Reflections On My Final Visit To “The Greatest Show On Earth”

The Ringling Brothers Barnum and Bailey Circus will bring down its metaphorical Big Top for the final time in May. Its business model simply does not work any more, as an executive of the arena entertainment company that owns it said recently—especially since the circus capitulated to animal rights activists and fired its performing elephants. (Ticket sales dropped by almost a third.) This was an iconic cultural institution vanishing, so I had to say farewell, and did so last weekend, when the circus came to Washington, D.C. for the final time.

Observations:

1. It is still an entertaining show, even though  the Ringling brothers would never have recognized it as a circus. Several of the acts were worth the ticket price (in our cases, about 75 bucks) all by themselves.

2. The Verizon Center was about a third filled for the final show of the legendary Ringling Brothers Barnum and Bailey Circus. The Center itself was sparsely staffed; it took 20 minutes in line to buy popcorn. Americans, as a group, don’t care about history, culture and significant changes in it landscape any more. The circus and its components gave us imagery, lore, metaphors—“walking a tight rope,” “three ring circus,” (this one is now a two-and-a half ring circus at best), “ringmaster,” “dog and pony show,” “the big tent,” “side-shows,” “clown act,” —and “The Man on the Flying Trapeze.” The nation is a little poorer and less colorful without it.

3. The public also increasingly sees little value in the mass audience experience. Live entertainment, especially family friendly varieties, were traditionally seen as an important and natural way to strengthen community ties, by bonding disparate members of society through a shared experience involving witnessing something transforming and memorable.

4. Assisting in the death of this experience is the trend of making sure all arena and stadium events  are filled with loud, never-ending, pounding electronic music that would make Phil Specter grab ear plugs. Once,  the circus’s dramatic  music consisted of drum rolls, bands and soft calliopes. If you watch the Cecil B. DeMille movie “The Greatest Show On Earth,” you will see spectators talking to each other during the acts, or shouting out to performers. Either is virtually impossible now. Conversation consists of screaming a few words repeatedly until your companion nods. This continues the cultural trend of making meaningful interaction with fellow human beings passe. How can this possibly be a healthy development for society?

I did see a lot of people texting….maybe to those sitting next to them.

5. Almost no venders were walking among the seated. A single snow cone from one of these cost $12.00.

6. This is how unintended cultural pollution takes place. The conglomerate that owns the circus also owns various ice shows, like Disney on Ice. To cut costs, it decided to employ performers from the ice shows in the circus too, meaning that instead of a sawdust path around the rings, the track around the performing areas are ice. Everyone is on skates half the time. It isn’t a bad effect: it’s faster than the old-style parades. But now the circus is an ice show. Continue reading

The Circus, The Animal Lovers, And The Saint’s Excuse

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Animal rights groups just paid a large price for falling prey to #13 on the Rationalization List, The Saints Excuse, which is described in part thusly..

This rationalization has probably caused more death and human suffering than any other. The words “it’s for a good cause” have been used to justify all sorts of lies, scams and mayhem. It is the downfall of the zealot, the true believer, and the passionate advocate that almost any action that supports “the Cause,’ whether it be liberty, religion, charity, or curing a plague, is seen as being justified by the inherent rightness of the ultimate goal…The Saint’s Excuse  allows charities to strong-arm contributors, and advocacy groups to use lies and innuendo to savage ideological opponents. The Saint’s Excuse is that the ends justify the means, because the “saint” has decided that the ends are worth any price—especially when that price will have to be paid by someone else.

And thus it was that  in 2000 a former Ringling Brothers circus worker filed a lawsuit claiming that the circus’s elephants were abused, just as animal rights groups have long claimed. It was later determined that he had been paid at least $190,000 by the animal rights groups, including the Humane Society, the Fund for Animals and the ASPCA, to back their charges. This is illegal. This is unethical. After a 2009 trial found that the abuse allegations could not be proved, the circus sued for legal fees. The ASPCA paid Ringling Bros. $9.3 million in a settlement in 2012, and now the other groups will have to cough up $16 million. They got what they deserved. Continue reading

Ethics Elephant In The Room: The ASPCA Was Wrong, And Should Admit It

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The  Association for the Prevention of  Cruelty to Animals finally capitulated and has agreed to pay over 9 million dollars in damages to the Ringling Bros. Barnum & Bailey Circus. Way back in 2000, the ASPCA and other animal advocacy groups sued the circus company’s owners, alleging cruel treatment of elephants. The problem was, courts found, that the law suit had been built on the claims and testimony of a former Ringling barn helper who had been paid at least $190,000 for his participation in the lawsuit. This meant that the suit was dead.

Ringling Bros. Barnum & Bailey Circus counter-sued, as would I, as would you. I don’t doubt that elephants are abused sometimes in the circus; I’m sensitive to the argument that putting elephants in a circus is inherent abuse. It seems clear that a lot of dedicated, well-meaning people who care deeply about animals and their treatment couldn’t press their claims persuasively without help, so, essentially, they cheated. You can’t pay witnesses, whether the witness is telling the truth or not. It’s unfair. It’s illegal. It corrupts the justice system. Continue reading