Arts & Entertainment

Morning Ethics Warm-Up, 9/21/2017: Climate Change Deceit, Jimmy Kimmel, Trump’s Golf Ball Attack, Stephen King, And How to Cover The Left’s Epic Freak-Out

/ Jack Marshall / 57 Comments

GOOD MORNING!

(he shouted…)

1 When I wrote today’s early morning post about the Sherwin-Williams controversy, with a “hit the ball into the paint can” promotion going horrible wrong thanks to fake news and lying sports reporters, I wanted to use a famous old cartoon based on a sign that hung in the outfield in old Ebbets Field, where the Brooklyn Dodgers used to play. I couldn’t find it online, perhaps because it was 4 am. I just did, however…

2.  For some time, now, as the Left has commenced its nervous breakdown following Trump’s election, I have faced a daily dilemma. The ethics breaches, in civility, in journalism, in politics, have been so over-weighted to one side of the political spectrum that to cover issues based on importance and degree of ethics madness automatically makes Ethics Alarms seem partisan. I resent it, to be honest. The counterbalance is, of course, the President himself, but his brand of unethical conduct hasn’t changed since the campaign, though the Trump-haters never tire of freaking out over the same stuff. For example, after the infamous wrestling tweet about CNN, how nuts can you go when Trump posts a gag video showing him hitting Hillary in the head with a golf ball? Yes, it’s childish, yes, its unpresidential, yes, it shows lack of self-restraint, yes, it’s stupid. But I know and you know, and certainly his haters know, that Trump is childish, unpresidential, lacks  self-restraint, and is stupid. I’ve written too much about it already.

He is not, however, getting worse. Democrats, progressives and “the resistance” are getting worse, as they become more desperate in their derangement. I’m seeing things I didn’t believe possible, like serial child abuser Jimmy Kimmel being held up by the news media as the moral center of the Democratic Party. Jimmy Kimmel is nothing. He is a smug high school grad who has never done anything but perform, often disgustingly, as when he was host of the too-vulgar-to-be-believed “Man Show” on Comedy Central.

He’s never run a business; he’s never studied public policy. He’s a comedian whose signature act is egging on parents to make their kids cry and take videos of them. Ah, but he’ll give Hillary Clinton a forum to deliver her shadow UN speech, and pimp for Obamacare, so that makes him a policy expert. Incredible. Incredible, the depths to which progressives have fallen.

An immature, inexperienced, impulsive President, rather than being opposed, as he should be, by a professional, honest, respectable and responsible opposition party, has instead mutated the liberal establishment into as revolting a presence as he is. This is catastrophic for our politics, our culture, and our society, and that’s why Ethics Alarms devotes so much space to it.

3. Ann Althouse has the sharpest hypocrisy detector around, and she nailed horror novelist Stephen King (I like his novels, some of his movies, and he is a big Red Sox fan) for sending this anti-Trump tweet:’

Trump thinks hitting a woman with a golf ball and knocking her down is funny. Myself, I think it indicates a severely fucked-up mind.

She writes in part, Continue reading →

From The Ethics Alarms Harry Truman Files: Applause For “The Wrecking Crew”

/ Jack Marshall / 21 Comments

 

One of my favorite Presidential quotes of all time is from Harry Truman. He said,

“It is amazing what you can accomplish if you do not care who gets the credit.”

Nonetheless, people deserve credit when they do important things, and trying to encourage the culture to not only give credit but also to remember and honor those deserving it across generations is a frequent theme of this blog.  The Ethics Alarms Heroes Hall of Fame is one expression of this theme. This post is another.

I was reminded of The Wrecking Crew when Glen Campbell died, and recently, when I heard old Monkee Mickey Dolenz in a recent interview.  Cambell was the most famous alumni of the studio band, which had many members over the years. Dolenz was a member of the group that was its most famous beneficiary, although The Byrds were also famously represented by The Wrecking Crew in their first hit record, “Mr. Tambourine Man.”

It has always amazed me how little this loosely organized band of brilliant studio musicians is known outside of the music business and the rock and pop trivia nerds. The Wrecking Crew was significantly involved in much of the greatest pop music recorded from the late 1950s to the mid 1970’s. Their musical contributions are indistinguishable and inseparable from the those of the famous singers and groups they backed, and yet fame and credit, as well as sufficient honors, have been elusive.

If people have heard of them at all, the Wrecking Crew is known for “ghosting” the accompaniments for the Monkees’ first two albums. However, its studio band work was far more extensive than that. They were, for example, the creators of Phil Specter’s “Wall of Sound”: in the early years, they were sometimes credited on Specter discs as occasionally credited as “the Phil Spector Wall of Sound Orchestra.” They played under other names too, or no names at all. The nickname “The Wrecking Crew” became public when it was used by drummer and member drummer and member Hal Blaine in his 1990 memoir, “Hal Blaine and the Wrecking Crew”; they also sometimes called themselves “The Clique.”  Blaine, Campbell and keyboardist Leon Russell are the most famous members; some of the better known studio  musicians that formed the backbone of the Crew’s ranks were drummer Earl Palmer, saxophonist Steve Douglas, guitarist Tommy Tedesco,  and bassist Carol Kaye, as well as versatile Larry Knechtel, later a member of Bread.

I checked Wikipedia for a list of the hits The Wrecking Crew played on and made into the classics they are. Here were some of them. Continue reading →

Morning Ethics Warm-Up, 9/14/17: Reed College…Fired For Mentioning Grits?…Stupid Protests…The DNC Lies To Democrats…And The Times Clarifies Its Double Standards

/ Jack Marshall / 95 Comments

Hi there!

1 There is another one of those hybrid ethics stories coming out of Oregon. Cross oppressive political correctness with racial-offense hypersensitivity with Lena Dunham-like totalitarian-minded progressives itching to report “wrong-thinkers” to authorities with organizations punishing individuals for private speech they did not intend to make public and what monstrosity do you get?

This: a white conductor and festival artistic director fired by a music festival after he was overheard talking to a black friend in a fake Southern accent and saying, “Do you want some grits?” or words to that effect.

A white woman standing nearby reported to Oregon Bach Festival officials that British conductor Matthew Halls had made a racist to his black American friend, classical singer Reginald Mobley, who grew up south of the Mason-Dixon line.

The festival immediately fired Halls, despite the fact that Mobley protested that there was nothing racist in the exchange (grits aren’t racist, Southern accents aren’t racist, joking between friends isn’t racist…)  that the two frequently mocked each other’s accents,  that Halls was not a racist and didn’t intend the remark as a racist slur, and that Mobley didn’t take it as such.  Never mind!  Halls’ four-year contract with the festival as its artistic director was terminated, with a spokesman saying in part,

“The University considers many factors when deciding whether to continue a contract. Regarding Reggie Mobley, it doesn’t appear he was involved in the University’s decision. Having said that, it would be inappropriate for the University to disclose details about a personnel matter.”

I’m not going to explain in any detail what and who are unethical in this fiasco, because I shouldn’t have to. Halls is a victim. The woman who reported him after eavesdropping is worse than merely unethical: she is an evil-doer, someone who sets out to hurt other people to feel powerful. She either never heard of the Golden Rule or doesn’t accept it. (Maybe she IS Lena Dunham!) The festival’s conduct is unfair, uncaring, cowardly and irresponsible. It deserves to have its artists boycott the festival in support for Halls, but since artists tend to be leftists of the knee-jerk variety, addicted to virtue-signaling and with the depth of analysis exhibited by the typical dachshund, I wouldn’t expect any colleagial  support if I were the conductor.

If you have functioning ethics alarms, it will be obvious that the episode was disgusting and unjust, and why. If the festival’s conduct  makes sense to you, then I’m afraid you’re hopelessly corrupted.

2. Morning Warm-Up may yet morph into “stories that are so irritating I can’t stand writing full posts about them.” Take this one, for example: at small liberal arts school Reed College,  a mandatory humanities course on ancient Mediterranean civilizations was canceled after student protesters kept  interrupting the class to protest “Eurocentrism.” Western culture has been, like it or accept it or not, the beacon of world civilization, and even those who (idiotically) choose to deride or reject it need to understand the history and forces that brought us to where we are today—where we are today being a time when weak and incompetent college administers refuse to assert the indispensable fact that students are there to learn, not dictate to their elders.

My favorite part of this story: to accommodate protesters, the Reed administration agreed to allow adverse students to stand surrounding lecturers in the course. “The general understanding was that the protesters would be allowed to continue as long as they didn’t interfere in the lecture period”…as if forcing lecturers to teach under such circumstances isn’t inherently interfering, as well as intimidating to the teachers and other students.

Colleges and universities that cannot respond more effectively and professionally to such unethical bullying by extremists don’t deserve to exist at all. If you don’t want to learn about Western civilization, go to another school, probably in California. If you disrupt the learning experience of other students, you should be expelled. Continue reading →

Casting Ethics: A Black Joan Of Arc?

/ Jack Marshall / 23 Comments

Sure, why not?

From Playbill:

Manhattan Theatre Club has announced a Broadway revival of “Saint Joan” by Nobel Prize and Oscar winner George Bernard Shaw with direction by Tony winner Daniel Sullivan. Heading the cast as the famous heroine will be Condola Rashad, fresh off her Tony-nominated performance in “A Doll’s House, Part 2.”

Superficially, at least, the casting of Rashad, an African American actress, as the famous “Maid of Orléans,” the French teenager who gained political and military power as a self-proclaimed messenger of God and who was burned at the stake, would seem like precisely the kind of stunt non-traditional casting that I have condemned by subjugating the intent and art of a playwright to affirmative action and virtue-signaling. However, this is not a legitimate objection to this casting choice, and in fact the upcoming Broadway production is as close to a perfect example of how creative casting can enliven a production and deepen its ability to make an audience think.

Joan of Arc, of course, was not black. Nor was she Swedish, though Ingrid Bergman played her memorably enough in the most famous Hollywood version of  Shaw’s play, She also didn’t speak English, and certainly not Shavian English. She spoke French. Ethnicity, race and color are not part of Shaw’s drama, however, nor are they relevant to what Joan of Arc did in life, and what she meant to her nation, its history and our shared Western culture.

How many public schools teach anything about Joan of Arc? How many U.S. students graduate completely ignorant of the historical Joan, not to mention Shaw’s version? Yet hers is one of the most remarkable stories in recorded history.

Joan of Arc was born around 1412, the daughter of a tenant farmer, Jacques d’Arc, from the village of Domrémy, in northeastern France. She was illiterate, as were most  of her class and gender, but also was indoctrinated into the teachings of the Catholic Church by her mother.  France was engaged in what we now call the Hundred Years’ War with England, and England had France by the throat.  A forced  treaty in 1420 disinherited  Charles, French crown prince, and England’s King Henry V—there’s a famous play about him, too– was made ruler of both England and France. Upon his father’s death, Henry VI succeeded him as king in 1422. At this point England occupied much of northern France, and many in Joan’s village, Domrémy, were forced to abandon their homes under threat of invasion.

Thirteen year-old  Joan began to hear voices in her head. Today we think the cause was tinnitus, but she was certain God was assigning her the mission of  saving France by defeating the English, and installing Charles as its the rightful king. Joan took a vow of chastity, as part of her bargain with God; this allowed her to reject a marriage her father arranged for her when she was 16.

Around this time, Joan traveled by herself to  Vaucouleurs, a nearby stronghold of those loyal to Charles. With her faith and her persuasive claim of being a holy messenger, she attracted a small band of followers who were convinced her sudden appearance was the the result of a popular prophecy coming true, and that she was destined to save France. Joan cut her hair short and dressed in men’s clothes to make an 11-day journey across enemy territory to Chinon, where the crown prince’s palace stood. She met with the young man, and convinced him that she was the Real McCoy (they didn’t use that phrase in France, of course)  by allegedly telling him things only God would know. She also  promised Charles that she would see him crowned king at Reims, the traditional site of French royal investiture, and asked him to give her an army to lead to Orléans, then under siege from the English.

Charles granted her request. Think about this for a bit. A strange teenage girl, dressed like a boy and claiming to hear voices, meets with the leader of a nation at war and convinces him to put her in charge of an army.

Amazing. Continue reading →

Morning Ethics Warm-Up, 9/13/17: Mansplaining, More Climate Change Hype, And Shut Up And Sing, Stevie…

/ Jack Marshall / 70 Comments

Good Morning!

1 Keep it up, you ignorant exaggerators, liars and hypers. Keep it up. Eventually people of good will and functioning brains will figure out that you and whatever movements you crave lack integrity and decency, and rely on manipulation and fake news from a news media that decries fake news.

2. Yesterday, Stevie Wonder began yesterday’s Hand In Hand Telethon to raise money for hurricane recovery by  by saying, “Anyone who believes that there’s no such thing as global warming must be blind or unintelligent.”

Good-bye, Hand In Hand Telethon! In fact, good-bye all such telethons, forever. The last one featured professional asshole Kanye West announcing that President Bush was deliberately leaving blacks unrescued, while weenie Mike Myers stood there next to the rapper like gutless tool he is. I switched off Stevie and his ignorant pals and watched the Red Sox slaughter the Oakland As and reruns of “Criminal Minds.”

I know you aren’t especially educated or astute beyond your musical genius, Stevie, but that means that you should keep your half-baked opinions off national live TV and out of the ears of people who admire you and are as ignorant as you are (See here). Since global warming cannot credibly or definitively be blamed for any single weather event, Stevie’s inappropriate outburst was a complete non sequitur. The existence of two big hurricanes isn’t evidence of climate change. We could have experienced two hurricanes of the same or greater power if there were no climate change, or if the world were cooling. We know this because we have experienced stronger hurricanes long, long before anyone was arguing about global warming. Thus it would have been equally appropriate for Stevie to declare, “Anyone who doesn’t think Barry Bonds belongs in the Hall of Fame is an idiot,” or “Anyone who doesn’t think Brussels sprouts are yummy is an idiot.” Thanks for sharing, but what exactly does it have to do with helping hurricane victims?

Sensing an opportunity, many celebrities, elected officials and pundits have been  acting like blind, under-educated pop singers. The proper analogy would be the periodic attempts to use mass shootings by unstable people who obtained guns in ways that wouldn’t be blocked in any way by proposed gun policy changes to create a wave of emotion, polls and blind (sorry, Stevie, but you started it) anger that would force new restrictions on individual rights.

When this happens, my personal reaction, as it was to gun control mania after the Sandy Hook shooting, is to say, “OK, that’s it. I was generally in favor of some reasonable policy measures to respond to this problem, but since you advocates for them keep lying, spinning, and using misleading statistics and false arguments, I’m out. I don’t trust you to draft or implement such policies, and as long as liars, cheaters and fools like you are on that side, I’m on the other. Get back to me when you stop lying.” Continue reading →

Comment Of The Day: “The ‘Unacceptable Word’ Fiasco: OK, Now I Really Want To Know How Many Progressives Seriously Endorse Stuff Like This?”

/ Jack Marshall / 15 Comments

I don’t know if anyone regularly commenting here cares about the punishment of the acting student for his politically incorrect choice of words in an improv exercise as much as Curmie (above) and I do, but we care about it a lot.  As with the Ethics Alarms baseball ethics posts, the various theatrical ethics posts here sink quickly in readership, which, I’m afraid, speaks to a regrettable narrowness of vision. Ethical issues are seldom restricted in their applicability to the specific area in which they arise. I’m especially sensitive to ethics issues others might miss in certain areas where I have a lot of experience and expertise. The same is true, obviously, with Curmie.

Incidentally, I again urge readers to check on Curmie’s blog routinely. He has been through a light writing period of late, but when he speaks, as they once said of E.F. Hutton, people listen, or should. And maybe we can get him writing more again. I know of no more thoughtful, fair, and eloquent blogger, regardless of the topic.

See Curmie? The pressure’s on now!

Here is Curmie’s Comment of the Day on the post, The “Unacceptable Word” Fiasco: OK, Now I Really Want To Know How Many Progressives Seriously Endorse Stuff Like This?:

I am not an acting teacher by trade, but I have taught about two dozen sections of various college-level acting courses over the years. I’ve also taught directing maybe 15 times, and I’ve directed about 40 full-length plays (and a bunch of one-acts)—I’ve used improv techniques in the classroom and in rehearsal many times, although perhaps fewer than some of my colleagues of equivalent experience may have done.

It is remotely possible that the professor, Craig Rosen, imposed some restrictions on the exercise. I’ve done this. For example, if a student is working on a period piece and the language is, shall we say, less explicit than that of a work by David Mamet or Neil Labute or Sarah Kane might be, that young actor may be having trouble finding the anger a character feels if the verbal expression of it seems mild by 21st-century standards.

I’m reminded of working on a book chapter about an Irish version of Chekhov’s Three Sisters. The translator/adapter had Masha, one of the title characters, refer to her sister-in-law as a “bitch.” I happened to have access to a good friend and native Russian speaker, who also happened to be a scholar of dramatic literature. No, she said, Masha’s expletive doesn’t really translate that way… but for her expression of class-driven disgust to have the same effect on a modern audience that Masha’s line would have had in Tsarist Russia, she’d have to call Natasha a “fucking shopkeeper.” Continue reading →

Miss America Ethics: Know Your Place, Stupid Beauty Pageants!

/ Jack Marshall / 58 Comments

Public policy experts all…

Your place, as anachronistic, culturally embarrassing meat shows, is to be as unobtrusive as possible while feminists and people of taste figure out a nice, fair way to wipe you off the face of the United States. But until that happens, you have a duty not to be deliberately annoying, not to wave your ignorance like it is a bloody shirt, and also not to make the undeniably stupid people who watch you even dumber than they already are.

Perhaps I am getting ahead of myself..

Two nights ago, we were treated to the finals of the inexplicably still-televised Miss America beauty pageant, the grandmommy of them all. The traditionally risible interview portion of the competition, which has for as long as there were turnips on earth featured open-ended general questions conducive to virtue-signalling blather, usually features puzzlers like (from a list of such queries)

What do you think is true beauty?

What would you do differently if you could start your life over?

Who is your greatest role model or hero?

What does it mean to be a beauty queen?

If you could be granted one wish, what would it be?

What is the greatest challenge facing humanity?

What makes you happiest?

…and so on. The idea once was that anyone with a mouth is capable of answering these questions relatively competently, and they are not traps or invitations to attract criticism. Oh, once in a millennium a finalist might answer “What would you do differently if you could start your life over?” with, “Well, I would sure skip all those years I was a crack whore,” or “If you could be granted one wish, what would it be?” by saying, “I’d wish for boobs the size of El Capitan!,”  but these are pretty easy questions to ace. They are also well within the intelligence levels and expertise of the pageant administrators, judges and the contestants, so employing them isn’t political, or divisive.

A beauty pageant should not be divisive or political, just like an NFL game shouldn’t be divisive or political. I shouldn’t even have to write that.

Miss America 2018 decided to ditch the tradition of one question per finalist in the final round of competition, and ask two questions of each. The final five questions to the last five finalists were all “serious,” we were told.

Here they are, with the answers they evoked, and my observations. Continue reading →

I’m Sorry To Have To Do Again This So Soon, But I Promised…Unethical Quote Of The Week: NYT Book Reviewer Jennifer Senior

/ Jack Marshall / 24 Comments

I’m going to kill this fake history if it’s the last thing I do…

“But one thing we know for certain: History conspired against Clinton. No non-incumbent Democrat has succeeded a two-term Democratic president since 1836, and 2016 was a year when voters were pining for change.”

—-New York Times book reviewer Jennifer Senior, spinning for Hillary in her review of “What Happened”

I promised. I promised myself and Ethics Alarms readers that every time Presidential historian Doug Brnkley’s false election night statement that voters seldom elect the same party into the White house 12 years running is quoted as an explanation for Hillary Clinton’s loss, I would point out that this is a lie, and an especially awful one when issued on national TV by a supposedly-credible historian

Based on today’s New York Times review of Hillary Clinton’s excuse-and-blame fest in the wake of her defeat last November, I, and the truth, are making a little joint headway. Reviewer Jennifer Senior has refined Brinkley’s false history and now has a technically accurate but equally misleading version.

Yes, it is true: No non-incumbent Democrat has succeeded a two-term Democratic president since 1836. There is a threshold problem with even this reduction: why does the “rule” only apply to Democrats? Apparently Democrats can use the excuse that voters never vote in non-incumbents of the same party after 8 years, but Republicans can’t. Sorry, John McCain! Tough luck, Richard Nixon!

Democrats are so comfortable with the concept of double-standards when it benefits them. It’s scary.

The larger problem with this factoid is that it is deceitful. Using 1836 sounds impressive: Wow, this hasn’t happened for almost 200 years! No wonder Hillary lost! It’s not so impressive when one points out, as Senior doesn’t have the integrity to do, that there have been only three elections before 2016 when a non-incumbent Democrat had a chance to succeed a two-term Democratic President. Three. 3. III. I can flip heads with a coin three times in a row (or tails) any time I want to, in less than five minutes. The fact that in just three elections cheery-picked for certain similarities (though they were anything but similar) the same party lost proves, or even indicates, nothing. Suggesting it does is either ignorant or dishonest. (In Senior’s case, I vote dishonest, but I could be wrong.) Continue reading →

Stunt Performers And CGI, Integrity and Life, Art vs. Ethics

/ Jack Marshall / 10 Comments

Stuntwoman Joi ‘SJ’ Harris was killed in a motorcycle accident last month while filming “Deadpool 2.”  Her death occurred not long after stuntman John Bernecker perished in a fall on the set of “The Walking Dead.” Even though CGI technology would not have saved Harris or Bernecker, their deaths have re-ignited a controversy that began surfacing almost 20 years ago, and it is more bewildering now that it was then. Moreover, it will only get worse.

The question: Does it make sense—and is it ethical—to endanger human beings in filmed stunts when they can be accomplished using computer technology?

Interestingly, a case could be made that movie stunts are safer than ever. Bernecker’s death represented the first stunt-related fatality in the US since 2002 (Harris’s death was in a Canada shoot.) This represents great progress from the wild and woolly days of cinema’s pioneers, when actors like Douglas Fairbanks performed insane stunts for stunned moviegoers, and maniacal directors like D.W. Griffith bullied actors into taking life-threatening risks. For example. in this famous sequence, Lillian Gish waited for actor Richard Barthelmess to rescue her from a real ice flow that was on its way over a real waterfall as a frozen river broke up:

Many actors have died, and in the modern age when few stars are allowed to do dangerous stunts (one exception is Tom Cruise,  who broke his ankle last month roof-jumping on the set of “Mission: Impossible 6”), many stunt performers as well.  From 1980 to 1990, 40 stunt-related deaths occurred in the US. Computer technology has made the stunts safer, but if real people aren’t placing their bodies at risk, movies just aren’t as exciting….or profitable.

“It’s a terribly fine line when it comes to guaranteeing safety, because in reality there is no guarantee,” says Andy Armstrong, who has done stunt coordination for “The Amazing Spider-Man,” “Thor,” “Planet of the Apes” and “Total Recall.” “If these stunts were common, you wouldn’t want it in the movie. So you’re invariably asking someone to do something outside the box, which is where it becomes so difficult to regulate.”

Now dramatic improvements in the technology make an ethics examination unavoidable. “When CGI first came about, stunt people thought, ‘that’s the end of our business, everyone’s going to be replaced by computers’,” Armstrong says. “That hasn’t happened, because there’s still a certain authenticity to seeing a real human do something.” Yes, but at what cost? Is that authenticity worth the inevitable deaths of human beings?

Movie artists say yes, and stunt performers don’t want to be put out of business. As with pro football, the beneficiaries of proposals to eliminate the deadly risks in their profession don’t want to be saved. Continue reading →

Morning Ethics Warm-Up, 9/6/17: Comey’s Premature Draft, Obama’s Golden Rule Breach, Newspapers “Protecting Us,”And Thank-You, Boston Red Sox

/ Jack Marshall / 12 Comments

 

1 I want to sincerely thank the Boston Red Sox for giving me, the sole baseball ethicist on the web who also devotes a disturbing amount of his time, energy and passion to following the team, the challenge and opportunity to address a major cheating scandal involving the organization and institution I love. Seriously, guys, thank you. This is exactly what I needed to face after staying up past 1 AM watching the Sox pull out a 19 inning, 6 hour game on Hanley Ramirez’s bloop single to center.

I’ll cover the issue in the next post. Ugh.

2. Ironically, just as the anti-Trump news media was hyperventilating over the fact that the Special Counsel was examining a draft letter by the President regarding his reasons for firing James Comey (draft letters have minimal probative value if any, but you know: Trump), it came to light that in May of 2016, Comey had drafted a statement declining to charge Hillary Clinton or her staff in the State Department e-mail scandal, months before key witnesses (like Clinton herself) had been interviewed or much of the evidence had been reviewed. President Trump, of course, tweeted that this proved there was a “rigged process,” but Comey’s draft is no more incriminating that Trump’s draft. (Now, Loretta Lynch’s meeting with Bill Clinton might suggest a rigged process, but that’s another story.)

Supreme Court Justices have drafted opinions before oral argument; that doesn’t mean they can’t change their minds. It is certainly odd that Comey would have drafted a statement that Clinton would not be indicted so long before the investigation was completed. It is odder still that Hillary’s interview was not under oath, that it wasn’t videotaped, that there was no transcript, and that she was allowed to have representing her as an attorney at the session a top aide who was also a potential witness.

Professor Turley, in a column at The Hill, agrees that the early draft doesn’t implicate the integrity of the investigation, but raises a related issue:

While I am inclined to accept assurances from Comey that he did not finally decide on charges until after reviewing all of the evidence, the details from the Clinton investigation hardly support a view of a robust and dogged effort in comparison to the type of investigation of people like Paul Manafort.

In pursuing Manafort, special counsel Robert Mueller has now enlisted an army of investigators, reached a cooperative relationship with staunch Trump critic New York Attorney General Eric Schneiderman, and actively pursued tax and financial dealings far afield of the original Russian collusion allegations. He also ordered a heavy-handed (and unnecessary) “no knock” search in the middle of the night on Manafort’s home.

The Clinton investigation looks like Club Fed in comparison. Clinton and her staff refused to cooperate with State Department investigators seeking confirm any damage to national security. Key laptops were withheld and only turned over after Comey’s staff agreed to destroy the computers after their review, despite the relevance of the evidence to congressional investigations. Comey then cut five immunity deals with key Clinton staff members, including former State Department staffer, Bryan Pagliano, who set up a server in Clinton’s home in Chappaqua, N.Y., and worked for her at the State Department.

Pagliano refused to cooperate after invoking his Fifth Amendment right against self-incrimination and destroyed evidence after being given a preservation order. Those deals raised the concern over a type of prosecutorial planned obsolescence, making a viable case less likely.

The amusing part is that all of this circles back to Comey’s firing, which was justified by his handling of the Clinton investigation regardless of any other factors.

3. The New York Times today reviews a festival play called “___hole.” That’s not really the title, however, although “___hole” was printed twice as the play title before the Times made this clear. A comment by the reviewer noted that the real title couldn’t “get past the editors.” Continue reading →