Arts & Entertainment

Ingratitude, Racism And Statue Toppling At The Asian Art Museum

/ Jack Marshall / 6 Comments

I’ll begin with the ethics conclusion, and show how we get there.

If your organization, institution, or nation owes its existence to an individual that hindsight-wielding critics want to erase, your choice is to tell them to get lost while continuing to officially recognize the debt such organization, institution, or nation  owes to that individual, or to dissolve the entity. Recognizing in some form the fact that a founder has blemishes on his or her past may be justified and practical. Continuing to benefit from that founder’s actions while metaphorically kicking him or her in the teeth, however, is unethical and, in fact, despicable.

Thus we arrive at the current controversy at the Asian Art Museum  in San Francisco. The focus of the mess is the bust of Adrian Brundage you see above. Brundage is most remembered as the long-time (twenty years) President of the International Olympic Committee (IOC), and most reviled for his decision not to cancel the Munich Games in 1972 after the terrorist attack on the Israeli team in 1972. (I agreed with him then, incidentally, and still believe that he was correct, and courageous, in his decision.) Brundage also, however, created the Asian Art Museum, which is the centerpiece of San Francisco’s Civic Center Plaza, and which Brundage gave to the city in 1966 to house his fabulous personal collection of approximately 8,000 art pieces.

The New York Times story about the emerging controversy at the museum begins, “For 48 years, visitors to this city’s Asian Art Museum have had to pass the bust of Avery Brundage.” That’s right, they “had” to pass that bust because what they were coming to see belonged to Avery Brundage, the museum’s collection was his gift, and it was and is appropriate for that to be respected and acknowledged.

Given an opportunity by the zeitgeist of the George Floyd Freakout, however, the museum’s director and chief executive, Jay Xu, announced to a meeting of the board and commissioners in June that he was having Brundage’s bust  removed. There are two reasons given in the article. One is that Brundage was accused of being a Nazi sympathizer and anti-Semitic (with the decision not to stop the 1972 Olympics being cited as a prime piece of evidence for the latter), and that the museum he created “presents Asian art from a mostly white perspective.”

As for the last complaint, I will characterize it this way: it’s racism, pure and straight.

The George Floyd Freakout is being used to justify a national effort to “Get whitey,” and this disgusting outbreak of anti-white hatred (that so many white Americans are accepting with the meek submission and hollowed out character of post rats-in-his-face Winston Smith) will not end until sufficient numbers of the rational label it what it is: opportunistic hate and racism.

The museum presents Asian art from a “mostly white perspective”  because the museum’s collection was originally created by a  collector of Asian Art who was white. That does not justify an indictment of the collection, and if an Asian-American wants to establish a museum that reflects Asian art from a mostly Asian-American  perspective—not an Asian perspective now, be consistent, you racists!—then that Asian-American is welcome to spend millions on his or her own collection,  give it to the city, and see if anybody wants to see it. Continue reading →

Morning Ethics Warm-Up, 7/16/2020: Dreadlocks, Kareem, Scrabble And “Political Slogan? What Political Slogan?”

/ Jack Marshall / 22 Comments

1. This Morning’s Grovel: A white Seattle hairdresser apologized profusely for daring to wear dreadlocks. The key quote: “I have come to understand—far too belatedly—that my hairstyle is harmful.”

To lightly paraphrase Orwell: ‘She loved Big Brother.’

It’s hard to work up any sympathy for people like Irene—weak, ignorant, unwilling to stand up for basic  human rights, like being able to wear your hair any damn way you want to. This is yet another of the one-way “rules” that are being delivered by edict as an alleged remedy for “systemic racism”: Blacks can do anything they want to, whites are severely limited. The hair rules: black women can straighten their hair, dye it blonde, adopt any style the choose as a method of self expression, but a white woman who chooses dreadlocks has “harmful hair.”

Those who won’t stand up for their own liberties deserve to lose them. Irene is a fool, and betraying the values of her country. Continue reading →

Ethics Observations On The Nick Cannon Meltdown

/ Jack Marshall / 34 Comments

This is the kind of story that makes me doubt my own cultural literacy. Until the controversy involving Nick Cannon, I had never heard of the guy, and wouldn’t recognize him if he walked into my living room.  Yet he’s been around for 20 years as a juvenile TV star, a rapper, comic, actor, producer, director, the TV host of all sorts of shows I didn’t watch, and since 2012 he’s had his own show on MTV called “Wild and Out.” He also has a podcast.

The news that ViacomCBS had fired Cannon resonated throughout the popular media, and qualifies, apparently, as a Big Deal. In the June 30 installment of Cannon’s podcast, “Cannon’s Class,” he interviewed Professor Griff, a rapper who was a part of the group Public Enemy before being forced out after he said in an interview with The Washington Times, “The Jews are wicked. And we can prove this.” He also said that Jews were responsible for “the majority of wickedness that goes on across the globe.”

“I’m hated now because I told the truth,” Griffin told Cannon, who was immediately sympathetic. “You’re speaking facts,!”  Cannon said. “There’s no reason to be scared of anything when you’re speaking the truth.”

After referring to Dr. Griff as a “legend,” Cannon said he wished that Louis Farrakhan, the anti-white demagogue with a long history of anti-Semitic comments, had not been blocked by Facebook.

Then Cannon endorsed Griffin’s contention that six dominant media companies were controlled by Jews, comparing it to the power of the Rothschilds, the banking family at the center  of various  anti-Semitic conspiracy theories. “I find myself wanting to debate this idea and it gets real wishy and washy and unclear for me when we give so much power to the ‘theys,’ and ‘theys’ then turn into illuminati, the Zionists, the Rothschilds,”  Cannon said later in the podcast.

Got it. He’s an anti-Semite. Continue reading →

Ethics Dunce: Gary Garrels

/ Jack Marshall / 7 Comments

The carnage of the George Floyd Terror, aka George Floyd Freakout, aka George Floyd Ethics Train Wreck, claimed another victim yesterday, and Ethics Alarms is designating him the Ethics Dunce. We really need a new category for people like Gary Gerrels, the now ex-senior curator of painting and sculpture at the San Francisco Museum of Modern Art (SFMOMA). Placed in a position where he could take a strong  position against unhinged woke bullying, when every element of common sense, integrity, fairness and reality was aligned in his favor, he prostrated himself to the mob. “Ethics Coward,” perhaps? “Ethics Weenie”? “Ethics Fool”? “Useful Ethics Idiot”?

Garrels  triggered the process of his cancellation by concluding a presentation on how to diversify the museum’s holdings by saying, “don’t worry, we will definitely still continue to collect white artists.” In a ZOOM meeting of museum employees, Garrels  voiced a similar position, saying  that the museum could not avoid collecting the work of white men, which he described as “reverse discrimination.” Shortly thereafter employees created and began signing an online petition demanding that he leave the museum.
Continue reading →

High Noon Ethics Showdown, 7/14/2020

/ Jack Marshall / 11 Comments

“High Noon” is an ethics movie to be sure, but a very strange one. I put it on a list of ethics movies in 2016, but as I wrote then,

“High Noon” is a Western that shows the American people at their worst, refusing to help a single law man threatened on his wedding day, and cringing in fear and denial when their values need to be fought for.

I have long felt that the movie is like a “Twilight Zone” episode, or a Western version of “Invasion of the Body-Snatchers.” What’s wrong with those people? However, it feels less like a Rod Serling parable now, when I find myself thinking “What’s wrong with those people?” several times a day as I surf the news feeds.

It is reported that John Wayne was offered the role of the desperate law man, eventually played by the Duke’s friend, Gary Cooper. Wayne, who was always protective of the heroic character he had created over the course of his career, hated the script, and turned it down. I cannot imagine John Wayne running around a town begging for help as four gunfighters are on the way to seek revenge, and apparently neither could he. In response to “High Noon,” Wayne and Howard Hawks made “Rio Bravo,” about a sheriff who keeps refusing assistance as a rancher hires gunfighters to free the sheriff’s prisoner, his brother.  At every turn, people keep saving the sheriff anyway.

I think one reason Wayne wanted to star in “True Grit” so much is that Rooster Cogburn, old and fat, takes on four villains by himself, charging them on horseback with the reins in his teeth and guns blazing.

1. It’s amazing that everyone isn’t sick of this yet. The latest Times “fact check” of President Trump, like so many others, relies on an interpretations of the notoriously sloppy-speaking POTUS that nobody fair and attentive could possible  think was his intended meaning. The statement at issue was that “99% of which are totally harmless.”

By “totally harmless,” the hyperbole addicted President meant “aren’t fatal.” The game, however, is to pretend the Presidents words, whatever they are, are lies. (The Washington Post just updated its hilarious Trump lie database. I challenge anyone to pick ten entries at random that even include a majority of “lies.”)

The Times even writes, “Studies that have calculated the death rate based on broader antibody testing that takes these silent cases into consideration suggest an infection death rate of less than 1 percent, said Dr. Ashish K. Jha, the faculty director of the Harvard Global Health Institute.” Continue reading →

Guest Post: Who Are The Greatest Americans?

/ Jack Marshall / 104 Comments

by Valkygrrl

[Introduction: Ethics Alarms opined that the President’s proposed “Garden of American Heroes” was badly conceived, and his initial nominations for inclusion proved the point. Mercurial commenter Valkygrrl  took the initiative to devise a process for Ethics Alarms readers to compile a better list, and also to organize the results, which I found fascinating. Any further reactions will be confined to the comments.]

The Rules:

1: No presidents, always some controversy, we have other ways of honoring them.
2: Any person who held office must be chosen for something they did outside of said office, no honoring for using the mechanisms of the state no matter how beneficial to society.
3: No Confederates (obvious divisiveness.)
4: You may have only one living person on your list.
5: Your list must be made in good faith. You may not choose anyone you believe will upset or anger me; no “owning the libs”. Honest mistakes accepted.
6: Do not remove someone from your list because they were mentioned by someone else. I want to see if we can find some consensus. That means people Trump or Jack mentioned are allowed.

Here’s the list of nominees as submitted by participants (editorial descriptions mine);

Marian Anderson: Singer, Civil rights activist, Medal of Freedom recipient.

Neil Armstrong: Aviator, Astronaut, First human to set foot on Luna

Isaac Asimov: Teacher, Author of the Foundation series; Seven-time Hugo Award winner (Plus one Retro-Hugo awarded in 2016), Democratic party activist, serial sexual harasser

Irving Berlin: Composer of famous patriotic music

John Brown: Hero, undaunted, true and brave, And Kansas knows his valor when he fought her rights to save; Now, tho the grass grows green above his grave. Popular legend holds that his soul continues to march.

John Moses Browning: Industrialist, Firearms designer.

George Carlin: Humorist, Mentor to time-traveling Gen-Xers.

Andrew Carnegie: Industrialist, Philanthropist, Union buster.

Joshua L. Chamberlain: Union General, Medal of Honor recipient.

Meriwether Lewis  and  William Clark: Explorers, Naturalists. Two very different people presumably nominated for a single achievement alone. Clark was a bit of a bastard.

Samuel Colt: Firearms manufacturer, used assembly line principals before Henry Ford.

Clarence Darrow : Country lawyer, Civil libertarian, Attention whore, Cigar aficionado. Continue reading →

Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally

/ Jack Marshall / 17 Comments

Let’s see what we have today…

1. Oh. The art made some people uncomfortable. Well that’s a good reason to destroy it… Vermont Law School is going to paint over a mural in its student center that celebrates Vermont’s role in the Underground Railroad and the abolitionist movement. Several students and alumni had recently objected to its depictions of African Americans and said it made some people uncomfortable.

VLS President and Dean Thomas McHenry said in a campus-wide email last week that the mural in the Chase Community Center  painted by Vermont-based artist Sam Kerson in 1993 had to go because “the depictions of the African-Americans on the mural are offensive to many in our community and, upon reflection and consultation, we have determined that the mural is not consistent with our School’s commitment to fairness, inclusion, diversity, and social justice. Accordingly, we have decided to paint over the mural.”

Translation: ‘Some of our African American students and alumni as well as supporters of the George Floyd Freakout thought this was an ideal time to show what they could  do by crying “racism” in an institution that could be counted upon to cave to just about any demands in order to avoid being called “unwoke” and be swarmed by social media mobs. And they were right!’

The mural is titled “The Underground Railroad, Vermont and the Fugitive Slave” and has two 8-by-24-foot panels, with four scenes in each panel intended to“celebrate the efforts of black and white Americans in Vermont and throughout the United States to achieve freedom and justice,” the artist’s website says.

The first panel includes half-naked Africans being forced into slavery and sold at auction, as well as resistance symbolized, in part, by “the resurgence of African culture via drums, masks and costumes.”

The second panel includes images of John Brown, Frederick Douglass and Harriet Beecher Stowe, as well as a scene where a blonde Vermont woman tries to block the view of a bounty hunter bearing down on fugitives trying to escape slavery on the Underground Railroad. Here it is…

VLS students Jameson Davis and April Urbanowski resembled yahoos at a modern art exhibit complaining that “them dang Picasso people look like freaks!,” writing “One issue of many, is the fact that the depictions of Black people are completely inaccurate. Regardless of what story is being told over-exaggerating Black features is not OK and should not be tolerated.”

The artist is not happy. “This is a monument to abolition in Vermont and a description of the people who struggled against slavery, and it is important to our culture,” Kerson said of his mural. “To paint it over is outlandish — it’s like burning books. It’s so inflammatory, I can’t believe it’s actually happening.”

Forget it, Sam. It’s George Floyd Freakout Town… Continue reading →

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part 2: Give My Demands To Broadway…)

/ Jack Marshall / 22 Comments

Upon careful consideration, I think this clip is the fairest representation of what black theater activists on Broadway are advocating:

In Part I of this series, we discussed the dead-end strategy recently pursued by the performing woke of imposing one-way limitations on which actors could portray what roles. Across the full range of group grievance activism, everyone is rushing to try to exploit and capitalize upon the George Floyd Freakout, perhaps recognizing that the present state of self-flagellation and submissiveness by white decision-makers, governments, businesses and other institutions won’t last forever. In their haste, many groups—in this I would include the “resistance,” Democrats and the news media among others—are metaphorically cutting their own throats. This is especially true of the theater community.

A coalition of theater artists called “We See You, White American Theater” has posted online a 29-page set of demands that if adopted, the New York Times opines, “would amount to a sweeping restructuring of the theater ecosystem in America.”

Wrong, Bias Breath! If adopted, the demands would kill commercial live theater, and it is more than half dead already, though most theater community members are in denial.

The list reminded me of the bad old days of the 1960s, when student anarchists, protesting the war in Vietnam, would take over university buildings and then, thinking that they had the upper hand, would submit a list of demands including the Moon and the kitchen sink, many of which had nothing to do with the war at all.  This list of demands makes those look reasonable, one reason being that simply reading the 29 pages of arrogant woke-speak is a task few will have the patience to undertake.

I’ll just focus on some highlights. (By the way, you need to know that BIPOC means “Black, Indigenous and People of Color”):

  • “We demand the naming and acknowledgement of American Indian, Alaska Native and Native Hawaiian tribal land and its Native peoples who have lived, currently live, and will live on the land where any theatre activity happens.”

I hate to keep having to break it to these naifs, but theater is just not that important to most people, particularly those in power. “We have to rename Indianapolis to have theater here? OK—we won’t have any theater then! Problem solved!”

This one is worth repeating in full: Continue reading →

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part I: “The Simpsons”)

/ Jack Marshall / 16 Comments

Item: Fox’s apparently immortal animated series The Simpsons  released a statement last month regarding casting for non-white characters, including  black characters like  Dr. Julius Hibbert: “Moving forward, ‘The Simpsons’ will no longer have white actors voice non-white characters.”

This, stupid as it is, follows the non-logic of recent white actresses who dropped their gigs as the voices of grayish-brown inked “mixed-race” cartoon characters. How will that “only people of the same race can play roles of characters of that race” be reconciled with the objective of  non-traditional casting, which was devised in part (many decades ago) to open up more opportunities for black and minority actors, allowing them to take on roles written as white?

It can’t. It’s as simple as that. The two approaches eventually clash, and are mutually exclusive. “The Simpsons” policy is wrong and destructive in every conceivable way, and its ethical values, as in competent, fair or responsible, are non-existent.

  • If white actors can only play white characters, then white characters cannot be played (or voiced) by black performers. Oh, I’m sure that while in the grip of fear during the George Floyd Freakout and overwhelmed with the desire to signal virtue to one’s peers, white performers will tolerate such an obviously unfair and absurd double standard for a while, but show business is a brutal and competitive field, and the vast majority of actors of any color have scant financial resources and no job security. The arrangement being pushed by black performers and activists as they sense a window of opportunity created by the Freak-out and the concomitant intimidation of decision-makers will eventually engender resentment and conflict. If the BLM lackeys in the entertainment field really think that this double-standard “solution” to “systemic racism”—which means installing a new system of systemic anti-white racism—will prevail, they are deluded.
  • Moreover, the idea is anti-art, as is the “non-traditional casting as affirmative action” fallacy. If the performing arts aren’t a meritocracy driven by the market—does the performance entertain, or doesn’t it?—then they are doomed. Even with all the brainwashing and bullying to come, the public will never have enough people who will like a show (or a novel, or a painting, or a song)—or pay money to see it— based on its demographics and diversity rather than the quality of the performances
  • To “The Simpsons” and similar products, if the authentically black voice of Dr. Hibbert isn’t as funny, well-timed and deft as white Harry Shearer’s performance, the character won’t be as effective.

I look at all productions this way: a perfect show has 1000 points. Everything that isn’t perfect loses points for that production—a bad accent here, an ill-fitting costume there, missed lines–they all count.  One flaw that loses a few points won’t kill the show; it might not even be noticed. But all of those lost points add up, and when the points sink below a certain level, the production is no longer viable.

“The Simpsons” is voluntarily giving up points, which is simply bad show business and terrible art. If Harry Shearer is the best voice for the Simpsons’ family doctor, then it can’t matter what color he is. The audience doesn’t care.  Every show loses points no matter how perfect it tries to be; giving them up intentionally is unethical, because the artist’s duty is to present the best, most popular and most profitable  work possible, not to meet EEOC quotas.

Continue reading →

The “I’d Say ‘Thank God It’s Friday,’ But In A Home Office During A Pandemic Friday’s Just A Name” Ethics Grab Bag, 7/10/2020

/ Jack Marshall / 8 Comments

1. Re: Privilege and bit more on the Harper’s letter fiasco. At the Volokh Conspiracy, David Bernstein flags this tweet by New York Times reporter Farnaz Fassihi:

A few thoughts:

  • Why do I subscribe to a paper that would employ someone like this? I forget.
  • She’s a bigot. I just wrote a bit on the “privileged smear” on another thread:

I have to say again that I do not comprehend the “privilege” line of thought at all. In the hands of most who wield it, I find the tactic the equivalent of Butch Cassidy kicking huge Harvey Logan in the balls to start their knife fight….

Continue reading →