Comment of the Day: “Ethic Quiz: ‘Springtime For Hitler’ Ethics”

Producers-2

This most recent  ethics thread commentary from Rick Jones (a.k.a. “Curmie,” who chronicles education fiascos, among other matters, during the year on his own blog) involves the recent kerfuffle over a high school production of “The Producers” having its Nazi decorations stripped away. I confess that I specifically requested Rick’s take on this one, knowing him to be a theater colleague as well as a teacher, and he did not disappoint….except that he uses the British spelling of “theatre.”

Here is Rick’s Comment of the Day on the Ethics Quiz: “Springtime for Hitler” Ethics.

Oh, Jack… You couldn’t just let me have a spring break without feeling compelled to reply to one of your posts, could you?

And… as I suspect you may have been expecting if not hoping, I agree with your arguments but disagree with your conclusion.

First, let me confess to ignorance of the stage version of The Producers. I know the film, of course, but being neither a big musical theatre guy nor made of money, I’ve never actually seen the play. Assuming it to be substantially similar to the film, therefore, is for me (but not for those more informed) a risky proposition.

It is not clear whether the school’s administration formally signed off on the choice of play, but de facto they did: the rights and royalties for a musical will cost—depending on a variety of factors such as venue size, number of performances, and ticket prices—hundreds or (more likely) thousands of dollars, and no high school theatre director can just write a check on a school account for that amount of money. Expenditures of that size need approval.

So here’s where I agree with your point that cultural illiteracy was very much at play from the beginning of this saga. I’m not suggesting that every high school administrator should have seen the movie or the play, but certainly the “Springtime for Hitler” shtick has long since passed into the public consciousness. I was too young (in junior high, perhaps?) to have seen the film on its first run, but I knew about the campy production number long before I actually saw the film when I was in high school or college. Similarly, I know that “I will take what is mine with fire and blood” is a ”Game of Thrones” reference without ever having picked up one of the books or tuned in to the television show. A competent administrator would at the very least have known what s/he was signing off on. Or… you know… asked: that’s an option, apparently.

Continue reading

“Black Lives Matter” Is Unethical, And So Are Politicians Who Pander To It

black-lives-matterThat’s the tipping point for Ethics Alarms. “Black Lives Matter” is unethical, and those who use it are unethical. And politicians who grovel to those who criticize them for not embracing it are contemptible.

The Martin O’Malley embarrassment over the weekend clinched it for me. Demonstrators interrupted the former Maryland governor, mounting a pathetic campaign against Hillary Clinton for the Democratic presidential nomination, as he was speaking at the Netroots Nation conference. When they shouted, “Black lives matter!” a rallying cry of protests that has superseded “Hands Up! Don’t Shoot!” because that one was eventually exposed as a lie,  O’Malley—the naive, racist fool!!!!— responded: “Black lives matter. White lives matter. All lives matter.”

The activists  responded by jeering him and refusing to let him speak. .Later in the day, O’Malley, “showing the firm commitment to leadership in the face of adversity that we expect in a presidential candidate,” as one wag put it on Jonathan Turley’s blog—apologized, saying…

“I meant no disrespect. That was a mistake on my part and I meant no disrespect. I did not mean to be insensitive in any way or communicate that I did not understand the tremendous passion, commitment and feeling and depth of feeling that all of us should be attaching to this issue.”

I bent over backwards to defend Smith College President Kathleen McCartney when she apologized for using the phrase “all lives matter” in December of 2014. I wrote:

If an activist says to me, “too many children go to bed hungry!” and my retort is, “Too many people go to bed hungry!”, the unspoken argument is “So stop acting like children are a special problem!” If I say, “We need peace in Syria,” and a friend’s response is “We need to end war, period!”, I view that as an effort to minimize my concerns by launching it from the realm of a specific issue into vague, generic territory.  “Black Lives Matter!” in the context of recent police episodes where African Americans died under circumstances that many believe show police callousness and excessive force against blacks is a distinct assertion that suggests that the law enforcement and justice systems do not currently function as if black lives matter as much as white lives. It is true that “All Lives Matter” includes the larger subset “black lives matter”; it is also true that it blurs the issue at hand, and dilutes the protesters’ point. It is not inappropriate for  President McCartney to apologize in this context…unless, of course, she intended a rebuttal, in which case she is indeed spineless.

I still believe that made sense in December, but “Black Lives Matter” means something very different now, after six police officers were charged with murder to quell a Baltimore mob after Freddie Gray’s death, and after President Obama decided that the merciless shooting of a  young white woman in San Francisco by an illegal immigrant wasn’t worthy of the same attention he has given other deaths when it was a black life that had been lost. Continue reading

Unethical Quote Of The Month: Walmart CEO Doug McMillon

White-Flag“We don’t want any of the merchandise that we sell to be offensive”

—-Walmart CEO Doug McMillon, explaining to FOX Business Network host Maria Bartiromo why the retail chain was pulling all Confederate flag-themed merchandise. In another interview, with CNN Money, McMillon said that “We just don’t want to sell products that make anyone uncomfortable.” The Walmart announcement tarted a stampede of many large retailers to dump the flags and items with the flag design.

And thus did the CEO of a major U.S. corporation wholeheartedly endorse the speech- and thought-suppressing ideology of political correctness bullies, “hate speech” censors, and progressive fascists.

This widespread capitulation to a wildly irrational reaction to a single tragedy authored by a single individual is, for Democrats and race-baiters, a masterpiece of cognitive dissonance manipulation, one that should be a terrific case study in future psychology classes.

Because Dylann Roof was photographed with a Confederate flag, and because his racist church massacre occurred in a state that has obnoxiously and irresponsibly insisted on flying that flag despite its legitimately offensive connotations to many of its citizens, the flag was linked to the murders so viscerally that to defend its display was regarded by the news media, pundits, bloggers and, consequently, public opinion, as tantamount to supporting the killer. Naturally, politicians and businesses ran for cover, and whatever their previous stances on the issue, instantly flip-flopped to declare the Confederate flags the equivalent of Nazi swastikas.

Well-played, speech police. I am in awe. Continue reading

The Bill Maher Ethical Conundrum

Wits

“One of these things is not like the other…”

 

The Bill Maher Ethics Conundrum is not what you probably think it is.

Maher, the alleged comic and anti-conservative scold who hosts an HBO program, was chosen by a student committee to be the  commencement speaker for the University of California-Berkeley’s December graduation. This was a lazy, embarrassingly juvenile and politically-loaded selection, but Maher had also just recently used his show to join fellow atheist and neuroscientist Sam Harris in a condemnation of Islam, calling it  “the only religion that acts like the mafia that will fucking kill you if you say the wrong thing, draw the wrong picture or write the wrong book.” Later on Maher nodded approvingly  as Harris also called Islam”the mother lode of bad ideas.”

This caused Muslim students at Berkeley to prove Maher correct about their religion’s entrenched intolerance of opposition, and they have been joined by other political correctness censors in the student body—there are a lot of them—to demand that the university rescind Maher’s invitation because of his “hate speech.”A  Change.org petition—-now THAT site is the real mother lode of bad ideas—now urges students to boycott the decision and asks the campus to stop him from speaking. It has gathered more than 1,400 signatures. The committee that chose Maher, naturally, backed down, but the University, so far at least, is sticking to its decision to invite him.

Yes, yes, universities ought to be marketplaces of ideas where all views are welcome, and yes, it is hypocritical and offends the traditions of liberal education to stop Maher from stating his views on Islam, or re-telling “The Aristocrats,” or making a fool of himself, or whatever he’s going to do because some students or all students disagree with him, just as it was for Rutgers students to force Condolezza Rice into withdrawing after she was invited to speak at Rutgers. The dilemma illustrated by this flap is a classic ethics problem, which I will henceforth call the Bill Maher Conundrum, which has been long debated and never decisively settled:

Is the ethical nature of an act defined by its intent, or by an objective assessment of the act alone without reference to motive? Continue reading

In England, Art Designed To Show The Ugliness Of Racism Exposes The Ugliness Of Political Correctness And Censorship Instead

Human zoo

Then the question is: would this happen here?

The performance art piece “Exhibit B” evokes the spectacle of “human zoo,”in which Africans were put on show for the entertainment and gawking curiosity the 19th and early 20th Century Americans and Europeans. Visitors tour a room in which black actors portray the human exhibits as well as portrayals of what modern-day equivalents would might be like. Created by white South African theatre-maker Brett Bailey,  “Exhibit B” has recieved rave reviews in several venues.  In Edinburgh, The Guardian’s theatre critic Lyn Gardner saw the results as “both unbearable and essential”:

“Creator Brett Bailey has been fearlessly uncompromising in his approach. The experience in the exhibition hall is entirely without comfort. Confronting us with the appalling realities of Europe’s colonial past – the stuff I definitely wasn’t taught at school – isn’t just some kind of guilt trip. It reminds us that most history is hidden from view; it reminds that Britain’s 21st-century ways of seeing are still strongly skewed by 18th-, 19th- and 20th-century colonial attitudes. The masterstroke comes at the end: the pictures and the biographies of the ordinary black Edinburgh men and women who are taking part. Tomorrow, history will look a little different.”

Never mind: Sara Myers, as well as others, don’t want to see it, so they have conspired to stop the work from being seen, at least in England, by anyone else. In her petition at Change.org, she writes: Continue reading

New York’s Stop And Frisk Ethics Train Wreck

Free speech, Brown University style.

Free speech, Brown University style.

On the CBS Tom Selleck drama “Blue Bloods,” fictional New York police commissioner Ryan (Selleck) must deal with a court-mandated monitor to prevent police abuse of the city’s stop-and-frisk tactics. The show might as well just sketch out its season following parallel developments in the real stop-and-frisk drama in the city, which has already taken some strange twists and turns and is bound to take others. It is now officially an Ethics Train Wreck, involving questionable ethical conduct by police, the city government, a former mayor, Fox News, a judge, college students, and an Ivy League college: Continue reading