  read text messages saying that his 13-year-old girl friend had committed suicide. In apparent grief, the 11-year-old boy from Michigan’s Upper Peninsula hanged himself.  In reality, the girl had sent the fake news as a joke. Or as a cruel trick. Or because she was 13.

In the Shakespeare play, to fake her death Juliet took a sleeping potion that made her seem dead. (They didn’t have text messaging then.)

Now, if this was really “Romeo and Juliet,” Juliet would have killed herself too after learning that her boyfriend was dead. Instead,  she is facing criminal charges. Marquette County Prosecuting Attorney Matt Wiese says that she is responsible for Tysen’s death, so he is charging her with malicious use of telecommunication service, punishable by up to six months in juvenile detention. He is also charging “Juliet” with using a computer to commit a crime, which carries a sentence of up to a year.

Your Ethics Alarms Ethics Quiz of the Day is…

Is this a fair, just and ethical prosecution?

Continue reading →

Are His Accusers’ Lawyers Blackmailing Poor Bill Cosby?

Poor Bill!

Poor Bill!

From ABC, as the Bill Cosby horror continues:

The 77-year-old comedian filed a lawsuit today against Judy Huth, who claims Cosby forced her to perform a sex act in 1974 at the Playboy Mansion, when she was 15.

In documents obtained by ABC News, Cosby alleges that not only is Huth lying but that she filed the lawsuit after failing to extort money from him. Cosby is asking a judge to dismiss the lawsuit and is seeking monetary damages from Huth and her attorney.

In his filing today, Cosby says Huth’s lawyer approached the comedian’s attorney, Marty Singer, last month and made “ominous references” to ‘criminal penalties.'” According to the lawsuit, Huth’s lawyer demanded $100,000 for her silence, and later increased the amount to $250,000 as additional women came forward.

“Through her lawyer, Plaintiff made extortionate claims to Mr. Cosby (through his counsel) about criminal penalties, coupled with ever-increasing demands for a six-figure payday to keep quiet about her long-since-expired claims,” the documents state.

The suit claims that after Cosby’s attorney rejected Huth’s claims and accused her of extortion, her attorney filed a lawsuit two days ago against the comedian.

In relation to this development, my indispensable story scout, Fred, asks:

“The legal profession must have some ancient and passionately held standards for how to offer a confidential settlement without sliding into blackmail, which Cosby’s lawyers accuse the plaintiff of doing. How do those work, and which side’s lawyers (if either) are most likely to be acting ethically?”

The issue is pretty ancient, all right, but it’s also murky, and has become murkier with passing years. Once upon a time, the American Bar Association had an ethics rule that said, “A lawyer shall not present, participate in presenting, or threaten to present criminal charges solely to obtain an advantage in a civil matter.” Later the provision was dropped, on the theory that it was too vague and could constrain legitimate negotiation. Some jurisdictions, like the District of Columbia, New York and Connecticut, retained it, but they also emphasize the word “solely.” That means that a lawyer who says, “Pay my client $25,000 or we’ll get you charged for rape, and that will ruin you!” has probably breached the rule, while one who says, “Look, we want to handle this as quietly as possible, but if you won’t be fair, you’ll leave us no choice but to seek a criminal indictment. Just thought you should know” has tiptoed within the rule’s bounds. What’s the difference? Not much. Continue reading →