From the New York Times front page today:

“Netflix…the tech company that revolutionized Hollywood, is now in an uproar as employees challenge the executives responsible for its success and accuse the streaming service of facilitating the spread of hate speech and perhaps inciting violence.”

Observations:

1. It’s time—way past time, in fact—to emphatically define what “hate speech” is. First of all, hate speech, whatever it is, is 100% protected speech. It is Constitutional, First Amendment, lawful, beyond all argument speech. Second, I use “whatever it is” because the phase is deliberately vague and subjective so those seeking to censor discourse, advocacy, non-conforming points of view, satire and insults can place the expression of ideas by someone else into a category that suggests malign agency and intent.Then, those crying “hate speech” can advocate silencing whatever it was they are labeling.

We’re on to them, or should be by now. Calling something “hate speech” is like the Southern Poverty Law Center’s dishonest “hate group” label. It’s a cheat.

2. Hate is not a good thing in human relations (there are exceptions), but it is legal and, like all emotions, not unethical. Acting on the hate may be unethical, but not hate itself.

3. I have watched “The Closer,”Dave Chappelle’s Netflix special now under fire, twice. There is nothing hateful in it, unless one thinks that all mockery, satire and jokes with an edge are hate.

I don’t think “The Closer” is very good, especially by Chappelle’s standards. It’s not especially funny, for instance. It’s also not very smart, and Chappelle, if nothing else, is smart and usually shows it. It’s not smart because the controversy over how society should regard transgender individuals is interesting, perhaps difficult, raises interesting ethical and practical issues, but in the grand scheme of things, it’s just not as important as the attention paid to it makes it seem. This is a tiny minority: yes, these issues are important to them. But Chappelle’s show is like a deliberate employment of the Streisand Effect: he’s obviously annoyed about having to deal with trans issues, so he spends a whole, high-profile special complaining, explaining, and riffing regarding it. Since he’s a comedian, this could be justified if he mined it for comedy gold, but he doesn’t.

If he isn’t going to be funny, then he has to be profound, or he’s wasting our time. Not only is the thing not profound, it’s barely coherent. Not that there’s anything wrong with that: stand-up is a high wire act, and the best comics sometimes fall hard. But the contrived controversy over “The Closer” is giving the performance more significance than it deserves, and allowing Chappelle to accept accolades for a performance that was really subpar.

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