“With all due respect, what the hell are you talking about?”

—Actor and Wounded Warrior ally Gary Senise, in an open letter responding to Howard Dean’s statement that the audience for “American Sniper” consisted of “angry people.”

Good question. What are the vicious and anti-military critics of Clint Eastwood’s box-office busting bio-pic about Navy Seal Chris Kyle talking about?

I saw the film yesterday. It’s not pro-war, pro-Iraq invasion, or political in any way. The various critics of the film out themselves as hateful and so biased against combat, the military and, I don’t know—life? Reality?—that they can’t even keep their minds open a crack for a thought-provoking piece of popular art. Dean had said, turning his review (I’ll bet anything that he hasn’t seen the film) into a gratuitous attack on tea party supporters:

“There’s a lot of anger in this country, and the people who go see this movie are people who are very angry. And this guy basically says ‘I’m going to fight on your side.’ … I bet you if you looked at a cross-section of the Tea Party and the people who go to see this movie, there’s a lot of intersection.”

In the same forum–his weekly HBO conservative-bashing fest–Bill Maher called Kyle a “psychopath patriot” (there is nothing whatsoever in the film that supports that diagnosis). Seth Rogen compared “American Sniper” to a Nazi propaganda film. Michael Moore used the film–which he couldn’t possibly have seen–to make the ridiculous observation that snipers were “cowards.” Kyle, the most effective sniper in U.S. military history, was wounded repeatedly and awarded two Silver Stars and five Bronze stars. For him to be smeared as a coward by the likes of Michael Moore is grotesque.

The film, among other things, shows just what kind of horror our service men and women endured in Iraq, how they suffered (and suffer still), what it did to them and their families, and accords them well-deserved compassion and respect. How sad, bitter and rotten inside someone must be to resent that. As I watched the film, it occurred to me that this was probably exactly what John Wayne wanted “The Green Berets” to be during Vietnam, but had neither the discipline to avoid agitprop and sentimentality, nor Clint’s directing skills to pull it off.

After expressing his disgust at Dean’s outburst in a tweet, the stage and screen star, whose foundation works to help and recognize the soldiers and veterans he calls our “defenders,” wrote,

To Howard Dean,

I saw American Sniper and would not consider myself to be an angry person. You certainly have a right to make stupid blanket statements, suggesting that all people who see this film are angry, but how is that helpful sir? Do you also suggest that everyone at Warner Brothers is angry because they released the film? That Clint Eastwood, Jason Hall, Bradley Cooper, Sienna Miller and the rest of the cast and crew are angry because they made the film? Chris Kyle’s story deserved to be told. It tells a story of the stress that multiple deployments have on one military family, a family representative of thousands of military families. It helps to communicate the toll that the war on terror has taken on our defenders. Defenders and families who need our support. I will admit that perhaps somewhere among the masses of people who are going to see the film there may be a few that might have some anger or have been angry at some point in their lives, but, with all due respect, what the hell are you talking about?

My guess is that Dean is talking about his own estrangement from basic American values, its history, and its essential role in the world, including all the sacrifices, risks and difficult choices that role demands. He’s the angry one.