Morning Ethics Warm-up, 3/4/18: Special Academy Awards I Won’t Be Watching Edition!

Good morning!

1 One more institution falls to partisan poisoning. Tonight is the Academy Awards show, and outside of some suspense as to whether Warren Beatty and Faye Dunaway will botch the Best Picture reveal again (whoever had the idea to have them do an encore of their legendary fail is brilliant), I cannot imagine why anyone would waste their time and raise their blood pressure watching the show. I used to love the Oscars because I love movies. Except for periodic embarrassments where infamous jerks like Marlon Brando and Richard Gere defiantly injected politics into the party, it was fun, if usually too long. Now the show is just a platform for presumptuous performers to parade their ignorance and egos, virtue-signalling, grandstanding, lobbying and politicking. At this they are no better, and often worse, than plumbers, teachers and mail-carriers. What they are good at is looking good and making movies, and in most cases, not much else, including critical thought.

I watched a recent interview in which outspoken actress Jennifer Lawrence became visibly uncomfortable when she had to admit that she dropped out of middle school. It’s obvious that Lawrence is intelligent (she is also the most exciting and talented young actress to come along in a long, long time), but all of her noisy opinions are based on gut instincts. She is untrained and not very grounded in history, law or government: there is no reason for her opinions on politics or finance to be newsworthy. This is also true of her colleagues. Yet we have been informed that tonight will be “about” sexual abuse and gun control, so we will have to endure periodic outbursts all night long about “Time’s Up” and  “Never Again.”  There are side political controversies, like whether or not “woke” stars like Lawrence will snub E! red carpet host Ryan Seacrest because he has been accused of sexual misconduct by a former stylist. Never mind that Seacrest may be innocent, or that she decided to reinterpret what happened in order to join the #MeToo club. (“Oh come on!”)

We already know that the Oscar voting is now polluted by an unspoken demand that black actors and artists get their EEOC quota of honors. This year, we have the special treat of cheering for a nominated a movie that represented all white people as conspiring to make mind-controlled slaves out of blacks.

In the most bitter and divisive political climate in more than a century, institutions like Hollywood have a duty to unite us and emphasize what we have in common, which is a lot. The Oscars and the industry has abandoned that mission. Let them suffer the consequences.

2. The return of “Death Wish.”  Critics are already panning Bruce Willis’ “Death Wish” remake, which has  12 percent “Rotten” at RottenTomatoes.com.  Just from the trailer, it is pretty clear that this reboot has to be much better than the incredibly successful original and its progressively worse sequels. Here are some typical critic rants: Continue reading

Morning Ethics Warm-Up, 1/26/1918: It’s Incompetence Friday!

Good Mronign!

Competence is often not regarded as an ethical value, but it is one of the most important of them all. It is also one of the most commonly breached, usually with the rationalization that “everyone makes mistakes.”

1 “The Nip” Redux  In a legendary “Seinfeld” episode, Elaine’s Christmas card features a photo, taken by amateur photographer and inveterate screw-up Kramer, in which one of her nipples is exposed. Kramer, however, was an admitted amateur. What is Vanity Fair’s alleged professionals’ excuse for its current cover (I’m not talking about the nauseating pandering to Hollywood it represents, for which there is no excuse), which shows actress Reese Witherspoon with three legs?

Vanity Fair may have been too focused on photoshopping out actor James Franco, who was in the original photo but became model-non-grata when he was accused of sexual harassment, and as #MeToo has taught us, an accusation is all the due process these male scum deserve.

2. Segue Alert! And speaking of Hollywood, there has been much ballyhoo over the fact that the nominated Best Actresses this year play feisty, unglamorous, tough, in several cases outright repulsive women. Question: Who likes watching such characters (and more are on the way)? The Academy snubbed the most popular film with a female star, Gail Gadot in “Wonder Woman,” who probably is still too politically incorrect because men—ick!—find her attractive. 2017 was a catastrophically bad year at the box office, meaning that Hollywood proved incompetent at its job, with is making movies people want to see. It also displayed incompetence—not to mention arrogance, bias, condescension, hypocrisy and stupidity–by shooting off its various mouths on political matters, making the entire film industry, which should be a unifying force in the culture, polarizing, like everything else in 2018.

The Hollywood Reporter has a report about the role politics plays in the Academy Award voting; this has always been true, but never more than now. I cannot imagine who would care what or who wins the statuettes when it is all transparent political grandstanding, virtue-signalling and an attempt to meet quotas. Next crisis on the horizon: Hispanic artists are gearing up to show how they have been statistically insufficiently represented in nominations and awards. I presume Asians will do likewise. Why are there not more roles and awards for the differently-abled? Trans performers? Hollywood is committed to the Left, the Left is committed to tribalism, and tribalism has nothing to do with popular entertainment.

Or democracy. But I digress. Continue reading

“It’s Unethical To Be A Weenie,” Part II: Our Craven, Terrorism-Validating Theater Chains

Or maybe not...

Or maybe not…

[Part I is here]

Regal Cinemas, Cinemark, Cineplex, Bow Tie Cinemas, Carmike and AMC Theatres will not show “The Interview” because the North Korea-based hackers that breached Sony Pictures Entertainment e-mail security threatened movie theaters and moviegoers who attend screenings of the satire. More theater circuits are expected to follow, because terrorism works especially well against weenies.

Leading the way for this disgusting weenieism display were first, Sony itself, which reportedly toned down the film in response to earlier threats from the group, and then the stars of the comedy, James Franco and Seth Rogan. They both cancelled all their publicity appearances and are evidently hiding under their beds, caving to the dictates of unknown critics who are almost certainly not in the country. Oooh, but they’re so scary!

First they stole emails from Sony executives to retaliate for the comedy’s story line, which involves an assassination attempt on the life of North Korean leader Kim Jong-Un by two morons. Then the group issued a warning referencing 9-11 and warning Americans, to stay away from theaters showing “The Interview”:

We will clearly show it to you at the very time and places The Interview be shown, including the premiere, how bitter fate those who seek fun in terror should be doomed to. Soon all the world will see what an awful movie Sony Pictures Entertainment has made. The world will be full of fear. Remember the 11th of September 2001. We recommend you to keep yourself distant from the places at that time. (If your house is nearby, you’d better leave.) Whatever comes in the coming days is called by the greed of Sony Pictures Entertainment. All the world will denounce the SONY.”

Or All your base are belong to us.

Continue reading