Oates, a prolific and much-honored writer as well as a college professor,deleted the tweet after merciless mockery. In case you are, like her, unfamiliar with Marvel Comics tropes, the intergalactic supervillain Thanos wields the Infinity Gauntlet,”one of the most powerful objects in the [Marvel] Universe.” It empowers the wearer to do anything and everything imaginable.
This was resolved in September 2022, but I missed it, and attention should be paid.
An Illinois lawyer was representing a client in an age discrimination lawsuit that arose out of an attempt to purchase property and, chagrined at the judge’s ruling at one point, uttered the Elizabethan era word, “gadzooks!” under his breath. The judge admonished the lawyer not to make comments “under your breath,” and the attorney replied, “I said, ‘gadzooks!'” The judge shot back, “If you make one more comment that’s offensive to this court, I will hold you in contempt of court.” The lawyer, apparently astonished, said: “Gadzooks is offensive to the court?”
The judge stated: “You are now in contempt of court. I’m fining you $1,000.” When the the lawyer replied, “May I ask the court.” The judge stated: “You are now (at) $2,000!”
During the eventual disciplinary hearing—the episode tied up the lawyer for years—the judge testified that she did not know what “gadzooks” meant but found it offensive, and that she regarded the exclamation an attempt to impugn her ruling. The lawyer testified that he did not consider “gadzooks” to be offensive, and also testified that he did not yell or shout “gadzooks” as the judge claimed. When he did raise his voice during the trial, it was so his 83-year-old client could hear him, he said. Continue reading →
—Ann Althouse, at the end of her blog post commenting on the premiere of “Saturday Night Live” and the New York Times’ review of it
The SNL premiere was guest-hosted by Miles Teller.
I’ve got some income-producing work to do for a client early this morning and I shouldn’t be working on an Ethics Alarms post, and I know I’ve been picking on Ann a lot lately, but I really can’t let this pass.
It’s really simple: if Althouse is going to engage in popular culture commentary as if her opinion should be taken seriously (as in “is worth reading on her blog”), then she has a base obligation to be at least minimally informed regarding American popular culture. She isn’t. She has never been, and I have read her blog for more than two decades, back when she was a law professor. There are arbitrary pockets of pop culture that she is obsessed with (like Bob Dylan songs), but it has always been obvious that Althouse is not very conversant in classic films or network TV; she’s even blogged about this hole in her experience. Not that there’s anything wrong with that, except that if one is going to critique popular culture, especially a show that at least purports to satirize current personalities and themes within pop culture, it is irresponsible, incompetent and arrogant (dare I say, “stupid”?) do do so when you literally don’t know what you are talking about.
Sixty-something Ann Althouse asking “Who is Miles Teller?” is the exact mirror image of those lazy jokes on TV and in movies about clueless Millennials who ask, “Who is John Wayne?” or “Who were The Beatles”‘ after a Boomer makes a reference to them or their equivalents. Saturday Night Live has always featured as guest hosts actors and singers (and sometimes, less successfully, politicians) who are currently popular, in the news and hot commodities, so Ann had to know that if Miles Teller was hosting the first show of the season, he must qualify. If she wasn’t familiar with him, then obviously she should have Googled his name: it would take all of three seconds. Her question, at the end of a post suggesting that “Saturday Night Live” is tired, unfunny and irrelevant (not that it isn’t), conveys stunning elitism as well as the qualities I already attached to it.
I work hard at keeping current on all aspects of the culture, including the popular culture. I believe, and have written here frequently, that cultural illiteracy is a crippling problem in a democracy, and that citizens have an ethical obligation to avoid it by proactively informing themselves. I also agree with the thesis of E.D. Hirsch, who posited in his best-seller “Cultural Literacy” that the generations becoming estranged and unable to communicate with each other was a formula for societal disaster.
There has been an explosion of the use of a cheap joke at the expense of rising generations in TV and movie dramas: an older character will use a cultural reference to John Wayne, the Beatles, a Rockefeller or someone similarly significant, and a younger character, usually 20-ish, will reply, “Who’s that?” I managed never to be that kid, even as a preteen. The reverse gag is also common: a teen will mention Taylor Swift at the dinner table and a clueless parent will reply, “Oh, is that one of your new friends in school, dear?” I vowed when my son arrived never to be that boob either.
And yet today I ran one of my periodic spot checks on my pop culture literacy, and flunked. Perusing the stories in WeSmirch, a celebrity gossip aggregator, I found the names of 26 current celebrities, and endeavored to identify them (without cheating, of course). Here they are:
On this date in 1863, President Abraham Lincoln added a vital coda to the United States mission statement articulated in the Declaration of Independence nearly a hundred years earlier. Gary Wills, among other historians and commentators, has argued that with this single speech Lincoln reframed the purpose of the American experiment as well as clarifying its core values. Those values, it is fair to say, are today under the greatest threat since the Civil War today. Lincoln’s address lasted just two or three minutes (it was not even announced beforehand as a speech, but rather “remarks”), but also reframed the purpose of the war itself, as not only to preserve the union, but a struggle for freedom and equality for all.
There has been so much written about the Gettysburg Address that it would be irresponsible for me to attempt to analyze it here. It probably isn’t necessary to analyze the speech. Few statements speak more clearly for themselves: if ever a speech embodied the principle of res ipsa loquitur, this is it:
It was this day, October 9, in 1946 that the greatest play of the greatest American playwright premiered. The playwright was Eugene O’Neill, and the drama was “The Iceman Cometh.” (Of course, that’s just my assessment, though I am not alone. I rate it the greatest non-Shakespeare play in the English language.) Like almost all O’Neill works it is an exploration of ethics. A traveling salesman, a professional liar, returns to a dive where he is worshiped by its drunken denizens to change their lives by forcing each of them to confront reality rather than avoid it using rationalizations, delusions and drink.
Few Americans have seen “The Iceman Cometh,” largely because it is seldom produced. The original version is well over four hours long, and in my view, every minute cut diminishes the play’s message and power. (The film version above was cut significantly) The play also requires a large ensemble cast of unusual talent and intelligence. It’s so much easier and safer to produce “To Kill A Mockingbird.”
Unfortunately, O’Neill’s plays are meant to be experienced on stage, and on stage, they work. Reading O’Neill is a chore, and another reason his works are not produced enough is that directors, producers and playreading committees can’t get past the text. O’Neill didn’t help by often writing dialogue in dialect. It’s tough going, though no more so than Shakespeare. (You can read the play here.)
1. From the Ethics Alarms cultural literacy files. I remember this re- tweet by acclaimed novelist Joyce Carol Oates from 2015; I can’t believe I didn’t post on it then. (Pointer to Ann Althouse for reminding me of it today):
Now, I would like to believe that Oates was joking (I’m not sure about Tilley), but she is not known for madcap humor. Apparently “Jurassic Park,” Steven Spielberg and popular culture are beneath her, and she was so focused on literature in school that dinosaurs completely missed her attention. I regard this as being estranged from one’s culture, and I regard that as irresponsible.
2. Question: If Twitter is taking down tweets involving hate speech, why is unequivocal hate like this permitted? Robert Trump, the President’s younger brother, died yesterday. The President wrote,
“It is with heavy heart I share that my wonderful brother, Robert, peacefully passed away tonight. He was not just my brother, he was my best friend. He will be greatly missed, but we will meet again. His memory will live on in my heart forever. Robert, I love you. Rest in peace.”
Yet the hateful, vicious “resistance” couldn’t rise to a moment of bipartisan decency. The hashtag #wrongtrump, is the second highest trending on Twitter, with more than 80,000 tweets last I checked. Among the the ghouls were journalist David Leavitt., ” who tweeted, “What did he promise the devil for the Grim Reaper to take the #wrongtrump ???” (5.7 thousand people “loved” the sentiment), and Bishop Talbert Swan, president of the Springfield, Massachusetts, branch of the NAACP (and a pastor, which will perhaps help illuminate my attitudes toward organized religion), who wrote “Dear Grim Reaper, You took the #wrongtrump.” That one got 10,000 hearts.
1. Cultural literacy note. Ann Althouse, holed up and desperate for non-virus topics (as are we all), has been reduced to reading Woody Allen’s newly published memoirs and commenting on them. Today, reviewing a section where Allen said that his “literary heroes” growing up did not include Julian Sorrel, but did include comic book super-heroes like Hawkman and Submariner, among others. Ann, who’s a bit younger than me, openly admits that while she knows Julian Sorrel (“The Red and the Black”–yechhh). but never heard of Hawkman or Submariner.
Is that a girl thing? Admittedly, those are two relatively minor heroes in the D.C. and Marvel comic book universes, but Ann has had a long time to catch up. It reminds me that one’s perspective on so many matters—everything?—is affected by the shape of the culture one perceives, and holes, even little ones, make a difference. Althouse frequently reveals that she is weak on some popular culture (especially movies and TV). She’s a commentator on the American scene, and people are influenced by her opinions. Nobody can know everything, but the fewer holes, the better.
Between the nauseating impeachment charade and baseball’s cheating scandal (and the largely ethically ignorant commentary regarding it), the bias of the mainsteam media reaching critical mass in episodes likethisand the Don Lemon panel’s mean girls mockery of those dumber than dumb Trump supporters, mounting evidence that Democrats are going nuts based on the rise of a superannuated Communism fan in the race for the party’s Presidential nomination, and, of course, my wife doing a face-plant into some asphalt, it was a not a happy 31 days at The House of Ethics.
Amazingly, it has been a very good month for the President, becoming the first POTUS to unequivocally endorse the anti-abortion movement by appearing at the March for Life, cutting a partial deal with China, ridding the world of Qasem Soleimani (and in doing so, prompting his domestic foes, including the news media, to publicly sympathize with a terrorist and a nation that habitually calls for America’s destruction), releasing a Mid-East peace plan that is garnering support everywhere but from Iran, the Palestinians, and, of course, the U.S. media, and seeing economic figures so good even the New York Times has been forced to acknowledge them, all while being called every name in the book and an existential threat to democracy on C-Span by the Democratic House impeachment managers.
1. “Dolemite Is My Name” We finally watched “Dolemite Is My Name,” (on Netflix), Eddie Murphy’s homage to comic Rudy Ray Moore and his 70s Blaxploitation film “Dolemite.” So much for my proud claims of cultural literacy: I never heard of Moore or his film, which is apparently a genre classic. Moore is regarded as the Father of Rap; how did I miss this for so long? Murphy’s movie tells the mostly true story about how a group of complete novices, led by Moore, made an exuberantly idiotic movie (faithful to Moore’s formula for success with black audiences: “Titties, funny, and Kung-Fu”) for $100,000 that grossed 10 million.
The movie is fun as a black version of “Ed Wood” (same screenwriters, I discovered later) and won some awards. For it to be make any 2019 Ten Best lists, however, is blatant race pandering by critics. Continue reading →
1 Trivial Ethics. In an old episode of “Law and Order: Criminal Intent,” the nautical termword “yar” came up. This was a Jeff Goldblum episode, and he remarked, in the odd, ironic, strangely reflective manner that is Jeff’s trademark, “Yar! Katherine Hepburn used that word in “The Philadelphia Story,” right? Yar? Who did she say that too?” His partner replied, with great certitude, “Jimmy Stewart.”
WRONG. Tracy Lord (Katherine) has two “yar” discussions, one with her fiance, played by John Howard, and another with ex-husband Cary Grant, who built boats. These scriptwriters are in show business, dammit. “The Philadelphia Story” is a classic. Nobody working on the TV show knew the right answer? Nobody bothered to check? This is how America’s collective minds get clogged with ignorance.
2. Now I can begin my personal boycott of Chick-Fil-A. Last week Chick-fil-A announced that next year it is officially cutting ties with the Salvation Army and the Fellowship of Christian Athletes (FCA), the charitable organizations that have sparked protests and boycotts against the chicken restaurant chain because they, and the chain’s CEO, Dan Kathy, are known to oppose same-sex marriage on religious grounds.
According to the chain, in 2018, its foundation donated $115,000 to the Salvation Army and $1.65 million to FCA. This is a big blow to both organizations.
“We made multiyear commitments to both organizations, and we fulfilled those obligations in 2018. Moving forward you will see that the Chick-fil-A Foundation will support the three specific initiatives of homelessness, hunger and education,” a representative said.
Translation: They capitulated to viewpoint bullying, and now others will feel empowered to use totalitarian methods to extort other organizations and businesses.