Gilbert and Sullivan

Feel Smarter Now? Don’t.

/ Jack Marshall / 35 Comments

There’s been a lot of gratuitous Harvard-bashing lately, lately being defined as, oh, the last two hundred years or so. The latest plot to embarrass Harvard, my alma mater, came from the campus newspaper, the Harvard Crimson. This also isn’t a new development: I often found the Crimson embarrassing to Harvard back when I was student, when its staff was as often as not on a picket line chanting “Hey, Hey, LBJ, how many kids did you kill today?”

It’s latest effort was to send a roving reporter out with a video camera to show how ignorant Harvard students are. The question featured: “What is the capital of Canada?”  Here is the video:

Sure enough, none of the students shown could answer the question, except a Canadian. How humiliating! I can only imagine how many people will be flush with pride because they know that the capital city is Ottawa, and Harvard students don’t.

Of course, the video is meaningless. One Crimson reader, a student, wrote in to point out that he was interviewed for the stunt, gave the right answer, and turned up on the cutting room floor. He theorizes that there were others like him, and I wouldn’t be surprised: “Only six out of 19 Harvard students know the capital of Canada” isn’t much of a headline, is it? “Lame” was this student’s verdict for the Crimson’s rigged version of “Jaywalking.” I agree. Continue reading →

Comment of the Day: “Ronbo” on His Own Previous “Frivolous Complaint of the Month”

/ Jack Marshall / 12 Comments

Ron Barbour, Tea Party warrior, has a priceless post on his website in response to Ethics Alarms’ flagging of his letter “demanding” that the Secret Service arrest the director of the Missoula “Mikado” for updating “The Lord High Executioner’s” gag list of societal irritants to include Sarah Palin.

I would normally post highlights at this point, but everyone should check out his website to see the face of hateful extremism first hand, and how it burns up IQ points like kindling. This is political activism mutated into a total war mentality, where fairness to the perceived enemy is translated as proof of alliance with the enemy. Ron thinks I am a Leftist, which is tied only with “New York Yankee fan” as the thing I have most seldom been accused of being.

Don’t miss this…you will find it here.

Frivolous Complaint of the Month: Ronald Barbour

/ Jack Marshall / 29 Comments

I considered several possible titles for this: Unethical Abuse of a Government Employee’s Time of the Month, False Accusation of the Month, and the like. I considered calling it Most Unfair Attack on the Missoula Community Theater of the Week, but I’m not even sure that is true. I even considered, Document That Almost Makes Me Regret That I Ever Opposed Unfair Attacks on the Tea Party, but that is a bit off topic.

This published letter by “Ronbo” Barbour completely fooled me; I really thought it was satire,  which reveals a truth: the less one understands satire, the more likely one is to unwittingly emulate it without ever getting the joke.

I will say this: W.S. Gilbert would love this.

And now I present the actual letter sent to the Secret Service by Mr. Barbour, a Montana Tea Party official, relating to Sarah Palin’s inclusion in the classic comic song, “I’ve Got A Little List” [ Scroll to the end of the post for two versions of the song, the original and a Monty Python adaptation ] in the Missoula Community Theatre’s production of the 125 year-old operetta, “The Mikado.” I wouldn’t make this up; this is an ethics blog… Continue reading →

WSJ’s James Taranto Flunks His Ethics Test

/ Jack Marshall / 3 Comments

A longtime Taranto fan, I was waiting for his Monday installment of his “Best of the Web” blog on te Wall Street Journal site to see if he would retract his flat-out wrong and grossly unfair characterization of the Missoula “Mikado.” Alas, he chose to double down, apparently in thrall to a conservative, Gilbert and Sullivan deprived readership:

“On Friday we noted that a theater company in Montana had inserted into its production of Gilbert and Sullivan’s “The Mikado” a lyric calling for the beheading of Sarah Palin. By the close of business that same day, Michael McGill, executive director of MCT Inc., had announced remedial action…”

[The lyric, once again, is: “And that crazy Sarah Palin, needs a psychoanalyst!  She never would be missed.  No. She never would be missed.” Would any fair, sane, English comprehending person say that this “calls for the beheading of Sarah Palin”? Of course not.  Yet there it is.]

Thus Taranto follows a pattern I have noticed among many of the false critics of the production. They don’t seem to care what the facts are, or what is fair. They just want to rise to poor Sarah’s defense, and are willing to victimize an innocent small theater company of very nice, talented, dedicated people to do it.

Ah, James, I have misjudged you, I fear.

Ethics Train Wreck Report: Lessons, Ethical and Otherwise, of the Missoula “Mikado” Mess

/ Jack Marshall / 19 Comments

Much of my weekend was occupied by reading, writing, thinking, and talking about the bizarre controversy over a community theater production of Gilbert and Sullivan’s “The Mikado,” which, by a series of misunderstandings, misdeeds, hypocrisies and journalistic malpractice, has created much anger and unhappiness for no legitimate reason at all. If you are late to the story and want to catch up, you can do so here, here, here, and here.

For the first and perhaps only time I can honestly say that Ethics Alarms is the most reliable source on a story. There may be plenty of ethicists who are more knowledgeable, scholarly, prudent and experienced than I am regarding ethics theory, but none of them knows this topic—Gilbert and Sullivan and “The Mikado”, like I do. I have 50 years experience performing, directing, studying, parodying and laughing at the works of these Victorian geniuses. The second I read the astoundingly wrong-headed interpretation being attached to the Missoula Community Theatre’s inclusion of Sarah Palin in Ko-Ko’s famous song “I’ve Got a Little List,” I surmised exactly what was going on, and my assessment has been confirmed by everything that has come to light since.

I will summarize what we now know in brief (well, briefer than reading all the posts) form:

Continue reading →

Unethical Journalist of the Week: Aaron Flint, of The Northern Broadcasting Network

/ Jack Marshall / 20 Comments

Well, why not…before all-Mikado Saturday comes to an end, I might as well highlight this astounding example of spectacularly incompetent journalism by the Northern Broadcasting Network’s Aaron Flint, who actually posted this hilarious idiocy on his “Flint Report” (I will have to comment on the text as it goes, since there is too much nonsense to take in all at once.)

His headline: “Palin Beheaded in Missoula Play” Continue reading →

Comment of the Day: “Next: A Version of “The Mikado” Without Execution References”

/ Jack Marshall / 9 Comments

I promise I won’t do this often, but this Comment of the Day is by me, a reply to a comment by Ichneumon, which you will find at the end. I have been involved in this debate elsewhere, and a common “gotcha!” being employed against me is the argument that I jumped the gun defending the production of “The Mikado,” because I didn’t (and don’t yet) know what the exact lyrics were. I think this is worth expanding on, since Ichneumon and others have accused me of being “unethical” for calling the critics of the Palin lyric, whatever it was, ignorant.  Saturday is usually quiet, and this seems to be all that is going on other than the Middle East blowing up; by tomorrow I’m hoping to be able to move on to issues having nothing to do with Sarah Palin, Missoula, or “The Mikado.” So here is my reply to Ichneumon, with sample verses, on the original post, “Next: A Version of “The Mikado” Without Execution References”:

“The fact is, everyone from the Wall Street Journal to local websites to conservative commentators have been slapping around the production without an exact quote from the production. I am in touch with someone in the cast, and am hoping, waiting, to learn exactly what the lyric was. So what, exactly, would you have me do, when the vast majority is citing this, and only this, as the basis for its condemnation: the production put Sarah Palin, by name on Ko-Ko’s list, and this constituted a declaration that she should be killed? Continue reading →

Further Ethical Musings on Ko-Ko’s Little List’s “Eliminationist Rhetoric”: the Duty to Fight the Insanity

/ Jack Marshall / 7 Comments

The more I think about the controversy over the Montana production of “The Mikado,” which I discussed in the previous post, the more it bothers me.

The fact that some conservative Missoulans were disturbed by Sarah Palin’s inclusion on the iconic “little list” carried by the fictional Ko-Ko, the Lord High Executioner in Gilbert and Sullivan’s classic musical comedy “The Mikado” is disturbing. The fact that the Missoula Community Theater actually caved-in to ignorance and hypersensitivity and removed the lyric is more so.  but the fact that some sensible commentators, like the Wall Street Journal’s usually perceptive and witty James Taranto, have had their brains addled by the current attempt at language, metaphor and humor purging by politically correct hysterics is genuinely terrifying. Continue reading →

Next: A Version of “The Mikado” Without Execution References

/ Jack Marshall / 30 Comments

For a text-book example of how political correctness, ideology, ignorance and a humor deficit can undermine speech, culture and entertainment, we need look no further than Montana, and its public critics of the Missoula Community Theater’s production of “The Mikado,” perhaps the best of all Gilbert and Sullivan operettas and one of the very best musical comedies ever written. Continue reading →

“Finishing the Hat”: Sondheim, W.S. Gilbert, and Expert Malpractice

/ Jack Marshall / 6 Comments

Stephen Sondheim’s “Finishing the Hat” is a fascinating reflection on a remarkable career and the craft of making musicals by the greatest living master of the form. In the course of recounting his formative years, triumphs, failures, and duels with producers, authors and composers, Sondheim also critiques the lyrics of his predecessors, contemporaries and role models—as long as they are dead. In a nod to gentility or cowardice, the only living lyricist he subjects to his expert critiques is himself.

Sondheim is a tough judge, as one might expect from a composer/lyricist who meticulously measures each vowel sound and stressed syllable for maximum effect. He is also, by virtue of both his reputation and technical expertise, an influential one. The lyricists he grades highly in the book, such as Frank Loesser, Cole Porter and Dorothy Fields, are likely to have their reputations burnished by his praise, and those he slams, like Lorenz Hart and Noel Coward, will suffer by comparison. Because of this, Sondheim had an obligation, as a respected expert in his field, to make each case carefully and fairly. To his credit, Sondheim seems to recognize this, and all of his critical discussions of an individual lyricist’s style and quirks include specific examples and careful analysis. We may disagree with Sondheim as a matter of personal taste, but it is difficult to argue with his specific points, because they are backed up by examples, technical theory, and the weight of his authority.

It is therefore surprising and disappointing to see Stephen Sondheim slide into expert malpractice when he undertakes, clearly half-heartedly, a critique of the lyrics of W.S. Gilbert, of Gilbert and Sullivan fame. Continue reading →