Over the past two decades, historians have gone from obscure scholars to media stars, as the 24 hour news cycle prompted TV news shows to bring the best-selling non-fiction authors out of the archives into the studios. There the masters of the past were suddenly opining on the present, as the likes of Douglas Brinkley and Doris Kearns became as ubiquitous as Pat Buchanan or George Will. The supposed wisdom and solemn reliability of historians has put them in other unlikely roles too, such as Truman biographer David McCullough lending his soothing baritone to the narration of Kan Burns’ epic Civil War documentary.

One of the catalysts for this development was the late historian Stephen Ambrose, who hit on a formula to make history both provocative and lucrative.. Ambrose turned himself into the troubadour of World War II, inspiring dramatic renditions of his books, such as “Band of Brothers,” and launching a “Greatest Generation” industry. Shortly before Ambrose died in 2002, a brief scandal erupted when it was revealed that one of his histories was significantly plagiarized (Kearns had one of her books similarly discredited), but he handled the potential disaster deftly, admitting that he inadvertently published some verbatim notes, and died soon enough thereafter that the scandal did little to suppress sales of the “Band of Brothers” DVDs. The truth was, however, that more than one of his books stole from other sources.

Now new evidence is making it clear that Ambrose, the historian pop star, was indeed a full-fledged fraud, raising the question, “Who are these guys?” And why should we trust them? Continue reading →