Arts & Entertainment

Ethics Alarms Encore: “Justice For The Nicholas Brothers”

/ Jack Marshall / 5 Comments

I last posted this 2012 article in 2015. I should post it every year, at least. This re-post was sparked the same way the last one was: a Nicholas Brothers admirer contacted me. Today, new commenter Geronde commented on the original,

Here, here! …I just watched “The Pirate.” The film is awful, but I perked up when I immediately recognized the brilliant Nicholas Brothers. Even in their bad clown makeup, their style was unmistakable. I sure wish there was a way to digitally insert their names into the original credits. There is some small consolation in knowing that the brothers were very famous in the African American community, and fortunately, You Tube and the internet has exposed them to new generations of dance fans….Perhaps fans should lobby the Academy or SAG for a highly publicized posthumous award. This calls for ACTION! This a also good time to do it because there’s a focus of BLM and African American culture. I’m going to start today..I have contacted both SAG and the Academy asking them if they have ever publicly bestowed a posthumous award on the Nicholas brothers, and strongly urging them to do so if they have not..

I promised put up the post one more time. It probably won’t be the last.

As I noted in one reply to Geronde, my now-defunct theater company showed the video above during a concert version of Rodgers and Hart’s “Babes in Arms” at the point in the show where the brothers has a specialty number in the Broadway production. The audience was stunned: most of them had never seen Fayard and Harold, or had forgotten just how amazing they were. (Cab Calloway wasn’t too bad himself!)

Here is the post…

***

At the Sun Valley Lodge, there is a television station devoted to playing the 1941 film “Sun Valley Serenade” on a loop. It is a genuinely awful movie, starring John Payne of “Miracle on 34th Street” fame, Norwegian ice skater Sonia Henie, and Milton Berle, although it does show the famous ski resort in the days when guests used to be towed around the slopes on their skis by horses. Last time I was in Sun Valley to give a presentation, I watched about half the film in disconnected bites, since I never can sleep on such trips. This time I finally saw the whole thing. At about 3 AM, as Glenn Miller was leading his band in the longest version of “Chattanooga Choo-Choo” in history, Fayard and Harold Nicholas suddenly flipped onto the screen, and “Sun Valley Serenade” briefly went from fatuous to immortal.

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Some Enchanted Evening Ethics, 3/11/2021

/ Jack Marshall / 9 Comments

The New York Times this week referred to the “killing” of George Floyd, which presupposes what the trial of Derek Chauvin is taking place to determine. This is disgraceful journalism. The more I consider the trial, the clearer it seems that this is an unethical show trial, devised to keep the mob at bay, punish a white cop by putting him through an ordeal, and putting off the inevitable mindless riots as long as possible. Potential jurors are already saying that they are frightened. A mob shouting for “justice” was outside the courthouse yesterday during jury selection. Chauvin can’t get a fair trial; not in Minneapolis, not anywhere. The news media and the riots made certain of that.

1. Self-portrait of a self-promoting weenie. Stacy Dash, whose major acting achievement was “Clueless’ 25 years ago, became a darling of the Right and Fox News as a black, female conservative and Trump supporter bucking the Hollywood lockstep. Celebrities, especially B-listers, are always suspect when they take a position that garners publicity. Stacy thought she had a profitable niche. Now that it’s clear that niche has dried up, Stacy has decided it’s time to launch Stacy 2.0. Read this, if you can, without rolling your eyes so hard they come out your ears…

“I’ve lived my life being angry, which is what I was on Fox News. I was the angry, conservative black woman. And at that time in my life it was who I was. I realized in 2016 that anger is unsustainable and it will destroy you. I made a lot of mistakes because of that anger There are things that I am sorry for.Things that I did say, that I should not have said them the way I said them. They were very arrogant and prideful and angry. And that’s who Stacey was, but that’s not who Stacey is now. Stacey’s someone who has compassion, empathy…God has forgiven me, how dare I not forgive someone else. I don’t want to be judged, so how dare I judge anyone else. So if anyone has ever felt that way about me, like I’ve judged, that I apologize for because that’s not who I am…I’m not a victim of anyone. Working for Fox at the time, that was my job. I did my job from the place I was at. Stacey now would never work at Fox, would never work for a news network or be a news contributor.”

As for her vocal support of President Trump, Dash said, as a cock could be heard crowing three times, “He is not the president. We have a new president. Being a supporter of Trump has put me in some kind of box that I don’t belong in. But he’s not the president. I’m going to give the president that we have right now a chance.”

Good luck with the reboot, Stacy. But you’re pathetic and desperate, and have the integrity and loyalty of Tessio in “The Godfather.”

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Straining To Smear Merrick Garland, The National Review And Conservative Lawyer Ed Whelan Beclown Themselves…

/ Jack Marshall / 11 Comments
fantasticks-archive-b0a32b1dd6

TUESDAY, MARCH 16, 2010 – The Repertory Theatre of St. Louis’ production of “The Fantasticks”. ©Photo by Jerry Naunheim Jr.

…because they don’t know what the hell they are talking about.

I, on the other hand, do.

Whelan, who is usually much better than this, writes in “Yes, Merrick Garland Found ‘Hilarious’ a Song About ‘Rapes for Sale’,

Attorney General nominee Merrick Garland, as a college student, wrote a review of the musical The Fantasticks in which he labeled “hilarious” a song that (in his words) “provides a shopping list of rapes for sale (e.g. ‘the military rape—it’s done with drums and a great brass band.’).” But the Breitbart account turns out to be accurate. (Here is Garland’s article from the Harvard Crimson’s archives.) I have no interest in defending Garland’s observation from his college days nearly fifty years ago,* but I will try to put it in some context. What a theatrical performance can make amusing is often difficult to fathom in the abstract, as Mel Brooks’s “The Producers,” involving a musical comedy about Hitler, demonstrates. I will note that “The Fantasticks” (according to this Wikipedia entry) ran, on and off Broadway, for 42 years (from 1960 to 2002), “making it the world’s longest-running musical.” So it would seem that many folks shared Garland’s enjoyment of the song. Not surprisingly, controversy arose at some point over the “rape” lyrics, leading lyricist Tom Jones to revise them—to eliminate the word “rape.”

It is hard for me to tamp down my contempt for Whelan’s piece, but I’ll try.

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Tuesday/Wednesday Ethics Sandwich, 3/9-3/10/21: Movies, Megxit, Major And More

/ Jack Marshall / 25 Comments

Dagwood sandwich

1. Worst “review” of the Year, and other Megxit Ethics Train Wreck developments :

  • I hate to end one day (and start another) with something so nauseating, but a Times “Critic’s Notebook” entry by Salamishah Tillet titled “Taking On Royal Life’s Racism” (online, “Prince Harry Finally Takes On White Privilege: His Own”) is both incompetent and dishonest. This is no review. It is a black studies professor with an agenda using a media stunt by Oprah Winfrey and the breakaway Royals to serve as her own soap box. Using a mixed-race American who achieves some success in a difficult profession (performing), then marries a British prince with the automatic money, glamor and influence that status confers as an example of racial persecution is ridiculous on its face. This is a confirmation bias classic for the ages: the black feminist activist saw what she wanted to see in one of the worst possible settings to see it. The “review” could have been written before the interview was broadcast; I bet most of it was.
  • The U.K.’s media regulator ( that is,censor and political correctness enforcer) Ofcom is investigating Piers Morgan because 41,000 people wrote to complain about the then-ITV’s “Good Morning Britain” host stating the obvious about Meghan Markle and Prince Harry’s joint whine with Oprah Winfrey. On “Good Morning Britain”, which Morgan quit mid-show after being attacked by his co-host, Morgan said he did not believe Markle’s statement that she had approached the Royal family for help because she had suicidal thoughts, and was turned down. “Who did you go to? What did they say to you? I’m sorry, I don’t believe a word she said…I wouldn’t believe it if she read me a weather report,” Morgan said. Neither would I, especially when such tales were attached to no details whatsoever. Morgan is a media low-life to be sure, but that doesn’t mean he isn’t right in this case. It’s a problem, though, when the most vocal and accurate critic of a manufactured narrative is so easily discredited.
  • In the U.S., the Left will sanctify the Duchess of Sussex because she’s female and blackish, thus meaning that to question her word or character is per se racism. (She’s like a Kardashian with superpowers). The Right is mostly anti-monarchy, so any harm she does to the Royals is regarded as a plus. One poll indicates, however, that the British public is less gullible: Meghan is now the least popular Royal, even behind Jeffrey Epstein pal and likely defiler of under-age girls Prince Andrew.

It’s only because the Brits are racists, of course.

2. Is there a media critic in the United States that isn’t a partisan hack? David Zurawik of the Baltimore Sun certainly fails the test. Imagine writing a column titled “If Fox News wants to be a political tool, it should be treated as such and not given access meant for journalists” after the performance of all the other news organizations from 2016 on and expecting to be taken seriously. Has the mainstream media ever committed itself to a single partisan political objective more brazenly than the propaganda campaign against President Trump? Zurawik’s claim is either delusional or a lie aimed at the deluded….of which there are many.

3. White House dog ethics. Apparently the mysteriously reported “incident” that resulted in President Biden’s two German Shepherds being banished to Delaware was more than a mere nip: the victim of a bite by Major, a rescue dog, was really hurt. “There Will Finally Be Dogs in the White House Again,” was the headline in Harper’s in January, over one of many stories cheering the fact that the new “normal” President would have a dog, unlike the weird, mean, non-animal lover on the way out. In truth, the modern White House is no place for a dog—too stressful, too many visitors and strangers— and many First Pets have been acquired as PR props rather than out of genuine love for canines. Getting a rescue dog is admirable, but they often come with behavioral problems and special sensitivities that must be addressed, or they can be dangerous. My sweet rescue dog Spuds, for example, has night terrors, and woe be to any human that wakes him up while he’s recalling past abuse.

4. Governor Cuomo is now up to SIX accusers! Who could have predicted…oh, right. I did. But I’m sure it was all just a misunderstanding, like the Governor says. Sarcasm aside, I doubt Cuomo is a threat to Bill Cosby’s total, but I didn’t expect the Cos to top 50 either.

Added: Various conservative blogs and commentators are chiding Kamala Harris, who led the unethical smearing of Brett Kavanaugh as a sexual predator based on a vague high-school incident, for not weighing in on Cuomo’s alleged conduct. Harris is a two-faced hypocrite for sure—she agreed to run with a serial sexual harasser whose wrongful conduct is a matter of photographic record—but it is not a VP’s place to get involved with state government issues.

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Gullibility And Media Brainwashing Check: If You Believe This, You’ll Believe Anything

/ Jack Marshall / 14 Comments

The Washington Post claims that “The first crisis of the Biden administration could be looming: America may have a president, the first in generations, who is impervious to impressionists.”

Riiiiight.

This is a topic I know a little bit about, having written, produced, directed and performed in satirical political reviews both professionally and otherwise for decades. I’ve also followed Saturday Night Live until relatively recently. If I hadn’t already abandoned the show as tired, biased and hopeless, Alec Baldwin’s inept and unfunny Trump impression would have driven me away.

It’s easy to come up with a funny impression of Joe Biden. Hell, I could do it: even if it wasn’t very good, it would be better than Baldwin’s Trump. There is one reason and one reason only that comedians are reluctant to mock Joe Biden: he’s a Democrat, and political satire today goes one way only.

The same hypocrites were afraid to make fun of Barack Obama, who was a cornucopia of mockworthy traits and tics for anyone with the guts to exploit them. The Post would really have us believe that any comics drew blood with an Obama impression, or even tried? Ah, but they were terrified of being called racists. (Has there ever been anyone more easy to ridicule than Maxine Waters? How about Sheila Jackson Lee? Have you ever seen them skewered?) TV comics today are, much like the mainstream media—pure partisan agents. They don’t want to be funny as much as they want to signal their virtue.

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Ethics Quote Of The Month: New York Times Columnist Ross Douthat

/ Jack Marshall / 16 Comments

seusscancelled-header

“It was mildly creepy to hear that the custodians of Theodor Geisel’s estate, Dr. Seuss Enterprises, consulted with a ‘panel of experts’ and decided to cease publishing six Seuss titles because they ‘portray people in ways that are hurtful and wrong.’ But it was much creepier that so few people notionally in the free-expression business, so few liberal journalists and critics, seemed troubled by the move.”

New York Times columnist Ross Douthat, one of the paper’s three token conservatives (or perhaps “non-knee-jerk Democrats” is more accurate), in his column, “Do Liberals Care if Books Disappear?”

The question is a rhetorical one. Douthat knows the answer, and so do regular Ethics Alarms readers: “Only if the books that disappear are those they agree with.” Though the column focuses on the Dr. Seuss metaphorical book-burning, Douthat properly interprets what it signifies. Of course, he is appropriately late to the party, for it was obvious well before “If I Ran the Zoo” was under attack that the totalitarian-tending Democrats and their progressive supporters and allies were in favor of “good” censorship. Never mind—Americans rushed to their mailboxes to vote an anti-free speech regime into power anyway.

Better late than never for Ross, I guess. Here are some highlights (but read his whole piece):

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As The NYT Charles M. Blow Desperately Searches For A Topic Worthy Of His Brilliance Now That He Can’t Attack Donald Trump In Every Column, And Settles On A Cartoon Skunk…

/ Jack Marshall / 19 Comments

pepe

Of course Charles M. Blow quickly jumped on the “Cancel Dr. Seuss” bandwagon. I’m sure he was ticked off that he didn’t think of it first. The really woke publications have to include a race-baiter niche (or several) on their staffs, and Blow occupies that prime slot at the New York Times. Blow is an anti-white bigot in general, but he’s versatile: for the four years in which the Times enabled his virulent Trump Derangement, Blow proved he was also adept in pushing almost all of the anti-Trump Big Lies, not only the one that asserts that he is a racist. His columns were like crack for Trump-Haters. For everyone else, they were, like Blow himself, staggeringly repetitious, predicable, pompous, and boring.

Now, with Trump only intermittently in the news, Blow has a problem, being addicted to anti-Trump crack himself, and he’s clearly foundering. In his anti-Seuss screed—if you’re white like Theodore Geisel, Blow will presume you’re a racist (incidentally, he begins his columns by writing, “As a child, I was led to believe that Blackness was inferior.” That’s odd: I wasn’t!)—he also attacked Warner Bros. cartoon character Pepé Le Pew for contributing to “rape culture,” which is hilarious wokism self-parody.

Pepé Le Pew is one of the lesser Warner Brothers animated stars, an amorous French skunk whose cartoons consisted of a single gag: an incurable romantic obsessed with the pursuit of amorous conquests, Pepé kept mistaking cats and other creatures as female skunks (they somehow got white stripes painted on them in various accidents, hence the species misidentification), whereupon he would aggressively woo them, including hugging and kissing them without their consent.

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Ethics Observations On A Suddenly Ubiquitous Meme

/ Jack Marshall / 26 Comments

bookswap-600x600

This thing is everywhere, particularly on conservative websites. It was even quoted on Ethics Alarms.

Observations:

1. It’s not true. Try not to embarrass yourself by quoting it, for “Wet Ass Pussy” was not, in fact, the “Song of the Year.” At last year’s Grammys, which gives out the annual “Song of the Year” awards, “Wet Ass Pussy” by female rapper Cardi B was not even nominated in the category. The nominees were…

  • Natalie Hemby, Lady Gaga, Hillary Lindsey & Lori McKenna for “Always Remember Us This Way” performed by Lady Gaga
  • Billie Eilish O’Connell and Finneas O’Connell for “Bad Guy” performed by Billie Eilish
  • Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker for “Bring My Flowers Now” performed by Tanya Tucker
  • Ruby Amanfu, Sam Ashworth, D. Arcelious Harris, H.E.R. & Rodney Jerkins for “Hard Place” performed by H.E.R.
  • Taylor Swift for “Lover” performed by Taylor Swift
  • Jack Antonoff & Lana Del Rey for “Norman Fucking Rockwell” performed by Lana Del Rey
  • Tom Barnes, Lewis Capaldi, Pete Kelleher, Benjamin Kohn & Sam Roman “Someone You Loved” performed by Lewis Capaldi
  • Steven Cheung, Eric Frederic, Melissa Jefferson & Jesse Saint John for “Truth Hurts” performed by Lizzo

The winner was “Bad Guy.”

This year’s Grammys have not yet been awarded, so “Wet Ass Pussy” can be called the “Song of the Year” by any measure.

2. Therefore the irony, the dripping contempt for contemporary culture, and the implication of corrupted societal values are only effective if one is ignorant of the topic. Nice.

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And Today In The Attack On Liberty And The Pursuit Of Happiness That Is Known At Ethics Alarms As “The Great Stupid”…

/ Jack Marshall / 13 Comments

Liberty weeps

Online retailer eBay has announced that it will no longer allow owners of the six Dr. Seuss books eliminated this week from Theodore Geisel’s published children books to sell the books online in its auction platform.

Citing its offensive materials policy, eBay Corporate Communications Specialist Parmita Choudhury explained, “At eBay, we have a strict policy against hate and discrimination to ensure our platform remains a safe, trusted and inclusive environment for our global community of buyers and sellers.We’re currently sweeping our marketplace to remove these items. It can take some time to review all existing listings and provide education to impacted users. We’re also monitoring the newly published list to be reviewed.”

First they came for Yertle the Turtle….

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Morning Ethics Warm-Up, 3/3/2021: Twitter Makes You Stupid, But So Many Other Things Will Too…

/ Jack Marshall / 18 Comments

Mount Vernon morning

This isn’t worth a post, but it drives me crazy. Movies, which are primary cultural fodder, especially when the government is forcing the public into solitary confinement, have an obligation not to make society stupid. This is especially important when society’s educational system is dysfunctional, as ours is. Thus I find it both annoying and insulting when a supposedly serious film deliberately abandons all logic and expects audiences to swallow it.

My wife wanted to watch “The Pelican Brief” again, so we did. The film of the John Grisham legal thriller is pretty good, and it has a scene that is supposedly in Georgetown Law Center (it’s not), and has my colleague and sometimes partner Paul Morella in the role of a sinister lawyer. The ending, however, is ridiculous and insulting. Juilia Roberts is a law student at Tulane who ends up being hunted and shot at because she has stumbled upon the reason two Supreme Court Justices were assassinated and who orchestrated it in conspiracy involving law firms, the White House and a billionaire. She ends up bringing down all of them with the help of courageous investigative reporter, then leaving the country for her own safety. Her name, Darby Shaw, is on the reporter’s bombshell news story that exposes the plot. Yet the movie ends with the reporter (Denzel Washington) being asked in a TV interview (by real news anchor )Edwin Newman, who looks like a fool)whether she really exists. The woman is 24 years old. The news media has her real name. She was enrolled at Tulane. She’s paid taxes. The slightest effort by any news organization would have uncovered her entire life history.

1. Neera Tanden (cont.) The divisive, dishonest, hyper-partisan and uncivil nominee for Budget Director was a dead nominee walking since February 18, when Sen, Joe Manshin broke ranks and said he would vote against her. The responsible move would have been for Tanden to withdraw then, but instead she waited two weeks, finally pulling her name (or being forced to) yesterday. I guess this gave Democrats a chance to claim Republicans were against her because she was “of color” and a “strong woman,” which indeed they did, but the fact is she should never have been nominated.

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