Comment Of The Day: “Ethics Quiz: The All-Black Sports Platform”

This Comment of the Day by Here’s Johnny on “Ethics Quiz: The All-Black Sports Platform” needs no introduction.

Here it is:

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In my early years (40s, 50s), there was racism aplenty. The small community I lived in, the schools I attended, the activities I was involved in, all were white and as WASPish as they come. My parents didn’t seem to be especially racist, but one comment I do remember was my mother saying that Negroes (the accepted term way back then, although ‘colored people’ was also used) were okay so long as they “stayed in their place.” Their place was the segregated part of the nearby rather large city.

Fortunately for me, my career path took me away from both that mentality and that kind of segregation, via a military that was integrated and a second career in education in a community even more thoroughly integrated. Times changed. I changed. And, now, I am supposed to accept segregation once again? Well, count me out. Continue reading

Oh, Fine: Now I Have To Revise My Harvard Reunion Boycott Letter…

MacBeth in Stride

…by adding yet another reason for my absence. Harvard is practicing straight-up segregation. It really is. But it’s OK, see, because only non-black people are being discriminated against. This is the quality of reasoning at Harvard in the 21st Century.

“Macbeth in Stride” is currently being performed by the American Repertory Theater at Harvard University’s Loeb Drama Center, near Harvard Square. This adaptation of the Shakespeare tragedy includes modern music and a version of Lady Macbeth as an “ambitious black woman” to elevate “black female power, femininity, and desire.” <YAWN!> When I see Orson Welles in Hell, remind me to thank him for inflicting on the culture an endless parade of Shakespeare updates with lazy and facile political metaphors, all executed by adapters and directors less talented than he was.

But I digress. For the reason I will have to add to my report of protest is this: Harvard’s major theater on campus has decided that we white folk aren’t welcome to one performance. From the show’s webpage,

We have designated this performance to be an exclusive space for Black-identifying audience members. For our non-Black allies, we appreciate your support in making this a completely Black-identifying evening. We invite you to join us at another performance during the run.

The production is under the auspices of Harvard’s theater department, and the race-segregated performance is on campus, in a university building and held under the college’s banner. This astounding example of direct racial bias must have been approved by Harvard itself.

Continue reading

Now I’m REALLY Sorry American University Dropped Me As An Adjunct Legal Ethics Professor, Because I Can’t Resign In Protest Now

1943_Colored_Waiting_Room_Sign

American University in Washington, D.C. has a course called AUx2 which freshmen must take. Students will learn about “race, social identity, and structures of power.” In the course, students “evaluate how racism intersects with other systems of oppression.”

The campus paper, “The Eagle” reports that the university has all-Black sections in the course, and has since last year. “We’ve definitely heard from Black students and other students of color that the material can be a lot for them because it is part of their lived experiences,” Izzi Stern, the AUx program manager told the student newspaper. “And we wanted to create a space where they could be together in community and have an overall positive experience with the course.”

On the university’s webpage, a former AUx2 student says, “The AUx Program is fundamentally shifting the culture, and students, of American University, while simultaneously fulfilling the institutions’ commitment to social justice and equity. I could not be more enthusiastic about my support for the transformative impact of the AUx2 course.” A sophomore at American University told the paper that “having an all-Black space truly changes the way you interact in that space and the level of comfort you feel.”

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(PSSST! Columbia! Just Because You’ve Held Segregated Graduation Ceremonies Before Doesn’t Make Holding Them Now Any Less Unethical)

Lavender graduation

The news stories yesterday in various conservative sources that Columbia University would be holding six segregated graduation ceremonies based on ethnicity, income, and sexual orientation in fealty to “multiculturalism” sounded like a Babylon Bee gag to me, except that it isn’t funny. The story also seemed to epitomize The Great Stupid in so many ways, but something stopped me from rushing to the keyboard and writing a KABOOM! story. I don’t know why: this week has had one news flash after another showing the Left has not only gone bonkers, it is no longer trying to hide it.

So I went to Columbia sources (unlike, say, Fox News) to clarify “What’s going on here?,” and part of what’s going on is that conservative media and social media are misrepresenting the story, but not what’s wrong with Columbia’s conduct. What’s wrong with the story is that it isn’t news. The University has been doing this—segregated, group-identification ceremonies— for quite a while.

I haven’t checked to see if the groups or their names have changed: in 2021, the six are called the “Latinx Graduation,” the “Black Graduation,” the “Asian Graduation,” the “FLI Graduation” (for “first-generation and/or low-income community” students), the “Native Graduation” for Native-American students, and…I kid you not… the “Lavender Graduation” for the LGBTQ students.

“Lavender Graduation’? Really? Heck, why not the “FABULOUS! Graduation”?

If this were a new disgusting and embarrassing innovation for what is supposed to be an elite educational institution, I would have designated it as the perfect embodiment of “The Great Stupid” : separating groups in the name of inclusivity, segregating groups while celebrating the diversity of the whole, returning to “separate but equal” while demanding civil rights. But it is not new, and therefore not news.

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Saturday Ethics Depression, 8/8/2020: Irresponsible Parents, Irresponsible Voters, Irresponsible Troll-Makers

This is my state of mind today.

I began today driving for two hours to find a meeting for which I had been given the wrong address, and, like the fool that I have always been, didn’t bring along the phone number of anyone who could help me. It is during ordeals like this that I begin to reflect on what a failure and underachiever I am, and how I really don’t have enough time left for turnaround. All that privilege,  and good fortune, wasted. And I have no one to blame but myself.

Then I had to write about the stuff you’ll find below, and I got really depressed.

1. “Nah, there’s no mainstream media bias, and why aren’t you agreeing with what I say?” House Speaker Nancy Pelosi got angry when PBS NewsHour” anchor Judy Woodruff dared to ask a question that cahllenged the Democratic Party position in dispute with Republicans on over the content of a “Phase 4” Wuhan Virus aid bill.

When Woodruff asked Pelosi about the “flexibility” GOP lawmakers are showing in terms of allocating more money for state and local governments, as well as Republican arguments that “much of the money” allocated in the CARES Act “has not even been spent yet,” Pelosi snapped,  “Well, if you want to be an advocate for them, Judy, if you want to be an advocate for them, listen to what the facts are.”

In other word, “Hey! You’re supposed to be on our side!”

Actually, ethical journalists are not supposed to be on anyone’s side, but that quaint ethics  concept has been abandoned by virtually all journalists, including  Woodruff.

“I’m playing devil’s advocate here,!” Woodruff protested. You know, the devil, Republicans—same thing!

2. Better yet, don’t ride the subway! Here is a Wuhan virus safety sign from the New York City subways.

In addition to telling people they should wear masks, it goes to the next level and wants people to avoid interacting at all. This is incompetent messaging and  shows a basic misunderstanding of humans in general and American in particular. It also makes me suspicious: Big Brother is still working to make as all compliant automaton. If we can’t talk, we can’t resist.

It reminds me of the early “don’t touch you face!” warnings. People touch their face thousands of times a day. That message made me skeptical of all the advice from “experts” and governments, and indeed, you hardly hear it any more.

Social interaction is essential to life. Continue reading

Sunday Morning Ethics Warm-Up, 8/25/19: The Rotten Standards Edition

I feel like hearing my favorite hymn this morning.

1. How TV makes the public ignorant and unethical. On a 2008 “Law and Order” episode, “Knock Off,” a New York Assistant DA tells a lawyer that since his former client is dead, attorney client privilege no longer applies. “The privilege does not survive the client,” he says, authoritatively. This is exactly 180 degrees wrong. Privilege and client confidences do survive clients; lawyers are bound by them forever, with some rare exceptions.

The show had legal advisors.  There is no excuse for this. What were Law and Order’s standards? Would it deliberately misstate law and regulations just to accommodate the plot? Apparently so.

2. According to the New York Times, we’ve been mistaken. People don’t kill people, Guns kill people, apparently all by themselves. One of the infinite ways news organizations practice unethical and biased journalism is by falsely framing facts and issues to encourage a particular public perception. The “paper of record” just went for a new record in this event with a piece titled “One Handgun, 9 Murders: How American Firearms Cause Carnage Abroad.”Incredibly, the article personifies a gun:

She came to Jamaica from the United States about four years ago, sneaking in illegally, stowed away to avoid detection. Within a few short years, she became one of the nation’s most-wanted assassins. She preyed on the parish of Clarendon, carrying out nine confirmed kills, including a double homicide outside a bar, the killing of a father at a wake and the murder of a single mother of three. Her violence was indiscriminate: She shot and nearly killed a 14-year-old girl getting ready for church.

With few clues to identify her, the police named her Briana. They knew only her country of origin — the United States — where she had been virtually untraceable since 1991. She was a phantom, the eighth-most-wanted killer on an island with no shortage of murder, suffering one of the highest homicide rates in the world. And she was only one of thousands.

Briana, serial number 245PN70462, was a 9-millimeter Browning handgun.

The thrust of the rest of the article is that the terrible murder rate in Jamaica and other third-world counties is the fault of the U.S. for guaranteeing its citizens gun rights, and not the corruption, weak government, poverty and rotten cultures, not to mention the killers they produce, in those nations themselves. “Law enforcement officials, politicians and even gangsters on the street agree: It’s the abundance of guns, typically from the United States, that makes the country so deadly,” the article says. “And while the argument over gun control plays on a continual loop in the United States, Jamaicans say they are dying because of it — at a rate that is nine times the global average.”

That’s right: all those murderous Jamaicans would become as harmless as lambs if the United States would just get with the program.

This isn’t news reporting, it’s anti-gun propaganda. Continue reading

Ethics Addendum: Bill Robinson, Fred Astaire, And The Good “Blackface,” The John Bubbles Connection

The post about Fred Astaire’s dark-make-up-assisted homage to tap-dancing legend Bill Robinson in “Swing Time” was incomplete, both historically and ethically. This post should remedy that.

The dance number in question, “Bojangles of Harlem,” was, as I wrote in the introduction, Fred’s homage to two great black tap dancers who were teachers and inspirations for him, Bill “Bojangles” Robinson and John Bubbles.  The post explained why the salute to Robinson was important, but did not elaborate more on Bubbles. He was not as big a star as Robinson nor as well known, either at the time of the film or ever, and is less remembered today. Nevertheless he was an important cultural figure, and it can be argued that Astaire’s number was really more of a tribute to Bubbles than Robinson, not that many noticed.

First, you need to know about Bubbles. Born John Sublett (1902-1986), he teamed at the age of ten  with the six-year-old Ford Lee “Buck” Washington in a decades-lasting act, “Buck and Bubbles.” in which Buck stood and played piano and Bubbles sang and danced.  As adults, “Buck and Bubbles” ultimately  played at New York’s Palace Theatre, the London Palladium, the Ziegfeld Follies, the Cotton Club, the Apollo, and became the first blacks to perform at Radio City Music Hall. Their popularity allowed them to break the color barriers in theaters across the country. Continue reading

Bill Robinson, Fred Astaire, And The Good “Blackface”

We recently came through the usual Halloween bag of “blackface” controversies, and Ethics Alarms, as it has before, tried to guide the discussion to the material distinctions that social justice warriors, who strategically deal in absolutes when seeking power through real and contrived offense, refuse to acknowledge or are intellectually incapable of doing so. The short version of the Ethics Alarms message: make-up for legitimate theatrical purposes isn’t “blackface,” isn’t “racist,” and shouldn’t be object of knee jerk condemnation based on emotion or ignorance.

Today Turner Movie Classics showed “Swing Time,” the 1936 musical that is probably the high water mark in the Ginger Rogers-Fred Astaire canon. It has the best song (“The Way You Look Tonight”), the best novelty scene (Astaire pretending to be a klutz in a dance lesson with Ginger, then shocking her and her boss—and saving her job— by showing “what a great teacher she is” by dancing, well, like Fred Astaire) and arguably two of the best dances by the two, “Never Gonna Dance” and “Waltz in Swing Time.” The film also contains a controversial “blackface” number, “Bojangles of Harlem,” in which Fred pays homage to two great black tap dancers who were teachers and inspirations for him, Bill “Bojangles” Robinson and John Bubbles. Local TV stations have long been reluctant to show “Swingtime” because of guaranteed complaints that the number is racist, or, if they cut the number (which is unconscionable), complaints pour in from film and Astaire fans that they have defaced a classic out of misplaced political correctness.

If one argues that the number is “racist” because of Fred’s make-up, then one is necessarily arguing that no white performer can ever offer an admiring  salute to an African-American great by emulating him. Astaire’s choreography (by Hermes Pan) contained specific references to trademark steps and gestures by both Bubbles and Robinson, though more of the former than the latter. (Some would say, maybe even Fred, that this was because he didn’t dare set himself up to be compared to Robinson, whom many regard as the greatest tap-dancer of them all.) Blackface, as typified by minstrel shows, was a burlesque of negative black stereotypes. There isn’t a hint of this in Astaire’s number: he wears dark make-up because he is honoring two contemporary black dance stars who he knew, learned from, and respected. The make-up is the epitome of a legitimate theatrical device, and racially demeaning neither in intent nor effect. Those who see it as such are either deliberately misconstruing the number, or don’t know what they are talking about. (There is an unfortunate racially demeaning set piece that appears for a couple of seconds at the start, a large caricature of exaggerated black features. You can take the film out of 1936, but you can’t take 1936 out of the film.)

The ironic part of the effort to quarantine “Bojangles of Harlem” is that the number is one of the few reminders in our culture of who Bill Robinson was, and—here’s Jack on his “duty to remember” and cultural literacy soapbox again–he was an important figure in American theatrical, cultural and civil rights history that should be remembered.  Instead, Robinson is almost completely forgotten: I bet most of the NAACP members who get up in arms when TMC shows “Swing Time” have no idea how significant Robinson was, and the contributions he made to art and society. Continue reading

Saturday Evening Ethics Update, 4/14/2018: Important Women Die Too, Fundraising Insanity, And Campus Segregation Is “In” Again

Good evening, everyone!

(This morning was completely unmanageable…)

1. This day in history..April 14 belongs with December 7, November 22 and September 11 as the four evil dates in American history, for Abraham Lincoln was assassinated on this day in 1865, yanking the course of events into a new riverbed. Who knows where we might be today if Booth had been foiled?

2. Oh, yeah, themThe New York Times is suddenly including more obituaries of women in its pages, the result of a ridiculously late realization last month that the paper’s  stories of death warranting special note had been overwhelmingly male from the paper’s birth. In March, the paper confessed,

Since 1851, The New York Times has published thousands of obituaries: of heads of state, opera singers, the inventor of Stove Top stuffing and the namer of the Slinky. The vast majority chronicled the lives of men, mostly white ones.

Charlotte Brontë wrote “Jane Eyre”; Emily Warren Roebling oversaw construction of the Brooklyn Bridge when her husband fell ill; Madhubala transfixed Bollywood; Ida B. Wells campaigned against lynching. Yet all of their deaths went unremarked in our pages, until now.

It is a welcome reform. The Times is also looking back over history to remedy the past bias and injustice, launching a special project to publish, a bit late, many of those obituaries that it had failed to write when remarkable women died. You can find the latest additions here.

3. What’s going on here? Wall Street billionaire Stephen A. Schwarzman agreed to give $25 million to the Abington, Pennsylvania high school he attended  in the 1960s. The money would finance  a massive upgrade in the facility. The school, in return, agreed to name the school in his honor, hang a portrait of him in the building, honor his twin brothers elsewhere in the school, and give him the right to review the project’s contractors and approve a new school logo.

Then the deal was announced. Local residents appeared at a standing-room-only, five-hour school board meeting last week to protest.  There was an online petition (naturally), and calls for school officials to resign.  And what was it about the quid pro quo that the people objected to? The quote from Robert Durham, who works at the local Chevrolet dealership and sent two sons through Abington Senior High School is explanatory as any:

“I just think there’s too much influence about big money, Wall Street money, in our society,” he told reporters.

Oh. Continue reading

“U.S. Race Relations Have Finally Reached The Point Where They Make No Sense Whatsoever” Sunday #1: Why Is There Still An American Tennis Association?

Imagine, if you will, if the integration of Major League Baseball in 1947 had not eventually ended the Negro Baseball Leagues, as it had by 1951. Imagine if, long after Jackie Robinson, Larry Doby, Satchel Paige, Willy Mays, Henry Aaron, Bob Gibson, Ken Griffey Jr, Derek Jeter and all the other African American greats now in the Baseball Hall of Fame in Cooperstown or headed there had been celebrated, cheered and loved by all Americans of every color and creed as they starred for teams in the National and American Leagues, there were still professional baseball leagues that were predominantly restricted to African American players. Wouldn’t you consider that a strange anomaly?

Yet the American Tennis Association, founded in 1917 as a response to the segregation of U.S. tennis, is still operating, and currently celebrating its 100th anniversary. It is a segregated sports organization. The New York Times published a feature on the ATA this week that began, “Other African-American sports organizations, such as baseball’s Negro Leagues, faded after integration, but the American Tennis Association has remained vibrant.”

Isn’t that wonderful? We still have a vibrant racially-restricted tennis organization!

In typical cowardly Times fashion, the article never hints at or acknowledges the obvious problems: hypocrisy and anachronism. The two most famous and popular female professional tennis players in the sport are black, yet the  American Tennis Association still fosters  segregation by race. The ATA’s mission, according to its website, is “To Promote Black Tennis in America.” That’s pretty plain, isn’t it? There is no such sport as “Black Tennis,” which I guess would be played with black tennis balls or something. No, this is an organization that only involves black players, holds tournaments where one must be African American to compete, and to which white tennis players don’t matter.

Nice. And at this point in our nation’s existence, wrong, destructive,  offensive, and promoting a double standard that cannot be defended. Continue reading