UPDATE: Cyber-Zombie Peter Cushing And The Prospect Of Cyber-Zombie Carrie Fisher Remind Actors To Fight For Control Of Their Post-Mortem Acting Career

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It looks like I wasn’t the only one who felt that Peter Cushing was being abused by finding himself in “Rogue One” without his prior consent. Of the late actor being digitally inserted into a role he never agreed to play and deliver lines he never contracted to deliver, I wrote…

The emerging technology raises many ethical issues that didn’t have to be considered before, but when it comes to using a dead actor in a new role, the ethics verdict should be easy. It’s unethical, unless a performer  gives informed consent for his image to be used post mortem in this fashion. Presumably, the consent or the lack of it will be part of future negotiations and standard contracts. Actors who agree to have their images used as cyberslaves will also probably want to limit the uses of their names and images.

Cushing’s exploitation and the subsequent death of Carrie Fisher with widespread speculation that she would soon be added to the “Star Wars” franchise’s army of CGI clones have now sounded the alarm loudly. But apparently many actors were already aware of the threat, and taking affirmative action to control their destinies. Continue reading →

Ethics Hero: Uber Driver Keith Avila

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Outside a house in Sacramento, California, two women got into Uber driver Keith Avila’s car with a girl who looked to him like she was just 12, wearing a short skirt.  One of them asked Avila to turn up the music as his car approached their destination, a Holiday Inn in Elk Grove. But Avila could still hear them.

“They were describing what they were going to do when they get there: ‘Check for guns. Get the money before you start touching up on the guy,’” Avila said on Facebook Live, minutes after he dropped off the passengers and had called police to report that the women seemed to be selling a child for sex. Though the girl was 16 and not 12, she was being sold for sex at the Holiday Inn.  Avila was correct. Continue reading →

The Ethical Problem With The Cinnebon Tweet

cinnebon-fisher

First I was going to post an essay about Cinnebon’s humorous tweet above under the title “How Humor Dies.” Our culture is in serious trouble if a clever, playful, obvious joke like this attracts so much criticism that it generates a retraction and an apology.Clearly, there are Political Correctness Furies on the Left and  Puritan Scolds on the Right lurking and  lying in wait to make any attempt at levity too much of a risk for all but the socially inept or defiantly rude to attempt. I confess, I laughed out loud when I saw Cinnebon’s gag. I thought the company deserved applause, not opprobrium.

Then I thought about it, and decided to make the episode an Ethics Alarms ethics quiz. Does the fact that Cinnebon can be accused of using Carrie Fisher’s tragic death as product promotion outweigh the cleverness of the tweet, or was the joke a natural one for the sticky bun-makers to make? Who better to remind us of all the jokes about Leia’s odd hairstyle when “Star Wars” debuted? Maybe this was one example where the “she would have approved” standard might be more than a rationalization. Is there any doubt that Carrie Fisher would have laughed at Cinnebon’s joke more heartily than anyone?

Fortunately, I thought some more.

I hadn’t realized until just a few minutes ago that the tweet was issued on the day Carrie Fisher died.  Ick, and also, yecchh, as well as “Ethics Foul!”

It doesn’t matter how clever, well-executed or funny it was. Krusty the Clown could have told Cinnebon what was wrong with the tweet in a trice, if they had the sense to ask, and Krusty wasn’t a cartoon character.

Too soon.

When Debbie Reynolds Took A Stand

Some readers were offended that I noted in a comment here that Debbie Reynolds characteristically upstaged her daughter by dying a day after Carrie Fisher, again stealing the spotlight from her daughter. Sorry about that—but it’s true. For most of her life, Reynolds was less than comfortable when she didn’t feel an audience watching her, as Fisher herself complained in her semi-autobiographical novel, “Postcards from the Edge.” Debbie Reynolds shared the life-defining neurosis of many performers: she was happiest when she was being herself for the world to see. Debbie, in fact, was an extreme version of this model. Most such performers are miserable, and recognizably so, when they aren’t performing. Reynolds appeared not to acknowledge that there was a world off-screen.

In “The Unsinkable Debbie Reynolds,” an excellent appreciation of her career today in the New York Times (another good one is this, in “Variety,”and the Times obituary is here.), Anita Gates confirms my assessment. It was hardly a difficult one, for Reynolds radiated her love of performing in everything she did. Here are some excerpts (do read the whole essay), as Gates begins by doubting that we will ever see a show business figure like Debbie Reynolds again in our increasingly cynical culture:

“Who’ll be as plucky? Who’ll work as hard to stay as morally pure? Who the hell is gonna be named Debbie? …We’ve all been happy to be at the movies. She always seemed happy to be in the movies. She never ceased to be thrilled to be herself. Ms. Reynolds, who died Wednesday, didn’t so much act as sell — she sold happiness, she sold pragmatic romance, she sold professional stardom…Ms. Reynolds was, as they say, a trouper. So she did what came naturally to her: She trouped… Ms. Reynolds embraced virtue. She was the least ostensibly neurotic of her peers — a class that included Shirley MacLaine and Doris Day. The movie titles got a lot of that anti-anxious decency across. She played “The Singing Nun,” for heaven’s sake. But she also starred in the 1964 musical “The Unsinkable Molly Brown,” a title whose adjective best explains the full Debbie Reynolds experience: maximum buoyancy…”

When a time came to take a public stand on principle, however, Debbie Reynolds proved that she had her priorities straight. Continue reading →

George Michael’s “Trunk”

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Performers are dropping dead left and right, and people are trying to find ways to keep their talents and names profitable without their consent so quickly that it’s hard to keep up. I just read that a CGI version of Debbie Reynolds will star in a sequel to “Singin’ in the Rain.”

Kidding!

So far, at least.

Pop singer George Michael died on Christmas day, and already there is a controversy over his unpublished songs, what Irving Berlin and his generation referred to as a songwriters’ “trunk.” The “trunk” was where composition deemed unfinished, unsatisfactory or just not quite right were stored, perhaps for future commercial use, perhaps for oblivion.

Fadi Fawaz, Michael’s partner, posted online a song from Michael’s unreleased and unfinished album “Trojan Souls.” The song, called “This Kind of Love,”includes the lyrics: “This empty house seems to get colder and colder. So won’t you stay here with me?”

Michael’s  fans immediately clamored for the song to get an official release, calling for it to be properly edited to share with the world in George’s  memory. Michael’s Wham! collaborator Andrew Ridgeley has disagreed strenuously.  In response to one fan who suggested that a previously-unheard track should be released to raise money for Michael’s preferred charities, Ridgeley tweeted:

“No, #GM [George Michael] controlled all his output. I, nor anyone else have the right to transgress that principle.”

The singer’s representatives have not confirmed plans for any future releases, but don’t be surprised if they do: now that he is dead,  Michael’s music is hot and flying up the charts. We can expect that the same rationalization regarding Michael we have heard regarding the “Star Wars” franchise using Peter Cushing’s cyber-zombie to reprise his original role despite the fact that he is long dead and never anticipated having post-mortem, computer controlled performances attributed to him: “I’m sure he would have wanted it this way,” or in the case of Cushing’s  heirs, “We’re sure he would want us to make money off of him.”

Maybe, maybe not. In the case of performances and songs an artist chose not to reveal to the public while he was alive, the ethical course is to presume he did so for a reason, and whatever that reason was, it should be respected now.  Andrew Ridgeley is right.

Keep that trunk closed.

 

Dear Rockettes: You Are Professionals And Americans…Act Like It.

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Asked about whether he would perform at the January 20 Inauguration or its subsequent official celebrations in Washington, D.C., country music super-star Garth Brooks said, simply, “It’s always about serving. It’s what you do.”

Right answer. This marked him as a professional, a patriot, and an adult (or perhaps as a lying hypocrite, since for whatever reason, he is not performing). The opposite reaction of so many of his show business colleagues mark them, in contrast, as divisive, arrogant, ignorant and unprofessional jerks.

Performers fit all the requirements for being regarded and respected as professionals, who are those who use their skills and talents for the benefit of humankind and society. The traditional definition adds that professionals do this service at some personal sacrifice, a virtue that most doctors and many lawyers can no longer claim. Performers, however, are largely impoverished, devoting their lives to making people gasp, laugh, weep, cheer or most important of all, think, because they love what they do, and understand the importance of art to society and civilization.

It is as unprofessional for a singer, dancer, juggler or actor to refuse to entertain audience members whose politics or character they oppose as it is for a doctor to refuse to treat them, for a lawyer to refuse to represent them, or a clergyman to  withhold from them spiritual guidance. The problem unique to performers as professionals is that they are not educated to appreciate their responsibilities like typical professionals, nor do their professions exercise any ethical oversight. As a result, we get the current display of divisive and ignorant grandstanding over performing—or not performing— at Donald Trump’s inauguration.

In Honolulu, Hawaii, yet another partisan and bigoted establishment has ordered anyone who voted for Trump to take its business elsewhere, as a local cafe posted a sign that reads: “If you voted for Trump you cannot eat here! No Nazis.” It has become clear that if many progressives have their way, their efforts to divide the nation into the Good and the Bad, with the fairly elected President of the United States as the defining feature of the latter, will shatter societal bonds coast to coast like nothing the U.S. has seen since the Civil War. The sooner the Angry Turned Vicious Left comes to its senses, the safer and healthier we all will be.

Performers, as professionals, are supposed to understand that they have a higher calling than restaurant owners. They are here to bind society together, for what we all experience in a diverse audience brings us closer in sentiment, emotion, empathy and enlightenment. For performers to decide to excise certain audience members from that process is madness, as well as a betrayal of their mission and art. Continue reading →

Déjà Vu Ethics Dunce: Steve Martin (Coward, Too)

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Comedian Steve Martin posted the heartfelt tweet above after the announcement of the death of “Star Wars” star Carrie Fisher yesterday. Some internet Political Correctness Furies were lying in wait, however, eager to find someone to bully for thoughtcrime, and pounced. In addition to the shaming tweets Martin’s reflection generated—Objectification! Objectification!—a New York Magazine writer named Claire Lansbaum scolded Martin on its affiliated website, The Cut. Martin, compliant progressive weenie that he is, deleted the tweet.

He’s pathetic. Martin is a skilled and literate writer and should stand up for the words he uses. “Creature” includes human beings among its accepted and traditional definitions. There was nothing inappropriate or in any way condescending about his use of the word, accept to those looking to be offended and to bend a victim to their will. Nor was an honest memory about how Fisher made Martin feel as “a young man” anything but truth—though we know that fanatics believe that truth they don’t like should be hidden and distorted. When young Martin saw Fisher, she was dressed like this…

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…which was an appearance designed to make young men see her as a “beautiful creature,” to use one of the more restrained descriptions. Landsbaum writes about how Fisher fought against her image as a sex symbol. Well, of Carrie’s many admirable and provocative public positions, that was the least credible. The reason Fisher was an icon, the reason anybody cared about what she thought, and the only reason her death is being publicized like she was Katherine Hepburn, was in part because she excited young men as Princess Leia. Continue reading →

Unethical Website Of The Month: AWD News

My best guess: "AWD" stands for "Assholes Wanting Destruction."

My best guess: “AWD” stands for “Assholes Wanting Destruction.”

You might think that AWD News gets this coveted Ethics Alarms Honor by having one of its hoax news stories prompted a threat of nuclear retaliation against Israel by Pakistan’s Defense Minister.

You would be wrong. That embarrassing response from a Pakistan official with a penchant for saber rattling is just moral luck. The story that “The former Israeli Defence Minister has threatened to “destroy” Pakistan-after Pakistan said on Thursday it will send Sunni fighters to Syria” was a hoax, and since no other news source was reporting it, the fact that Pakistan’s defense minister, Khawaja Muhammad Asif, allowed his confirmation bias to take over his brain, and leaped to the assumption that it was accurate just shows that Pakistan has an irresponsible fool in a key government position.

Imagine that. Continue reading →

A Lawyer Ponders: “Will Obama Pardon Clinton? And If He Does, Will She Accept?” An Ethicist Answers…

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Over at The Hill, lawyer David Weisberg examines the questions in the title above. Frankly, I assumed that Hillary needing a pardon from Obama was a dead issue, but Weisberg persuades me that it might not be.

Let’s begin by pointing out that it would be gallactically stupid for the Trump Justice Department to prosecute Clinton. Doing so would be a guaranteed circus; it would inflame Democrats who are already resembling The Human Torch, and it would appear to be a political prosecution. A winning President tries to put his losing opponent in jail would reek of banana republic vengeance, and that’s one reason why no American President has ever done it.

This is Donald Trump we are talking about, however, so who knows? Certainly many of his more angry and less grey matter-blessed supporters would love to see Hillary in the slammer. I am hoping and praying that Trump either is smarter than this or has advisors who can talk him out of his worst ideas, but I am not as confident as I should be. Weisberg makes the reasonable point that Hillary may not be confident either:

“Since being elected, Trump has been remarkably warm towards the person he used to call “Crooked Hillary.” But how confident could Clinton be that the Justice Department, under a Trump administration, would not prosecute? Prosecutorial decisions are supposed to be independent of political considerations, so Trump’s recent friendliness should not be controlling once the new attorney general is in office.”

That last sentence is both true, and following the wretched partisanship of the Obama Justice Department, very much in the category of  legal fiction. Continue reading →

Ethics Quote Of The Day: Washington Post Columnist Richard Cohen

'Oh, all right, here's what I really think, since I'm already ticked off...'

‘Oh, all right, here’s what I really think, since we’re way past the 2012 election and I’m already ticked off...’

 “The Russians managed to do what they wanted to do in Syria. Why not the United States? The answer has always been clear to me. Obama did not care enough. Not from him ever came a thundering demand that Russia and Iran get out and stay out. Behind the arguably persuasive reasons to do little in Syria was an emotional coldness. This was not Obama’s fight. Kellyanne Conway keeps pointing out that Hillary Clinton had no message. True. Neither for that matter did Obama. He waved a droopy flag. He did not want to make America great again. It was great enough for him already. The banner he flew was one of American diminishment. One could agree, one could not be proud . . . Since the end of world War II, American leadership has been essential to maintain world peace. Whether we liked it or not, we were the world’s policeman. There was no other cop on the beat. Now that leadership is gone. So, increasingly, will be peace.”

Richard Cohen, reliably liberal Washington Post op-ed columnist of long-standing, in his latest titled, “Thanks to no-drama Obama, American leadership is gone.”

Good for Cohen. Like George Will on the conservative side, Cohen will occasionally break through his biases to pronounce hard truth. Except to pacifists and isolationists, Obama’s foreign policy has made the world a far more dangerous place, and created a power vacuum that is being filled by Russia, Iran, China and terrorist organizations. Weak, feckless and inept, the President’s foreign misadventures and evasions have been substantially shielded from accountability by public apathy, media alibis, and Hillary Clinton’s bind, which prevented her from articulating her own criticisms of our current foreign weakness  for fear that it would lose her the support of the blind Obama cheering section. Continue reading →