Hey, ABC, Let Me Save You A Few Million Dollars…[Updated]

Following the implosion of the new “Roseanne,” ABC is reportedly considering rebooting the show without its evil, racist star. The idea is to spin-off a new “Roseanne” spore, this one focusing on Darlene, the character played since the original show’s inception by actress Sara Gilbert, who smartly signaled her virtuousness by being the first cast member to condemn her TV mother’s ugly tweet. From The Hollywood Reporter:

“As we previously reported, executive producers Tom Werner, who also executive produced the original series, and Gilbert, the main driving force behind the revival, are believed to be spearheading the efforts to continue the show and keep the writers, led by executive producer/showrunner Bruce Helford, and crew employed post-cancellation.”

The ethical value here is either incompetence—for this idea is doomed to fail—or dishonesty,  if ABC and Disney know it will fail, but are just launching a hopeless mutant to remove any lingering bad public relations over punishing hundreds of artists and fans of the new “Roseanne” because of a single, misbegotten tweet.

It is one or the other. Continue reading

Ethics Observations On The Roseanne Tweet Fiasco

1.  It is possible, after all, to revile Roseanne Barr’s gratuitously vicious “joke” about Valerie Jarrett, and to question the extended reaction to it. I feel especially emboldened, perhaps because you couldn’t have forced me to watch that show or anything associated with Barr had you been credibly threatening to blow up Fenway Park unless I tuned in. One of the ways the enemies of free discourse and thought further their agenda is by setting up these dilemmas, where to even suggest that a genuine miscreant’s punishment has exceeded reasonable bounds is to risk shunning and other serious cultural consequences—it’s the Cognitive Dissonance Scale again. “See, then we make them defend someone who would tweet something like that, and we’ve got em! Then they look like racists too! Bwahahahahaha!

2. No, I don’t think ABC and Disney were looking for an excuse to cancel “Roseanne” 2 because it was perceived as pro-Trump. The show was making money, and corporations place money above politics. However, there is no doubt that a conservative show has less margin for error in today’s biased media environment. It was up to Roseanne to understand that and moderate her conduct accordingly. This recent post is relevant.

3. I was not aware, until ethics alarms reader  Sue Denim pointed it out here, that Barr may have physiological reasons for her lifetime addiction to ugly humor: Continue reading

Ethics Dunce (But We Knew That): Roseanne Barr [UPDATED…Again!]

Ugh. The new, surprise hit reboot of “Roseanne” self-destructed when it’s star, not for the first time, couldn’t restrain herself from being objectively repulsive and tweeted a racist insult to former President Obama’s black chief-of-staff, Valerie Jarrett. This morning the comic—at least some people think she is comical—tweeted that Jarrett was the offspring of the Muslim Brotherhood and “Planet of the Apes.” as in “muslim brotherhood & planet of the apes had a baby=vj.” Barr apologized, but ABC was quick: it cancelled the series, saying, “Roseanne’s Twitter statement is abhorrent, repugnant and inconsistent with our values, and we have decided to cancel her show.”

Rosanne didn’t just step on a landmine, she stepped on several, then jumped up and down on them to make sure they blew her to bits, or so it seemed. Can’t attack anyone associated with Obama. Can’t use “Muslim” as an insult. Can’t make monkey jokes about black people. Any of these can be career-killers, and Roseanne did all of them at once, in only ten words and two initials. Wow. It takes a Master Ethics Dunce to do that. I am in awe.

Does she deserve to lose her show over this? Of course she does. It was, by any standard, a racist, hateful tweet. No company, especially an entertainment company, especially a Disney company, can afford to be associated with that kind of  reckless, high-visibility employee,  She was on thin ice anyway, being a self-declared Trump supporter. She should have known that she had to be even more careful than other uncivil comics and celebrities, like Bill Maher, Stephen Colbert and Alec Baldwin, all of whom have  said or tweeted ugly and hateful things about the right kind of people—you know, whites, Republicans, the President, and his family.

One of Roseanne’s writers, stand-up comic Wanda Sykes, quit the show before it could be cancelled in protest over Roseanne’s “joke”, though Sykes herself was booed off the stage in 2016 after going on a hateful, expletive-filled rant against President-Elect Donald Trump, then flipping off the crowd as she exited to boos. Now that’s the kind of comic ABC is proud to employ! Continue reading

No, Fergie’s Star-Spangled Banner Wasn’t The Worst Rendition Ever….[ UPDATED ]

Not even close.

This was…

The ethical problem in both cases is the same, however. The National Anthem is not, or should not be, an excuse for a performer to grandstand or make headlines by controversial renditions. The National Anthem is not about the singer. It is a musical declaration that the nation is strong and thriving, and that it is equal to whatever challenges it encounters. Performed respectfully and with skill and forethought, The Star-Spangled Banner can communicate this, and be stirring to all Americans irrespective of musical preferences and tastes.

Here is what a great rendition sounds like, just so you can get Rosanne and Fergie out of your brains…

[Be patient, however: the NFL won’t let any site play this but YouTube, so you have to click on the link, then listen to a gratuitous intro, then finally you get Whitney. Please come back afterwards: we’re not finished!]

 

That’s my favorite, but I have to say, Lady Gaga did great job in 2016. Here she is–same process as with the previous video. Sorry. You know…the NFL:

Just so you don’t think only female singers can knock the song out of the park, here is Chicago’s Jim Cornelison, a powerful tenor, whose rendition is fast, no-nonsense, and if this doesn’t get your blood pumping, nothing will.

UPDATE: All right, I’m going to have to post this, in my opinion the greatest rendition of the most dramatic and musically stirring of all national anthems, though it isn’t ours. The version in “Casablanca” is terrific, but this legendary performance is better: