In a classic cheap shot, race-baiting, virtue-signaling feature that is now standard fare in the mainstream news media, the New York Times implied that the Radio City Music Hall Rockettes are racist. The article, headlined in the print edition “Where All Your Christmases Are White.” included a cutline, “At the Rockettes holiday show I saw, there were more camels onstage than black women.” That made me read the article. I wasn’t aware that the EEOC had a camel/black woman percentage requirement. You learn something every day.

After pointing a bony finger and whispering “racist,” the author does note that while only one of the 40 dancers in the performance she saw appeared to be black, this was something of a deceptive proportion. “Among the 80 dancers who make up the Rockettes corps, 10 percent are women of color, a spokeswoman for the company told me; you are only seeing half the cast during any given show because there are so many performances to fill — on weekends, up to six a day,” Ginia Bellafante writes. Ah. So if she saw the other troupe of 40, there would have been seven black dancers. (OK,  “dancers of color,” whatever THAT means.) Not only would seven have outnumbered the camels,  it would make a percentage of  17.5.  12.3% of the population is black. Tell me what the point of this feature is again, New York Times?

Ginia also hints that the problem may be that the kickline looks too white. ” [A]ny variance in skin tone is obscured by lighting and makeup that have the effect of creating a stultifying homogeneity, which is the point and amounts, ultimately, to an eerie celebration of whiteness,” she writes. You know, I’ve seen the Rockettes many times, not that I don’t find kick-lines boring or have a single vivid memory of a performance. I never sat there, watching these impossibly tall, long-legged women kick over their heads, and spent my time counting how many of the looked white, or thought of the performance as having anything to do with race at all. Doing so would be like watching an exciting NBA game, where about 75% of the players are black, and think of it as  “an eerie celebration of blackness.” As they say, Ginia, if the only one hearing the dog-whistle is you, you’re the dog. Continue reading →