Late Nominations For 2016 Jerk Of The Year: Lena Dunham And Daniel Goldstein, Ivanka’s Jet Blue Harasser

jet-blue-tweet

I’m pretty sure the Ethics Alarms 2016 Jerk of the Year Award was locked up a while ago, but two new challengers for the title at least strengthen the field:

1. Daniel Goldstein, attorney

Goldstein, in the cabin of a JetBlue flight on which Donald Trump’s daughter, Ivanka, was also a passenger, verbally accosted the soon-to-be First Daughter before take-off. Holding a child in his arms, the New York lawyer started shouting, “Your father is ruining the country!” Then he asked, “Why is she on our flight? She should be flying private!”

Ivanka, who had her own kids in tow, tried to ignore him and attend to her family until he was removed from the flight by JetBlue personnel. “You’re kicking me off for expressing my opinion?” he yelled as he was led off the plane.

What a rude and obnoxious jerk.

Other observations: Continue reading

The Jerk On The Plane: Boy, I Hate It When My Hypotheticals Come To Life…

It would have been OK, if he was black and his rant was scripted by a genius...

It would have been OK, if he was black and his rant was scripted by a genius…

On a recent Delta flight from Atlanta, a young man stood up before take-off and started harassing his fellow-passengers with a pro-Trump rant,  yelling “Donald Trump baby!” and “We got some Hillary bitches on here?” while pointing at individual travelers. He also said, “Donald Trump is your President. Every god damn one of you. If you don’t like it, too bad.” Delta initially removed him, but returned him to the cabin. According to one witness, upon returning the man said, “This is what you get for being a patriot.”

He’s an idiot, of course, and there’s no excuse for his conduct. And yet…

How different is what he did, and what the “Hamilton” actors did? Not much. Neither the “Hamilton” audience members nor the passengers bought tickets to be subjected to this. Both were captive audiences. The conduct in both cases constituted harassment. The clearest distinction was that the jerk on the plane wasn’t an employee; if he had been a flight attendant, the incidents would have been even more similar. The jerk on the plane didn’t single out a particular passenger by name, making his conduct better, not worse, than what the “Hamilton” cast did.  On the plane, passengers hadn’t previously jeered the Hillary Clinton voters among them, so the intimidation factor Pence experienced was absent, and it was only one passenger, not a passenger with an imposing  line of others backing him up, like the wall of actors behind Brandon Victor Dixon. Continue reading

Note To Conservatives On The “Hamilton” Cast’s Harassment Of Mike Pence: I’ve Got This. You’re Not Helping.

grandstand-hamilton

The problem is that, as you might guess, Trump-supporting Republican and conservatives are as ethically clueless as the Democrats attacking them.

Now there is a backlash against the “Hamilton” actors who singled out an audience member (who happened to be the Vice-President Elect) for specific abuse last week, because, the theory goes, elected officials who a cast doesn’t like shouldn’t be able to attend live theater without entailing the risk of being harassed. Ethics Alarms has been very clear about why this is wrong in every way, and all rebuttals have boiled down to “But we don’t like Mike Pence or Donald Trump, so we should be able to suspend ethics!”

Keep telling yourselves that.

Now it has been discovered that some of the “Hamilton” grandstanders probably didn’t vote in the election, and the actor whose mouth was used to issue the lecture to Pence had himself authored some Trump-like misogynist  rhetoric in a tweet or two. This is supposed to prove hypocrisy, and undermine the legitimacy of the cast’s ambush.

It doesn’t do this, because the cast’s stunt had no legitimacy at all, votes or not, hypocrisy or not.

Is the whole Trump term going to be like this? I fear so, since the incoming President literally is bewildered by all concepts ethical, and his defenders appear to be similarly disabled.

Look: if it is per se unethical and wrong for a theatrical production to turn on audience members without consent or warning to humiliate, threaten or accost them, the qualifications of the cast members engaging in this harassment can’t make the unethical act more or less so. Continue reading

Opening The Door, Tit-For-Tat, And The Drunk In The “Hamilton” Audience

opening-the-door

All right, all right, maybe this is the final word on the “Hamilton” controversy.

What do we make of this?

A supporter of President-elect Trump reportedly interrupted a Saturday-night performance of “Hamilton” in Chicago with profane shouts at the show’s cast. According to BroadwayWorld, somebody seated in the balcony shouted, “We won! You Lost! Get over it! Fuck you!” during the number “Dear Theodosia,” which is about Alexander Hamilton and Aaron Burr coming to terms with what being a father meant in the newly formed United States. The audience member was escorted out of the theater by security after a brief altercation.

Rueful thoughts: Continue reading

The Last Word On The “Hamilton” Cast’s Harassment Of Mike Pence

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In the end, after several posts and a large number of comments about this incident, I am convinced that, more than anything, it shows how little the American public, even well-educated, culturally-engaged members of the public, and even participants in the entertainment profession understand and respect the importance of live theater.

This, at least, is no surprise. The New York Times recently reported that a survey had revealed that symphony orchestras no longer are viable without charity: fewer and fewer, mostly aging, patrons bother to attend concerts any more. Live theater is heading down the same path, probably irreversibly. Theater will never hit rock bottom, of course; it will always be possible to put on a show like Judy and Mickey, and live theater can exist as long as there is a single talented performer, a street corner, and a crowd. But theater is dying as something relevant to society, and that is a tragedy. Each generation goes to live theater events less and less. I have not seen the up-dated figures, but in the Nineties a study showed that Americans under 30 were more likely to have called a phone psychic at least once in the past year than to have attended a single live theater performance in their entire existence on earth.

The role of theater in society has  been extolled by Aristotle and social critics through the centuries as a unique and important community activity in which citizens of all social strata engage in the ancient ritual of sitting together in a darkened theater, and not only experience the events being portrayed on stage but experience it communally, hearing and feeling the reaction of others. Now that social force has receded to the vanishing point. A vacuum has taken its place. Movies seldom explore serious issues any more, and younger audiences have increasingly retreated to watching films online, and often alone. The potentially life-altering experience that is being lost is hard to describe when someone hasn’t experienced it. The power of the medium to communicate ideas and concepts vividly and to change minds and lives is unmatched, and unmatchable. I have seen it. I have experienced it. I have even helped make it happen.

The department store mogul Bernard Gimbel attended an early performance of Arthur Miller’s “Death of a Salesman” on Broadway in 1949. The plight of Willy Loman, an aging traveling salesman being pressured out of the only employment he had ever known, so shattered Gimbel’s world view that he couldn’t sleep. The next day, he called his managers together and told them and all of his stores that no over-age employee was to be fired. Alfred C. Fuller of the Fuller Brush company asked Miller to dinner to seek his guidance on how to  keep his Fuller Brush salesmen from quitting. That’s power. That’s wonderful. We should want influential people, elected officials, business owners, policy-makers, bankers, investors and corporate executives to see that kind of theater. In today’s New York Times, Ben Brantley, the Times drama critic, explains…
Continue reading

Ethics Hero: Stevie Van Zandt

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There is at least one liberal, Donald Trump-hating celebrity performer who has the integrity to insist that wrongful conduct is still wrongful regardless of the target.

Bruce Springstein guitarist Stevie Van Zandt, an inductee to the Rock and Roll Hall of Fame (and a memorable actor on “The Sopranos”), used a series of tweets to criticize the cast of the musical “Hamilton” for targeting Vice-President Elect Mike Pence  from the stage when Pence was in the show’s audience. Van Zandt wrote:

“Lin-Manuel is a genius. He has created the greatest play since West Side Story. He is also a role model. This sets a terrible precedent…When artists perform the venue becomes your home. The audience are your guests. It is nothing short of the same bullying tactic[s] we rightly have criticized Trump for in the past. It’s taking unfair advantage of someone who thought they were a protected guest in your home…There never has been a more outspoken politically active artist than me. Everyone who is sane disagrees with [Pence’s] policies…He was their guest. You protect your guests. Don’t embarrass them.”

Boy, just wait, Stevie: now you’ll get all the good progressives explaining to you that Pence had it coming, that he doesn’t deserve to be treated like a guest, that these vile Republicans should be treated like they will treat others, that these are not ordinary times, that ethics is a luxury we can’t afford right now, that the cast was nice about it (actually, I just saw the video, and they weren’t nice at all; they were strident and  confrontational), that everybody does it, that the ends justified the means, on and on. Just check the “Hamilton” defenders’ excuses on the threads here and here.

Van Zandt is 100% correct, of course, and courageous to oppose the approved unethical cant from the Left.  Unfortunately, most of his ideological mates have decided that standards of decency, respect, fairness and professionalism were suspended by an election result they disagreed with.

“Hamilton” Ethics Follow-Up: Somewhere In The Multi-Verse, I Am In The Audience At “Hamilton” When The Cast Decides To Abuse Its Position And The Audience’s Trust By Harassing Mike Pence, And This Happens…

hamilton-logo

Luckily, I had been tipped off by a friend in the production regarding what had been planned.

As Brandon Victor Dixon stepped forward and called out Pence, thanking him for attending, and then began his planned statement with We hope you will hear us out. We, sir…, I stood up from my seat in the center of the fourth row, orchestra. I have a very loud voice. I said,

“Excuse me, Mr. Burr, is the show over? Or is this part of the performance?”

“It’s not part of the show, no…now, Mr. Pence…”

“That means we all can leave, right? We aren’t all being held captive while you lecture us, just Mike Pence? Is that what’s happening?”

“Well..I…Yes, yes, you are free to leave. This statement is for the Vice-President Elect. Now, if you’d let me finish…”

“Was he aware that you were going to single him out like this? If not, does that mean that every other audience member that buys a ticket to “Hamilton”—great show, by the way, though I only caught about half the words—should be ready to be singled out and told how to do their jobs by you actors? Are you pleased when you’re grocery shopping or at Home Depot or going to see a movie when the staff there recognizes you and  singles you out and tells you how to perform while everyone else stares and listens? I know that Alec Baldwin and Sean Penn take swings at people who do thing like that in the street…”

“No, this is for the Vice-President Elect only! Now if you’d just sit down…”

“I thought you said I could go!”

“You can go! Get lost! We’re trying to speak to the Vice-President elect…”
Continue reading

Mike Pence Goes To “Hamilton”

(Psst...PLAYING political leaders doesn't actually give you any special insight into political leadership...)

(Psst…PLAYING political leaders doesn’t actually give you any special insight into political leadership…)

As a performance of the mega-hit Broadway musical “Hamilton” ended, the actor who played Aaron Burr, Brandon Victor Dixon, singled out Vice-President Elect Mike Pence, who was among the audience.

He thanked him for attending and then began a scripted lecture, or rather,  an ambush:

“We hope you will hear us out. We, sir — we — are the diverse America who are alarmed and anxious that your new administration will not protect us, our planet, our children, our parents, or defend us and uphold our inalienable rights. We truly hope that this show has inspired you to uphold our American values and to work on behalf of all of us.”

The rest of the audience, many of whom had booed Pence when he arrived to see the show, cheered. Of course they did. They would have probably cheered if Dixon threw a tomato at Pence too.

I have no patience with this. I was an artistic director of a professional theater company in the D.C. area for 20 years. If this happened at my theater, I would fire the actor and apologize to the audience member and the audience itself. This is unprofessional, unfair and unethical in many ways: Continue reading

Observations On The Revelation That The Republican Party Has A Time Machine.

gop-announcement

The The GOP  accidentally released a statement congratulating Pence on his victory in last night’s Vice-Presidential candidates debate about two hours before the debate started.

Observations:

1. The Washington Post’s Chris Cillizza mentioned the embarrassing release but brushed it aside as “sausage-making.” No, the word for it is lying. The statement implies that someone actually “fact-checked” what had not taken place when that was obviously impossible….unless, of course, the GOP really has a time machine.

2. Does anyone believe this junk? They must, or nobody would issue it. Thus it is intentional deception.

3. It also shows how incompetent the Republican Party is that this lie would be released before the debate. But we knew that...

4. Apparently Pence did win the debate, mostly because of Kaine’s obnoxious performance and the blatant bias of the moderator.  You don’t think…?

5. The really depressing thing is that so many journalists and voters also decided who won the debate before it occured.

Is There Any Reason For A Responsible Voter To Watch The Vice Presidential Candidates’ Debate?

"Who ARE those guys?"

“Who ARE those guys?”

No.

CNN this morning showed a reporter asking giggling college students and others to identify photos of Tim Kaine and Mile Pence. Many of them couldn’t and the ignoramuses and the reporters had a good laugh about it. Then a CNN panel and Carol Costello, beaming themselves, discussed the phenomenon, which isn’t remotely funny.  Why are so many Americans ignorant about their own elections and government? Why do those Americans think their ignorance is amusing? Why does CNN encourage such ignorance by refusing to present it as the disgrace to democracy that it is?

Apparent, according to a survey, a full third of potential voters can’t identify either Vice Presidential candidate. That’s nice. One reason, of course, is that the news media has spent so little time focusing on either of them. Huh. Yet Sarah Palin’s candidacy was covered as a threat to the civilized world by these very same organizations. Well, that’s because her running mate was so much older than the 2016 can..actually, McCain wasn’t significantly older was he? How can the qualifications of  VPs be so irrelevant now, but so newsworthy then?

I’ll stop being coy. The answer is that journalists have no integrity. Continue reading