In the past, I mostly visited the New York Times Magazine “The Ethicist” column to take issue with the succession of ethics amateurs and ethicist wannabes the Times employed as its ethics advice columnist. Once Kwame Anthony Appiah took over, this wasn’t as much fun, and I admit I don’t even check the column that often. Appiah is a real ethicist, and knows what he’s doing. I sometimes disagree with his conclusions, but he reaches them using valid ethical analysis, and seldom employs bias or rationalizations.
A recent column, however, deserves special praise. The inquirer asked what the ethical course would be to handle historical artifacts that reflected racist attitudes and artwork, like the card pictured above. The writer concluded her question…
I offered it to the National Museum of African American History and Culture in Washington. I never heard from them, so it moved with us. My husband thinks I should throw it away, but that feels wrong. I feel it is history that we should acknowledge, however painful and wrong. Your thoughts?
“The Ethicist’s” response is note-perfect, even with my intentional omission of its best and most surprising section. I’m doing this so you will hit the link and read the full column. Appiah wrote in part,
I am not a fan of the intentional destruction of historical artifacts….It’s a familiar thought that we need to understand our past, not least in order to help us avoid repeating the worst aspects of it. So your impulse to offer this souvenir card to a museum seems right. Of course, the sort of document you describe is well represented in collections already, and this may be why you didn’t hear back. But who knows whether there isn’t something about it that a historian might find useful in unpacking some detail of the history of American racial attitudes?
So if you think this card does have historical value, and you can’t readily find an interested archive or scholar, you could just put it up for sale on eBay, say, where it will join a large assemblage of racist artifacts. You can’t guarantee that you’ll approve of the motives of the buyer, but someone who is willing to pay for it is most likely to preserve it.
Given that your motives are honorable, I don’t share your worry about profiting from the sale. Selling an image isn’t endorsing its message. And my guess is that most contemporary collectors of such items aren’t motivated by racism. Still, if you want to avoid profiting, there’s an easy solution. Just send the proceeds to the National Museum of African American History and Culture. That’s an offer they won’t turn down. Continue reading
Comment Of The Day: “Ethics Quiz: The Little House On The Cultural Divide”
There has been a paucity of Comments of the Day lately; it’s probably my fault. This one is by a first time COTD awardee, and involves the rare Ethics Alarms topic of children’s literature, in response to the Ethics Quiz about the justness of Laura Ingalls Wilder’s name being stripped from the award created in her honor. Apparently her “Little House” books were not sufficiently prescient regarding modern sensibilities and 21st Century hindsight.
And no, I didn’t pick this comment because it includes a compliment to “The Wind in the Willows,” perhaps my favorite book of all time.
Here is Bob’s Comment of the Day on the post, Ethics Quiz: The Little House On The Cultural Divide:
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Filed under Arts & Entertainment, Childhood and children, Comment of the Day, History, Literature
Tagged as "the Little House on the Prairie", airbrushing history, American Library Association, children's literature, honors, Laura Ingalls Wilder, Native Americans, political correctness, presentism, The Confederate Statuary Ethics Train Wreck.