Arts & Entertainment

Speaking Of Doing The Right Thing For Unethical Reasons, TV Land Has Pulled “The Dukes of Hazzard”

/ Jack Marshall / 42 Comments
Wait, there's a CAR in this photo?

Wait, there’s a CAR in this photo?

You know, I think I’m as sensitive as anyone (sane) to nascent racism, and yet somehow I missed the fact, when in my youth I would watch  TV’s “The Dukes of Hazzard” for an average of six minutes before thinking, “BOY is this dumb!” and change the channel lest my IQ be permanently lowered, that the show was a KKK product. That’s because there was nothing vaguely racist or even Confederacy-ish about the show, except the flag design on the fictional super-car the good ol’ Duke boys drove, “The General Lee,” named after a historical figure who, you will recall, was a Confederate general. What would you expect a car called the General Lee to have on its roof, the Portuguese flag?

Never mind. TV Land, the cable channel that celebrates TV shows so old that they provoke mid-life crises by their very existence, just decided to join the political correctness purge that has the Park Service representing at its battlefields that the Union prevailed over a mysterious foe Which Cannot Be Named, and which definitely had no flag to fight for. It has pulled “The Dukes of Hazzard” from its schedule….not because it is trash and no more worthy of preservation for future generations than less popular stinkers like “It’s About Time,” “Pink Lady and Jeff,” “Mr. Terrific” or “Hart to Hart,” but because of the design on the roof of the car.

As a self-appointed guardian of pop culture history, TV Land is obligated to resist such efforts at whitewashing, which I assume will also claim every Norman Lear show (You think you are a progressive, Norman? HA! You’re a racist who dealt in toxic stereotypes!!!) like “The Jeffersons,” “Sanford and Son,” and “Good Times.” Ah, but #blackhypersensitivitymatters, you know, a lot more than letting people watch Catherine Bach in her shorts. Continue reading →

This Is NBC: With All The Ethical Reasons To Fire Donald Trump, It Picks An Unethical One

/ Jack Marshall / 19 Comments
Dignity...always dignity.

Dignity…always dignity.

It has happened here with Bill Clinton, Bristol Palin, and many others: this is the downside of running a website committed to fairness. I have had to come to the defense of some very unethical people through the years, but I can’t think of anyone I detest defending more than Donald Trump.

From the AP:

“NBC said Monday that it is ending its business relationship with mogul and GOP presidential candidate Donald Trump because of comments he made about Mexican immigrants during the announcement of his campaign.”

Let me count the lies:

1. Anyone, including AP, who believes this is why NBC fired Trump is too gullible to function in society. He was fired because Mexico, Univision and illegal immigration advocates were threatening to make NBC’s life miserable. If what Trump said mattered to NBC, NBC would have fired him shortly after he said it.

2. Trump said nothing about Mexican immigrants. His much-maligned quote discussed illegal immigrants from Mexico “bringing drugs, they’re bringing crime, they’re rapists and some, I assume, are good people.”  The unethical and dishonest effort by the news media to confuse the immigration issue and the crucial, material distinction between legal immigrants, whom the nation should welcome, and illegal immigrants, which it should not and must not, is more harmful than anything Trump has said on the topic.

3. The statement is deceitfully phrased to represent what Trump said as a slur on Mexicans, as a racist statement. Trump was talking about, in his typically lazy, crude fashion, our national problem of  unchecked illegals streaming across the Southern border, and the undeniable fact that this group includes criminals and rapists (like here, here, here…how many examples do you want?), as well as “good people.” Trump obviously wasn’t claiming that all illegal immigrants were criminals and rapists, because that would mean that some of the criminals and rapists would also have to be “good people.” But Mexico, which counts on us to solve their social problems for it, and illegal alien activists, who don’t want Americans to know that many of those sneaking into our country are not the salt of the earth, but quite the opposite, have successfully imposed a political correctness embargo on speaking the unpleasant truth.

Now on to the hypocrisy. NBC firing Trump is not just a little like, but almost EXACTLY THE SAME AS A&E firing Duck Dynasty’s scion Phil Robertson for public statements that were completely consistent with the reality star’s persona as A&E understood from the moment it inked a contract with him. The same is true of Trump’s trademark bluntness. The one difference: Robertson’s homophobic statements were blunt and ignorant, while Trumps statements about illegal immigrant were blunt and true. Continue reading →

Wait, Should I Change The Name Of “The Niggardly Principles” To “The Pachycephalosaurus Principles”?

/ Jack Marshall / 29 Comments

Pachycephalosaurus

Are P.C. crazies attacking “Jurassic World” for using for the supposedly racist term “packies” in the film? Don’t these fools realize that their argument is even dumber than that of the illiterate clods who briefly got a D.C. government worker disciplined for using the word “niggardly” in a meeting?

Well, no, despite what you may have heard, nobody in the U.S. is that far gone. That hasn’t stopped conservative anti-P,C. warriors from falsely claiming otherwise, though.

“Packie” is a nickname used in the fictional dinosaur park for the Pachycephalosaurus, a dome-skulled creature that was also featured in “The Lost World,” the second “Jurassic Park” sequel. Exactly what else would you call them? Even by the standard of dinosaur names, this is a tough one, and a short, easily pronounceable monicker is both necessary and potentially life-saving. By the time someone has spit out, “Look out! There’s a charging Pachycephalosaurus coming right for you!,” you are mashed, believe me. What’s the alternative, “Phaloses”?  That has its own problems “Pachies” is the obvious and reasonable choice.

Yet because an escape of  these prehistoric things from their enclosures in the theme park causes  one character to shout, “The Packies are out of containment!,” Twitter users, commentators, political correctness fascists and insane people are seriously accusing the film of being “racist” in Great Britain, where “packie” is a racial slur for something or other: I really don’t care. It has nothing to do with the Pachycephalosaurus, dinosaurs, or “Jurassic World.”  Thus the Independent, echoing many Brits on social media, called the line “very racist.” That’s moronic, of course. Continue reading →

The Idiot Effect

/ Jack Marshall / 30 Comments
Or would you prefer, "The Old Man and the Sea"?

Or would you prefer, “The Old Man and the Sea”?

Last night, in a rash moment, my wife and I used pay-per-view last night to watch a film called “The Lazarus Effect.” The “effect” seems to be that when you use an experimental medical procedure to bring someone recently deceased back from death, what arrives is not the same person but an altered, super-powered mutation FROM HELL!!!! The movie wasn’t terrible as mad experiments gone horribly wrong films go,  but what was immediately impressive about it was its length: the thing was running credits before an hour and fifteen minutes was up.

That’s a movie? In the Sixties and Seventies there were weekly TV dramas longer than that even if you didn’t count the commercials.

Recent studies have documented the diminishing attention span of the average American, with the young leading the way. The reasons for this are a matter of debate, but there is no doubt that the news media, entertainment industry and the arts are both accommodating this disability and contributing to it. The consequences are dire. Continue reading →

The Oxon Hill High School “Art Display” Controversy

/ Jack Marshall / 19 Comments

oxenhill ART

Oxon Hill (Maryland) High School allowed a display of student art to remain in the school’s rotunda for most of May. Some students and teachers said the display was “cathartic;” the Washington Post called it “an embodiment of the angst and anger” students felt “when police violence made national headlines.” “Young black males: the new endangered species,” read a placard; next to it was a cutout painted to look like a police officer with white skin reading a newspaper with obituaries of black men killed by law enforcement officers. Next to that was another silhouette painted black, depicting a black man with hands raised wearing a T-shirt with holes in it. “Blood” dripped  from the eight bullet holes, forming the stripes of an upside-down American flag.

Last week,  after a photo of the thing was posted  on Facebook and recieved criticsm there and on some conservative websites, school officials decided to remove the display. A spokeswoman for Prince George’s County Public Schools said the decision was made to protect the school and students. But those pesky students installed a new display consisting of two wooden coffins amidst flower petals, with headstones reading, “HERE LIES OUR FREEDOM OF SPEECH” and “HERE LIES OUR FREEDOM OF EXPRESSION.” They then tweeted messages with the hashtag #donttakeitdown and collected nearly 1,500 signatures on a petition demanding a statement of solidarity from the school board.

Isn’t self-righteous ignorance grand? Not only should the display have been removed, it should have never gone up in the first place, since it continues to spread a virulent and divisive lie (nobody was shot eight times with his hands up), while encouraging racial distrust and hatred. Continue reading →

Ethics Quiz: The Obamas’ “Private Party”

/ Jack Marshall / 60 Comments

prince

President Obama and his wife, Michelle invited about 500 guests to a White House party where pop icons Prince and Stevie Wonder entertained guests. Among the guests were Al Sharpton, Seattle Seahawks quarterback Russell Wilson and his date, singer Ciara, Jon Bon Jovi, James Taylor, Tyler Perry, Connie Britton, Angela Bassett, Gayle King, Tracee Ellis Ross, fashion designer Naeem Kha, American Express exec Ken Chenault,  former Attorney General Eric Holder, Education Secretary Arne Duncan and National Security Adviser Susan Rice, as well as about 480 others of doubtlessly equal glitter who didn’t squeal about the blow-out on Twitter or Instagram or who weren’t mentioned by other guests who did.

The party was not mentioned on the President’s official schedule, and it almost managed to occur without publicity until the White House news briefing on Monday afternoon, when Josh Earnest was grilled about it. The White House spokesman said two interesting things, one audacious in its blatant dishonesty and Orwellian logic, and the other ….interesting. The first:

“I think the fact that we’re talking about a private event and the fact that details of this are known is an indication that the president is committed to being transparent. At the same time, the president and first lady are going to reserve the right to host private parties at the White House, and they did it on their own dime.”

Further proving how transparent the President was, Earnest announced that no guest list would be provided to the press or the public. Now that’s transparency. The other statement:

[T]”he President and First Lady are going to reserve the right to host private parties at the White House, and they did it on their own dime. I think that’s consistent with the kinds of values that they have talked about.”

Your Ethics Alarms Ethics Quiz of the Day:

“Are there any ethical problems with the Obama’s “private party”?

Continue reading →

Good, I Can Scratch That Off My Ethics Mysteries List: Han Shot First After All!

/ Jack Marshall / 51 Comments

Star Wars Bar Script

Peter Mayhew, a.k.a. Chewbacca the Wookie, has released to the internet the page from his original Star Wars script that answers the crucial ethics dilemma discussed on Ethics Alarms in 2012.

As it seemed when we all first saw the film, Han Solo shot the porcupine fish-headed space-thug Greedo with a blaster before being fired upon, and I have no problem with that at all. It was self defense.

Nonetheless, a large group of activists, led by Greedo’s family’s lawyer and whipped into a frenzy by cable TV, demonstrated and protested based on a bar patron’s false report that Greedo had his hands up at the time. Luckily, the film proved this was false, though “Hands up! Don’t blast!” survived as a provocative refrain.

________________________

Pointer and Spark: Tim LeVier

“The Longest Day,” Darryl F. Zanuck, D-Day, And Us

/ Jack Marshall / 97 Comments

title_longest_day_bluray

Today is June 6, the anniversary of the Allies’ invasion of Normandy, the audacious military strike that changed the course of history. I’ll be interested in seeing how it’s commemorated this year, 71 years later, especially by the news media. A lot of Americans under the age of 40 know almost nothing about it, or worse, the values it represents to the United States.

Fortunately, there is an easy and entertaining way to teach a young American about what happened on this day 71 years ago. That is to have him or her watch “The Longest Day,” producer Darryl F. Zanuck’s epic film based closely on historian (and sole credited screenwriter) Cornelius Ryan’s 1959 book. (You can get it at Amazon, here.)I usually find understanding military battles nearly impossible; written accounts completely confound me, and few movies about any battle make a serious effort to explain the tactics and strategy without reducing the facts to pablum. (I remember how much my father, who fought in the Battle of the Bulge, detested the big budget movie of the same name, which he found outrageously sloppy, and which he summarized as “Henry Fonda won the war.”)

Not “The Longest Day,” however. Since seeing the movie with my father as a kid, I have learned a lot about what was left out, but the movie is remarkably clear and accurate about what happened and why without being either too detailed or too simplistic. It’s also just a great, inspiring movie.

That we have “The Longest Day” is entirely due to the courage of one of Hollywood’s most dynamic, flamboyant and successful studio moguls, Darryl F. Zanuck. The original producer of the adaptation of Ryan’s book (which is terrific ) gave up on the project when 20th Century Fox refused to allow him an adequate budget. Zanuck, who was still producing films but no longer ran the studio he had built,  bought the rights, and was determined to do the story, the event, and the men who fought the battle justice by mounting a production almost as ambitious as the invasion itself. Continue reading →

Ethics Dunce Update: See, Jason, This Is Why We Need An Ethics Alarm…

/ Jack Marshall / 10 Comments

 Too little, too late.

george03Jason Alexander has just responded to his agent’s and publicist’s frantic texts with a tweeted apology for his disreputable and needless swipe at an out-of-work actress now plucking ukuleles for a living…and not even in Hawaii.

He feels officially awful, he says. Her inability to play scenes with him and the other cast members wasn’t really the reason she was killed off on the show. It was all Jason’s insecurity, he says. Everybody “really liked and like Heidi…she is a kind, lovely person” he says. In show business, screwing over people you like and humiliating lovely people who make about 1% of what you do is just what stars do…wait, no he didn’t exactly say that.

He also says this: “But in telling this story, it sounds like we are putting a heavy burden on Heidi. I, personally, am not.”

Hmmmm. Interesting “personally.” As in the comments to Stern, Alexander is again implying that it wasn’t his fault that the actress got dumped and sent to hula hell. But Jason: you told the story humiliating her on the air. You. Nobody else.

Finally, Alexander tries to shift blame to the news media:

“So, to all the press that is now running wild with this 15-year-old story, please don’t pervert it.“

“George,” you, not anyone else, you, told the 15 year-old story. The story now is what a jerk you were on Stern’s show. That story is new, and you just added to it, because this “apology” makes you seem like even more of a jerk. Yes, there’s a nice “I personally apologize” to Heidi. It doesn’t matter. The harm was done, and can’t be undone, and many of us, like me, have a hard time believing that this mea culpa is anything but PR repair work. For her career, dignity and reputation, no repair is possible.

You want to make amends? Have your agent find her an acting gig.

Ethics Dunce: Actor and Ex-“George” Jason Alexander

/ Jack Marshall / 11 Comments

susan-ross

The gag on “Seinfeld” was that all four of the main characters (and most everyone else, too) were selfish, neurotic, essentially horrible people. Michael Richards signaled that he might have been channeling his inner creep into “Kramer” when he had a spontaneous racist meltdown during a stand-up gig, effectively destroying his career. Now we have learned what a mean-spirited, gratuitously cruel jerk Jason Alexander is. And I always thought it was just the fact that he was playing mean-spirited, gratuitously cruel jerk Larry David as “George Costanza.”

The “Seinfeld” episode in which George’s rich, odd fiancee Susan Ross died by licking too many cheap wedding invitation envelopes has always been controversial, as many critics and fans felt that it caused the show’s characters to cross over the line from endearingly strange and self-involved to outright despicable—especially George, who received the news of her death with thinly veiled relief.

In an interview with a genuinely despicable individual, Howard Stern, Jason Alexander, previously “George Costanza,” was asked by Stern how Susan’s sudden death became an episode.

“This poor girl,” Alexander said, chuckling.  “The actress is this wonderful girl, Ms. [Heidi] Swedberg… I love her. She’s a terrific girl. I love her. I couldn’t figure out how to play off of her.”

Stern: “You’re being kind.”

“No,” said Alexander, meaning “Yes.”  “Her instincts for doing a scene — where the comedy was — and mine were always misfiring.”

Alexander went on to say that his castmates told him he was being unfair until they had to play scenes with Swedberg. “Finally, they do an episode where Elaine and Jerry have a lot of material with her,” Alexander said. According to Alexander, Julia Louis-Dreyfus and Seinfeld concurred afterward that it was ” fucking impossible” to play off of her.

Alexander then fingered the actor who sealed “Susan’s” doom.  “Julia Louis-Dreyfus (“Elaine”) actually said, ‘I know — don’t you just wanna kill her?’” “Seinfeld” co-creator and writer Larry David then agreed to execution by envelope.

“Every time I tell this story I cringe,” Alexander said, “because Heidi is the sweetest.”

In a career turn that sounds like a  punchline, Swedberg now lives by teaching the ukulele and leading her own ukulele band.

Alexander, not to be excessively harsh, is scum. Continue reading →