Arts & Entertainment

The Michel Martin Question I Didn’t Answer This Morning, and More On The Bill Cosby Scandal

/ Jack Marshall / 9 Comments

On pointIn the segment on “Beverly Johnson And The Bill Cosby Scandal” I just completed for NPR’s “On Point” program, out of Boston with the magnificent Michel Martin hosting, I emulated the Sunday morning talk show guests I so revile for answering questions by making their own points that have little or no relevance to what was asked. Michel asked me, as the time left in the hour-long program was ticking down, what ethical obligations consumers—that is, the audience for his concerts, TV shows and albums—have regarding Cosby, in light of the rape allegations against him.

I was still stunned by the comments made by three callers, encompassing several ethically confused assertions that you know I would find annoying:

  • That the victims should not be coming forward so late;
  • That Cosby is “innocent until proven guilty” (GRRRRR…);
  • That it’s “easy” for women to make unsubstantiated allegations against celebrities, and
  • That there is a parallel between the allegations against Cosby and the Rolling Stone campus rape story.

That last one especially had my head threatening to explode, which would not be good for my relationship with NPR, so I think I can be forgiven for missing Michel’s query. Yes, the UVA rape allegation is exactly like the Cosby scandal, other than the fact that the accusers in Cosby’s case have come forward publicly while “Jackie” has not; that its two dozen (so far) alleged victims for Cosby and one in the UVA case; that one situation is a classic example of abuse of power, wealth and influence and the other is not; that Cosby settled one claim rather than air the allegations in a court of law; and that virtually every part of “Jackie” claim has failed to hold  up under scrutiny and investigation, whereas Cosby, the one individual who could offer evidence to counter the allegations against him, has done nothing but have spokesmen and lawyers issue blanket protests and denials.

Yup. Identical.

My answer to Michel should have been this:

“It’s up to Cosby fans, If they still can still laugh and cheer at Cosby’s nice guy schtick and “America’s Dad” persona knowing that he’s a serial rapist, fine: laughter is good, get it where you can. Personally, I can’t laugh at someone whom I know has engaged in horrific acts, hurt women who admired and trusted them, and by his own conduct left another cultural hero lying face-down in the mud. I can’t forgive it, I can’t get past it, and I’m certainly not going to keep laughing. this is no different from the NFL fans who keep wearing Ray Rice jerseys, or for that matter, Democratic women who continue to swoon over Bill Clinton. If they do, they either:

  • Can’t get over their cognitive dissonance, and at some level refuse to believe what cannot be rationally denied, or…
  • Don’t think the conduct involved—punching women, exploiting women, raping women—is worth getting upset about, or…
  • Buy the absurd personal/public dichotomy, and can still cheer wife-beatering athletes, star-struck intern-exploiting leaders, and raping comedians.

All of these are sad and impossible to justify, but they are common. Does the continued support of a Cosby ratify his conduct? Not in the eyes of his undeterred fans, but in the culture? Of course it does. If Bill Cosby’s career escapes relatively unscathed by this, and he is not held accountable by society, the verdict of the culture will be a particularly extreme version of The King’s Pass: if you are rich enough, powerful enough and seen as contributing enough to society, then you will be held to a lower standard, and can get away with, if not murder, serial rape.”

Continue reading →

Scheduling Note: Cosby, Michel Martin, NPR, and Me

/ Jack Marshall / 2 Comments
Beverly Johnson

Beverly Johnson

Beverly Johnson, the super-model whose Vanity Fair article about being drugged by Bill Cosby decades ago when she was summoned for an “audition,” will be a guest on the Boston NPR station, WBUR, as former “Tell Me More” host Michel Martin stands in. After Johnson, a panel will discuss various issues legal, ethical and cultural about the Cosby allegations, and I’m on it, along with Renee Graham, music and pop culture critic for NPR’s Here & Now. Op-ed contributor at the Boston Globe, and Debra Katz, partner at the law firm Katz, Marshall and Banks. You can catch up on some of the ethical implications of the Cosby mess here, and some more details about the show here. If you can get the show on the radio or web, you’ll hear it at 10 AM, E.S.T.,  this morning.
Continue reading →

Ethics Quote Of The Month: Aaron Sorkin

/ Jack Marshall / 12 Comments

“You want the truth? Well, you can’t have the truth because I’ve decided that it isn’t newsworthy!”

“I understand that news outlets routinely use stolen information. That’s how we got the Pentagon Papers, to use an oft-used argument. But there is nothing in these documents remotely rising to the level of public interest of the information found in the Pentagon Papers. Do the emails contain any information about Sony breaking the law? No. Misleading the public? No. Acting in direct harm to customers, the way the tobacco companies or Enron did? No. Is there even one sentence in one private email that was stolen that even hints at wrongdoing of any kind? Anything that can help, inform or protect anyone? The co-editor in chief of Variety tells us he decided that the leaks were — to use his word — “newsworthy.” I’m dying to ask him what part of the studio’s post-production notes on Cameron Crowe’s new project is newsworthy. So newsworthy that it’s worth carrying out the wishes of people who’ve said they’re going to murder families and who have so far done everything they’ve threatened to do. Newsworthy. As the character Inigo Montoya said in “The Princess Bride,” I do not think it means what you think it means.”

—-Acclaimed screenwriter, playwright and Hollywood liberal Aaron Sorkin, reprimanding the news media  for publishing material from the Sony computer hacks in an Op-Ed in the New York Times.

There are many other titles for this post I considered, like “Jaw-dropping Hypocrisy of the Month,” “Self-serving Delusion of the Month,” and “This Is The Tragedy of Partisan Delusion: Won’t You Give Generously To Help Aaron”?

I’ve got to give the man credit: it takes world class gall for to write something like this self-serving for international consumption. Self-righteous, Freedom of the Press-promoting (Sorkin is the creator and writer of “The Newsroom” series on cable) Hollywood liberals applauded and screamed for blood when a near-senile billionaire’s private comments made in his own bedroom were surreptitiously recorded by his paid female mistress and plastered all over the media, because the private, private, private words suggested that he held racist attitudes, and no matter what he actually did (which was sufficient to be named an NAACP “man of the Year,” a distinction Aaron Sorkin has never earned),  that meant that he had to be publicly humiliated, fined millions and stripped of his business. We didn’t hear Sorkin protesting that this wasn’t newsworthy. Nor did the Sorkins of an earlier generation protest when the very same newspaper carrying his essay published criminally stolen Defense Department documents that, whatever was contained in them, were part of a sincere effort to win a war. Continue reading →

Reminder: It’s A Wonderful Ethics Movie!

/ Jack Marshall / 13 Comments

It's_a_Wonderful_Life

I’m watching “It’s A Wonderful Life,” Frank Capra’s ultimate ethics movie. Don’t forget to review its ethics dilemmas, conflicts and conundrums with the handy

Ethics Alarms Complete “It’s A Wonderful Life” Ethics Guide.

Vice President Biden May Be A Boob, A Hypocrite And An Ethics Dunce, But He Understands The American Culture Better Than Most Of His Party

/ Jack Marshall / 20 Comments

I’m late to the blog today, because I spent it giving a special program for the Smithsonian Associates called  “From Stagecoach to Django Unchained: The Hollywood Western and Its Influence on American Values, Aspirations and Culture.” It consisted of me talking, a terrific Powerpoint presentation by the gifted Grace Marshall, and almost three hours of clips from classic Westerns—the whole session was five hours. My primary message is that anyone who is not literate  regarding the Hollywood Western really doesn’t understand the myths and archetypes that powerfully influence U.S. culture to this day. Within that “anyone” are the majority of pundits and journalists, a large percentage of citizens under 50, and the vast majority of women and minorities. This is a problem.

For example, no one can consider the vast influence of the Western genre on American culture and be the least bit surprised that gun control has an uphill battle with the American public. No other culture has as its primary source of heroes, legends and lore figures and events so dependent on firearms as a means to right wrongs, protect the innocent, and punish evil. Frankly, if a pundit doesn’t understand why John Wayne (who died in 1979) just set a Harris poll record by being included in its annual list of top ten most popular movie actors for twenty consecutive years, from 1994 to 2014, I don’t think they can comprehend the nation sufficiently to opine on it.

Joe Biden, however, understands. I have been critical of Joe, as he is frequently an embarrassment, and there was a lot wrong with his comments today as he was honored with the “Voice of Solidarity” award by Vital Voices, a women’s rights charity, at their event celebrating “men who combat violence against women.” Still, Biden proved that whether he knows it or not, he is more atuned to U.S. culture than most of his colleagues. He deserves credit for that, if nothing else.

You see, Biden told a fascinating personal anecdote from his childhood. He related:

“I remember coming back from Mass on Sunday Always the big treat was, we’d stop at the donut shop…We’d get donuts, and my dad would wait in the car. As I was coming out, my sister tugged on me and said, ‘That’s the boy who kicked me off my bicycle.’ So I went home—we only lived about a quarter mile away—and I got on my bicycle and rode back, and he was in the donut shop.”

Biden said the the boy was in a physically vulnerable position,“leaning down on one of those slanted counters,” so he took immediate advantage:

“I walked up behind him and smashed his head next to the counter.His father grabbed me, and I looked at his son and said, ‘If you ever touch my sister again, I’ll come back here again and I’ll kill your son.’ Now, that was a euphemism. I thought I was really, really in trouble… My father never once raised his hand to any one of his children—never once—and I thought I was in trouble. He pulled me aside and said, ‘Joey, you shouldn’t do that, but I’m proud of you, son.’”

The lesson, Biden said, was that one should to “speak up and speak out” to correct wrongdoings. Like much of what come out of Biden’s mouth, this was nonsense in the context of his own story, and was not what the lesson was at all. The lesson was that force, punishment, violence and intimidation is sometimes necessary to stop bullying, discourage misconduct, protect the innocent and vulnerable,  set standards, and give more than lip service to core values. Little Joey Biden didn’t “speak up”: he bashed a bully’s head and threatened to kill him. Apparently it worked, too. America, Americans, the culture and our history—as well as the Duke–have long believed that sometimes violence is necessary to stop violence, and send important messages, and can therefore be virtuous and ethical.  Biden understood that when he was ten, and somewhere deep in that mess of mush he calls a mind, he understands that now. Continue reading →

Unethical (and Cynical) Donation Of The Year: The St. Louis Rams’ Forgiveness Bribe To The Backstoppers

/ Jack Marshall / 31 Comments
"Agreed, then: you can call us racist murderers, as long as you keep the donations coming...."

“Agreed, then: you can call us racist murderers, as long as you keep the donations coming….”

Let us be undiplomaticly clear about what the five St. Louis Rams players did when they came onto the field at the start of a Monday Night Football games with their hands in the air like the fictional, idealized, sanitized, imaginary and politically useful version of Michael Brown—you know: the angelic young college-bound African-American male who did nothing whatsoever to cause the circumstances of his own death.

The players were saying, on national television, with millions of people watching, that Officer Darren Wilson executed Mike Brown in cold blood; that the St. Louis police do such things, want to do such things, and will do such things, because they routinely target young black men for harm; and that police generally, around the nation, are virulent racists. That’s what the gesture meant, and that is what it was devised to convey. Continue reading →

On Peter Pan, Pippi Longstocking, And Ethics Of Applying Political Correctness To Art And Literature

/ Jack Marshall / 33 Comments

Cultural events earlier this month brought to light, on two continents, the problem of maintaining the integrity of art and literature under the onslaught of political correctness.

In Sweden, a controversy has erupted over the re-broadcast of a 1969 television adaptation of the Pippi Longstocking books, the children’s classics authored by Astrid Lindgren. The Swedish national TV station, SVT, announced that it is revising a scene from the 1969 television series about Pippi  which she says her father is “king of the Negroes,”a direct quote from one of the stories. Believe it or not, this has set off a contentious national debate.

The family has approved the station’s  desire to change the TV version, but is keeping the term in future editions of the books. In 2006, the family added a preface explaining that today, the word is considered “offensive,” but that when the books first appeared, “Negro was a common expression for people with black skin who lived in other parts of the world than ours.” That’s a sensible solution. Period and context is important in art and literature: the urge by some to constantly purge the world of any reference, word or attitude in past creations that seem out of place now leads to a form of cultural self-lobotomy. Erik Helmerson, a columnist at Dagens Nyheter, an influential Stockholm newspaper, called the changes a form of censorship. “I’m very sensitive to the fact that people are offended by the N word,” he said in an interview. “I’d never use it myself.” He even called revising the TV series  “a huge interference into freedom of speech.”  “Where do we draw the line? What do we cut and what do we keep? Who should decide? Who needs to be offended before we cut a word?” Continue reading →

Getting Eaten Alive By A Really Big Snake Ethics: The Rest Of The Story

/ Jack Marshall / 18 Comments
My guess: Paul tastes like chicken...

My guess: Paul tastes like chicken…

When we left naturalist and filmmaker Paul Rosolie, we were told that he journeyed  to the Amazon, donned a special suit, slathered himself in pigs’ blood, and allowed himself to be swallowed whole by an anaconda on “Eaten Alive,” in a two-hour special produced by  the Discovery Channel that would air December 7.  Rosolie would be removed from the snake by a cord attached to his suit, presumably before he was digested. Animal rights groups and zoologists objected, quite accurately, that this was cruelty to animals for sport.

What did viewers see on December 7? (I’m sorry: my sock drawer desperately needed organizing that day. I’m basing this on published accounts.) Rosolie found an appropriately large and hungry  snake and attracted its attention in the water. The 20-feet long reptile attacked, wrapped around him and then began to constrict. Then the snake started to try to eat the naturalist head first:  Rosolie’s helmet camera provided a lovely shot of  the anaconda’s gaping throat.

At that point, Rosolie did a terrific imitation of Gene Wilder as “Young Frankenstein” after he had himself locked in a room with the Monster with instructions that nobody should let him out no matter how much he begged. (“Let me out! Let me OUT OF HERE!!! GET ME THE HELL OUT OF HERE!!!….Mommy!” ) Rosalie’s team rushed in and pulled him away, disappointing the snake. Continue reading →

Signature Significance Verdict: Lena Dunham Is An Awful Human Being

/ Jack Marshall / 21 Comments

 UPDATED!

Yechh.

Yechh.

If her boasting about abusing her little sister in her memoir wasn’t enough, Lena Dunham’s revealed conduct regarding “Barry” in the same tome rings the signature significance bell. No human being with a sufficient amount of decency would do something like this, even once.

In case you have not followed the latest ethics scandal involving the over-praised creator and star of HBO’s “Girls,” what occurred is this:

In one chapter of Dunham’s memoir “Not That Kind of Girl,” the feminist actress describes as factual an episode of sexual assault or rape that she says she experienced while an undergraduate at Oberlin. Her assailant was a well-known campus “Republican,” she says, a conservative whom she refers to as Barry—without the conventional quotes that would indicate a pseudonym.

There was, as it happens,  a real Oberlin college graduate from the same period named Barry, then well-known as a conservative, which then as now, is a species about as common at Oberlin as velociraptors. Besides his name and campus reputation, Barry fit some of the other details given by Dunham, such as wearing cowboy boots and sporting a flamboyant mustache. Now the 28-year-old man (the same age as Dunham)  is being tarred as a rapist, and has been forced to take down his social media accounts. He has hired a lawyer named Aaron Minc, with the help of donations from GoFundMe to help pay his legal fees, and has promised that any money he receives from the suit exceeding legal fees will go to charities assisting survivors of rape and sexual assault.

Dunham has not had the courage or decency to say anything, to or about Barry. But yesterday Random House did, in an extraordinary statement and admission: Continue reading →

Ethics Dunce: George Stevens, Jr.

/ Jack Marshall / 6 Comments

Abuse of power, abuse of position, disrespect, unfairness and old-fashioned pettiness—these are just some of the ethics fouls the Kennedy Center’s George Stevens, Jr. committed during the 37th Kennedy Center Honors program last night in Washington, D.C.

“Take this job and shove it” is a pleasing anthem of the abused and disaffected in the workforce, but acting on the sentiment is usually a bad idea, and in some cases, like this one, a terrible idea. The Kennedy Center Honors program was Stevens’ baby from its inception nearly two decades ago, a gala honoring the greats of American culture with a star-studded stage show attended by the glitterati of Washington and Hollywood. Through his skill and showmanship—it runs in his family: he is the son of the great Hollywood director George Stevens, who directed “Shane,” among other classics–he had made the annual event an institution. The awards were considered the official confirmation of icon status, and the program was one of the few culture-related presentations remaining that was deemed worthy of a yearly network telecast. Apparently, Stevens felt that he made the Honors what they were, so he had the right to warp it to his own selfish ends.

Kennedy Center Chairman David Rubenstein thanked the audience for its support, and then, in a gesture unchanged from past years, thanked producers George Stevens Jr. This time, however, instead of waving from the audience as in past years, Stevens came on stage and announced that Rubenstein was forcing him out as producer after 37 years. “We accept that this will be our last Honors,” Stevens said. “This is our good night.” It was hardly a spontaneous show of pique, for he had programmed his comments into the teleprompter.

The sour note interrupted the flow of the evening, and cast a pall over the tributes to honorees Lily Tomlin and Sting, which had not yet begun. (The celebrations of the careers of Tom Hanks, ballerina Patricia McBride and soul singer Al Green had been completed.)

Stevens had been engaged in contentious talks with Kennedy Center management, which wanted to move the Honors show in a new direction and sought a fresh creative vision. In a messy split redolent of Jerry Lewis’s divorce from the Annual MS Labor Day Telethon, an aging creator of a cherished tradition was being retired against his will, and felt betrayed.

Jerry Lewis, however, did not crash the telethon to announce his departure.

This kind of petulant and vindictive exit may feel good in the doing, but is always destructive. The victims included the honorees, the audience, and Steven’s own good will and reputation, as well the event itself.  Can this be justified by the momentary satisfaction of telling his foes at the Kennedy Center off, and holding them up for brief, unwanted criticism? Of course not. All this act accomplishes is to make it clear why the leadership of the Kennedy Center concluded that it was time for Stevens to go. This was not the act of a professional nor the act of a gentlemen. It is the act of an egotist, or perhaps that of someone who has stayed too long and through age or complacency forgotten that maxim of both the theater and life, that you always want to leave your audience wanting more.