Arts & Entertainment

“Jaws” Ethics

/ Jack Marshall / 27 Comments

I have another classic ethics movie post in the pipeline, but this is the 50th anniversary of the Summer of “Jaws,” and attention should be paid. An obnoxious comment this morning from retired law professor blogress Ann Althouse drew my attention to the topic. She wrote,

“As for “Jaws,” I’ve never seen it. I’ve always imagined that it would bore me. I still feel that way. Waiting around for a shark to attack someone? I don’t see the point. I don’t have a tag for sharks. I have to give this post my “fish” tag. Have I ever seen a movie about fish? I don’t think so.”

Her quote isn’t exactly unethical, but it betrays an arrogance and a wilful ignorance of popular culture that does not show Ann in a good light. Althouse has some shocking gaps in her film and television literacy, and, as in this case, she often seems proud of her ignorance. As with all iconic movies and TV shows, being unfamiliar with “Jaws” means that you don’t comprehend references that have become part of modern communication: “You’re going to need a bigger boat!” and “This was no boating accident” come immediately to mind.

Someone saying, “I imagine that what so many people enjoy and remember would bore me” is a way of asserting unearned superiority; it reminds me of the snobs in Harvard bedroom community Arlington, Mass. who would say, “Oh, we never watch anything but PBS (you crass, low-brow peasants).” And they missed “Perry Mason,””The Defenders,” “The Honeymooners,” “The Hollywood Palace,” “The Avengers,” “Maverick,” “The Carol Burnett Show,” “The Smothers Comedy Brothers Hour,” “The Ed Sullivan Show,” “The Twilight Zone” and dozens more, all in the secure but ignorant belief that they were too sophisticated for such tripe.

Ann saying that she’s too sophisticated to watch “a movie about a fish” is like someone saying that they’ve never seen “Casablanca” because “who wants to see a movie about Morocco?,’ or “Singing in the Rain” because singing in the rain is a silly thing to do. A competent, curious, responsible member of society wants to see “Jaws” because 1) it is famous 2) it is a cultural touch-point 3) one should understand why people remember and care about it and 4) when the public embraces anything so completely, whether it is “Hamilton” or baseball or “The Mikado,” or Elvis or “Sergent Pepper’s Lonely Hearts Club Band,” or “Star Wars,” or “The Godfather” or Frank Sinatra or the Mona Lisa or “Oklahoma!” or John Wayne or Chuck Berry or Madonna or Taylor Swift or Bugs Bunny or Beethoven’s Fifth—the list is very long—the public’s opinion deserves respect. This why Rachel Zegler’s dissing of the original “Snow White” was so foolish and destructive. Nobody has to like or admire anything, but when a particular work of art or cultural phenomenon reaches icon status, there is always a reason. Not knowing the reason means one is just that much more incompetent as a participant in society.

“Jaws” is an important and even after 50 years, entertaining and powerful movie. Among its virtues:

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Message to Simone Biles: “Shut Up and Vault!”

/ Jack Marshall / 18 Comments

It shouldn’t matter than cute little Simone Biles isn’t very bright. She’s a talented gymnast, and has parlayed that skill into a fortune, a brand, and enough fame to last her a while. There was that choking episode at the 2020 Olympics, but never mind: she’s won enough championships and medals to qualify as one of the all-time greats.

Unfortunately, Biles, like so many other jocks and celebrities,, has let her popularity and acclaim in a very narrow field go to her head. She thinks she has something to contribute to national debates that have nothing to do with floor exercises and the balance beam, and she doesn’t. I’d love to know what books, if any, Biles has read while being essentially a full time gymnast since she was knee-high to a praying mantis. The fact that she never attended high school (she was home-schooled) and eventually got a college degree from a non-profit, online college doesn’t mean Simone necessarily is lacking in critical thinking skills, but her engaging in a name-calling battle with Riley Gaines—the former competitive swimmer who has become a critic of trans men who still have to shave every morning throttling girls and women in women’s sports because they can— does.

To begin with, Gaines is smart, articulate and knows her topic. Biles’ contribution to the debate has consisted of social media posts the equivalent of “Oh yeah?” and “Well, I’m better at my sport than you were at yours, so there!” Here’s one…

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Greta Thunberg Is Danny Bonaduce

/ Jack Marshall / 11 Comments

Now hear me out.

The National Review has a scalding—but more or less fair—-evisceration of Greta Thunberg, the past-her-pull-date former teen climate change activist. An excerpt:

You remember young Greta, right? The vinegar-rictused, Swedish ecological activist whom the media turned into a global celebrity back in 2018…Who can forget the climax of it all, the legendary comedy of Thunberg’s 2019 United Nations address? Visibly reading from a script and adopting actorly mannerisms — shrieking “HOW DARE YOU?” and bawling about “stolen dreams” and “stolen childhood” — Thunberg condemned the capitalist West for desecrating the hopes of neurotics like herself. “We’ll be watching you,” she warned icily…A neurodivergent teenage girl was granted supreme moral authority over mankind by adults desperate to weaponize her “vulnerability” to club the world into bending to the eco-socialist agenda pushed by her handlers. We were asked to take it all extremely seriously…Hungering for continued relevance, Thunberg responded by escalating her tactics, seeking arrest at anti-mining and anti-oil protests across Europe to garner headlines. But the media reaction was tepid, and the thrill was gone. It surprised me not the slightest bit when she instantly transitioned from environmental activism (old and busted) to pro-Palestinian activism (new and sexy with the kids these days) in the wake of the October 7 massacre. A year later, she was performatively arresting herself on podcast appearances to signal her solidarity with Hamas.

The bombardment ends with this: “As for myself, I couldn’t care less about Thunberg’s fate. If the Israeli Navy wants to hole her boat below the waterline as the French did to sink the Rainbow Warrior, then it’s no problem of mine. I don’t ever want to write about her again, and unless she escalates to suicide bombing, I intend not to. For as much as her astringent mien and unearned pretense make her a figure of comedy, I find her morally repulsive.”

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It’s Not The Ignorance and Cultural Illiteracy So Much, But The Shamelessness…

/ Jack Marshall / 19 Comments

Ugh. Ann Althouse flagged this comment from a reader named Malika, reacting to a New York Time Crossword Puzzle clue that read, “Girl in Jefferson Airplane’s ‘White Rabbit'”:

“I love this style of clue, where even if you don’t know the exact trivia (I’ve never heard of the band or the song) you can puzzle it out based on the context.”

The answer is “Alice,” and if Malika doesn’t know the “exact trivia,” she never heard of “Alice in Wonderland,” which is a foundational work of English literature with important literary, historical and satirical significance. It means she is unaware of the many movies made of that book (and its twin, “Through the Looking Glass”), doesn’t know who Lewis Carroll is, has no idea what firmly established “mad hatter” in our lexicon, or “Cheshire cat,” or what “Jabberwocky” refers to.

Then there’s the ignorance of the Sixties, the Vietnam era and the drug culture indicated by her lack of familiarity with the iconic song “White Rabbit.” The Jefferson Airplane anthem has been used on “The Sopranos,” “Stranger Things,” “The Twilight Zone,” “The Simpsons,” in the films “The Game,” “Fear and Loathing in Las Vegas,” “The Matrix,””Platoon.” Not only doesn’t Malkia know about any of this, she doesn’t think she should and is willing to broadcast the fact that she doesn’t.

What else didn’t her schools, parents and narrow culture teach her? How many reference points that would help her understand the context of the issues, events and people affecting her life is she lacking? As Don Rumsfeld might say, it isn’t just that she doesn’t know, she doesn’t know what she doesn’t know, and doesn’t know that it’s a problem that she doesn’t know it.

Oh Dear! Patti Lupone Took My Advice and Now Broadway Wants Her “Cancelled”

/ Jack Marshall / 2 Comments

Back in November of last year, I wrote about the silly–but instructive—Broadway feud between diva Patti Lupone and performer Kecia Lewis, who is black, and who has received some accolades herself. Lewis was starring in “Hell’s Kitchen,” a 2024 jukebox musical about the life and career of Alicia Keys in a theater that shared a wall with the theater featuring “The Roommate,” a quiet, two-actor drama starring Mia Farrow and LuPone. The amplified sound in “Hell’s Kitchen” at two points in the musical could be heard by the audience LuPone’s show, so LuPone sent a polite note to the “Hell’s Kitchen” producers asking them to turn down the volume at those points in the sound design that were loud enough to interfere with her show. (The producer of “The Roommate”should have handled that, but Patti has power and influence and has never been shy about using them.) “Hell’s Kitchen” complied. LuPone, in gratitude, sent a thank-you note to the producers and flowers to the stage management and sound staff.

But Lewis decided to play the race card, because that’s what so many of the Woke of Color have been taught to do, because it works. She posted a video on Instagram reprimanding LuPone for supposedly engaging in race-based “microagressions.” I wrote in “Dear Patty LuPone: Please, PLEASE Tell Kecia Lewis ‘Oh, Bite Me!’” that I was ” hoping against hope that LuPone, who is the epitome of a diva (as this Ethics Alarms post demonstrates), either issues an emphatic “Bite Me!” to Lewis or ignores her completely as not worthy of attention from Patti’s perch on Broadway Olympus. Lewis is the racist here; she is the one who is stereotyping a white performer as insensitive and dismissive.”

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Fan Ethics: The Diane and Joe Saga [Corrected]

/ Jack Marshall / 22 Comments

Guest column by AM Golden

[From your host: This scary, poignant guest post sat un-noticed in my in-box for many weeks. I would have posted it immediately if I hadn’t missed it. Regular commenter AM Golden paints a vivid picture of how celebrity worship, then pursuit, can lead down dark alleys and perhaps to tragedy. At the end of this cautionary tale, AM writes, “Joe can obviously handle this situation himself.” I’m not sure it’s so obvious. Rebecca Shaeffer couldn’t handle it. Jody Foster didn’t handle it sufficiently wee to prevent her fan from nearly killing Ronald Reagan. John Lennon couldn’t handle it. Among AM’s provocative questions at the end of this case study is what ethical obligations an observer has to try to persuade someone in the throes of a dangerous obsession to change course, back off, or seek help. My reflex instinct is to say there is such an obligation, as there always is when one is in a unique position to prevent harm and fix a serious problem. That is a far easier position to defend in the abstract than in reality.–JM]

About 18 months ago, I made a comment about the importance of one’s Good Name – one’s reputation – that was honored with a Comment of the Day.   Among the stories related in that comment was the recent crushing experience of a fan I called Diane, who had a less-than stellar encounter with her favorite actor whom I dubbed “Joe Darling”. 

It seems that Diane had been sending Joe emails through the public contact option on his website.  Many emails.  She had also been sending gifts to his private residence: All unsolicited; all unanswered.  This had gone on for three years before she met him at a pop culture convention.  Her thinking seems to have been that he would have told her if he wanted her to stop.  She’d also ordered a Cameo from him that had gone unfulfilled. I’d admitted back then that I had gotten vibes from her social media comments that she was a little fixated on Joe, who by all accounts a happily married man.  It had never occurred to me that she had been contacting him directly. 

When she went to his table at the convention, he figured out who she was.  He told her that he considered her behavior borderline stalking and that it needed to stop or he would take further action.  Mortified, she apologized and assured him she would leave him alone.  She admitted online that she feels like she ruins everything.

Admittedly, I felt sorry for her.  No fan likes these kinds of stories.  They reflect poorly on all of us.  I also felt that she had probably overlooked warning signs along the way that would have spared her such embarrassment.   Could there have been a misunderstanding?  Curious, I looked over her public social media page.  Sure enough, there was enough evidence there to indict her as an obsessed fan and a particularly obtuse one. Her behavior since then has not changed my opinion.

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In a Competitive Commencement Season, Evelyn Harris Makes a Strong Bid For Most Unethical Speech of 2025

/ Jack Marshall / 12 Comments

Favorites Tim Walz, Scott Pelley and Kermit the Frog may have fallen to an underdog: “musician and activist” Evelyn Harris (whoever she is) may have succeeded in embarrassing her host school the most of all with her 2025 commencement speech.

For some reason, Smith College, which has apparently become too woke to function, included Harris, a relatively obscure singer (but more importantly, an activist) among its all female honorees this year. The most prominent one of these would probably be far-left historian Danielle Allen, who has several items in her Ethics Alarms dossier. Or maybe it would be the (historic!) highest ranking trans official in US history, former assistant secretary for health for the U.S. Department of Health and Human Service Rachel Levine, one of Biden’s DEI appointments. Then there was new age-y guru Preeti Simran Sethi, the only one of the four who is a Smith grad. All of these, however, whatever their issues, at least managed to compose their own speech to give to the graduates.

Harris didn’t. Smith officials learned that her entire speech had been cribbed from other sources without attribution (you know, like Joe Biden once did), and had to inform the Smith community that it had been deceived. “It has come to our attention that one of our honorary degree recipients — musician Evelyn M. Harris — borrowed much of her speech to graduates and their families from the commencement speeches of others without the attribution typical of and central to the ideals of academic integrity,” the letter read in part.

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“The Case of the Cut-Short Crucible”

/ Jack Marshall / 11 Comments

That’s what this unholy mess of a high school play ethics train wreck would be called if it were an old “Perry Mason” episode.

The run of a student production of “The Crucible” at Fannin County High School in Blue Ridge Georgia was cut from two performances to one for reasons unknown. Understandably, the students and their parents were upset. The administration explained that the reason was a licensing agreement violation, and the school was afraid of having to pay damages, or something. It said in a statement,

“After Friday night’s performance of “The Crucible,” we received several complaints as to an unauthorized change in the script of the play. Upon investigation, we learned that the performance did not reflect the original script. These alterations were not approved by the licensing company or administration. The performance contract for The Crucible does not allow modifications without prior written approval. Failing to follow the proper licensing approval process for additions led to a breach in our contract with the play’s publisher. The infraction resulted in an automatic termination of the licensing agreement. The second performance of The Crucible could not occur because we were no longer covered by a copyright agreement.”

Ah, but woke theater Fury Howard Sherman, the same guy who thinks that it’s okay for actors to boycott performances they are contractually obligated to perform because they don’t like the political views of particular audience members (like, say, the President of the United States), is muckraking again. He writes on his website that he’s sure that the show was really cancelled because “the play about witch hunts, about the persecution of people out of hysteria, despite being an acknowledge American classic widely taught in high school classrooms and performed frequently on high school stages, had provoked the same moral persecution it portrayed as unjust.” See, somebody’s mother told a student that the principle had said “that somebody in the audience didn’t like the context of the play and said that it was demonic and disgusting” so the final performance was cancelled.

Does Sherman produce any evidence that isn’t double hearsay that such a sequence occurred? Nope. Do we hear a quote or see a message from the alleged illiterate lunatic who registered such a complaint? No again. But never mind: Sherman is a progressive (to be fair, most theater types are progressives…welcome to my world) with an agenda.

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Tough One: Who Is a More Unethical Choice For a Commencement Speaker, Tim Walz or a Muppet?

/ Jack Marshall / 7 Comments

How can we continue to believe American higher education is anything but an unethical, greed-propelled fraud if the institutions themselves don’t take their official mission seriously? (That would be education and the conferring of wisdom and inspiration, in contrast to the real mission, ideological indoctrination. Here is a revealing article about Harvard’s corruption, for example.)

The University of Maryland will have Kermit the Frog as its commencement speaker today to send the graduating class of 2025 off into the real world.

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Hollywood Film Clip #40, Dedicated to Jake Tapper, the Lying Axis Media, and the Unmasked Democratic Party

/ Jack Marshall / 1 Comment

This clip was just recommended by commenter deacondan86 in response to “How Can These People (Democrats, Journalists) Look Themselves in the Mirror Without Retching?,” and I thank him for it. I have a feeling it will get a work-out here in the coming months.