Arts & Entertainment

Sunday Ethics Picnic, 8/15/2021: Afghanistan Accountability And Suicide Ethics [Corrected!]

/ Jack Marshall / 19 Comments

Vessel I

1. Giving credit where credit is due, at least some of the mainstream media isn’t avoiding calling attention to the Biden Administration’s epic debacle in Afghanistan. This is only a half IIPTDXTTNMIAFB: if Trump had done something even close to this incompetent, the news media would have been in full-fledged meltdown. In fact, there are enough harsh assessments coming from places that are not conservative mouthpieces that maybe Biden will face actual accountability for a change. (Nah, what am I saying?) CNN’s Jake Tapper, who occasionally has flashbacks to his pre-CNN days when he was a fairand trustworthy journalist, grilled Secretary of State Antony Blinken regarding Biden’s comments from last month, when he declared that it was “highly unlikely” the Taliban would overrun Afghanistan. That’s some intelligence work there, Joe! After some awkward huminahumina-ing, Blinken, kept trying to change the subject, defaulting to how everything was Trump’s fault. Amazingly, Tapper wouldn’t let him get away with it.

“You keep changing the subject to whether or not we should be there forever. And I’m not talking about that,” Tapper told Blinken. “I’m talking about whether or not this exit was done properly, taking out all the service members before those Americans and those Afghan translators could get out. That’s what I’m talking about. And then you have to send people back in. That’s the definition of, ‘Oh, we shouldn’t have taken those troops out, because now we have to send twice as many back in.'”

On Medium, political analyst John Ellis was on fire, writing in part,

“Handing over Afghanistan to the Taliban is President Biden’s idea, if that’s the right word, and his alone. It is terrible policy, on any number of levels. “Worse than a crime, a mistake” (Talleyrand’s phrase) describes it best. Axios reports that the Administration “derives comfort from the fact that the American public is behind them — an overwhelming majority support withdrawal from Afghanistan — and they bet they won’t be punished politically for executing a withdrawal.” Given events and the likely consequences, the fact that the Administration “derives comfort” from anything regarding its decision to hand over Afghanistan to the Taliban is nauseous. That they’re “betting” they will escape political punishment is perhaps more so….”

But that’s the routine, now. The Democrats count on the news media to minimize or hide their worst botches, so the public won’t know what’s going on and will keep on voting like good littel lambs. Other notes from Ellis:

  • “Abandoning the Kurds under Trump was bad enough. But this makes that look like home leave. This is an epic betrayal and strategically foolish to boot….
  • “…If you’re President Xi, you see Afghanistan, clearly, for what it is: a humiliating defeat for the United States. He might call it “flexible humiliation.” And what he knows from history is that defeated nations have little appetite for war in the immediate aftermath of losing one. Taiwan is there for the taking….
  • “When President Biden first announced that the US would be “leaving” Afghanistan, he set September 11, 2021 as the date when every last one of our people would be out. The announcement was greeted with astonished disbelief around the world. Could it really be possible that the US would officially hand over Afghanistan to the people who made it possible for Al Qaeda to attack it 20 years ago………on the very day of that attack? The answer was “yes,” although the Administration subsequently tried to walk it back without bringing attention to the fact that they were trying to walk it back.”

Ellis concludes, “Remarkably, the American press gave the president a pass on this, which seems to be its default setting when it comes to the Biden administration. “Trump was so much worse,” is the always-applicable rationale. Not in this case. Not by a long shot.”

Continue reading →

Oh, Good…A Non-Political Reason To Avoid Saturday Night Live

/ Jack Marshall / 9 Comments

Sanz and Fallon

It’s a sad truth, at least for me: the more you know about comedians and comics, the harder it is to laugh at them. There are notable exceptions of course (and as always): Martin Short, John Candy, Carol Burnett and a few more apparently are or were genuinely nice and relatively normal human beings. As a rule, however, extraordinary comedy talent is nourished by misery and emotional pain, and misery and emotional pain have a strong tendency to produce broken, sick, untrustworthy people.

For a lot of audience members, this isn’t a problem. For me, it is. I love great comedy, I’ve directed comedies, I’ve written comic scripts, revues, parodies and essays, and I’ve performed comedy. But once I learn that a comedy genius was or is a horrible human being, or acts like one sufficiently frequently not to be trusted, I just don’t enjoy watching and listening to that performer any more. The list of those who have landed on my “Can’t Make Me Laugh List” is too long to compile, and I really don’t care to encourage debates about whether it should matter that Charlie Chaplin was sexually attracted to little girls, or that Danny Kaye was a cruel misanthrope. It matters to me.

There are a few compensating advantages of this mindset, though. I haven’t watched a single minute of Saturday Night Live for so long I don’t even remember exactly when I started finding the show repugnant after years of never missing an episode. The reason I stopped watching was the show’s increasingly smug political bias that began to swallow the satire whole. I know it was somewhere around the George W. Bush presidency. (I had a similar experience then with David Letterman and The Daily Show.) SNL’s conversion into a full-time shill for progressives and Democrats became especially nauseating when it became addicted to using left-wing thug Alec Baldwin as a guest. There is no one on Earth I hate enough to find Alec Baldwin mocking him or her funny, and when it comes to Baldwin’s Trump impression, only the biases of Saturday Night Live directors and audiences can explain its popularity. As a director, I’d consider his amateurish routine unacceptable in a Cub Scout skit.

Fortunately, a recent emerging scandal looks like it will give me a new reason to detest the show that has nothing to do with politics.

Continue reading →

The Category Is “Jeopardy Ethics”! And The Question Is: “Who Is Mike Richards?”

/ Jack Marshall / 14 Comments

Mike Richards

If you need another bit of evidence about how social media wastes our time—and why would you?—consider the uproar over the search for a replacement for Alex Trebek. The original “Jeopardy!” host, Art Fleming, was popular too, and he hung around for 11 years. That was sufficiently long to be briefly legendary; the “Jeopardy!” announcer, Don Pardo, was familiar enough that Saturday Night Live! used him and his unique voice as a running joke for decades. But when Fleming retired, there was no controversy over his replacement, because, seriously, who cares who reads the questions and answers in a quiz show, unless they have a speech impediment or sexually harass the contestants, like Richard Dawson on “Family Feud”? But in the Age of The Great Stupid, everything is a big deal.

After months of celebrity tryouts, kind of like Presidential primary debates, “Jeopardy!” has finally chosen two replacements for the late Alex Trebek. The actress formerly known as “Blossom” and later as Sheldon’s girlfriend on “Big Bang Theory,” Mayim Bialik, will host the prime time version and its spinoffs. Can’t wait for those spin-offs! Bialik is legitimately smart and knowledgeable, and not just compared to other performers: she has a PhD in neuroscience from UCLA. She also, like most successful TV actors, projects a likable personality. And, of course, she’s a woman. I assumed a black host would be found, but Steve Harvey’s already taken.

The kerfuffle is over Trebek’s replacement for the main, daily syndicated edition, which has been around since 1984. The show’s current executive producer, Mike Richards got the job. Richards was not one of the more popular auditioners, but he had one thing the rest didn’t have: the power to choose who got hired. He thought, and thought, and chose…himself! This suggests that the process was rigged.

Continue reading →

Time Travel Ethics: The 1961 ABC TV Schedule

/ Jack Marshall / 25 Comments

I owe Ann Althouse for finding this; I never would have, especially since I’m disgusted with YouTube.

Above is a montage of all of the TV series offered to the public by ABC in the Fall of 1961. It’s worth noting that in 1961 the Fifties culture was still going strong, though JFK had replaced Ike as President. What we think of as the cultural Sixties didn’t really start until after Kennedy’s assassination in November of 1963. Also worth noting: ABC was the perennial least watched network on 1961. That meant they took the most risks, but ’61 was not a good year for ABC.

What can we learn from the montage? Culture is ethics and ethics is culture; this is a snapshot that shows what a large percentage of Americans watched at night, and what contributed to their worldview. It is fair to say, I think, that nothing in popular culture today influences an many people as even ABC’s prime time schedule did. The snap shot reveals where the nation has progressed, and what it has lost. In 60 years, there is a lot to consider.

Some Observations:

Continue reading →

Comment Of The Day: “‘Kill A Western Cultural Institution, Wear Its Skin’: The Case of Classical Music”

/ Jack Marshall / 14 Comments

Orchestra2

Ethics Alarms’ resident musician has a fascinating Comment of the Day humming with informative observations, and best of all, it has nothing to do with the Wuhan Virus vaccine

Here is David Rohde on the post “‘Kill A Western Cultural Institution, Wear Its Skin: The Case of Classical Music”…

***

Jack, it makes perfect sense that you bring Heather Mac Donald’s very long, two-part screed to your readers’ attention. It’s gotten a lot of notice in the music world. Personally I respect Ms. Mac Donald’s place in the overall cultural and political discussion, whether I agree with her writings or not. I’ve noted either her research or simply her references to the variables of two-parent families and basic levels of educational attainment as fundamental explainers of personal achievement, independent of ethnic background. Her views are part of the overall discussion in America today, or should be.

All that said, her big article about classical music is flawed in at least three ways. Here are those issues:

1. A lot of the article confuses music with musicology. The latter field has been kind of nuts for a while, extending way back before last year. The principal educators of today’s and tomorrow’s performing artists are not theoretical musicologists. They’re a combination of distinguished performers themselves and effective pedagogues, often combined in the same person. I’m not going to excuse some of the crazier things that have recently come out of Juilliard and elsewhere, but conservatory education remains very rigorous and performance-focused, indeed arguably too much so given the supply-demand imbalance for classical music talent.

2. The article is not really fair to the Sphinx Organization. One of the things that Sphinx does is to deal with the same overwhelming problem of expenses for families of limited means that you see in sports such as baseball and soccer. This time of year they bring in, for example, string players – yes “black and brown” ones – to top schools and institutions for intensive education and opportunity for rehearsal and performance experience. An example of someone who came out of the Sphinx Organization is the fantastic violinist Melissa White – yes that’s her name. Melissa has performed in our region at the Phillips Collection in D.C. and the Richmond Symphony, and she has numerous recordings to her name with the Harlem Quartet (which actually performs a huge range of traditional classical and other, adventurous music). And as you know, I believe it is completely valid to assert that, just as in other fields of employment, classical music employers should assess the whole person and what they can bring to an institution, even if their performance chops are obviously the primary criterion.

Continue reading →

Sounds Fun, But Is It Shakespeare?

/ Jack Marshall / 10 Comments

“The Merry Wives of Windsor” in Central Park is a “Critic’s Pick” by the Times theater reviewer Jesse Green. We learn that William Shakespeare’s “comedy of clever women, frail men and harsh revenge” has been “shaped” into one of “love and forgiveness.” We are informed that a drummer from Zimbabwe leads the audience in a call and response chorus of vernacular African salutations: “Asé” (Nigeria), “Yebo” (South Africa) and “Wau-Wau” (Senegal) among them. We are informed that the adapter has cut the number of characters in “The Merry Wives of Windsor” nearly in half, and that the running time is more than a third shorter than the Bard’s 1597 comedy.

Yes, and the “adaptation” apparently eliminates much of Shakespeare’s wordplay, including politically incorrect words like “master” and “mistress,” which Green says have “buzzkill implications.” Gone too are “misogynist references.” Predictably the setting is no longer England, or Windsor, but Harlem: it is difficult to find a a production of any Shakespeare play today that has any connection to the original in time or space.

The director and adapter have also “made several adjustments to embrace queerness where the original used it merely for humor.” Of course.

Continue reading →

Saturday Ethics Booster, 8/7/2021: Looking For A Hero…

/ Jack Marshall / 4 Comments

I hate to inflict that song on you (the singer/composer was the late Jess Cain, once the most popular disc jockey in Boston) but I have limited options. The 2021 Red Sox, who were sailing all season to what looked like a certain play-off slot , are suddenly in freefall,  with the hitters not hitting and the pitchers not pitching. They face a double-header today, and a double loss would be disastrous. After the 1967 Red Sox “Impossible Dream” season, the best summer of my life, when a team of virtual kids won the closest pennant race in baseball history by a single game after finishing in a tie for last place the year before, WHDH, which then carried Boston’s games, put out the cheesy but wonderful commemorative album above, containing clips from broadcasts of the most memorable games and Cain’s song, tied together by Sox play-by-play announcer Ken Coleman reciting one of the worst pieces of doggerel ever heard by human ears. At one point, Ken recounted a desperate point in the team’s underdog quest, and, having set up the rhyme with “zero,’ intoned, “We have to have a hero.” Cue the Yaz song!

I’ve been thinking about the need for a hero, indeed more than one, quite a bit lately, in matters more consequential than the Red Sox season (well, for normal people anyway.) The Sox sure need one today. If he shows up, maybe it will be an omen…

Incidentally, Yaz deserved the song. Modern metrics show that his Triple Crown, Gold Glove, MVP 1967 season was the second best of all time. (Babe Ruth had #1, naturally.) Anyone who followed that 1967 season knew it before the numbers were crunched.

1. More free speech threats in the Biden Era, but Donald Trump was a threat to democracy…The Baltimore Symphony fired Emily Skala, 59, the orchestra’s principal flutist for more than three decades, because she shared social media posts expressing doubt on the efficacy of vaccines and facemasks. Fellow musicians, audience members and donors complained, so it was bye-bye Emily. Skala, no weenie she, will challenge her dismissal, and accuses the orchestra of creating a hostile environment where she was being attacked for expressing unpopular views. I’d say that is likely. Musicians as a group are about as progressive and open to conservative views as college professors.

Skala angered many of her colleagues for sharing posts questioning the results of the 2020 presidential election—Oooh, can’t have that! She was also criticized for saying that black families needed to do more to support their children’s classical music studies. Wow, this woman is a veritable Nazi! Amusingly, the New York Times cites as among the examples of social media “disinformation” that got her fired were “false theories suggesting that the coronavirus was created in a laboratory in North Carolina” and posts “raising concerns about the safety of vaccines.”

That’s funny: it wasn’t too long ago that suggesting that the virus originated in a Wuhan lab was considered disinformation. And didn’t Joe Biden and other prominent Democrats raise “concerns” about any vaccine produced under the Trump Administration?

I’m just spitballing here, but if only we had some heroic organization that defended free speech, regardless of what side of the political spectrum it came from. It could call itself…let’s see…the National Civil Liberty Protection Alliance, or something like that…

2. Believe it or not, this Russian lawsuit isn’t frivolous, just mind-meltingly stupid. Thanks to Curmie for passing along the saga of Ksenia Ovchinnikova, an Orthodox Christian in Omsk, Russia, who is suing McDonald’s on the theory that its ads made burgers seem so yummy and irresistible that they made her break her fast for Lent in 2019 after years of successfully avoiding meat. She wants 1,000 rubles ($14) as damages for “sustained moral damage.”

The reason this isn’t frivolous (at least not in the US) is because a lawsuit clears the bar if it seeks a new interpretation of existing law, no matter how wacky. Of course, a heroic lawyer would tell the woman, no matter what she offered to pay, “You’re out of your mind, and I’d rather eat my foot than disgrace my profession by taking such a ridiculous case. By the way, would you like this  corndog?” Continue reading →

Comment Of The Day: “Not Cakes, But Advocacy: The Tenth Circuit Rules That Compelled Expression Is Constitutional”

/ Jack Marshall / 10 Comments

Web Design Content Creative Website Responsive Concept

I often feel like issues and discussions fly by too quickly on Ethics Alarms, as trivial matters like an old Star Wars fanatic’s vulgar window sign and the desperate efforts to frame a celebrity gymnast’s ill-timed choke blot out the ethical controversies that are most important to ponder and understand. Fortunately the commenters here often take steps to ameliorate that flaw, as veteran reader Dwayne N. Zechman does here. His Comment of the Day amplifies a post from a week ago that came in the middle of the earth-shattering question of Simone Biles’ “twisties” and only inspired 22 comments other than mine (my replies to comments don’t count). This, despite the fact that, to evoke Ben Bradlee (Jason Robards) at the end of “All the President’s Men,” nothing’s riding on what a Federal Appeals Court ruled in the case at issue “except the First amendment to the Constitution…and maybe the future of the country.”

Here is Dwayne’s Comment of the Day on the post, “Not Cakes, But Advocacy: The Tenth Circuit Rules That Compelled Expression Is Constitutional.”

***

So . . . true story:

Continue reading →

End Of Week Ethics Bombs, 8/6/21

/ Jack Marshall / 15 Comments

Hiroshima

August 6, 1945 is one of the most important ethics days of all, and among the most controversial. The United States bomber Enola Gay—now on exhibit in a hangar near Dulles Airport, dropped the first atomic bomb on the Japanese city of Hiroshima. Approximately 80,000 people were killed in seconds, and another 35,000 were injured. More than 60,000 would be dead by the end of the year from the effects of the fallout. Was the launching of the nuclear age by the United States ethically justified to save American lives (an invasion of the Japanese mainland had been estimated to risk a million U.S. casualties) and end the war? Was President Harry Truman guilty of a war crime, as non-combatants, including children, constituted most of the deaths? Did the horrible results of the new weapon prevent World War III, or make it more likely? These are still intensely debated questions by scholars, historians, theologians, military strategists, philosophers and peace activists.

1. Well, I’ve been spoiling for a fight, shopping around Northern Virginia and fining myself one of the few unmasked. So far, nobody’s said a word, but anyone who does is in for it. I’ve been vaccinated twice and probably had a mild, symptom-free infection before that. I have always been unusually resistant to viruses. Mask fog up my glasses and make me miserable. If you have chosen not to get your shots, swell, that’s your choice, but your exercise of personal liberty is not going to restrict mine without a fight. And don’t tell me I have to wear a mask so phobics feel “safe.” That’s not my problem either. I am not inclined to “social distance,” either. The mask fetish is going to strangle community, society and the joy of life unless we draw some hard lines. I’m drawing.

Continue reading →

Comment Of The Day: “Sunday Ethics Warm-Up, 8/1/2021: Simone Biles-Free Zone Edition!”[Item #2]

/ Jack Marshall / 20 Comments

David Rohde, a talented theater profession in the Washington, D.C. area and one of the smart ones too, has some thoughtful observations on the performing arts world’s adjustment to the Wuhan virus. Here is his Comment of the Day on Item #2 in “Sunday Ethics Warm-Up, 8/1/2021: Simone Biles-Free Zone Edition!”

I’ll be back at the end to return is volley on the future of live theater…

***

I agree with you that the universal masking requirement at Broadway theaters is likely to depress sales, even among those patrons who don’t yet think it matters. When they actually decide whether to go or not, hesitation is likely to creep in. I’ve been to several masked (and, in these cases, distanced) performances of things during the pandemic, and a universal feeling among the performers – who, yes, sense the audience even if there’s a “fourth wall” involved – is that it’s an odd atmosphere because they can’t read facial reactions.

It appears that performing arts presenters in general are trying to get “through the moment” by issuing clear, simple rules to get their institutions reopened. But if you really want to see a furious reaction, check out what happened after the Metropolitan Opera followed up its earlier announcement of required proof of vaccination with an edict that all children under 12 would simply be banned from the building. (As opposed to Broadway’s approach that families can bring proof of a negative test for their kids who are not yet eligible for vaccination.)

You can argue that fewer operas are geared toward attendance by children of those ages than musicals. But the Met’s announcement appeared to touch several cultural third rails, from an accusation that the opera company was acting in almost a Salem Witch Trials manner to a reaction that the Met was killing all global efforts to prove that opera isn’t only for old people. People posted photos on Twitter (I know I know, Twitter) of having taken 10-year-olds to the Met to introduce them to opera, and numerous people pointed out that actually quite a number of famous operas feature children’s choirs somewhere within their plots. The Met actually has a number of distinct challenges in opening its season on time, and this reaction, even leaving aside the obvious trolls and Twitter fakers who are reacting on that platform, is yet one more hurdle.

Continue reading →