Life Competence Note: There Is No Way You Will Look Smart Or Competent Quoting “Imagine”

I would think that would be screamingly obvious, but apparently not. Then again—actors.

As regular readers here know, John Lennon’s pompous, simple-minded and hypocritical (a mega-millionaire extolling “no possessions”) anthem to the joys of anarchy is a lifetime irritation for me, and anyone who argues that it’s profound or moving has provided signature significance that they can’t be trusted with moderately complex tasks or, for that matter, to prevail in Trivial Pursuit games against 4th graders.

Now, as you can see above, a group of Hollywood celebrities, including Gal Gadot, who apparently organized it, Will Ferrell, Mark Ruffalo, James Marsden, Lynda Carter, Jamie Dornan, and Amy Adams , all mansion-bound,  made a video with each of them singing bits of  John Lennon’s disgrace.  People are guessing that the intended message was “we’re all in this together,” or “it will all be OK” or “if society is destroyed and nobody has any jobs, that’s a good thing” or “Ramalama ding-dong” or something.

Predictably, the “imagine no possessions” line  attracted the most venom on social media, considering the average income of this group, but that’s unfair. Personally, I’m happy to have any celebrity publicly announce, “I’m an idiot!” on the web. It’s useful information, especially when these same deluded dufuses start telling us about the Green New Deal.

Pandemic Ethics Observations Part III: Diagnosis

Keep it up, Chelsea. Keep it up, everybody, meaning the desperate Democrats, the bitter NeverTrumpers, the anti-America “resistance,” the suicidal mainstream media, and the Social Media Deranged. Virus stat-heads are closely watching “doubling” statistics, showing day to day whether the rate of increase in the number of infections is slowing down or speeding up. (In South Korea, it seems to be slowing down.) I’m watching a different phenomenon, the doubling of increasingly contrived attacks on the the President,  fearmongering by anti-Trump fanatics, and the media as they sense one more opportunity to take this President down slipping away.

The Ethics Alarms diagnosis, not to keep you in suspense, is that this is failing, and indeed has failed for a wonderful reason. There may be a lot of stupid, ignorant, gullible people out there, but there aren’t enough stupid, ignorant, gullible people for this to work. Lincoln was right, as I have found myself observing more often in the past year than in the previous accumulated years of my muddled lifetime combined. You can’t fool all of the people all of the time.

Let’s dispose of Chelsea’s grandstanding tweet, which, among other things, shows why she desperately needed the intervention of Mom and Dad to score her various ridiculously high paying jobs.  She ‘s an idiot. Literally nobody rational blames an international pandemic without precedent that began in China on a U.S. party or an individual, because that conclusion makes no sense. It makes no sense no matter how many hindsight bias stories are contrived and printed on the front page of the Times (there’s another one today.)

Of course not, Dr. Anthony Fauci said when questioned about whether the Trump administration was culpable for the testing kit manufacturing snafu. Americans know that the President isn’t God, and they can recognize the hypocrisy of partisans who have been complaining for three years that the President shouldn’t “act like a king” suddenly doing a 180 and attacking him for not controlling everything.

Chelsea’s tweet is hyper-partisan and incoherent (also remarkably lacking in filial self-awareness: if there was ever a family that has strived shamelessly to profit financially from its position and developing events, it is hers) , but it seems to have been  partially triggered by the late revelation yesterday (discussed in this post) that Senator Richard Burr used the advance information his committee received about the Wuhan virus to sell off stocks before the predictable crash. Somebody should probably explain to Chelsea that selling stocks before a crash is not profiting off of the virus. Buying deflated stocks after the virus causes a crash and waiting until the stock value starts rising, as it will, would be profiting from it. (Betcha that’s what Mom is doing!)

That aside, “they” was quickly revealed to be three Republican Senators, Burr, Loeffler and Inhofe, and one very Democratic Senator, Diane Feinstein (D-Cal), the ranking member of the Senate Judiciary Committee. Her husband sold between $1.5 million and $6 million in stock in  the biotech company Allogene Therapeutics, between Jan. 31 and Feb. 18. Continue reading

How I Boarded The “Richard Jewell” Ethics Train Wreck

It is unusual to see an ethics train wreck continue to  roll along to the extent that it affects the movie about the ethics train wreck, but that was what happened with the Richard Jewell saga. Remember the definition of an ethics train wreck: an episode in which virtually everyone who becomes involved in it, however tangentially, becomes entangled in ethics mistakes and misconduct. The  “Richard Jewell” Ethics Train Wreck (or the Richard Jewell Ethics Train Wreck) even yanked me on board.

I’ve already written about the film, directed by Clint Eastwood and a 2019 holiday bomb (no pun intended). My focus then was on the single unethical feature of the screenplay, its unfair portrayal of the real-life Atlanta-Constitution reporter, the late Kathy Scruggs, who broke the FBI leak that the security guard who had become a national celebrity by detecting the deadly pipe bomb that had exploded at the 1996 Atlanta Olympics  was suspected of making the bomb himself. Though film reviewers usually register few rejections when films smear the deceased in pursuit of a more compelling narrative, “Richard Jewell’s” claim that Scruggs traded sex for the leak walked into the #MeToo buzzsaw, and on that basis alone, Clint’s movie was trashed  by reviewers and pundits alike.

Me Too, and I hadn’t seen it. I wrote in part,

I strongly doubt the average viewer passed on the film because it may have been unfair to a dead reporter. Who had the genius idea that releasing a film about the press’s abuse of a strange, sad, fat man played by an unknown actor would be a Christmas season hit? I had no interest in seeing the movie, and I’m an admirer of Eastwood and will cheer on any further proof of how rotten our journalism has become, but why pay to see the news media falsely try to destroy a security guard in 1996 when the same institution has been trying to destroy the President of the United States for three years?… So the news media was incompetent and vicious to Richard Jewell? That’s supposed to get me to the movie theater?

Nevertheless, let me be clear: I hate what the movie did to Kathy Scruggs, just as I detest it every time an individuals can’t defend themselves are lied about in a movie, misleading audiences and scarring their reputations….

Unless Eastwood had strong evidence that the reporter was trading sex for information, he should not have used her name. He owes the Scruggs family an apology, and I’m glad his movie is tanking.

Gee, the seats on the “Richard Jewell” Ethics Train Wreck are so comfy, and the fare on the snack car is excellent! Continue reading

Afternoon Ethics Infection, 3/18/2020: Only 3 Out Of 4 Wuhan Viwus Wewated Wefewences! These Days, That’s Not bad…

Good afternoon!

1. I missed this: Roman Polanski, with his “An Officer and a Spy” won the directing, and screenplay awards at the French Cesar awards last month, and the results were greeted by protests. After Polanski’s best-director award was announced, “Portrait of a Lady on Fire” actress Adele Haenel and director Celine Sciamma walked out of the theater.

It was Polanski’s fifth Cesar in the directing category, He’s scum and a rapist as well as a fugitive from justice, but he is and has always been a great film director. Polanski did  not attend the ceremony because, he said, he anticipated it would turn into a “public lynching.”

Haenel  shouted, “Well done, pedophilia!” as she left the hall. In an interview with The New York Times about his nominations, she had said, “Distinguishing Polanski is spitting in the face of all victims,” she said. “It means raping women isn’t that bad.”

Think about that statement a bit, if you have to. It makes no sense at all, but articulates the logic of the cancel culture. The film is the film, just as a song is a song and a painting is a painting. None of these are the same as their creators. Just as the fact that art created by a saint doesn’t make it any better, the fact that other art is created by vile human beings doesn’t change the quality of the art for the worse.  The law punishes people for bad deeds. Society punishes them in many other ways. What artists build, accomplish, and contribute to society are independent of the artists personally.

Bill Cosby’s albums are still funny, and nobody is saying that raping women isn’t that bad by enjoying those classic performances or by honoring Cosby as a performer. Harvey Weinstein produced too many great films to boycott.

Personally, I refuse to support Cosby, Woody Allen, Polanski and others who disgust me, but their work remains what it was and is, and burying it punishes the culture. Continue reading

What’s Going On Here? A Hallmark Mystery And A Confederacy of Ethics Dunces

The anti-abortion film “Unplanned” was honored with three nominations for the 28th Annual MovieGuide awards that aired on February 24 on the Hallmark Drama cable channel.  “Unplanned,” written and directed by Chuck Kozelman and Carey Solomon, tells the true story of  Abby Johnson’s transformation  from director of a Planned Parenthood abortion facility to a full-time pro-life advocate.The film’s star Ashley Bratcher was nominated for the Grace Award for Most Inspiring performance; “Unplanned” was up for the Faith & Freedom Award, and had a nomination in the “Best Movies for Mature Audiences” category. Nevertheless, every mention of the movie  was cut from the pre-recorded televised show. The nominees from “Unplanned” were the only nominees eliminated from the broadcast.

Dr. Ted Baehr, the founder and publisher of MovieGuide, which hosted the awards, admitted that it was his organization that edited the movie out of the nominees listing, not Hallmark, which, he said, only broadcast the show. His asinine excuse was that “some” in his organization felt “Unplanned” should not have been nominated for awards. Does that make any sense at all? If the Oscars left an entire film and its nominees out of the awards broadcast, would anyone accept the excuse that it was done because “some people” didn’t agree with the nominations? Continue reading

No, There’s Nothing Unethical About Performing Holograms Of Dead Singers…

…as long as they don’t materially misrepresent the performer or the performance. They may be icky, but they aren’t unethical. This is in ethical contrast with the Ethics Alarms position on zombie performers in films, as examined here several times, most recently upon the unveiling of zombie James Dean.

The issue has arisen because a holograph of Whitney Houston, mercifully in a form before her physical and vocal decline due to drug abuse, is touring the country. Here’s a review of one of the performances; Zombie Whitney will make her debut in the US soon. Big plus: she doesn’t have to worry about the Wuhan virus, just holograms of the Wuhan virus. Fans have been less than ecstatic, as much because of the quality of the image as the ickiness of the concept. Here’s part of one review: Continue reading

Paige Spiranac, The King’s Pass, Self-Promotion And The Not So Great But Incredibly Hot Female Pro Golfer Principle

Well,  Paige, if you read Ethics Alarms, which I’m sure is popular fare on the ladies’ pro golf tour, you would know the answer. To the average member of the public, yes, being a winner absolutely ‘holds more weight” than being a good person.

Your sport is golf, not baseball, but a famous baseball manager said, “Nice guys finish last.” It’s not football, either, but an even more famous football coach said, “Winning isn’t everything, it is the only thing.” [Aside: the quote is most frequently identified with Vince Lombardi, and it is very likely that he used it. Late in his career, however, he rejected that sentiment in favor of more measured statements, On the Lombardi website there are many quotes about winning, bu not that one. Lombardi wasn’t the originator anyway: UCLA football coach Henry ‘Red’ Sanders was, around 1950.]

In general, though, in  and out of sports, what you have articulated is “The King’s Pass,” or “The Star Syndrome,” which is one of the Ethics Alarms rationalizations, as well as one of the five most common and most damaging on the entire list of 100. It says, in the short version,

One will often hear unethical behavior excused because the person involved is so important, so accomplished, and has done such great things for so many people that we should look the other way, just this once. This is a terribly dangerous mindset, because celebrities and powerful public figures come to depend on it. Their achievements, in their own minds and those of their supporters and fans, have earned them a more lenient ethical standard. This pass for bad behavior is as insidious as it is pervasive, and should be recognized and rejected whenever it raises its slimy head. In fact, the more respectable and accomplished an individual is, the more damage he or she can do through unethical conduct, because such individuals engender great trust. Thus the corrupting influence on the individual of The King’s Pass leads to the corruption of others.

Paige Spiranac comes to her lament from an interesting perspective.  The 26-year old is a former golfer on the women’s pro tour. When she was competing, she often complained that she wasn’t taken seriously because of her appearance. That seems to be half true: she wasn’t taken seriously because of her appearance and because she was suspected of being more interested in building a career as a sex symbol than as a golfer. This is part of our culture’s sexism problem. Beautiful women are stereotyped and seen as sexual objects first and serious professionals second, if at all. Yet some beautiful women exploit their attractiveness to advance in their profession. That’s a valid choice, but they can’t ethically complain that people see their face and form rather than their skill and character when they are the ones putting the former on prominent display.

Eventually Paige decided that her middling success on the links would be over-shadowed profit-wise by her moving into the bathing suit modeling, fashion, and social influencer areas. I have no idea why she decided to strike out on that course. By the way, here’s Paige in her old career…

…and her new one:

Continue reading

Morning Ethics Warm-Up, 3/16/2020: Zugswang!

Good morning, inmates!

I’ve been reading that social isolation may be deadly. Zugswang!

Last week “ethics zugswangmade a return to Ethics Alarms, and you can expect to read a lot more of it. The chess term describing the dilemma is which the only safe move is to stay still, and staying still is impossible, seems to be applying to increasing numbers of dire situations recently, especially in the ethical sense, in which all choices are unethical.Upon reflection, several posts involved ethics zugswang even when I didn’t use that term. The woman whose student loan debts topped 900,000 dollars is in zugswang. Progressive feminists who use gender-baiting as a partisan weapon are in self-condemned zugswang when political allies use misogynist terms against conservative women.

It’s really fun saying “zugswang,” but I will try to touch on some matters that don’t involve ethics zugswang….like…

1. “Hogan’s Heroes” ethics. I never thought it would happen, but a cable channel is re-running “Hogan’s Heroes” episodes. The very popular Sixties sitcom about POW prison camp and the wacky and inept Nazis running it has been thoroughly excoriated as outrageously tasteless and politically incorrect. My father loved the show because anything that made the Nazis look ridiculous was aces with him. Is it tasteless and offensive to show “Hogan’s Heroes” today?

It was clearly satire, in the same spirit as Larry, Moe and Curly playing Hitler and cronies, or Charley Chaplin in “The Great Dictator”—or, to pick a recent example, the child’s view of Hitler as an imaginary friend in “Jo-Jo Rabbit.” The show obviously took its inspiration from “The Great Escape,” of which it is virtually a parody (without the executions, of course.) WW II vets like my father were accustomed to the Nazis being ridiculed and trivialized in the process. In an age that has seen the Holocaust Museum’s exhibits and widely distributed documentaries about the full barbarity of Nazi Germany, the satire may no longer work.

There are other reasons why “Hogan’s Heroes” is no longer funny, despite the very talented cast. Its laugh track is annoying now, especially when the jokes are old and repetitive: how hard can you keep laughing when Sgt. Schultz (John Banner) says “I know nothing! NOTHING!” for the thousandth time? Perhaps the kiss of death for the series is the ubiquity of series star Bob Crane as Hogan, Crane was always smarmy for my taste, but knowing his fate—Crane was bludgeoned to death by a likely participant in his sick S & M porno ring that involved, among other revolting activities,  secretly videotaping women engaged in sex—make watching the show a painful experience. Continue reading

Remembering Thommie Walsh

Ethical human beings who pass through your life deserve to be remembered, and it is in your interest to  give them that lasting gift. Sometimes they are like strings tied around your finger (does anyone still do that?) reminding you to do the right thing.

Thommie Walsh was like that for me today.

March 15 is his birthday, you see—I only knew that because the man who introduced us almost 20 years ago tagged me on a Facebook post.  Maybe you remember Thommie, who died in 2007, too. Here’s part of that post, by my friend and Thommie’s, playwright, author, and theater historian Chip Defaa:

He was an original member of the cast of “A Chorus Line”–which was THE musical of that era. That show was created, in unique fashion, from taped comments about their lives by actual performers. Thommie was one of that original group. And the character he originated in “A Chorus Line,” “Bobby,” was based on him. As an actor, Thommie was saying on stage lines that rang true because they were true; he was saying things (as “Bobby”) he’d been saying before anyone thought up the idea of doing “A Chorus Line.”

He moved into choreographing and directing. He was ALWAYS working–Broadway, Off-Broadway, TV commercials, you name it. He staged friends’ cabaret shows–most notably the cabaret show of Tony Award-winner Donna McKechnie, his former castmate in “A Chorus Line” and a lifelong friend. She did that show, to great acclaim, for years afterwards in many venues. (I was delighted to be an invited guest at the performance that was taped for an album.) He also worked on the cabaret and concert shows of Chita Rivera and Joel Grey. Broadway royalty.

Among Broadway and Off-Broadway shows Thommie worked on, as a director and/or choreographer, were: “The Best Little Whorehouse in Texas,” “A Day in Hollywood/A Night in the Ukraine,” “Nine,” “My One and Only,” and “My Favorite Year.”

Thommie won two Tony Awards for choreography: that’s how I knew his name when Chip told me that he was going to direct “Danny and Sylvia,” the two-person musical about Danny Kaye and his wife Sylvia Fine I had originally developed for my theater company, as part of a New York City, Off-Broadway festival. Both cast members were friends, so I got periodic updates on how rehearsals were going. Thommie, like any good director, was making changes, adding his feel for the characters and material as he went along. Continue reading

Morning Ethics Warm-Up, 3/13/2020: Let’s Talk About Something Other Than The Whateveryoucallit Virus [Updated!]

Good Morning!

1. Hmmmm. “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.” Recognize those words? Might the news media have the sense and integrity to include them in stories about state governments “ordering” that there be no public gatherings of 500 or more (New York) and 250 or more (Washington state)?

Update: Massachusetts just “banned” gatherings of over 250. I’d like to see the research showing that numbers not ending in zero are unsafe.

As far as I can figure out, a state governor can’t unilaterally restrict the right to assemble even in a “state of emergency,” and whether such a draconian measure is permissible is subject to court challenge and judicial scrutiny. These two orders seem especially vulnerable. Why 500? Why 250?

I’d feel a lot better if organizations and the public would assert their rights and demand that governors, as Tom Cruise was required by Jack Nicholson in “A Few Good Men,” to ask nicely. This reminds me of Boston, of all places, meekly submitting in 2013 to a completely illegal demand by police that its citizens stay inside while the search for the Boston Marathon bombings was underway. Fear is a dangerous tool in the hands of the powerful, who have a nasty habit of becoming totalitarians if they sense any lack of resolve among their potential lackeys and victims.

2. Every now and then Jake Tapper’s once significant commitment to honest journalism creeps out of its post-CNN recruitment paralysis. Tapper recently opined on the air that Democratic voters were acting  like progressive  pundits:

“To be completely frank, I’m getting real 2004 vibes tonight…Democrats want to defeat an incumbent Republican so badly…that they decide which one is electable…and they decide, okay, it’s John Kerry, or in this case it’s Joe Biden… the point is that when you have the Democratic electorate deciding that they are all a bunch of Rachel Maddows and Chris Hayess and the like, that they’re just, you know, progressive pundits and they’re going to pick out who is the best one, maybe they don’t necessarily always know what they’re doing.”

“Hey! Where’s Tapper’s Kool-Aid? Get him a straw, quick!” I assume that within days, a former female guest will reveal that in 2014 Tapper complimented how she looked in her dress and asked, “Are you working out?,” leading to his immediate dismissal.

A fair point made by CNN critics: “I wonder why he didn’t say “Don Lemon and Chris Cuomo?” Continue reading