Can We Trust Wikipedia? Should We? No and No, Of Course…But What’s The Alternative?

Ethics Alarms hasn’t pointed out what a biased, often incompetent, purveyor of progressive and Democratic propaganda Wikipedia is for a while, and I regret that. I am reminded of Wiki’s key role in hammering woke propaganda into the brains of unsuspecting users (like students) virtually every day, however, when I choose to use the crowd-written web encyclopedia for basic facts (when did Jerry Lewis die was the latest) and am irritated both by what the badly curated articles leave out, and the dunning for contributions. The promise of AI Grokipedia as a more ethical alternative has been dimmed by my dawning realization that I can’t trust bots either, and that Grokipedia uses Wicki among its sources.

“Reason” has posted an exposé of sorts on the Axis ally, here. Nothing in it unseats what I had already included, but the brief against Wikipedia is damning. As we would assume, the site reallt went over to the dark side, and violated its alleged mission, when Donald Trump shattered the Left’s dream of forever power in 2016. Reason notes, describing the page on the current President,

“He’s described as an “American politician, media personality, and businessman who is the 47th president of the United States.” Biographical details include his time as a real estate developer, reality show host, and his 2016 presidential victory over Hillary Clinton. So far, no disagreements.

But the first policy mentioned is a travel ban against seven Muslim-majority countries, expanding the border wall, family separations, rolling back environmental and business regulations, downplaying the severity of the COVID-19 pandemic, refusing to concede the 2020 election, and getting impeached. Then comes a recounting of his legal battles, his second term involving “mass layoffs of federal workers,” “targeting of political opponents,” the “revers[al] of pro-diversity policies,” and “persecution of transgender people.” 

The final paragraph concludes that “many of his comments and actions have been characterized as racist or misogynistic” and that “he has made many false or misleading statements during his campaigns and presidency, to a degree unprecedented in American politics.” It also states that his  actions “have been described as authoritarian” and “historians ranked him as one of the worst presidents in American history.”

Even more revealing is the reaction of Wikipedia founder Jimmy Wales, whose response to Reason’s query about that biased alignment, replied, “If you get a negative view of Donald Trump from reading it, that’s not our fault.” Wow. No bias there!

I’m Feeling Hopeless Regarding Whether The Unethical Use of Higher Education As Leftist Indoctrination Can Be Eradicated In Time…[Expanded]

This story is the latest reason for my despair.

The unethical and diabolical woman on the left, physically and politically,

… is UC Berkeley professor of ethnic studies, gender and women’s studies and performance studies Juana María Rodríguez. Not content to rot the brains and values of her students, she has weaponized her charges to inject Leftist propaganda into the general population through Wikipedia, itself a propagator of biased and left-slanted disinformation.

Beginning in 2016, Rodríguez has assigned her students to create and edit Wikipedia articles about LGBTQ+ people. Her special focus is on gay and transgender “people of color,” of course, because that’s how people like her roll. The manipulating of the online encyclopedia gets credit in three of her classes: “Documenting Marginal Lives,” “Queer of Color Cultural Production” and “Queer of Color Critique.”

I would not hire any job applicant who had taken any of those courses, nor would I send my child to any school that treated those subjects as worthy of academic study.

“I want my students to think of themselves as not just consumers of knowledge but as being able to produce knowledge as well,” Rodríguez explained in a smoking gun email. This is new: a college professor who doesn’t know what “knowledge” means. One doesn’t produce knowledge, (“facts, information, and skills acquired by a person through experience or education; the theoretical or practical understanding of a subject”) one seeks, acquires, conveys, and distributes knowledge. Producing knowledge is called “making stuff up.”

The professor allows students to skip finals in exchange for doing her propaganda work.

Rodríguez integrates Wikipedia into her curricula in collaboration with Wiki Education, a nonprofit organization that encourages faculty in the United States and Canada to assign their students to create content for Wikipedia articles, aiming to fill in “knowledge gaps” on Wikipedia regarding gender, racial and ethnic diversity. Rodríguez’s students alone have added more than 300,000 edits and 3,000 citations to Wikipedia. the professor says she’s “really proud” that her students’ propaganda has been viewed an estimated 96 million times. Isn’t that wonderful?

How many societal termites like this are being paid by institutions of higher learning to distort reality, then education, and finally the culture? I’m beginning to fear that Americans were asleep at the metaphorical switch so long that the progressive body- and mind-snatchers spread their sinister pods so deeply in our comunities’ collective consciousness that the battle was already lost before it was even discovered.

Riddle Me This: “Why Is The Guthrie Theater Like Stephen Colbert?”

In “Alice’s Adventures in Wonderland,” Louis Carroll’s Mad Hatter asks Alice the riddle, “Why is a raven like a writing desk?” One would think that the question in the headline above is equally obscure (the Guthrie, in Minneapolis, is one of the most respected and celebrated regional theaters in the country) but it has an answer. Like the Colbert late night show, which has since its inception sought to exclude anyone who isn’t woke, obsessed with progressive politics or, since 2015, Trump Deranged, the Guthrie now aims at entertaining only that same audience, except in its case only the wealthy, white, upper-middle class demographic within that audience, or others willing to sit still for relentless leftist propaganda and cant.

A recent audience member for The Guthrie’s production of Henrik Ibsen’s “A Dolls House” wrote about his experience. “A Doll’s House” is about as moldy a feminist tract as there is (I once called the play the drama equivalent of Helen Reddy’s “I Am Woman” but much longer, and even more over-exposed (it was written in 1879, so its analogies with the real state of womanhood, especially in the U.S., have been increasingly forced as time goes by. (No, her husband did not stop Nora from having an abortion: she would never have dreamed of killing an unborn child.)

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Do You Have Any Clue Regarding Whether the US Bombing of the Iranian Nuclear Facilities Were Successful or Not? I Don’t.

I just heard President Trump at his press conference, rambling as only he can, declare that the news outlets claiming his surprise bunker-busters attack on Iran’s nuclear facilities was not as effective as the U.S. claimed were “losers” and liars. Meanwhile, a CNN article, followed by the New York Times, citing leaked classified documents, and thus unnamed sources of those illegally retrieved materials, announced that “Early US intel assessment suggests strikes on Iran did not destroy nuclear sites, sources say.” Reporters Natasha Bertrand, Katie Bo Lillis, and Zachary Cohen wrote that “the US military strikes on three of Iran’s nuclear facilities last weekend did not destroy the core components of the country’s nuclear program and likely only set it back by months, according to an early US intelligence assessment that was described by four people briefed on it.” It continued, “The assessment, which has not been previously reported, was produced by the Defense Intelligence Agency, the Pentagon’s intelligence arm. It is based on a battle damage assessment conducted by US Central Command in the aftermath of the US strikes, one of the sources said.”

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It’s About Time: CNN Gets Called On Its “It Isn’t What It Is” Rhetorical Dishonesty and Bias

and…

Good.

All ethical and aware Americans should treat their Axis-supporting friends, relatives and colleagues similarly. What both Miller and Hamill did was to label propaganda what it really was, and not allow it to falsely present itself as “journalism.”

Regarding “Conclave”

As the Cardinals meet in Rome to find a new Pope for real, it is a propitious time to consider “Conclave,” the “thriller” (as Wikipedia calls it, a stretch) about a fictional conclave after the death of a fictional Pope. I had several friends recommend the film to me, and I finally watched it this week.

I’ll complete this ethics overview without spoilers since the film is relatively new, but wow, what a disappointment. Strong cast, excellent performances, brilliant production design and cinematography, but still, “Conclave” has to be one of the most wildly over-praised films I’ve seen since “Don’t Look Up!,” “The Crying Game” or “Ghost.” This overt Hollywood woke propaganda piece received eight nominations at the 97th Academy Awards, a number once reserved for all-time classics like “Ben-Hur,” “West Side Story” or “Lawrence of Arabia.” Its Best Picture nomination shows how far movie-making standards have fallen and that it won Best Adapted Screenplay is outrageous, since the screenplay was the worst aspect of the movie, predictable, over-wrought and unbelievable.

My late wife was superb at sleuthing out “surprise” endings of movies by the half-way mark or earlier; this time I felt like I was channeling her spirit because I guessed the movie’s ending (and woke propaganda mission) the second the key character showed up. I also thought, “Oh no, really? They are stooping to this?” Indeed they were.

“Conclave” is, ultimately, trivial and soap opera-ish, no better and less entertaining than the loony movie version of Dan Brown’s follow-up to “The Da Vinci Code,” “Angels and Demons.” Along the way to an anti-climax, we get more of the “white man bad/black man victim,” pro-LGTBQ+ proselytizing that Tinseltown has been addicted to for years.

I’ll give “Conclave” this: it was better than “Snow White” and a lot shorter than “Wicked.”

“Wicked”: A Review (Part 2: Politics and Propaganda)

Gregory Maguire’s “Wicked: The Life and Times of the Wicked Witch of the West” became a critical and financial success by merging the Frank L. Baum children’s series with contemporary issues and values, notably discrimination, prejudice, the abuse of power, and corruption. The still-running Broadway musical “Wicked” softened the preaching and propaganda a bit, but it has come back with full force in the movie adaptation now playing at inflated prices in theater near you. (I purchased a box of Junior Mints and regular size coke. They cost 15 bucks.)

In the novel and the musical, the witch-to-be is born green, leading to a life of being the victim of hate and discrimination. The movie cast not just a black woman in the role, but one with pronounced African features (in contrast to, say, Halle Berry) making it nearly impossible not to experience the plot as a thinly veiled Critical Race Theory brief. Though there are black actors and actresses in Oz here and there, only the white characters are seen to be repulsed or frightened by Elphaba (Maguire gave her a name), because the director correctly calculated that in his film, the character is as much black as green. We see her rejected and cast aside (to be raised by a bear) by her father the moment he sees her skin shade, so it is clear where this is going: Elphaba is going to be forced to fight against the cruel culture that rejected her. Thus we know that she is a personification of the Black Lives Matter riots within the first ten minutes of the movie.

Just as early in the movie we know we are in the grip of sensitive wokism obsessions when we we find ourselves in Munchkinland and the Munchkins pretty much look like anyone you know. The movie “Wicked” is obsessed with, the 1939 classic “The Wizard of Oz,” had the Munchkins played by the Singer Midgets, a little people performing group. In the Baum book that started it all, they are described as being about the same size as Dorothy, who is about 10, but one way or the other, we know the Munchkins are small. Ah, but Disney’s endlessly delayed “Snow White” movie got into trouble after the most famous acting dwarf, Peter Dinklage, declared that the whole idea of portraying the Little People of the familiar fairy tale was offensive, so Disney eliminated the dwarfs entirely. That was also attacked by Little People activists—erasing them, you know. Similarly, Peter Jackson got in trouble for using computer magic to make a full size actor look like he was a a yard or so tall in the “Lord of the Rings series.” So “Wicked” director Jon M. Chu punted and just made the Muchkins normal size and boring. And that wasn’t all: to make sure Dinklage didn’t find some reason to take shots at his movie, the Little Actor was hired to provide the voice of a talking goat.

This is DEI at its silliest. The film gets credit for hiring an “under-represented minority” who was personally responsible for the film not hiring many more members of the same minority. Furthermore, while I like Dinklage (who became famous in “Game of Thrones”) as much as anybody, the only reason he’s a star is because he’s so short. Sure, he plays lawyers, doctors, gangsters, but no matter what he plays, he plays it as a dwarf. That’s the only thing that distinguishes him from hundreds of other equally able actors. It makes no sense at all to hire Peter Dinklage as a voice actor. His unique feature can add nothing to such a gig. The film took away another talented vocal actor’s job so it could be “inclusive” and hire a dwarf for his voice alone.

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Comment of the Day: “As the NYT Enables Terrorism and Anti-Israel Hate With ‘Think of the Children!’ Porn: The Sequel”

This is an unusual Comment of the Day by Chris Marschner (on the post,“As the NYT Enables Terrorism and Anti-Israel Hate With ‘Think of the Children!’ Porn”), but it makes an important point, indeed, the crucial point that exposes the intellectual dishonesty of the Times’ “Think of the Children!” campaign to demonize Israel as it tries to defend its right to exist.

***

I reworked the original Times story to reflect a similar situation in the mid-20th century. All I did was change the name and the players. If the Times had written its report this way, then the Brits, the French, the Poles, the Czecks and others would be goose-stepping to their new bosses and Israel would not exist.

It is obvious to any rational thinker that when a nation faces existential peril from zealots who believe they are the rightful heirs of the entire region and that no one except the devout believers of Mohammed may live peacefully there, that when they are attacked they must eliminate the immediate as well as the long term threat in order to minimize civilian losses. We did this twice in the Pacific and Europe when despots saw opportunities for empire building.

My NYT rewrite:

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I’m Curious: What Would You Call The Results of This Newsbusters Study In Addition To “Unethical”?

Newsbusters has the results of a study it performed to examine the political orientation of Late Night TV Guests. It isn’t a surprise to me in the least, yet seeing the results still gave me a jolt. As I write this, I am trying to figure out what this obviously intentional practice of the networks and entertainment industry is, exactly. But first, the study…

It tallied the guest appearances on five daily late night comedy shows: ABC’s Jimmy Kimmel Live!, NBC’s Late Night with Seth Meyers and The Tonight Show Starring Jimmy Fallon, CBS’s The Late Show with Stephen Colbert, and Comedy Central’s The Daily Show. The period examined was the nine months from October 2, 2023, to June 27, 2024.

In that period, progressive/Democrat guests outnumbered conservative/Republican guests 137 to 8, or 94% to 6%. If you just count partisan officials, the count was 34 Democrats to 5 Republicans.

Colbert—naturally—had the greatest cumulative discrepancy at 14-1. The Jimmy Kimmel balance count was 7-0. Seth Meyer’s was 3-0, and Jimmy Fallon, who is mostly apolitical (except in his monologues) was 1-0. Jon Stewart’s The Daily Show came in at 9-4.

In the category of journalists and celebrities, the slant was 104 progressives to 3 conservatives.

Colbert was again the most biased at 34-0. The Daily Show was second in bias at 29-1. Meyers had a 21-0 progressive imbalance, Fallon’s was 11-1, and Kimmel’s was 7-1. No journalists from conservative publications or platforms were allowed: here are the outlets represented:

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Now THIS Is Pandering…

Ugh. These are not the only corporations playing this dishonest and cynical game, as you know. There are so many ethics alarms this junk sets off it’s difficult for me to keep the clanging straight–oooh, can I still say “straight”?

1. The robotic response of companies and organizations falling into lockstep during “Pride Month” (and Black History Month, and…yada yada) has the stench of forced speech about it, like everyone flying swastikas in 1930s Germany. Are the companies afraid not to demonstrate the mandated rainbow obeisance? What does BP have to do with sexual orientations and non-standard sexual practices? Why should a company like that have any input into the conversation at all? Shut up and drill.

2. These phony gestures also indicate obedient mass participation in cultural propaganda and indoctrination. It is an abuse of power and influence, and it doesn’t matter whether the organizations are endorsing kittens or cannibalism. I feel my arm being twisted. I resent it.

3. If these rainbow logos really represented the companies’ values, then they wouldn’t hide them in nations where intolerance reigns. In fact, those are the cultures where the advocacy is most needed and might do the most good.

The bottom line, as those companies’ VPs might say, is that their management and ownership have no genuine values, other than the desire to make money. That’s fine: capitalism works, and the profit motive makes it work, but these facile, empty gestures should be reminders to all that the pandering organizations cannot be trusted or believed whether they are lining up to bow to BLM, DEI, #MeToo, the stupid Wuhan lockdown, or whatever the latest woke fad of the moment happens to be.