And Now It’s Zombie James Dean…

From The Hollywood Reporter:

James Dean, who died in a 1955 car crash at the age of 24, is making an unexpected return to the big screen. The cultural icon, known for Rebel Without a Cause and East of Eden, has been posthumously cast in the Vietnam era action-drama Finding Jack.

Directed by Anton Ernst and Tati Golykh, the project comes from the filmmakers’ own recently launched production house Magic City Films, which obtained the rights to use Dean’s image from his family. Canadian VFX banner Imagine Engine will be working alongside South African VFX company MOI Worldwide to re-create what the filmmakers describe as “a realistic version of James Dean.”

We all saw this coming, didn’t we? Since this is about involuntarily resuscitating dead actors so greedy family members can put them to work doing whatever a director screenwriter wants them to do, I feel no need to write a new post, especially since my position hasn’t changed one bit from the other instances in which I looked at this issue. So here it is again, lightly edited… Continue reading

Observations On The Bizarre Slavery Photo Lawsuit Against Harvard

It would be nice if this grandstanding lawsuit engineered by professional race-baiting lawyer Benjamin Crump was summarily thrown out of court as the junk it is, but unfortunately, too many judges, when woke sentiment beckons, bend over backwards so far that they can lick their heels.

Here is the gist of it:

Tamara Lanier filed a lawsuit in Massachusetts claiming that she is a direct descendant of Renty and Delia, two slaves who were the subjects of a harsh photo session as part of an anthropological inquiry into the differences between blacks and whites. The images of the father and daughter were commissioned by renowned  Harvard professor Louis Agassiz 170 years ago,  and are now stored in  the ancient Peabody  museum on the Harvard campus. (Full disclosure: I love the place, and spent many afternoons as a kid wandering through the exhibits.)  The lawsuit claims the images are the “spoils of theft,” because as slaves Renty and Delia were unable to give consent to being photographed., and that Harvard is illegally profiting from the images by using them for “advertising and commercial purposes.” By keeping the photos, the lawsuit claims, Harvard has perpetuated the hallmarks of slavery that prevented African-Americans from holding, conveying or inheriting personal property.

Observations:

  • I’m sure—aren’t you?— that Mrs. Laneir came up with this wild Hail Mary lawsuit all by herself. Her lawyer, as I already note, is Benjamin Crump, a legal racial shake-down artist who excels at creating public pressure that forces defendants to pay copious settlement money to his clients who often don’t deserve it. He represented the family of Trayvon Martin, and in so doing poisoned the public narrative so thoroughly that the actual facts of Martin’s death are permanently distorted in the nation’s collective memory. he represented the parents of Michael Brown, ensuring them a big pay-off because their angelic son charged a police officers and got himself shot. Ben Crump helped promote “Hands up! Don’t shoot!,” the lie that is still poisoning race-relations to this day. He’s a mission lawyer, someone who uses the law to pursue an agenda: he is to race relations what Gloria Allred is to feminism. He profits by stirring up discord, whether there’s really an injustice or not.

That doesn’t mean that some of his crusades won’t have merit. I only means that there is just cause for suspicion if he is involved.

  • “It is unprecedented in terms of legal theory and reclaiming property that was wrongfully taken,” Crump says. I guess that’s one way of putting it. It’s unprecedented because no previous lawyer had the gall to try such a stunt, but with Democrats and progressives beating the hollow reparations drum again, he cleverly chose a good time to take a flyer. “I keep thinking, tongue in cheek a little bit, this has been 169 years a slave, and Harvard still won’t free Papa Renty,” said  Crump. Good one, Ben! Except that Renty is long dead, and a photograph isn’t a human being…

Yet give him some credit:  Crump is explaining why this isn’t a technically frivolous law suit. If a litigant and the litigant’s lawyer are arguing for a new legal principle, knowing that under existing law the claim is dead, then the action isn’t frivolous. Horrible and dangerous Crump’s lawsuit is; frivolous it isn’t.

  • Harvard and other universities set themselves up for this by caving to historical airbrushing demands by the students they have helped indoctrinate, such as when Georgetown University established a policy giving an edge  in admissions to descendants of slaves who were sold to fund the school. I would say they have this coming and let them sleep on the bed of nails their laziness and cowardice have made, but therein lies a real danger. Harvard, which of late has been devising and defending one bad progressive idea after another (like discriminating against Asian Americans as Harvard’s own way of helping African Americans get admitted to the college), might just decide to be woke rather than responsible, and let Mrs. Lanier take the photos, thus setting a precedent with endless potential to cause havoc.

I wouldn’t bet against it.

  • Lanier’s (that is, Crump’s) lawsuit is an extension of the Mao/Soviet Union -style historical airbrushing and re-writing tool of social change that  21st Century progressives have adopted as they march inexorably toward beneficent totalitarianism. If we don’t like the laws our ancestors put in place, let’s just declare that  they weren’t laws at all. If applying legal principles that have been in place and effective for hundreds of years doesn’t assist the social change we desire, than suspend those principles. Make the law a subject to “the ends justifies the means” whenever it’s convenient.

I’m sorry to be blunt, but if you don’t comprehend the existential danger inherent in this approach, you’re an idiot.

  • Legal problems? What legal problems? Well, let’s see: 1) Renty’s lack of consent to the photos is irrelevant, because under the laws of the time, he had no right to consent. That may be unfair, and wrong, and cruel, and horrifying, but the way society works is that laws, even bad ones, are valid until they are repealed and replaced. Without that certainty, no law can function, and the rule of law becomes impossible. 2) The theory that Harvard is profiting from slavery because of the value of its photograph of a slave would mean that the owners would be profiting from war crimes because of the value of a photograph like this…

(And no, I don’t think those half-dead Andersonville prisoners were capable of giving meaningful and valid consent to be photographed either.) The lawsuit is designed to open the door to censorship of history and historical records that “offend” anybody. 3) The distant relatives of the subject of a photograph are the real owners of the photograph, not the photographer, and not the individual who commissioned the photograph, even if the original subject gave legally valid consent to be photographed or received compensation for such a photograph if a court at any time in the future deems that such consent was invalid under current law, or the compensation is similarly deemed inadequate.

Brilliant.

4) If this theory prevails, then wouldn’t Ken Burns, and PBS, and everyone who profited from showing Burns’ “The Civil War” be required to pay damages for “profiting” from the use of slave photos similarly taken without consent? Would that segment of the documentary, which is crucial to Burn;s narrative, have to be excised?

  • Then there’s this little problem: it is virtually impossible to determine with any certainty that “Renty” really is Tamara’s Lanier’s ancestor.

Yet Harvard may capitulate anyway—to signal its virtue, to be able to publicly condemn slavery, to be “woke, ” and mostly to avoid pickets in Harvard Yard. Ben Crump is no fool…a race-hustler, sure, but he’s no fool.

Morning Ethics Warm-Up, 4/24/18: Presidents, PETA, Privilege, Penn State And Pedophiles

Good Morning.

It just feels like a gliddy glup gloopy nibby nabby noopy kind of day…

1. Musings on the illness of George H.W. Bush. Perhaps I am over-sensitive, but I found the long segments and speculation on cable news this morning about George H.W. Bush suffering from “broken heart syndrome” sensational, intrusive, and wrong. The man is 93, and he’s suffering from a blood infection. As my Dad said often after his 80th birthday, and eventually proved, when one is 80 or more. you can drop dead at any moment, for any reason. Yes, we all know of long-time married couples of advanced years who perish in close proximity. However, the “broken heart syndrome” is anecdotal, without clinical proof, and, essentially, fake news with a romantic tinge.

[Pointer: valkygirrl]

If vile people like Professor Jarrar will attack Barbara Bush when she dies, imagine what George H.W. Bush has in store. The elder Bush is near the bottom of my Presidential ranking, in the general vicinity of his son, Jimmy Carter and Barack Obama but The Ethics Alarms position is that every single President of the United States is owed respect and a debt of gratitude for accepting the overwhelming challenges of the job, and doing, in every case, what he felt was in the best interests of the nation. Before Harry Truman, even taking away the assassinations from the mix, the Presidency was regarded, accurately, as a killing job, with more Presidents than not dying soon after leaving office. That’s not true any  more, but the job is still a terrible physical, emotional and mental burden. The first words out of any American’s mouth when a former President is ailing should be “You have the best wishes of the nation,” and the first words when any former President dies should be “Thank you.”

2.    And this has to do with “collusion” how?  The raid on President Trump’s fixer Michael Cohen revealed that Fox News host Sean Hannity owns millions of dollars worth of real estate across several states, with  links to several shell companies that bought $90 million on 877 residential properties. This is all confidential information, and should never have been jeopardized by the Special Counsel’s effort, coordinated with New York State prosecutors, to gather as much dirt on President Trump as possible—all the better to impeach him with. That this information was leaked to the press indicts the investigation, the process, the judge who allowed the  fruits of the raid unrelated to Trump to be obtained, and the lawyers involved. Of course, the fact that Cohen had these records also rebuts Hannity’s claim, obviously disingenuous from the start, that he wasn’t Cohen’s client, but never mind: Hannity should not have been placed in the position where there was anything to deny.

[Pointer: philk57] Continue reading

The Slippery Slope: From Cyber-Zombie Peter Cushing To Hologram Zombie Maria Callas

“We don’t have to pay her, and she can do a hundred shows a week!”

Thanks to the creation of a hologram clone, opera legend Maria Callas,  dead since 1977, appeared onstage at Lincoln Center last week. This is the continuation of a project that previously resurrected such departed stars as Tupac Shakur and Michael Jackson. Roy Orbison, who died in 1988, appeared after Callas. I wonder if he sang, “Pretty Hologram”?

I see where this is going, don’t you? We’re heading straight to “Looker,” the science fiction film directed and written by the late Michael Crichton (“Jurassic Park,”“Westworld,” Disclosure,” “ER,”—How I miss him!).  In that prescient 1981 movie, an evil  corporation transferred the images of living models to a computer program that could use then make the new CGI versions to do and say anything, and do so more effectively and attractively than the living models themselves, in television ads and even in live appearances via hologram. Then the company had the models killed.

In the New York Times review of singing Zombie Callas, the little matter of ethics never was mentioned.  Times critic Anthony Tomassini was not very critical, writing in part,

…[T]here is an amazing video of [Callas]  in Act II of Puccini’s “Tosca” in 1964. But no full operas by one of the greatest singing actresses in history; this hologram performance can seem to fill in a bit of that gap. The operatic voice, and the art form itself, can feel so fragile. What better way to represent that fragility — while also reviving it, in a kind of séance — than a hologram?…In introductory comments, [the director] said that the project has tried to present Callas with “restraint, subtlety and delicacy.” The notion of a singing hologram might seem incompatible with such a goal. Yet moments during Sunday’s preview were surprisingly affecting…The problem, as it always has been in opera fandom, will be if this specter from the past prevents a full appreciation of the vitality of opera and singing today. 

That’s the problem, is it? No, the problem is the same ethical problem I had with regenerating the deceased actor Peter Cushing in “Rogue One”: Continue reading

The Strange World Of Magic Ethics

A recent controversy surrounding a hit magic show on Broadway has resurfaced an ethics tangent I was aware of but had forgotten about: magician ethics.

Magician Derek DelGaudio accused another magician of surreptitiously recording a video of an effect during a performance last month of his one-man show, “In & Of Itself.” The rival magician denied the allegation—it’s complicated, and you should read the whole tale here-–but the basic problem arises from the nature of magic tricks. They can’t be patented, because the patent would reveal how the magic trick was done in a publicly available source. This means, however, that a magician whose unique illusion he or she labored on and developed at great expenditure of time and expense can be stolen by another magician with the illusion’s creator having no legal recourse.

For a field that is all about fooling and deceiving people (who have consented to being deceived), magic has old and well-developed ethical traditions. Houdini, who took his name from a french magician named Robert Houdin, later exposed his role model as an unethical magician whose most famous illusions were stolen from other conjurers without payment or credit. Still, if a magician can figure out how another magician’s trick is performed by simply watching it, nothing legally or ethically dictates that that magician can’t perform the illusion as well. However, since magic is practiced by people who deceive for a living, it should come as no surprise that unethical practices are rampant. Continue reading

From The “Law vs Ethics” Files: PETA Chooses To Harm An Artist On Behalf Of A Monkey Who Couldn’t Care Less, And Judges Think It’s An Amusing Legal Condundrum

“I’m baaaaack!”

When we last heard from  photographer David Slater, the U.S. Copyright Office had rejected his claim that he owned the  copyright for the famous series of selfies presumably taken unintentionally by a Celebes crested macaque.  In 2011,  Slater spent several days following and photographing a troop of macaques in Sulawesi, Indonesia, and the selfies were a lucky bi-product that quickly became a web sensation. Slater had asserted ownership over the photos, and had demanded that various on-line users, such as Wikipedia, either take them down or pay him as the copyright holder. The ruling of the Copyright Office was based on the theory that Slater had not taken the photo, so he was not the creator, and animals couldn’t own copyrights, so the photos were in the public domain.

Pop Ethics Quiz: Would it have been unethical had Slater simply released the photos without revealing that the selfies had been the lucky result of an  accident, snapped by the monkey while it was messing around with his equipment?

About the Copyright Office’s ruling: I’m dubious. Slater owned the equipment, and had the sense to preserve the photos. A decision that if a photo is taken accidentally by a non-human or an act of God, the photographer who owns the equipment gets the copyright would have been fair.  Zapruder owned the film that inadvertently caught President Kennedy having his forehead shot off, and it made him rich. Slater’s claim just goes a step further: Zapruder left the street  to buy a hotdog, put his camera on on a trash can and asked a friend to “watch it,” and a dog turned the camera on, catching the grisly scene. So Zapruder doesn’t own the film anymore? Does that make sense to you?

Well, that was the ruling anyway. Then things got really ridiculous. Slater included the monkey selfies in a book, and People for the Ethical Treatment of Animals (PETA)  brought a law suit against Slater on behalf of the monkey,which PETA claims is named Naruto, and asked that PETA be appointed to administer proceeds from the photos for the benefit of Naruto and other crested macaques in the reserve on Sulawesi. So PETA would suddenly be the de facto copyright holder. Continue reading

When Big Corporations Act Exactly As Bad As Bernie Sanders Says They Are..

Thank you city

Banking behemoth Citigroup is suing AT&T for using  “Thank You” in ads, because Citigroup claims that it owns the trademark on “THANKYOU.” See, it’s not enough that corporations want us to think of them when we go to a baseball game or maybe when we are wishing that our children never existed. They want us to think of them when we are being nice, too

No, this is not a hoax. I wish it were.

Law professor/blogger Jonathan Turley, who hates this as much as I do, has kindly provided links to other examples of this nauseating phenomenon (this , and this, yes, and this , don’t forget this, oh, and this nonsense , this ,this too ,here ,here ,another one here, here as well, and this), but this is really the last straw, or should be. Continue reading

The Sixth Annual Ethics Alarms Awards: The Worst of Ethics 2014 (Part 2)

Rice and Janay

Ethics Corrupter of the Year

(Awarded to the unethical public figure whose prominence, popularity and success most corrupts the public’s ethical values)

Janay Palmer Rice, beloved punching bag of NFL star Ray Rice, who was caught on camera smooching with her man shortly after being cold-cocked by him in a hotel elevator, married him, and has repeatedly defended her husband, prompting confused female pundits to defend her. She is not only the embodiment of Rationalization #42. The Hillary Inoculation, or “If he/she doesn’t care, why should anyone else?”, she is also a good bet to get some young women killed by giving them a role model who stands for standing by your abusive man with the hard right hook.

Double Standard Of The Year

In a year of double standards, the treatment of soccer star (and accused child abuser) Hope Solo by her sport, feminists, the media and the public takes the prize. The standard, as I understand it, is that big, strong female athletes can beat up smaller, weaker family members with impunity, and it’s no big deal, but when a male athlete does the same, he is scum. Got it.

Uncivil U.S. Official of the Year

Victoria Nuland, Assistant Secretary of State for European and Eurasian Affairs and the top American diplomat in Europe, was caught saying in a viral Youtube video saying “Fuck the EU.”  Now that’s diplomatic. Of course, she wasn’t fired, because she works for the Obama Administration

The Jesse Jackson Award 

(For the Year’s Worst Amateur Diplomat)

mo_selfie_lg

First Lady Michelle Obama, who helped her husband make the U.S. look weak and ineffectual (he needs no help), by engaging in this ridiculous effort at hashtag diplomacy. Those kidnapped girls were never found, and Boko Haram, the Nigerian terrorist group that took them, I learned today, just killed a reported 2000 more victims. Time for another sad picture, Michelle!

Most Unethical Sports League

The NFL, last year’s winner, was even more unethical this year, with the Ray Rice and Adrian Peterson fiascos, Commissioner Roger Goodell showing no innate instinct for right and wrong and both the league and its teams making up rules and policies according to talk show calls, polls and wet fingers in the air. Meanwhile, it’s still making billions paying young men to lobotomize themselves. What a great sport.

Sports Cheat of the Year

Alex Rodriguez, suspended Yankee star, had denied, denied, denied, threatened to sue Major League Baseball and the union, and insisted that he had not, as an investigation had determined, used performance enhancing drugs supplied by Biogenesis. Then, just as his season-long suspension was lifted, it was revealed that A-Rod had, under oath, admitted using steroids from 2010 to 2012.

Annual Sports Ethics Controversy That Gets Worse Every Year

Steroid cheats (like Rodriquez) and their fitness for admission to Baseball’s Hall of Fame

Unethical Lawyer of the Year

Michael Fine, the Ohio lawyer who allegedly hypnotized female clients in order to sexually molest them.  Runner Up Alexa Van Brunt. She didn’t do anything unethical; she just advocates ethics rules that would eliminate the core of legal ethics, proving that she doesn’t understand her own profession.

Unethical Judge of the Year

judge_mccree

Wade McCree, the handsome devil pictured above (he circulated this selfie), who, presiding over a felony child-support case, conducted a secret sexual relationship with the woman seeking support from the defendant. This was just the latest of his embarrassments.  Runner up: Texas District Judge Jeanine Howard, who handed down a stunningly lenient sentence of probation and 250 hours of community service at a rape crisis center for a man who confessed raping a 14-year old girl at her school.

 

Unethical National Broadcast Journalist Of The Year

CNN’s Carol Costello. She was biased, smug and incompetent all year long, but reached her nadir when she gleefully played a recording of Bristol Palin explaining to police how she had been assaulted, saying to her viewers, “You can thank me later.” She refused to apologize on the air, or to Palin. Continue reading

Ethics Quiz: The Macaque’s Selfie

Macaque

The wonderful photo above has gone viral on the web, and is also causing serious debate among intellectual property lawyers. The weird tale is as follows:

Wildlife photographer David Slater was visiting a national park in North Sulawesi to photograph the wildlife. His subject was a group of crested black macaques, and when he left his camera unattended, the primates took advantage of the opportunity. Apparently attracted by the reflection and the noise the camera made when activated (the implications of the macaques doing this because they were interested in photography are too disturbing to contemplate, so I won’t),  one macaque took hundreds of photos of itself. Most were blurry and out of focus, just like the pictures my dad took, but a few were superb selfies that would have Ellen DeGeneres eating her heart out.

Wikimedia took the clear images off of Slater’s website, adding them to its collection of royalty-free graphic, and sending them all over the web as a result.  Slater now demands that the images be taken down or that he be paid for them. While Wikimedia argues that either the monkey owns the copyright for the photos or nobody does, the photographer claims that being the owner of the camera, and the artist who created the circumstances under which the macaque was inspired to release his inner Richard Avedon, he alone is the owner of the photographs.

As you might expect, copyright law is unclear on the issue of lower primate selfies, an art form that was not anticipated as the law evolved. I don’t care about that: today’s Ethics Alarms Ethics Quiz is about fairness:

Should Slater have full ownership of the macaque’s creations?

Continue reading

Concept Stealing Or Creative Evolution? “The Trip To Bountiful” Controversy And The Ownership Of Conceptual Innovation

"Pay up! Timothy Wilson owns that color!"

“Pay up! Timothy Wilson owns that color!”

The late playwright Horton Foote’s gentle drama (all of his dramas are gentle, come to think of it) “The Trip To Bountiful” is being revived on Broadway, and is stirring up the kind of nasty controversy he would have detested. (You probably know Foote better as the screenwriter who brilliantly adapted “To Kill A Mockingbird” into the classic movie it became.) The production has an all-black cast starring Cicely Tyson, and some are arguing that director Michael Wilson stole the idea of presenting Foote’s tale as the story of an African American family.They also claim that he owes Timothy Douglas, the professional director who first staged the play this way (in Cleveland, in 2011) public acknowledgment, and possibly compensation. Alisa Solomon lays out the theatrical ethics controversy here, and explores many related issues, including the murky distinction between colorblind casting and non-traditional casting.

As an ethicist and a professional stage director, I have a simple and direct answer for what Solomon seems to believe is a complex question: Baloney. Continue reading