1. Our trustworthy news media, which we can trust to behave like this... From my AOL news feed: “Trump says he may not accept 2020 election results.” From the transcript of the Chris Wallace interview that the headline is referring to:
WALLACE: Are you suggesting that you might not accept the results of the election?
TRUMP: No.
What the President would not do is promise to accept the results if there were a valid reason not to accept the results. Once Al Gore challenged the Florida vote count after Bush had been declared the winner in 2000, the long standing precedent, followed by election losers like Andrew Jackson, Samuel Tilden and Richard Nixon, all of which had reasons to question the results in their contests, of accepting defeat without a challenge was erased. If any of it remained at all, Hilary Clinton’s pursuit of some way of reversing the Electoral College tally in 2016 completed the job. Trump’s refusal to promise a return to the old tradition is reasonable, especially with the chicanery enabled by mail-in ballots. What Joe Biden has suggested, despicably, is that Trump will not give up the Presidency even if he is defeated unequivocally and fairly. There is no justification for suggesting this. There is far more reason to believe that any Trump victory, even a resounding one, will send angry and frustrated Democrats into the streets
Trump, as usual, was trolling with his coy response here…
WALLACE: There is a tradition in this country — in fact, one of the prides of this country — is the peaceful transition of power and that no matter how hard-fought a campaign is, that at the end of the campaign that the loser concedes to the winner. Not saying that you’re necessarily going to be the loser or the winner, but that the loser concedes to the winner and that the country comes together in part for the good of the country. Are you saying you’re not prepared now to commit to that principle?
TRUMP: What I’m saying is that I will tell you at the time. I’ll keep you in suspense. OK?
TRUMP: And you know what? She’s the one that never accepted it.
WALLACE: I agree.
TRUMP: She never accepted her loss and she looks like a fool.
This isn’t a topic he should be playing with, because the Democrats and the news media will claim that something sinister is in the works. Trump gives a strong hint of his real meaning: if Hillary looked like a fool by refusing to accept the election results, he wouldn’t want to behave like Hillary. But the President should have simply said, “If I lose, fair and square, of course I will accept the results.”
He also should have answered Wallace’s question as I would have, by saying, “Chris, the tradition you speak of has been rejected twice by losing Democratic candidates since 2000.”
2. There’s no excuse for this in 2020. I could not believe my ears as I watched “Three Billboards Outside Ebbing, Missouri”last night.
I thought that a TV version of “The Hard Way” (1991) I watched a bit of until I couldn’t stand any more had wrapped up the all-time prize for idiotic Bowdlerization of movie dialogue with such substitutions as “slug in a ditch” for “son of a bitch.” I mistakenly assumed that the days of red-penciling movie dialogue on the theory that a film’s audiences would be made up of six-year-old Mennonites and 88-year old nuns were long gone. But here was a a 2017 movie with a lot of rough language being made ridiculous by word censorship. “Fuck” was alternately represented by “flock,” “flip,” and “freak.” “Mother-fucker” became “flipper”—in a bar scene, I at first thought a fight started because one character called another a dolphin. “Bitch” for some reason was removed in favor of the word “cuck,” except it was pronounced like “cook.” A character complained about there being “too many cucks in here,” and for a second I thought I was watching “The Great British Baking Show.” All of these strange words ruined the movie, first because the silly replacements turned a smart and moving drama into a absurdist Monty Python skit, and second because the word substitution was so eccentric that I was constantly taken out of the story by wondering, “What word was supposed to be in there?”
In one scene, the protagonist played by Frances McDormand burst into the police station calling the officer played by Sam Rockwell a “fig-head.” Another officer indignantly shouts at her, “You can’t come in here and call a law enforcement officer a fig-head!” Wait–what the hell is a fig head?
This is incompetent and unfair to the film, the artists who made it, and the audience.
3. OK, I admit it, I have no idea what Kanye West is doing. And I don’t care. After announcing he was running for President, then implying that he wasn’t, the mentally ill rapper held a campaign event yesterday highlighted by his criticism of Harriet Tubman on the grounds that she “never actually freed the slaves, she just had them work for other white people.”
This is gallactically stupid, but it’s still smarter than Candidate Trump’s criticism of John McCain’s war heroism. At least Tubman, her family and friends aren’t alive to exact their revenge on West should he get elected.