Ethics Train Wreck Report: Lessons, Ethical and Otherwise, of the Missoula “Mikado” Mess

Much of my weekend was occupied by reading, writing, thinking, and talking about the bizarre controversy over a community theater production of Gilbert and Sullivan’s “The Mikado,” which, by a series of misunderstandings, misdeeds, hypocrisies and journalistic malpractice, has created much anger and unhappiness for no legitimate reason at all. If you are late to the story and want to catch up, you can do so here, here, here, and here.

For the first and perhaps only time I can honestly say that Ethics Alarms is the most reliable source on a story. There may be plenty of ethicists who are more knowledgeable, scholarly, prudent and experienced than I am regarding ethics theory, but none of them knows this topic—Gilbert and Sullivan and “The Mikado”, like I do. I have 50 years experience performing, directing, studying, parodying and laughing at the works of these Victorian geniuses. The second I read the astoundingly wrong-headed interpretation being attached to the Missoula Community Theatre’s inclusion of Sarah Palin in Ko-Ko’s famous song “I’ve Got a Little List,” I surmised exactly what was going on, and my assessment has been confirmed by everything that has come to light since.

I will summarize what we now know in brief (well, briefer than reading all the posts) form:

Continue reading →

Unethical Journalist of the Week: Aaron Flint, of The Northern Broadcasting Network

Well, why not…before all-Mikado Saturday comes to an end, I might as well highlight this astounding example of spectacularly incompetent journalism by the Northern Broadcasting Network’s Aaron Flint, who actually posted this hilarious idiocy on his “Flint Report” (I will have to comment on the text as it goes, since there is too much nonsense to take in all at once.)

His headline: “Palin Beheaded in Missoula Play” Continue reading →

Comment of the Day: “Next: A Version of “The Mikado” Without Execution References”

I promise I won’t do this often, but this Comment of the Day is by me, a reply to a comment by Ichneumon, which you will find at the end. I have been involved in this debate elsewhere, and a common “gotcha!” being employed against me is the argument that I jumped the gun defending the production of “The Mikado,” because I didn’t (and don’t yet) know what the exact lyrics were. I think this is worth expanding on, since Ichneumon and others have accused me of being “unethical” for calling the critics of the Palin lyric, whatever it was, ignorant.  Saturday is usually quiet, and this seems to be all that is going on other than the Middle East blowing up; by tomorrow I’m hoping to be able to move on to issues having nothing to do with Sarah Palin, Missoula, or “The Mikado.” So here is my reply to Ichneumon, with sample verses, on the original post, “Next: A Version of “The Mikado” Without Execution References”:

“The fact is, everyone from the Wall Street Journal to local websites to conservative commentators have been slapping around the production without an exact quote from the production. I am in touch with someone in the cast, and am hoping, waiting, to learn exactly what the lyric was. So what, exactly, would you have me do, when the vast majority is citing this, and only this, as the basis for its condemnation: the production put Sarah Palin, by name on Ko-Ko’s list, and this constituted a declaration that she should be killed? Continue reading →

Further Ethical Musings on Ko-Ko’s Little List’s “Eliminationist Rhetoric”: the Duty to Fight the Insanity

The more I think about the controversy over the Montana production of “The Mikado,” which I discussed in the previous post, the more it bothers me.

The fact that some conservative Missoulans were disturbed by Sarah Palin’s inclusion on the iconic “little list” carried by the fictional Ko-Ko, the Lord High Executioner in Gilbert and Sullivan’s classic musical comedy “The Mikado” is disturbing. The fact that the Missoula Community Theater actually caved-in to ignorance and hypersensitivity and removed the lyric is more so.  but the fact that some sensible commentators, like the Wall Street Journal’s usually perceptive and witty James Taranto, have had their brains addled by the current attempt at language, metaphor and humor purging by politically correct hysterics is genuinely terrifying. Continue reading →

Next: A Version of “The Mikado” Without Execution References

For a text-book example of how political correctness, ideology, ignorance and a humor deficit can undermine speech, culture and entertainment, we need look no further than Montana, and its public critics of the Missoula Community Theater’s production of “The Mikado,” perhaps the best of all Gilbert and Sullivan operettas and one of the very best musical comedies ever written. Continue reading →

“American Idol” Jumps the Ethics Shark

Just four audition episodes into the new “American Idol,” it is obvious that the show is done. It might hang on for a few, even several more seasons; after all, “Happy Days” continued for almost a decade after Fonzie jumped the shark. But it’s still over, and it wasn’t because the show lost its center and star, the acid-tongued, irresistible Simon Cowell…well, not exactly. It didn’t have to be the case, but when Simon left, the show lost the one thing it has to have–integrity. Continue reading →

Ethics Hero: Gil Meche

[ Finally reduced to hunt-and-pecking blog posts from an Arlington, VA. Starbucks as the result of a still-ongoing power outage at the Marshall home-office, I apologize for an uncharacteristically quiet day.]

All Kansas City pitcher Gil Meche needed to do to collect $12 million in 2011 was to show up, do his best to pitch—which his ailing right arm would no longer permit him to do—and cash the checks. But despite having an iron-clad contract (the last in a long-term deal he signed as a free agent), Meche decided to retire, thus ending the contract and forfeiting the money. Continue reading →

Where We Miss Morality: The Unmarried Mothers Disaster

USA Today included an editorial yesterday about the explosion of births to unmarried mothers in America that has exacerbated many societal problems. It’s a stunning story : in 1960,  the figure was 5.3%; by 1970, in the teeth of the cultural upheaval launched in the late 60’s, it had  more than doubled to 10.7%.   In 2009, 41% of children born in the USA were born to unmarried mothers,  including a frightening 73% of non-Hispanic black children.  The editorial suggested that reversing the trend is a priority, but was short on ideas for how to address it. Notably absent was the method of social control that had served the United States well since 1776, and had been effective world-wide since the institution of marriage: calling it wrong. Continue reading →

China’s Secret White House Insult

Lang Lang, the Chinese pianist who played for guests the White House State dinner on Jan. 19 honoring Chairman Hu Jintao, apparently regaled the crowd with an unfamiliar melody (to the Americans) that was really a famous anti-American propaganda song from the Korean War, the theme  to the movie “Battle on Shangganling Mountain.”  Continue reading →

Pole-Dancing for Kids: Icky or Unethical?

The latest issue of “Pole Spin,” the “international pole dance and lifestyle magazine,” features “the world’s youngest pole dancer” and a proud family with four  pole-dancing teenagers.

Is this wrong? Child porn? Bad parenting? What the heck is it when something with sexual connotations is used by children in a non-sexual way? Continue reading →