Unethical Website of the Month: Eater.com

I would not have been able to resist giving the the Unethical Website title to Gizmodo [see previous post] unless there was a more typical candidate (as in “not criminal”) available. Thanks to a tip from Ethics Alarms quote-maven Tom Fuller, I give you Eater.com. It hasn’t stolen anything. It just sold out the interest of its own readers—lovers of fine foods and patrons of excellent restaurants—for a splashy feature destined to attract a flood of traffic, and to stick a knife in the backs of its competition. Continue reading

Gizmodo and Gawker: Guilty, Greedy, and Unethical

Count Ethics Alarms with those who hope Gawker and its affiliated gadget site Gizmodo get as many books thrown at them as possible if the iPhone theft case gets to court.

As is always the case with Gawker, a completely ethics-free operation that has snickered about its participation in other outrages—such as its “Gawker Stalker” feature allowing people to alert the world to the exact location of any celebrity who is out, you know, trying to live—the sites management is crowing about doing wrong. “Yes, we’re proud practitioners of checkbook journalism,” tweeted Nick Denton, founder of Gawker Media. “Anything for the story!” Anything including fencing stolen goods, it seems. Nicely, the law often has a way of making unethical people wish they were more ethical, and this should be an example of that.

If you have somehow missed the story all the gadget geeks are tweeting about, Gawker released a scoop photo spread on Apple’s yet-to-be-released iPhone after an Apple engineer stupidly, carelessly and unethically left a prototype that he was entrusted with in a bar. It was found by someone who understood its value and who it belonged to, and who also had no more scruples than, well, Gawker. That meant that this California law applied… Continue reading

History Lesson: Stephen Ambrose

Over the past two decades, historians have gone from obscure scholars to media stars, as the 24 hour news cycle prompted TV news shows to bring the best-selling non-fiction authors out of the archives into the studios. There the masters of the past were suddenly opining on the present, as the likes of Douglas Brinkley and Doris Kearns became as ubiquitous as Pat Buchanan or George Will. The supposed wisdom and solemn reliability of historians has put them in other unlikely roles too, such as Truman biographer David McCullough lending his soothing baritone to the narration of Kan Burns’ epic Civil War documentary.

One of the catalysts for this development was the late historian Stephen Ambrose, who hit on a formula to make history both provocative and lucrative.. Ambrose turned himself into the troubadour of World War II, inspiring dramatic renditions of his books, such as “Band of Brothers,” and launching a “Greatest Generation” industry. Shortly before Ambrose died in 2002, a brief scandal erupted when it was revealed that one of his histories was significantly plagiarized (Kearns had one of her books similarly discredited), but he handled the potential disaster deftly, admitting that he inadvertently published some verbatim notes, and died soon enough thereafter that the scandal did little to suppress sales of the “Band of Brothers” DVDs. The truth was, however, that more than one of his books stole from other sources.

Now new evidence is making it clear that Ambrose, the historian pop star, was indeed a full-fledged fraud, raising the question, “Who are these guys?” And why should we trust them? Continue reading

Ethics Collision at MSNBC

Donny Deutsch, a guest host at MSNBC, lost his gig, at least for now, after including MSNBC’s Angriest Man, commentator Keith Olberman, in a segment called “America the Angry.” It examined how media pundits are stoking public anger with inflammatory rhetoric and appeals to emotion rather that reason. MSNBC objected to the criticism of one of its own on its own airtime.

Based on  stated policy, the objection and Deutsch’s punishment were justified. MSNBC boss Phil Griffin had send a stern warning to all producers and on-air talent, saying, Continue reading

More Bad Parent Ethics

None of them shipped their child to Russia, this week’s bad parents betrayed an infant, a 13-year old boy, and an adult daughter spiraling toward disaster… Continue reading

The Ethics of Those “Thousand Words”

The site BravoBox has a provocative post on an ever-present ethical issue on print journalism that has been with us for decades and seems to be intensifying: manipulative photo-journalism. Ethics watch-dogs come down hard on images that are photoshopped or deceptively cropped, but a publication’s choice of photo can be equally unfair when the picture hasn’t been altered at all.

A photo doesn’t have to be manipulated to be manipulative. If a picture is indeed “worth a thousand words”—and many are— responsible journalists and editor have a duty  to choose those words with as much attention to even-handedness and fairness as the words that appear in type.

As BravoBox notesContinue reading

The Hannity-Fox-Tea Party Connection

When you don’t stop something that is obviously unethical until people start screaming and pointing fingers, the reasonable presumption is that it wasn’t the fact that it was unethical that made you take action, but that you were going to be criticized for it. Thus Fox honcho Rupert Murdoch’s last-second cancellation of Sean Hannity’s appearance at a Tea Party event get no ethics brownie points—in fact, quite the contrary. Continue reading

On Obvious Lies and Sen. McCain

I have long been fascinated by the self-evident public lie. Sometimes the product of desperation, sometimes arrogance, sometimes contempt, each example poses a set of equally unattractive interpretations. Does the liar really believe the obvious lie is true, in which case he or she is deranged? Does the liar think that enough people will believe something so demonstrably false, meaning that he or she holds a deplorable lack of respect for the intelligence of the public? Is the liar so fearful and cowardly that he or she cannot summon the integrity to admit what is obvious, even though doing otherwise looks ridiculous? Or, as is surprisingly often the case, does the liar have so little regard for the truth and such a deficit of shame for lying that he or she doesn’t care that the lie is obvious?

When elected officials and others holding high office resort to the obvious lie in a matter of any importance, it should disqualify them from continuing in office. An obvious lie obliterates public trust. For example, when Janet Napolitano had the gall to pronounce department’s anti-terror airplane security measures a success because, be sheer luck, passengers foiled the so-called “Underwear Bomber,” she forfeited any future trust in her honesty of competence. (She is still Secretary of Homeland Security, however.)

The excuse sometimes offered by obvious liars after the fact is an ethics “Catch 22.” They argue that an obvious lie is a harmless lie, because nobody could possibly believe it. (Over on “The Ethics Scoreboard,” a spectacular version of this argument launched the continuing feature of “The David Manning Liar of the Month,” after Sony tried to justify its use of a fictional movie critic, “David Manning,” to attach glowing—but fake— blurbs to lousy films, like the Rob Schneider comedy “The Animal.” When its deception came to light, Sony protested its practice was harmless because nobody believed critical praise in movie ads anyway.) The defense conveniently ignores the question of why anyone would offer a lie they didn’t expect anyone to believe. It is really a consequentialist scam: if I try an outrageous lie and it works, great; if it doesn’t, then it wasn’t a lie.

What do we make, then, of Sen. John McCain’s stunning claim in a recent Newsweek interview that “I never considered myself a maverick” ? Continue reading

Ethics Quote of the Week: Sportswriter William Rhoden

“What is character? In the N.F.L., character is need.”

New York Times sports columnist William Rhoden, explaining how teams seek to draft players “with character,” a.k.a. “who don’t commit felonies off the field,” unless, of course, the player is especially talented and they need what he has to offer on the field in order to win.

This intellectually dishonest standard is not restricted to pro football. Voters want ethical and honest elected representatives, unless they keep taxes low and deliver goodies to their neighborhoods. Corporations want executives with character too, unless a manipulative, deceitful, scheming whiz makes the company’s profits soar. The student with great promise will be excused or merely admonished for offenses that a school will suspend lesser students for.

The well-documented human tendency to endure unethical conduct from high-level performers while holding less gifted and accomplished individuals to higher standards of character serves to undermine ethics generally, confirming as it does the principle that the prettier, smarter, richer, more powerful, more famous you are, the less obligated you are to care about others, do the right things, or obey the rules.

For this is the Star Syndrome. In the coming months and years, Ethics Alarms and its readers will encounter it often. Continue reading

Oprah and the Icons: the Ethics of Lying to Make a Difference

Kitty Kelley’s unauthorized, rip-the-mask-off-the-icon bio is out, and now Oprah Winfrey must weather the inevitable de-construction of some of her meticulously self-created image. Oprah is pretty much untouchable now; I was a guest at her “O” Magazine Expo last Fall in Kansas City, and it was clear that her status with he legion of followers is somewhere between a guru and a goddess. There aren’t many revelations, short of proving that she is secretly Dick Cheney in an elaborate disguise, that could do much to reduce her cultural influence or undo her popularity.

Still, it used to be that heroes, celebrities and cultural icons could count on the whole truth about their personal and career embellishments to surface only late in life, or more often, long after death. Thus it has been a standard tool of rising figures in America to carefully craft an inspiring story and an appealing persona that excite and engage the public, and the truth has had little to do with it. It’s worked, too. Continue reading