I just watched “Pleasantville,” the 23-year-old comedy/drama/ allegory/satire/pseudo-“Twilight Zone” rip-off film produced, written and directed by Gary Ross. I’m not going to write as much about the film now as I will later; instead, I’m going to ask everyone to watch (or re-watch) the film so we can have a rich discussion about it at a future date, maybe in a month, maybe less. It might even be a good topic for the Ethics Alarms Zoom conference I’m planning on having (No, I haven’t forgotten!)
Ross is unusual for Hollywood, thoughtful and interested in ethics. He is more of a screenwriter than a director, and I would categorize most of his work as centered on ethical conflicts, dilemmas and values: “Big,” “Sea Biscuit,” “The Hunger Games,” and “Pleasantville.” He is also a smug liberal who worked for the Presidential campaigns of Ted Kennedy, Mike Dukakis and Bill Clinton. The smugness bothered me the first time I saw “Pleasantville” two decades ago, but it is absolutely blinding now.
“Pleasantville” is still an excellent and thought-provoking movie, certainly as compared to most movies today; it’s just that the thoughts it provokes are disingenuously manipulated, and the movie isn’t quite as excellent as it obviously thinks it is. (Full disclosure: I grew up on Pleasant Street in Arlington, Massachusetts.)










