Comment of the Day: “Ethics Quiz: Peeps Ethics”

Peeps Last Supper by Leonardo DiPeepchi

Peeps Last Supper by Leonardo DiPeepchi

Extradimensional Cephalopod’s thoughtful answer to today’s ethics quiz was instantly recognizable as a Comment of the Day, so here it is, EC’s musings on the ethical limits on peeps art, as posed by the post, Ethics Quiz: Peeps Ethics:

Full disclosure: I identify as a freethinker, which in my case means my opinions are informed by this idea: “It is the mark of an educated mind to be able to entertain a thought without accepting it.” –Aristotle (or so the Internet tells me)

With that in mind, offhand I’d say anyone who can’t handle the juxtaposition of a serious scene with a cutesy or comical medium is not emotionally mature enough to be trusted to react appropriately in today’s complex and nuanced culture, and their reverence is likely to be taken to unhealthy levels. I think it is not only ethical, but a requirement for intellectual health to be able to entertain different perspectives and styles of presenting even the most serious subjects. Before someone asks, yes, that includes depictions of the prophet Muhammad, along with all other historical figures on pedestals. I think taboos are unhealthy for a society because they limit critical thinking and creative free thought, both of which are necessary (yet seldom employed) to resolve social issues and differences in perspective.

Bad taste is still a valid concept, but it is context-dependent. It is possible that a subject is not appropriate for most contexts because it leads people to feel bad, but it is imperative that there be some place where it can be discussed, even if it is only under the Jester’s Privilege. My subjective judgment rules that depicting the Civil Rights Movement with marshmallows in this case is not intended with disrespect: the contest stipulated that the medium be marshmallows, and the artist chose a powerful scene without regard for the medium, as is the artist’s prerogative. I personally think the marshmallow scene is quite dignified, but then I am a bit out of sync with humanity as to what I take at face value and what I don’t. I form opinions of peeps by their actions, not by their countenance. It’s unethical for an artist to deliberately spread misconceptions about history, and it may be unethical for an artist to deliberately show disrespect to powerful agents of good. Disrespect is usually unethical because it causes so many problems. However, I’m not sure a sincerely respectful artist can be unethical in their art, unless they simply fail to do the research on the facts they depict and the cultural context for showing respect.

If depicting scenes from the Civil Rights Movement with marshmallows (and putting a good deal of effort into it) is wrong, though, what else is wrong? Crayon drawings by kids? Macaroni? Charcoal? Embroidery? Spray paint? Etch-A-Sketch? Is anything that looks insufficiently grandiose for depicting humanity’s legendary heroes an affront upon their memories? Are scenes of historical importance off-limits to mediocre artists, for fear the general public will lose respect for heroes drawn with funny expressions and ridiculous poses? What if an artist is deliberately depicting a heroic person comically, but without telling lies? Why can’t we be mature, and tell the history with respect while artists do their best in sincerity or spite? Why not simply say, “Well, it’s nice, but it really doesn’t do it justice,” and walk away?

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Ethics Quiz: Peeps Ethics

peeps winner

I collect sentences that can safely be said to have never been uttered before in the history of mankind, and encountered one this morning in a letter of complaint to the Washington Post. It read…

“To take a sacred and historic event in our nation’s history and depict it using marshmallow candy is highly insulting and offensive to the legacy of the Rev. Martin Luther King Jr. and to all those who worked, and continue to work, for racial justice in this country.”

Like all of the sentences in my collection, my favorite being my sister’s immortal, “That fish looks so good, from now on I think I’ll wear my bra on my head,” this one requires some context. The Post holds an annual contest for its readers around Easter, challenging them to submit the best diorama of a scene, using marshmallow peeps. This year’s winner was created by Matthew McFeeley, Mary Clare Peate, and Alex Baker, and involved meticulously painting the colorful bunny stand-ins for King and his throng  at the 1963 March on Washingtonian eight shades of gray to evoke the black-and-white photographs of the event.

Your Ethics Alarms Ethics Quiz, in the sadly neglected field of peeps ethics, is…

Is it unethical to use marshmallow candy as a medium to portray serious, solemn, or other events that many feel deserve respect and reverence?

I know my answer, but this time, I’ll hold my fire until I hear from readers. I’d also be interested in whether any events—Gettysburg…JFK’s assassination…the Lindbergh baby kidnapping…the Crucifixion…Pearl Harbor…9-11…  are ethically off-limits for peeps creativity as inherently offensive, or if this is just  an unappetizing mixture of “ick,” art, humor, and candy.

The “I Have A Dream” Speech Ethics Train Wreck

Dr. King's familiy says this was a "performance" not a speech. Funny: I thought he was just speaking the truth. I guess I was dreaming.

Take Martin Luther King Day, turn right at the “Stopping Online Piracy Act” (SOPA/ PIPA) protests, and you get to the ridiculous fact that you are breaking the law anytime you circulate a recording or video of the Martin Luther King’s immortal “I Have A Dream” speech.

Through a baroque combination of expediency, legal maneuvers, luck and greed, this vital part of American thought, rhetoric, culture and history is restricted by the copyright laws, and will not be in the public domain until 2037, or more than 70 years after King’s words were spoken in front of the Lincoln Memorial. Now, under SOPA/PIPA, if it passes, any educational website that includes a video of the King Video could be taken down by the Feds, but that’s a side issue. I am no expert on the bill, but you can brief yourself on what all the fuss is about here, here, here, and here, the bill itself. Similarly, if I tried to explain the legal process by which courts agreed that a critical chapter in American history should be unavailable to Americans unless they pay a fee, it would 1) bore you stiff, 2) confuse you, and 3) probably be wrong. So I recommend this post by Alex Pasternak over at Motherboard, who does a great job laying out the whole, tortuous, tragic story.

I’ll concentrate on the ethics train wreck feature, of which the basic elements are these: Continue reading

Ethics Alarms Presents “The Mosquies”…the Best and Worst of the “Ground Zero Mosque” Ethics Train Wreck

As I previously noted, the “Ground Zero Mosque” controversy is an epic “ethics train wreck” that has spread its destruction far and wide, across regional, ideological and national borders, leaving confusion, misunderstanding and bad feelings in its wake. Now is as good a time as any to take stock of the situation, and to recognize those who have distinguished themselves during the carnage, for good or ill. To this end, Ethics Alarms presents its first annual  (and hopefully last ever) awards for outstanding ethical and unethical conduct during the whole mess, “The Mosquies.”

The envelope, please… Continue reading

What Was Right and Wrong With Glenn Beck’s “Restoring Honor” Rally

The pundits of the airwaves, newsprint and blogosphere have issued their assessments of the Glenn Beck rally at the Lincoln Memorial with predictable results: those who admired Beck before the rally liked it, and those who detest him ridiculed it. The New York Times, in its inimitable fashion, showed contempt for the proceedings by relegating its account to page 15, even though every past D.C. rally and march of equivalent or lesser size (especially those advocating social or political positions popular with the Times staff) received more prominent coverage. To Times columnist Frank Rich, Beck’s rally was part of a racist conspiracy hatched by billionaires—yes, Frank, sure it was. John Avlon, who long ago branded Beck as a wingnut, reasonably pointed out that it was a wee bit hypocritical for Beck to preach against divisiveness when his own cable show is one of the most polarizing, even by Fox news standards. And John Batchelor, who may be the most serious, erudite, and balanced public affairs radio talk show host in captivity, dismissed the rally as harmless and Beck as a clown:

“I think of him now and again as Quasimodo Lite, a deaf bell-ringer swinging from the Notre Dame of Fox, a man who is eager to confess his own unsightly warts—“I’ve screwed up most of my life”—and who is also heroically delighted to be our slightly stooped “Pope of Fools,” because this accidental role, in this Festival of Fools called 2010, wins the cheers of the crowd.”

Even less charitable was the Baltimore Sun’s TV critic, who accused Beck of “stealing Martin Luther King’s moral authority.” Less charitable still was MSNBC’s Chris Matthews, who seems to have been driven a little mad—or at least a little unprofessional, perhaps— by the fact that Beck had the audacity to hold his rally on the anniversary of King’s iconic “I have a dream” speech. Matthews’s hyperbole was, well, Beck-like:

“Can we imagine if King were physically here tomorrow, today, were he to reappear tomorrow on the very steps of the Lincoln Memorial? “I have a nightmare that one day a right wing talk show host will come to this spot, his people`s lips dripping with the words ‘interposition’ and ‘nullification.’ Little right wing boys and little right wing girls joining hands and singing their praise for Glenn Beck and Sarah Palin. I have a nightmare!”

Was Beck’s bash really a nightmare? Political biases aside (Chris), the question for Ethics Alarms is what was right and wrong about the “Restoring Honor” rally. Continue reading