The Rockettes Look Mostly White. So What?

In a classic cheap shot, race-baiting, virtue-signaling feature that is now standard fare in the mainstream news media, the New York Times implied that the Radio City Music Hall Rockettes are racist. The article, headlined in the print edition “Where All Your Christmases Are White.” included a cutline, “At the Rockettes holiday show I saw, there were more camels onstage than black women.” That made me read the article. I wasn’t aware that the EEOC had a camel/black woman percentage requirement. You learn something every day.

After pointing a bony finger and whispering “racist,” the author does note that while only one of the 40 dancers in the performance she saw appeared to be black, this was something of a deceptive proportion. “Among the 80 dancers who make up the Rockettes corps, 10 percent are women of color, a spokeswoman for the company told me; you are only seeing half the cast during any given show because there are so many performances to fill — on weekends, up to six a day,” Ginia Bellafante writes. Ah. So if she saw the other troupe of 40, there would have been seven black dancers. (OK,  “dancers of color,” whatever THAT means.) Not only would seven have outnumbered the camels,  it would make a percentage of  17.5.  12.3% of the population is black. Tell me what the point of this feature is again, New York Times?

Ginia also hints that the problem may be that the kickline looks too white. ” [A]ny variance in skin tone is obscured by lighting and makeup that have the effect of creating a stultifying homogeneity, which is the point and amounts, ultimately, to an eerie celebration of whiteness,” she writes. You know, I’ve seen the Rockettes many times, not that I don’t find kick-lines boring or have a single vivid memory of a performance. I never sat there, watching these impossibly tall, long-legged women kick over their heads, and spent my time counting how many of the looked white, or thought of the performance as having anything to do with race at all. Doing so would be like watching an exciting NBA game, where about 75% of the players are black, and think of it as  “an eerie celebration of blackness.” As they say, Ginia, if the only one hearing the dog-whistle is you, you’re the dog. Continue reading

D.C. Ethics: Q: What’s Worse Than Delta Airlines Dumping Passengers For The Convenience of The University Of Florida Basketball Team? A: American University Ruining A Ballet School’s “Nutcracker” For The Convenience Of Chris Matthews

The victims of Washington DC values and priorities. AU must be so proud...

The victims of Washington DC values and priorities. AU must be so proud…

Full disclosure: In the past I have been an American University (in Washington, D.C.) employee, teaching legal ethics for a couple of semesters at its Washington College of Law. If I was still an adjunct professor there, I would resign and lead a protest against the despicable, callous, unethical actions of  A.U administrators, and, as I will explain later, I know just how to do it. Later. First, the tale of AU’s disgrace:

President Obama, understandably desperate to address his falling poll numbers in the wake of the dawning realization that 1) his administration is a mess, 2)  he doesn’t really do anything, 4) the health care law he has been selling is dysfunctional, dictatorial and expensive and 5) he lies, is hustling to shore up his base, conveniently identified as anyone who can watch his 24-hour cable shill, MSNBC, for five minutes without laughing or getting nauseous. Thus his staff whistled up loyal sycophant Chris Matthews, he of the “thrill up my leg” Obama fixation, for an exclusive interview this week. This is a blatant political appearance, make no mistake about it. MSNBC is not a legitimate news organization, is intentionally and by design biased in favor of all things related to President Obama, and in Matthews, the President could not possibly have a less objective or more fawning foil. Continue reading

Facebook, Truth Trap: The Saga of the Belly Dancing Invalid

Just imagine how she could dance if she weren't disabled!

Facebook is beginning to reveal itself as a kind of truth trap for the unethical. It is infinitely more difficult to live a lie when you give the world a window into your life via social media. The choice may be between undiscovered fraud protected by social isolation, and blogging candor resulting in unpleasant justice. Indeed, not being on Facebook may create suspicions that some individuals are hiding misconduct. And they just might be, for if they become active on Facebook, the Truth Trap is waiting.

Take the Saga of the Belly Dancing Invalid.

Dorothy McGurk was stripped of a divorce settlement she had forced out of her ex-husband three years ago, when a court ruled that her Facebook entries proved she wasn’t unable to work as she had claimed. Continue reading