I’ve Always Said, If You Want To Know The Values of America, You Have To Watch “Family Feud”

Somehow I missed this significant moment, from 2011.

The clip doesn’t show it, I but I’m guessing “STDs” scored higher in the survey than either answer given.

<sigh>

___________________________

Pointer: Jo Ursini (Thanks, Jo!)

Football Fashion, Ethics, and Our Wasteful Consumption

The many fashion choices of the Oregon Ducks...and children are starving in Appalachia.

The many fashion choices of the Oregon Ducks…and children are starving in Appalachia.

On his excellent ethics blog, the Ethics Sage, a.k.a. Dr. Steven Mintz, recently expressed dismay at the increasing trend in college and high school football teams that has them changing uniform designs for no discernible reason, but at significant expense. Focusing on the multiple uniforms used over a season by the Oregon Ducks, he wrote:

“The poverty line threshold in the U.S. ($23,050 for a family of four) is, on a daily basis, about $16 per person per day. If my estimates are close, the cost to outfit the Duck football players for a year is about $48,000, double the poverty level for a family of four and enough to sustain 3,000 people for one day or about 8 people for one year. When you think about the extravagant spending on uniforms by the Ducks, you begin to understand that it reflects a society where glitz and glamor are valued over feeding the hungry — not a pretty picture”

I am not sure what to make of this argument. Is Mintz arguing that the Ducks are ethically obligated to send the money they spend on extravagant uniform diversity to the poor? Isn’t this really just the old “How dare you waste those perfectly good peas when children are starving in Ethiopia?” argument? Realistically , there is no way the university’s football uniform budget is going to be able to help feed the poor. Why pick on the Ducks? He goes on to write, Continue reading

The Shock Jocks and the Suicide: A Moral Luck Cautionary Tale

With every action we take, we're rolling the dice...

With every action we take, we’re rolling the dice…

Jacintha Saldanha, a nurse at the King Edward VII hospital in Great Britain, happened to be the staffer on duty when two Australian disc jockeys made a prank call to the hospital ward where the Duchess of Cambridge was staying for treatment of the symptoms of her recently disclosed pregnancy. The DJs, Mel Greig and Michael Christian,  pretended to be the Queen and Prince Charles, and the gullible nurse discussed the royal patient’s condition with them, violating protocol and security.  Three days later, Saldanha, the 46-year-old mother of two, was found dead of an apparent suicide.

Now the disc jockeys are off the air indefinitely, and being pilloried as virtual murderers in some local media as if Saldanha’s death was a predictable and reasonable outcome of their admittedly irresponsible gag. It wasn’t. Presumably the same people screaming for Gaig’s and Christian’s heads would also be doing so if the nurse had been asked, in the fashion of a gentler, dumber era of phone pranks, if she had Prince Albert (tobacco) in a can (“You do? Then for God’s sake, let him out!”) and killed herself in humiliation. This was not a natural outcome of their juvenile routine. This was an unhinged over-reaction that had to have underlying causes far deeper than a practical joke phone call. The shock jocks were the victims of moral luck, the same phenomenon that leaves a tipsy partier who drives home without incident a respected citizen, but turns a driver who is no more intoxicated and  attended the same party into a community pariah because a careless child ran in front of his car. The two drunk drivers were identical in their conduct. One was lucky. The other was not. Continue reading

Ethics Quiz: Censoring a First Grader’s Poem

No-GodThis is a different kind of ethics quiz, because the question is where the blame for an unethical result lies. The result is clearly wrong, but I am uncertain who or what should be blamed for it.

A first-grade student in North Carolina wrote a Veterans Day poem honoring her grandfather, a Vietnam veteran. She had been selected to read the poem at a November 8 Veterans Day ceremony.   One of the lines was, “He prayed to God for peace, he prayed to God for strength.”

The Horror.

The school forced her to remove the line. Continue reading

Where Is “Mr. C” When We Need Him?

"Sing to me, Mister C!"

Perry in 1993: “Sing to me, Mister C!”

The holiday music is upon us and unavoidable, and one of the recordings that it is annoyingly ubiquitous is Perry Como’s “Home for the Holidays,” though you often hear the Carpenters’ version too. Como was a big TV star in the Sixties— bigger, really, than Andy Williams, who died last month, but who managed to linger in the public consciousness longer. Perry, unlike Andy, never had his “Moon River”—he was just an easy-going, smooth-singing B-list Bing Crosby baritone without the movies,  the comedy, and all the iconic songs, but for a while tuning in to hear “Mr. C” sing the hit ballads of the day was a middle America tradition. As I heard Perry, smooth as ever, sing his one holiday standard, it occurred to me that without that recording, he would be forgotten completely today. Sic Transit Gloria.

Yet Perry Como would still have something to contribute. For example, his last hit record, “It’s Impossible,” could become a useful public anthem to croon to Republicans as we all head over the so-called fiscal cliff.  Here’s Perry:

And here’s what he could croon to the GOP Congress today, changing just a few words:

Irresponsible, take a pledge to never tax, it’s irresponsible!
Irresponsible, and forget about the facts, it’s irresponsible.

Can we pay back all the trillions, and not raise some extra billions?
Cut the budget and not bother with the debt? So irresponsible.

Will Obama make the cuts that must be made? He’s irresponsible.
Does his folly mean you still don’t have to trade? You’re irresponsible.
And tomorrow, when we’re belly-up like Greece, I’m sure you’ll tell us
That your pledge cannot be blamed for what befell us.
You’re a miserable disgrace—and irresponsible.

We miss you, Mr. C.

Comment of the Day: “The Asperger’s Child, the Company With A Heart, and the Cheapskate Parents: A Cynical Ethics Tale”

Death StarFrom new commenter Ron Bishop, a Comment of the Day on the post, The Asperger’s Child, the Company With A Heart, and the Cheapskate Parents: A Cynical Ethics Tale, It is self-explanatory. I would like to know, however, and have asked, what these parents would have done if, after all their son’s toil and planning, the Death Star had cost a hundred dollars or so more than he could raise. Would they have had him ask LEGO for help, or helped him out themselves?

“I believe it’s a real story, because my family has lived a very similar story. My 11 year old with Aspergers Disorder, also a Lego fan and in a social skills group, wanted the $400 Death Star set. Sensing a “learning moment”, I told him, if he saved up the money, he could purchase it. Continue reading

“Liz and Dick,” The Ethics Train Wreck Movie

The real producer behind "Liz and Dick"?

The real producer behind “Liz and Dick”?

There was another movie I watched on TV when I was too sick to move, think, or, in this case, change channels: “Liz and Dick,” the infamous Lifetime Movie Network bio-pic starring Lindsay Lohan. Was it lousy? Sure it was lousy; there was no way such a film could have been anything but lousy. Lousy cable movies, however, are hardly news or uncommon, especially on LMN. Indeed, this one was probably in the upper 25% for the outfit that regular creates starring vehicles for the likes of Erika Eleniak and Kellie Martin. This one, however, was an ethics train wreck quite apart from its aesthetic flaws.

The whole project begins with a lie, albeit a popular and elaborately supported one, which is that Elizabeth Taylor was anything special as an actress. She was not. Taylor parlayed uncommon beauty, public sympathy, and later sexual notoriety into mega-celebrity status that drooling male movie critics disgracefully interpreted as genuine talent. She had a thin, unpleasant and brittle voice that made her already limited range even more so. She couldn’t play comedy, and didn’t have the chops for hard drama either. Continue reading

Ethics Dunce: Rapper and Hip-Hop Music Mogul Ryan Leslie

I wouldn't mess with this guy. No way.

I wouldn’t mess with this guy, Ryan.  No way. But be my guest…

The real mystery for me in this silly scenario is why the rapper would think he could publicly promise a $1 million reward and not have to make good on it. Any rational theories will be received with pleasure.

Ryan Leslie, who has penned a hit song or two and performs as a hip-hop artist himself, had his laptop and external hard-drive stolen while he was on tour in Cologne, Germany two years ago. Apparently he felt that the demos and songs on the equipment had potential, because he offered $20,000 for the laptop and hard-drive’s return. When that didn’t work, he upped the reward to $1 million. A man named Armin Augstein found the computer while walking his dog in a park not far from where the computer had been taken, and he turned it over to German police. When the man claimed his reward, Leslie refused to hand it over, claiming that Augstein must have been involved in the theft, though police found no evidence supporting that allegation. Continue reading

The Ethics Agony of Angus T. Jones

How could such a lucky kid complain?

Angus Jones, the “Half” of CBS’s resilient sitcom “Two and a Half Men, ” is receiving heavy doses of criticism and mockery in entertainment circles (and Blog World, of  course) for being so ungrateful and graceless as to post a YouTube video condemning the very TV show that has made him rich and famous over the last nine years, taking him from childhood to majority. The video was posted by the Alabama-based church Forerunner Chronicles, which apparently Baptized Jones recently. “You cannot be a true God-fearing person and be on a television show like [‘Two and a Half Men’]. I know I can’t. I’m not okay with what I’m learning, what the Bible says, and being on that television show.” He goes on to say,

“I’m on ‘Two and a Half Men’ and I don’t want to be on it. Please stop watching it. Please stop filling your head with filth.”

Is this disloyal and ungrateful conduct toward a show, a cast and employers that have given Jones wealth, celebrity and fame? Undoubtedly. If he had come by this station in life through his own efforts and fully informed choices, I would agree with the Hollywood chorus accusing the 19-year-old of “biting the hand that feeds him.” Jones, however, was indentured to “Two and a Half Men” at the age of ten, which is to say that he had little say in it or his life path so far. His parents, like the parents of most child actors, decided that his innate performing talent was worth a lot of money to them and him, and that this was reason enough to launch him into a field with a century-long track record of turning children into dysfunctional celebrity addicts, often setting them on the road to addiction, isolation, depression, failure, and death. Continue reading

TV Ethics, Viewed From A Sickbed

This isn’t how I look. This guy looks BETTER than I look…

[ As regular readers here might have guessed, I am ill, and have been since Thanksgiving. I can barely read, can’t really research, and whatever appears below was composed in 10 minute increments with hours or days in between. I’m hoping to be catching up very soon. Thank you for your patience]

What do you do when any movement or exertion makes you cough your guts out, when you can’t sleep but have to rest, when your brain is so blurry from viruses and medication that you can’t even compose a blog post for three days? (Sorry.) If you are me, and I hope for your sake that you aren’t, you watch TV.

I got one jolt of legal ethics horror that I hadn’t remembered re-watching Kevin Costner’s “The Untouchables,” directed by Brian DePalma. In the movie’s climax, Al Capone’s trial on income tax evasion has come to a crisis point, as Elliot Ness (Costner) realizes that the jury has been bribed to acquit him. Despite documentation of that fact, the corrupt judge tells Costner that the trial will proceed, whereupon Costner extorts him to prompt “a change of heart.” Now the judge shocks the courtroom by announcing that he is trading juries with another trial next door. The new, un-bribed twelve will decide Capone’s fate.

This is, of course, beyond ridiculous. Adversary attorneys must be able to choose a jury in voir dire, where each potential juror is questioned. Trading juries just invalidates two trials. Even if they could trade juries, which they couldn’t, the Capone trial would obviously have to start all over again since the new jury wouldn’t know what was going on.

None of this occurs to Al Capone’s panicky lawyer, however, who, realizing that the jig is up, announces that “we” are changing “our” plea to “guilty.” Chaos reigns. Capone (Robert DeNiro) punches his lawyer in the face, and I don’t blame him one bit.  A lawyer can’t plead guilty against the wishes of his client! The judge couldn’t accept such a plea, and Capone wouldn’t be bound by it. This would be an embarrassing distortion of the justice system in a Warner Brothers cartoon, but for a movie based on historical figures and events to sink so low is unforgivable. (“Carrie” aside, Brian DePalma was a hack.) Continue reading