Ethics Quote Of The Month: Barbara Harris (1935-2018)

“Everyone gets acting mixed up with the desire to be famous, but some of us really just stumbled into the fame part, while we were really just interested in the process of acting.”

—Actress Barbara Harris, who died last month at the age of 83.  The statement was quoted in he New York Times obituary from an interview she gave in 2002.

If you didn’t know Barbara Harris had died—indeed, if you didn’t know who Barbara Harris was—it is a measure of her integrity that she would have been pleased. I knew Harris’s work well (though I found out she had died just recently), but only because I have long been dedicated to show business history. Indeed, she was one of my favorite actresses who was a welcome accent to any movie she deigned to appear in, striking, but not beautiful, versatile, but not flashy, funny when the role required it, powerful when the challenge was dramatic or tragic, always a bit off-center, always surprising, never predictable.

She was an off-center ethics hero too, by rejecting the malady not only of her era but of her chosen profession as well. Barbara Harris rejected celebrity as a career goal or a life value, sneered at fame, and believed that it was what you accomplished in life that mattered, not how well-known or admired you became by accomplishing it. Harris often chose her projects according to how obscure she thought they would be, and actively avoided recognition. What a marvelous obsession! In her case, it was also an ironic one, because the most quirky and unpromising projects often became viable because she elevated them.

Her entire career was proof of the wisdom of Harry Truman’s great observation, “It is amazing what you can accomplish if you do not care who gets the credit.” Harris did not care about the credit, but she accomplished a great deal. As a young teenaged actress who loved the process of improvisation, she was a founding member of the Second City improvisational theater in 1959, planting the seeds that gave our culture too many comic geniuses to count, along with Saturday Night Live and everything it spawned as well. Harris was the very first performer to appear on stage for Second City, in fact.  From there it was stardom on Broadway, often with her more famous Second City pals Alan Alda and Alan Arkin. She starred in a the musical  “On a Clear Day You Can See Forever” (Harris could sing, too); “Oh Dad Poor Dad Mama’s Hung You In The Closet And I’m Feeling So Sad”; and “The Apple Tree” (and won a Tony Award in 1967). Her movies included a classic Harris turn in A Thousand Clowns (1965), Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (which got her an Oscar nomination in 1971), Nashville (1975),the first Freaky Friday (1976) opposite Jody Foster, Hitchcock’s last film, Family Plot (1976), the cool, clever nostalgic spoof  Movie Movie (1978) that I bet you have never seen, a seering performance as the betrayed wife of a Senator in The Seduction of Joe Tynan (1979), and her final film, Grosse Pointe Blank  in 1997. Then she retired from performing to teach acting.

During Harris’s career, she did none of the things actors typically do to keep their name before the public—no talk shows, few guest appearances on TV, no celebrity cameos on “Murder She Wrote” or “The Love Boat.” Somehow she instinctively understood that it wasn’t popularity or fame that defined her worth, or any human bieng’s worth, and refused to allow our society’s corrupting elebrity obsession of  warp her values or dictate her needs.

For me, Barbara Harris’s defining moment occurs at the end of the perfect movie for her, Robert Altman’s rambling, improvisational film “Nashville,” which is, among other things, about the sick obsession with fame and fortune that Barbara Harris rejected. Harris has few lines, and plays a runaway middle-aged wife who is determined to be a Country Western star. Her efforts are desperate, pathetic, and darkly comic, but at the film’s climax, when a famous singer is shot at a political rally for a renegade Presidential candidate, she grabs the suddenly open microphone of the fallen star she envies, and begins to sing in the chaos.

Let’s watch it now, and remember a woman and an artist of unshakable integrity and dedication to her art, and only her art.

Sunday Morning Ethics Warm-Up, 9/2/18: Talking Rabbits, Giant Ants, And California Progressives

Good Morning!

1. I may start banning commenters who keep saying this. A new, articulate and agenda-driven commenter, Ross Grazier, writes, “But your writing on this blog seems to be all about politics and much less about ethics.” I don’t want to drive Ross off, since the position of Ethics Alarms Knee-jerk Progressive Ratioanalizer And Denier of Mainstream Media Bias seems to be vacant at the moment, but I’m really, really sick of this common smear of my work (Ross’s comment also reminded me that I need to add the “s0 called ethicist” and “self-anointed ethicist” to the magic phrases that can get a commenter banned). Not for the first time, I decided to categorize every topic I wrote about here in the past week as political, non-political, or “mixed,” meaning that the article included substantive relevance to political figures or controversies but that the ethical issues involved were not solely political in scope or relevance. There were 42 distinct topics discussed (I did not include the Comments of the Day). Of these, 26 were non-political. Ten were “mixed.” Exactly six were  “about politics.”

I was surprised, frankly. I expected a bit more emphasis on politics.

I regard Ross’s accusation and others like it as an either an effort to undermine my credibility and the reputation of Ethics Alarms, or as an example of confirmation bias at work. Easily debunked claims that are asserted anyway in print are unethical.

2. Movie Ethics Potpourri! A. I finally saw “Peter Rabbit,” which was the subject of a (Non political, Ross!) post here. You may recall that Sony was pressured into grovelling an apology for a scene in which the animated rabbits shot blackberries into Mr. McGregor’s mouth using sling-shots, provoking an allergic reaction. Seeking its 15 minutes of cheap publicity and social media outrage mongering, Kenneth Mendez, president and chief executive of the Asthma and Allergy Foundation of America, said, “Making light of this condition hurts our members because it encourages the public not to take the risk of allergic reactions seriously, and this cavalier attitude may make them act in ways that could put an allergic person in danger.” Naturally, there was a Change.org petition demanding that the offending sequence be removed. Now that I’ve seen the film—which is pretty good, not quite “Babe” good, but well-done and fun—I can appreciate the full insanity of the complaints.  B. The British film “Calibre,” now playing on Netflix, is a “Deliverance” style ethics movie, in which two reasonable good guys go on a hunting trip in Scotland and are hurled by bad luck and panic into a series of ethical dilemmas, managing to make exactly the wrong decision at every turn. In the end, three people are dead, multiple crimes have been committed, and the lessons are murky. This is an excellent “what would you do?” film for group discussion, though the ultimate answer is “Don’t go hunting, in Scotland or anywhere else.” C. Finally, in the rarified category of giant ant movie ethics, there is “Them!” It is a justly admired 50’s Sci-Fi flick about an alien invasion of giant ants, featuring a surprisingly accomplished and diverse cast including pre-“Gunsmoke” Jim Arness, James Whitmore, ol’ Santa Clause himself, Edmund Gwenn, ubiquitous Western character actor Dub Taylor, and Sigourney Weaver’s wacky uncle, Doodles Weaver. I hadn’t seen it for a while, and forgot that it included one of the most blatant examples of Rationalization #58. The Universal Trump, or “Think of the children!” on film.

Scientists and the military have determined that the giant ants—We’re talking THIS big:

—have invaded California (from outer space, in ant-shaped space ships!), that they pose a threat to LA, the state, and entire country, and that there may be hundreds of thousands of them. California has declared martial law. A military commander announces that the best strategy is to gas underground passages where the ants are presumably gathering, and then kill the ones who escape to the surface. No, says Big Jim. It seems that there are two small children missing that were taken by the ants from their now thoroughly masticated and dead father. As long as there’s a chance they may still be alive,  Jim says, we can’t take the chance of harming them. The man is gob-smacked. “You mean you’d risk all of Los Angeles for two kids who are probably already dead?” he asks, in a fair framing of the issue. “Why don’t you ask their mother?” says Arness. “She’s right over there.”

Well all righty then! How can you argue with that? Continue reading →

The Return Of Louis C.K. For Ethics Dummies

Ick.

Reading the news media and entertainment websites, one would think that Louis C.K.’s return to stand-up comedy after nearly a year in exile or rehab or something raises ethics conundrums that would stump Plato, Kant and Mill. It’s not that hard. The fact that everyone, especially those in the entertainment field, are displaying such confusion and angst just tells us something useful about them. They don’t know how to figure out what’s right and wrong.

In case you have forgotten, cult comedy star  Louis C.K. admitted last November at the peak of the #MeToo rush that he had masturbed in front of  at least five women without their consent. Ick. His cable show and other projects were cancelled, and he disappeared from the public eye. Then, last weekend, he returned to the stage at the Comedy Cellar in New York, performed for about 15 minutes, and received a standing ovation.  This apparently alternately shocked or confused people. I’ll make it simple.

Does the comedian have a right to practice his art after the revelation of his disgusting conduct?

Of course he does. He wasn’t sentenced to prison. He has a right to try to make a living at what he does well. In fact, he has a First Amendment right to tell jokes any where others will listen to him.

OK, he technically has a right. But is it right for him to come back like nothing has happened?

What? The man was publicly shamed and humiliated. He can’t come back as if nothing has happened, because everyone knows that something has happened. Nevertheless, his art does not require the public trust. It does not demand good character, or even the absence of a criminal record. Does a great singer sound worse because he was abusive to women? No. Is there a law that says men who are abusive to women should never be able to work again? No, and there shouldn’t be. I wouldn’t hire C.K. to work in an office, because I see no reason to trust him around others. But he’s not a worker, he’s an artist. He never engaged in inappropriate conduct on stage. He can be trusted as an artist,at least when he’s performing solo.

Comedian Michael Ian Black tweeted regarding Louis C.K.that “Will take heat for this, but people have to be allowed to serve their time and move on with their lives.I don’t know if it’s been long enough, or his career will recover, or if people will have him back, but I’m happy to see him try.” For this he apologized,  saying this position was “ultimately, not defensible.” after he was broiled on social media. Should he have apologized? Continue reading →

Saturday Ethics Warm-Up, 9/1/18: Ethics Is Like Making Hamburger…[UPDATED]

Hello September!

1. More fake news, future news, and “if you hate Trump, you’ll like this” news. Nah, there’s no mainstream media bias!

Ann Althouse performs an expert take-down of an inexcusable piece of hackery by Megan McArdle in the Washington Post titled “Poll by sinking poll, Trump inches toward impeachment.”

[The wrong link to Althouse was up yesterday: it’s fixed now.]

How I love it when other do my work for me: Ann has been getting increasingly eccentric, but here she is at her best. Read both McArdle’s trash and Ann’s defenestration of it, but here are some key points from Althouse:

  • “what made me want to blog this is the first line of the column, “By any metric, Trump is in trouble,” which is followed by:

A poll out from The Post and ABC on Friday shows that 60 percent of voters disapprove of the job he’s doing as president, a new low. But that’s just one poll; the polling average at statistician Nate Silver’s FiveThirtyEight shows Trump with a mere 53.4 percent disapproval rating, which is better than its 56.8 percent peak last December.

So there’s an obvious “metric” — the famous Nate Silver metric — by which Trump is doing better than last December, but “By any metric, Trump is in trouble”?!

  • But a presidency is not in good shape when the best spin on the new poll is “It’s an outlier! Only 53 percent of the country thinks the president is terrible.” The poll is especially ugly for Republicans with midterms looming in two months.

No. 53 percent didn’t say “the president is terrible.” They said “disapprove” when asked whether they approve of disapprove. And they might disapprove of other options too, such as impeachment or even (if it could be magically possible) Hillary for President.

  • More McArdle:

It’s all too easy to imagine a similar scenario for Democrats intent on impeaching Trump as they come up short looking for Republicans to help them make it across the finish line. But it’s not entirely impossible to picture a few Republicans going along….

We’ve gone from “by any metric” to “it’s not entirely impossible.” Come on! Were we not supposed to read this far into the column? WaPo is all headlines and first lines these days. Get your hit, and maybe you can face another day with Trump as President.

Ann’s last line is spot-on, and describes exactly what social media is like these days. Oooo! Trump flew the White House flag full-mast a couple of days early! What a monster! …What? People say Trump doesn’t like Jeff Sessions’ accent? He’s horrible! …Hey! The Trump Administration is doing pretty much exactly what the Obama administration did, but it’s Trump, so now it’s wrong!”

2. More Aretha Franklin Ethics. Even a funeral of a beloved pop star can’t proceed without manufactured outrages, controversies and PC offenses. Bishop Charles H. Ellis, III, felt that he had to apologize for touching singer Ariana Grande like this after she performed during the funeral service for Aretha Franklin…

The funny thing is that this could indeed constitute sexual harassment in a workplace setting, if the singer decided that the touch—unconsented, arguably a mini-grope–was “unwelcome.” So the Bishop had to grovel, which he did, saying,

“It would never be my intention to touch any woman’s breast. … I don’t know I guess I put my arm around her,” Ellis said. “Maybe I crossed the border, maybe I was too friendly or familiar but again, I apologize….I hug all the female artists and the male artists. Everybody that was up, I shook their hands and hugged them. That’s what we are all about in the church. We are all about love. The last thing I want to do is to be a distraction to this day. This is all about Aretha Franklin.”

Continue reading →

The Henry Higgins Syndrome And Me

“An Englishman’s way of speaking absolutely classifies him!  The moment he talks he makes some other  Englishman despise him!”

—Alan J. Lerner, writing for Henry Higgins in “My Fair Lady,” in the song, “Why Can’t The English Teach Their Children How To Speak?”

Today’s latest “Let’s hate the President!” item from the news media was the leaked news that Trump can’t stand how AG Jeff Sessions speaks. Politico reported yesterday that Trump has griped “to aides and lawmakers”  “that Sessions isn’t a capable defender of the President on television — in part because he ‘talks like he has marbles in his mouth.’”

As usual, the fact that some un-named source says something doesn’t make it true, or, for that matter, legitimate to reports as news, by hey, it’s Donald Trump, so fairness, ethical journalism and professionalism are suspended, right? If you hate the man, here’s more non-substantive, unproven stuff to believe and complain about on line, and if your business is to try to define and encourage standards of societal and workplace ethics, here’s one more chance to be vilified on Facebook as a “Trump supporter” by pointing out that it is wrong for anyone to be subjected to hearsay snipe attacks like that.

In this case, however, there is another factor. There are a lot of speech habits and styles that I have a visceral dislike of too. Some I can defend, some are just a matter of taste, regional influences and upbringing, and some are genuine impediments to my treating people fairly.

Here’s one that my Facebook friends will love, for example: the way Donald Trump talks drives me crazy. His repetitive vocabulary–every thing is “great,” “strong,” “weak,” “stupid,” “smart,” “sad” or “tough; everyone is a “loser,” a “moron” “out of control,” or “dangerous”–signals “uneducated simpleton” to me. I’ve read all of the scholarly examinations of Trumps communications style and why it is effective, and I understand the theories. They are probably right. Where I come from, however, size, precision and variety of vocabulary is deemed a reliable way of gauging intellectual capacity. Continue reading →

Morning Ethics Warm-Up, 8/31/18: Labor Day Weekend Edition

Good Morning.

This was in some respects the worst month in Ethics Alarms history, and I won’t be sorry to see it go. This weekend I will be spending more hours trying to cover ethics issues and developments while  knowing that an even smaller group of readers will bother to consider them, as they will off at beaches and mountain retreats, or sweltering at backyard barbecues. I have to admit it’s discouraging, and makes what needs to feel important and stimulating feel like an unsatisfying slog instead. Well, if you’re reading this, it’s not your fault.

1. Ethics estoppel. I couldn’t believe I read more than one local account of last night’s Detroit-Yankee game, a crushing loss for New York, complaining that Tigers DH Victor Martinez’s game-tying homer in the 9th “wouldn’t have been a home run in any of the other 29 Major League stadiums.”  Wow. The unmatched dominance of the New York Yankees over all of baseball has been significantly aided by its uniquely short right field fence ever since the original Yankee Stadium was built to provide cheap right field home runs to Babe Ruth, who hardly needed any help. Even though the shot to right isn’t as easy as it used to be (those old Yankee Stadium dimensions are illegal now), the Yankees still build their offense around that fence, and it is substantially responsible for the fact that the team leads all of baseball in home runs, and games won by cheap home runs.

Yankee fans and media are estopped from complaining when an opposing player benefits for a change. What utter gall!

2. Worst management ethics ever. President Trump is again tweeting about what a lousy job Attorney General Jeff Sessions is doing. Is he trying to make Sessions resign? Why? Why doesn’t he just fire him? This is a guy who became famous using “You’re fired!” as a trademark. Undermining a subordinate in public can’t possible make him or her perform better. It also signifies a dysfunctional organization and chain of command. In Sessions’ case, it makes the target look like a pathetic weenie devoid of self- respect. If my boss complained in public about me, I would resign that very day, with a brief statement that no professional should have to endure such gratuitous abuse from a superior, and that I would not. Continue reading →

Morning Ethics Warm-Up, 8/27/2018: Petards, Conflicts, And Bullshit Edition

Good Morning!

1. Oh no! Hoisted by my own petard! I’m pretty certain that Clinton fixer Lanny Davis has an unwaivable conflict of interest in his representation of Trump fixer Michael Cohen. The legal ethics establishment is soft-peddling the issue because most legal ethicists apparently hate President Trump more than they like ethical lawyering, but I’ve been wrestling over whether to file a disciplinary complaint. The problem is that any complaint that has even a tinge of political motivation won’t be touched by the Bar (if prior performance is any indicator), so a complaint by me would be the proverbial lonely tree falling in the forest. The remedy would be to issue a publicity release about the complaint, but I’ve criticized that tactic as unethical right here, on more than one occasion. Rats.

It might be just as well. After the mere hint that I was defending Donald Trump (I was not) on NPR appears to have gotten me blackballed there after many years as an ethics commentator, I probably should not criticize the lawyer for the most popular sleaze in D.C. these days.

2. Neil Simon Ethics. In an alternate universe, my still operating professional theater company, dedicated to keeping unfairly buried, forgotten or unfashionable American theater works of the past in front of audiences who deserve a chance to see them, is looking at a lot of Neil Simon productions. The works of the —by far—most successful writer of comedies in Broadway history are already sneered at as sexist and “outdated,” and I can vouch for the fact that all it takes is one militant female board member with a checkbook and a chip on her shoulder to kill a production. Remember S.N Behrman? Seen any Philip Barry plays lately? How about Kaufman and Hart? Simon just died, and he’s already heading to obscurity along with those guys, and most of their plays are still funny too.

3. Here’s another topic it’s dangerous to get into…From CBS:

A pregnant Washington state woman said she was fired via text message from a sub shop where worked, with a store manager telling her “it’s not a good time to have somebody who is leaving for maternity leave in several months anyway.” Kameisha Denton told CBS Seattle affiliate KIRO-TV that she had told the manager she was pregnant and due in December, asking for maternity leave.

Denton said she realized that she hadn’t been assigned shifts at Jersey Mike’s sub shop in Marysville, Washington, so she sent a text to her manager inquiring about the hours. The response she says she received was shocking.

When Denton asked for her “updated schedule” she received something a bit different. The store manager named only as “Marcos” in Denton’s phone responded, “I am sorry to inform you but it’s not going to work out with Jersey Mikes. It’s not a good time to have somebody who is leaving for maternity leave in several months anyways. You also failed to tell me this during your interview.”

Denton posted the exchange on Facebook in a post that had garnered over 1,000 shares in just two days.  

Denton told KIRO-TV,  “I was just like in shock, it took me a minute to face reality — I was like this is really happening.”

Continue reading →

“Authentic Frontier Gibberish” Of The Year: Stevie Wonder

“This thing I just feel that all these various diseases that we have and all these things that are happening in the world in part is because there are those who don’t believe in global warming, don’t believe that what we do affects the world. what we eat affects the world. and affects us.And I just hope that people will grow up and grow out of the foolishness and know that we all by how we think how we do how we treat others we will never unlock the key until we truly let go the hatred the bigotry the evilness the selfishness when we do that then we can unlock some of those things that keep us in this place.”

—Pop legend Stevie Wonder, explaining why Aretha Franklin died, or something, on “CBS This Morning”

Why is this unethical? It’s irresponsible for celebrities with the education of prunes and the critical thinking facility of  baby ocelots to make their fans and anyone else afflicted with the delusion that being famous equates  to being wise dumber than they already are. Shut up and sing, Stevie. Aretha died of pancreatic cancer, and if you can prove that this deadly disease is linked to global warming, let’s see your research data.

It is also unethical for any TV news host who listens to a guest utter incoherent nonsense like this not to respond, “What the hell are you babbling about?” or words to that effect. Opinions are fine, and, withing limits, can be endured without rebuttal. Non-factual crap, like global warming causing cancer—actually, Stevie literally said that people not believing in global warming causes cancer, like not believing in fairies kills Tinkerbell.—has to be fixed, on the air, immediately. If you have dolts like Wonder on camera, you better be prepared to clean up the messes they leave.

Sad to say, Gabby Johnson made more sense than Stevie Wonder.

This Is An Ethics Story. More Than That, It’s Hard To Say…

Read this story, please.

Then consider the 10 questions below.

A summary of the main points…

  • Luke Gibbs’ wife, Rachel, mother of two,  was rendered permanently vegetative after a go-kart accident at a Michigan amusement park, the Family Fun Center, near Grand Rapids.  A long scarf she was wearing got caught in one of the go-kart’s axles, snapping her windpipe.

  • She is now in a long-term care center southwest of London. Her husband is certain that this would never have occurred in England, because the country has more regulations. “There’s no agency in the United States that can say to my children, who are American citizens, this is the way in which we worked to protect your mother and keep her safe,” he said. “I’m confident that accident would not have happened here, part because I think we have more stringent regulation,” he added.

  • Parks are exempted from federal regulation, leaving supervision to the vagaries of the states, and six have no oversight: Alabama, Mississippi, Montana, Nevada, Wyoming and Utah. In the early 1980s, park operators successfully lobbied to shield amusement parks from federal oversight by the Consumer Product Safety Commission. Starting in 1999,  Senator Edward J. Markey sought to mandate federal oversight, but Disney successfully lobbied against it, along with its competitors.

They argued that the federal regulation was not necessary.  Industry studies say there is only a one in 17 million chance of injury at fixed-site parks. The safety commission estimates there were 29,400 amusement ride injuries requiring emergency treatment last year at all types of parks, including  inflatable attractions and even coin-operated rides at shopping malls.

Mobile parks with rides that can be moved, like carnivals and state fairs, are not exempted from federal regulation.

  • When Rachel Gibbs wife was injured, the park appeared unprepared for an emergency. The ride’s operators panicked, and momentarily couldn’t recall the park’s address so emergency vehicles could be called, and could not provide the injured woman with a defibrillator

A 2007 internal memorandum from the park admonished employees to “never admit fault for accidents,” adding, “our common phrase is ‘AJ’s is an at your own risk Fun Park.’” Continue reading →

Morning Ethics Round-Up, 8/23/2018: A Quote Fest!

Good Morning!

1. Now THIS is narcissism! It’s long, but go ahead and read it.  This  was Madonna’s “tribute” to the late Aretha Franklin at the VMAs this week:

Aretha Louise Franklin changed the course of my life. I left Detroit when I was 18. $35 in my pocket. My dream was to make it as a professional dancer.
After years of struggling and being broke, I decided to go to auditions for musical theater. I heard the pay was better. I had no training or dreams of ever becoming a singer, but I went for it. I got cut, and rejected from every audition. Not tall enough. Not blends-in enough, not 12-octave range enough, not pretty enough, not enough, enough. And then, one day, a French disco sensation was looking for back-up singers and dancers for his world tour. I thought, “Why not?” The worst that can happen is I could go back to getting robbed, held at gunpoint and being mistaken for a prostitute in my third floor walk-up that was also a crack house. So I showed up for the audition, and two very large French record producers sat in the empty theater, daring me to be amazing. The dance audition went well. Then they asked if I had sheet music and a song prepared. I panicked. I had overlooked this important part of the audition process. I had to think fast. My next meal was on the line. Fortunately, one of my favorite albums was “Lady Soul” by Aretha Franklin. I blurted out, “You Make Me Feel.” Silence. “You Make Me Feel Like A Natural Woman.” Two French guys nodded at me. I said, “You know, by Aretha Franklin.” Again, “Mmmhmm.” They looked over at the pianist. He shook his head. “I don’t need sheet music,” I said, “I know every word. I know the song by heart, I will sing it a cappella.” I could see that they did not take me seriously. And why should they? Some skinny a– white girl is going to come up here and belt out a song by one of the greatest soul singers that ever lived? A cappella? I said, “Bitch, I’m Madonna.”

No, I didn’t. I didn’t say that. Cause I wasn’t Madonna yet. I don’t know who I was. I don’t know what I said. I don’t know what came over me. I walked to the edge of the pitch black stage and I started singing. When I was finished and drenched in nerve sweat. Y’all know what this is, right, nerve sweat? They said, “We will call you one day, and maybe soon.” So weeks went by and no phone call. Finally, the phone rang, and it was one of the producers, saying, (French accent) “We don’t think you are right for this job.” I’m like, “Why are you calling me?” He replied, “We think you have great potentials. You are rough for the edges but there is good rawness. We want to bring you to Paris and make you a star.” We will put you in a studio . . . it sounded good, and I wanted to live in Paris and also I wanted to eat some food. So, that was the beginning of my journey as a singer. I left for Paris.

But I came back a few months later, because I had not earned the luxury life I was living. It felt wrong. They were good people. But I wanted to write my own songs and be a musician, not a puppet. I needed to go back home and learn to play guitar, and that is exactly what I did. And the rest is history.

So, you are probably all wondering why I am telling you this story. There is a connection. Because none of this would have happened, could have happened, without our lady of soul. She led me to where I am today. And I know she influenced so many people in this house tonight, in this room tonight. And I want to thank you, Aretha, for empowering all of us. R-e-s-p-e-c-t. Long live the queen.

Another anecdote I would like to share: In 1984, this is where the first VMAs were, in this very building. I performed at this show. I sang “Like a Virgin” at the top of a cake. On the way down, I lost a shoe, and then I was rolling on the floor. I tried to make it look like it was part of the choreography, looking for the missing stiletto. And my dress flew up and my butt was exposed, and oh my God, quelle horreur. After the show, my manager said my career was over. LOL.

The fact that Madonna is getting flack for this is almost as funny as the fact that she would think a long monologue about herself qualified as an appropriate tribute to Franklin. This is a manageable mental illness, but it is pathological, and Madonna is an extreme narcissist in a business that produces them in bushels. But didn’t everyone know that? Why, knowing that this woman only sees the world in terms of how it can advance her interests, would anyone entrust  her with giving a tribute to anyone else? That’s rank incompetence.

Narcissists are incapable of ethical reasoning, since ethics requires caring about someone other than yourself.  Madonna’s “tribute” is a valuable window into how such people think. Madonna really thought the nicents thing she could say about Aretha Franklin is that she made a cameo appearance in Madonna’s epic life.

2. Next, a ventriloquist act! Continue reading →