Elle’s Paul Ford: Nominee For Most Unethical Father Of The Year (Non-Criminal Division)

"We're giving one of you most of our money, because we already know the other one won't need it."

“We’re giving one of you most of our money, because we already know the other one won’t need it.”

Bias, as we say here often, makes you stupid, and social justice delusions unmoored from facts, ethics, common sense and reality make you spectacularly stupid.

A nauseatingly self-congratulatory feature by Elle writer Paul Ford was introduced by the women’s magazine this way:

“As Paul Ford’s twins grew, he couldn’t stand the fact that his daughter would always lag behind his son financially. Then he hatched a brilliant plan….”

Here’s the brilliant plan, in Ford’s own words: Continue reading

Ethics Dunce: Fat-Bashing Film Critic Rex Reed

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Actress Melissa McCarthy stole the film “Bridesmaids” right out from under its better known stars, including the screenplay’s author, Kirsten Wigg. In that film, her hit CBS sitcom “Mike and Molly,” and subsequent films (of varying quality), McCarthy has shown that she is s versatile, appealing comedienne with deep dramatic resources. Film critic Rex Reed, however, is mostly concerned with her weight, which is usually a component of the characters she plays and the quality, other than her talent, that sets her apart from the standard issue, impossibly thin, fit and sexy Hollywood actress.

In his withering review of her latest comedy “Identity Thief,” Reed causally refers to McCarthy as a “female hippo” and reduces her career to this: “Melissa McCarthy (Bridesmaids) is a gimmick comedian who has devoted her short career to being obese and obnoxious with equal success.” Called on his fat-bashing, Reed responded, “I have lost entirely too many friends to obesity-related diseases to pretend Ms. McCarthy’s alarming obesity is anything to applaud.”

There are two aspects of this that are striking. One is that Rex Reed, who played the pre-op Myra Breckenridge in the awful movie version of Gore Vidal’s gender-bending, and considered scandalous at the time, satiric novel (Raquel Welch, now over 70, was post-op), is still alive and reviewing, albeit obscurely until, as now, he writes something outrageous. At one time—40 years ago? Longer?— Reed was considered the most quotable and one of the most influential film critics; now, to say he is passé would be a compliment.

The other striking aspect of this incident is this:  while the culture will turn with unforgiving venom on any public figure who derides individuals for their color, sexual orientation, malady or disability, any of which would be considered cruel, bigoted, and hateful, deriding individuals because their weight doesn’t meet with aesthetic norms—among which are now out-sized breasts on otherwise fat-free frames and sharply chiseled abdominal muscles, a look that was literally freakish until the dawn of Nautilus and personal trainers—-still is largely regarded as justified and acceptable. Continue reading