Ethics Quiz: Alec And The Philharmonic [Corrected]

I did not know that Alec “Quick-Draw” Baldwin, currently criminal charges in New Mexico as a consequence of his fatal shooting of cinematographer Halyna Hutchins while filming the film “Rust,” is and has been the New York Philharmonic’s radio host. In writing this,  I am admitting that I haven’t listened to live broadcasts of the orchestra in a long time, probably since Leonard Bernstein was waving the baton. On the other hand, if I knew I had to listen to Baldwin to hear “Peter and the Wolf” again (Lenny’s rendition was big hit when I was 10), I wouldn’t have listened anyway. I can tolerate Baldwin in older films (like “The Hunt for the Red October”) before he became a public asshole, and in more recent movies (like “The Departed,” “Pearl Harbor” and the “Mission Impossible” films) where he is only in a small supporting role: he is, after all, a competent actor (like many assholes). In any other setting, however, if Alec is connected with it, count me out; the cognitive dissonance is too great.

The New York Post reports that despite the actor facing homicide murder charges (two counts of involuntary manslaughter) , the Philharmonic will allow Baldwin to keep his role as the famed orchestra’s  radio host and will remain a member of its board of directors. “He has been an incredibly strong person on the board, and very, very helpful and I think that will probably carry us today,” Charles F. Neimeth, a fellow board member, said in explaining the organization’s decision. “He’s been a strong contributor, both financially and otherwise.” Continue reading

Replay: Still Time To Be Ethical And Decide Not To Watch The Super Bowl

[I was going to write a brand new post pointing out why watching the Super Bowl (and the ads of the NFL’s unethical accessories) was unconscionable, but then I remembered how many times I’ve written similar pieces, and constantly going over the same unethical territory is eating away at my joie de vie—“my twinkle,” as Cosmo Kramer would say. Cant have that, so here is a previous post on the theme from 2019.

It is remarkable to me that the near death of Damar Hamlin mid game less than two months ago has essentially vanished from the sports pages after a brief flurry of “why do we cheer on this mayhem?” pieces before the NFL’s play-offs started. The big concern seems to be whether President Biden is snubbing Fox News be refusing to give a mid-game Super Bowl interview (which is supposedly a “tradition”) or Fox News is snubbing President Biden. In any event Joe’s not being interviewed, though a chat with someone who is cognitively damaged during the game might do some good by reminding viewers what they are cheering.]

Let me say something good about the New York Times: not all of it’s editorials are repetitious attacks on President Trump, just most of them. Last week editorial board member Alex Kinsbury persuaded his colleague to let him used the space for an opinion both ethical and irrefutable. A quick summary: Football is maiming its players, the NFL doesn’t care, and if you watch the Super Bowl and support its sponsors, you’re complicit.

But then you knew that, right? At least you know it if you’re been coming here for any length of time.

Recalling a hard hit on Patriots star Rob Gronkowski, Kinsbury writes, “As the sound of the hit faded into a commercial break, I realized with absolute certainty that I couldn’t watch football anymore. There aren’t enough yards to gain or Super Bowl rings to win that are worth the cost.”

True. What took you so long? He continues by reviewing the well-publicized data:

The first research into the link between football and traumatic brain injury was published in 2005. Since then, the science has become impossible to ignore. In 2017, The Journal of the American Medical Association published the results of the autopsies of the brains of 111 deceased former N.F.L. players, whose relatives gave their bodies up for study. The group was not a random sample, yet 110 showed signs of chronic traumatic encephalopathy, or C.T.E., a degenerative brain disease linked to concussions. Research published in November estimated that a minimum of 10 percent of all professional football players would develop C.T.E. at some point in their lives.

10% is wishful thinking, even for the  players who can still think. Continue reading

Somebody Explain To Roseanne Barr What A Double Standard Is

I guess I should start off by admitting that I have never found Roseanne Barr sufficiently witty, original or entertaining to make up for the ugliness of her world view, her horrible nasal screech, and her unjustified belief in her own brilliance.

I never could stand her hit sitcom or sit through an entire episode, so the reboot was about as welcome to me as most reboots (like the sad zombie version of “Murphy Brown”), but even a little less. When she managed to get herself fired and transformed into a pariah for making a racist slur against Barack Obama’s top advisor (and Michelle’s pal) Valerie Jarrett, tweeting in 2018 that Jarrett was the offspring of the Muslim Brotherhood and the Planet of the Apes movies, I didn’t feel sorry for her. The tweet was racist, and it was a mark of Barr’s arrogance, built up over years of being excessively praised and rewarded for being “outrageous”—I file her in the same general category as similarly unfunny shock-jocks like Howard Stern—that no ethics alarms went off when she thought it would be hilarious to compare an Obama staffer to a monkey. It was also stunningly stupid. From my ethicist perspective, Barr made the offense worse by claiming that she had no idea that Jarrett was black. Sure, Roseanne. Continue reading

An Ethics Song Challenge: “That’s The Way I Always Heard It Should Be” (1971)

Discuss.

I heard Carly Simon’s hit (she co-wrote the lyrics) in the car today; I hadn’t listened to it or thought about it for decades. When I first listened to the song, I just took it as more whiny Sixties “our parents don’t know how to live and we’re still stuck with the world and values they created” lament. Now, after being married myself and actually fighting through life, I realize its a much smarter and perceptive song than I thought, and one that raises a lot of complex ethics issues. I’d be very interested in the commentariat’s thoughts about… Continue reading

Comment Of The Day: “‘What’s Going On Here?’ Why Does Disney Think It Is Appropriate To Produce And Circulate Abrasive, Divisive, Confrontational Interest Group Propaganda And Indoctrination Like This?”

I have a confession to make. I know that the ethical and moral deterioration of the Disney corporation is a major ethics catastrophe with dire consequences for our society and culture, and Ethics Alarms should have been covering it more thoroughly. It hasn’t, and that’s because this topic is particularly painful for me.

I owe so much to Disney’s creations and philosophy. I learned a lot of ethics from the shows and movies growing up, and many of my most enduring and important interests and hobbies were inspired by Walt’s vision. My fascination with dinosaurs began with the terrifying T-Rex sequence in “The Rite of Spring” segment of “Fantasia,” for example. My reverence for the Alamo was inspired by Disney’s “Davy Crockett” series. The first dramatic production of any kind that genuinely move me was “Bambi.” I never got to visit a Disney theme park until college, but finally going to Disneyland after dreaming about it as a kid was one of the epiphanal experiences of my entire life: it was perhaps the only time something I had looked forward to was even better than I expected it to be. Disney’s perfectionism—at the parks, which were immaculate and overlooked no detail to immerse visitors in the fantasy, and in the TV shows and movies—influenced my own view of professionalism and my approach to directing for the stage. His courage and certitude in pursuing risky creative projects that everyone was telling him were doomed to fail—a full length animated film?—bolstered my own resolve when I have had project ideas that seemed nuts to everyone but me.

(And some were nuts, as it turned out. But the times I was right more than made up for those.)

I could go on, but I won’t. The point is that attacking Disney for me is like savaging a childhood hero, or even a parent. But the country, its culture and mental health is being harmed by the current distortion of Walt’s creation’s destructive alliance with the radical Left. It deserves to be attacked, and it’s time I got down to it.

This Comment of the Day (actually two comments, in sequence) by jmv0405 on the depressing post yesterday on a Disney Critical Race Theory video, makes up for some of that lost time by getting the discussion jump-started. It is also a perceptive and illuminating perspective that I wouldn’t have seen without the comment’s guidance. Continue reading

Stop Making Me Defend The Grammys! (And It Would Be Refreshing If Republicans Stopped Embarrassing Themselves, Too)

You know, if Republicans don’t want to end up with a party base with an average age beyond even that of the Supreme Court, they have to stop channeling the ludicrous ministers of the 1950’s who declared rock and roll the Devil’s music and held bonfires of Elvis Presley records. To be blunt, it’s hysterical and stupid, and the young tend to have contempt for old fogeys who call their entertainment satanic….as well they should.

But the Right just can’t help itself. Even after the Elvis freak-out guaranteed that successive generation of teenagers would still be laughing at old black-and-white films of nerdy, balding, middle-aged white guys in horn-rims pronouncing  The King’s hips a danger to America’s soul, its learning curve is flatter than flat. For there was Ted Cruz, Marjorie Taylor Greene and other conservatives today making asses of themselves and anyone who occasionally takes their party seriously by expressing horror at last night’s Grammys whacked-out highlightSam Smith and Kim Petras‘ performance of “Unholy” featuring fire, demon-imitating dangers, blood-red lighting, and Smith in a set of  horns just like Mr. Scratch. Continue reading

“What’s Going On Here?” Why Does Disney Think It Is Appropriate To Produce And Circulate Abrasive, Divisive, Confrontational Interest Group Propaganda And Indoctrination Like This?

Anyone?

I don’t like being shouted at by cartoon characters. Even if they had a valid point, my response to this kind of assaultive advocacy is, has ever been, and always will be…

Bite me.

Saturday In The Great Stupid Continues: The “Waiting For Godot” Catch-22

I love this dispatch from The Great Stupid! It has everything…

  • It involves a theater production…
  • It’s woke academia at its worst…
  • Copyright and artistic integrity principles are at issue..
  • Diversity, Equity and Inclusion mania is at its core…
  • It’s another “It isn’t what it is” (Yoo’s Rationalization) classic….
  • It didn’t happen here, but I could easily see it happening here, and…
  • It’s really, really, really stupid.

A bit of background: Samuel Beckett, the late Irish novelist and playwright of Theater of the Absurd fame ,best known for his minimalist drama and “Waiting For Godot” in particular, was a cantankerous old coot who didn’t trust directors (with good cause, say I), and directed them in his texts to change neither lines nor character, or risk legal action. Edward Albee was similarly strict on this point, having seen what happens to plays in the public domain (like Shakespeare’s works) when far less talented “artists” decide to make them “relevant.” So if you are going to produce a Beckett play, it’s Beckett’s way or the metaphorical highway.

Oisín Moyne, a fellow countryman of Beckett, was directing “Waiting for Godot” in the Netherlands and auditioned only men for the all-male cast of characters, as he was legally and artistically obligated to do. the college production been in rehearsals since November and was due to be presented at the University of Groningen’s Usva student cultural center in March. (Don’t ask me how or why it would take more than three months to rehearse this play, which primarily involves two guys sitting around talking, but never mind.) Continue reading

Ethics Quiz: Marie Osmond’s Formula For Responsible Parenting When You’re Filthy Rich

Pop star Marie Osmond, seen above apparently being eaten by the same plant mass that devoured Barack Obama in his awful portrait that became a source of a scandal narrative, has announced that she will not be bestowing any of her current wealth, estimated to be about $20 million, on her 8 children or 8 grandchildren.

“Honestly, why would you enable your child to not try to be something? I don’t know anybody who becomes anything if they’re just handed money,” she said last month in an interview. “To me, the greatest gift you can give your child is a passion to search out who they are inside and to work. I mean, I’ve done so many things… I love trying. I wanna try everything,” she added.

Further parenting wisdom from Marie, whose plan is to spend what she has with husband Steve Craig and give whatever is left to charity when she goes to that big Osmond Reunion in the sky: “I just think all [an inheritance] does is breed laziness and entitlement. I worked hard and I’m gonna spend it all and have fun with my husband…” and she says she doesn’t want to set the stage for her heirs to fight over her estate. Marie has said that her role model in this conviction was actor Kirk Douglas, who reportedly left none of his wealth, estimated to be three times Osmond’s, to Michael (who was rich already).

Your Ethics Alarms Ethics Quiz of the Day is… Continue reading

From The Res Ipsa Loquitur Files: This Isn’t Diversity. This Isn’t Inclusion. This Isn’t LGBTQ Respect…

This is cruel and stupid.

And unethical.

The organizers of an international figure skating event in Finland last week decided to show their oneness with the times, known at Ethics Alarms as “The Great Stupid,” by featuring Markku-Pekka Antikainen in the opening ceremony of the ISU European Figure Skating Championships. Antikainen is a 59-year-old man who at age 50 decided to “transition” and become a female figure skater. He would have been just as successful aspiring to be a bunch of carrots. His skating name, which he will presumably use when he is featured in “Disney on Ice” (can you really say with confidence that that won’t happen?), is Minna-Maaria Antikainen. Continue reading