I’m up at 3:30 am writing an ethics post because a nightmare woke me up. I don’t want to talk about it…
1. Breaking! American citizens are not as stupid as progressives thinkthey are! At least in this instance…the first wave in the Democratic Party’s unethical push to eliminate safeguards agaiants fraudulent voting was the campaign during the Obama administration to label voter ID requirements as “racist’ and “voter suppression.” The argument that it made sense not to require voters to present the same level of identification necessary to rent a car, cash a check or get on an airplane when the integrity of our elections is involved was intellectually dishonest, but the with the degree to which the news media carried the message for their favorite party, I assumed this particular brainwashing exercise was a success. But in the wake of the failure of that party’s attempted take-down of election security last week, the Monmouth University Poll revealed that 80% of the public, approve of voter ID. I know, polls. But that’s a pretty convincing margin:
Even Democrats favor ID, though not by a large enough margin to generate any respect. The big surprise was that Monmouth shows whites splitting 77/21 in favor of ID and nonwhites favoring the measure even more strongly, at 84/13.
The American Left, wherein the One-Worlders dwell, always like to cite the United States’ failure to emulate European governments—which the U.S. decided at its origin not to follow by design—as an argument for various measures like banning capital punishment, nanny states, , and gun ownership restrictions, but have been adamantly mute on the fact that 46 of 47 European countries require government-issued photo ID to vote. The one exception has been Great Britain (although not Northern Ireland), and last month Prime Minister Boris Johnson’s government said it would make photo IDs mandatory in response to a Royal Commission report.
On this day in 1788, habitually cantankerous New Hampshire became the ninth and last required state to ratify the Constitution of the United States and make it the law of the land. December 7 of 1787 had seen Delaware, New Jersey, Pennsylvania, Georgia and Connecticut quickly signed the document. But Congress had voted that at least 9 of the 13 former colonies had to sign on before the document was considered adopted. New Hampshire, Massachusetts and the remaining states opposed the document, as it failed to reserve sufficient powers to the states and did not protect individual rights like freedom of speech, religion,the press, and the right to bear arms. In February of 1788, New Hampshire, Massachusetts and other states agreed to ratify the document with the promise that necessary amendments would be developed and proposed. The Constitution was ratified based on the compromise by Massachusetts, Maryland and South Carolina, making 8. New Hampshire made nine. The first Congress under the new Constitution adopted 10 amendments, the Bill of Rights, and sent them to the states for ratification. Rhode Island, which opposed federal control of currency and was critical of compromise on slavery, was the last hold-out; the U.S. government had to threaten to sever commercial relations with the state to force it to sign on. Finally, on May 29, 1790, Rhode Island voted to become the last of the original 13 colonies to join the United States of America.
Today the U.S. Constitution is the oldest written constitution in operation in the world, and the only one predicated on ethical principles, thanks to the Bill of Rights.
I would have preferred to see Constitution Day made a national holiday over “Juneteenth,” since it was the principles laid out in the Constitution, along with the Declaration of Independence, that eventually led to the elimination of slavery, and the document has been the backbone of our republic’s epic success in other respects as well.
1. “Larry Vaughn Day”? I regret not noting yesterday that it was the anniversary of the release of “Jaws,” a milestone in American cultural history. It is also an ethics movie, and one that pops into my mind often, since the irresponsible conduct of the weaselly mayor of Amity, Larry Vaughn (Played by Murray Hamilton, who made a career of portraying human weasels), remains SOP for so many elected officials, locally and nationally, and also the leadership of corporations, associations, industries, sports, universities and <cough> religious organizations. Ethics Alarms has a Larry Vaughn tag, and I should have used it in dozens more articles than I have. He is the perfect symbol of leadership that, in the words of Matt Hooper (Richard Dreyfuss) will always “ignore this particular problem until it swims up and bites you in the ass.”
The U.S. could benefit greatly from a “Larry Vaughn Day” on June 20 in which every elected official and organizational leader be required to watch “Jaws.”
Propaganda works; that one of the main reasons that having a national news media that does little else in its “reporting” is so dangerous and destructive. Naturally, planting slanted, shades, manipulated and biased versions of facts and reality in the minds of trusting citizens (not to mention children) works best on trusting, badly educated, pliant and gullible minds, especially those inclined toward conformity. Thanks primarily to my habitually skeptical and iconoclastic father, I am anything but inclined toward conformity, and I’m proud of that, though it has caused me much pain and inconvenience over the course of my life. That proclivity also kept me from wasting money and brain cells on pot, led me to cross student picket lines when the SDS tried to shut down my college classes, and is the reason why I cannot be embarrassed by old photos of me with hair to my shoulders, wearing pink-tinted John Lennon spectacles and a tie-dyed shirt and flashing the peace sign. There isn’t one. It’s also the reason I used my law degree to get a job running a health care organization and to become an ethicist.
So you can imagine my horror to discover that the relentless pounding on the news media, along with other segments of the culture, on the bonkers, deceptive and unethical concept that any activity that doesn’t end up neatly aligned with racial and ethnic demographics must be considered an example of systemic racism or bias is seeping into my consciousness despite my determined resistance to it. First, I read a feature in yesterday’s New York Times Business Section under “Personal Finance” in which the Times published a set of college application essays “on money and life.” Let’s ignore for the purposes of this post the fact that all five of the essays featured were endorsing the mandated woke agenda: a condemnation of unwanted sexual attention in public, a lament about the need to conserve money, a celebration of a stay-at-home mother who rejected the role, an ode to day care, and a swipe at a lack of caring in America and the fact that “sometimes the color of my skin speaks before I can.” They were all extremely, suspiciously, even, well written and interesting. But I was immediately distracted by the weird demographics. Four out of the five were women. Only one of the five wasn’t “of color.” Surely, this distribution was intentional. What did it indicate? A bias by the Times against whites and men? I found myself checking on the identity of the Times reporter, Ron Lieber. Yup, he’s white and Jewish. Did he feel he had to tilt his article way from men and white lest he be accused of sexism and not being sufficiently “antiracist?”
In the era of streaming, nothing is more annoying than a TV series having its final episode be a cliffhanger, with no resolution because the series was cancelled. Right now, it looks like NBC’s time- and ethics-warping missing plane drama “Manifest” will join the cursed group of shows forced into being cruel teases forevermore. Yesterday, NBC ended the series after its third season of what was planned to be a six-season epic. Sure enough, the final installment was a special two-hour cliff-hanger that raised more questions than were already lingering, since “Manifest” is a “Lost”-style many-layered mystery. To make things worse, the first two seasons were just unveiled on Netflix, where audiences were sucked in and have made it an instant hit. Presumably Season Three will arrive on Netflix soon, but I, for one, don’t start watching movies that I know will be missing the final reel, reading novels that have had the last three chapters ripped out, or following a baseball season that I know will be cut short by a player strike.
1. Cruel reality. You know, I’m starting to feel less and less sorry for Merrick Garland. The man who should have been confirmed as a member of the Supreme Court has revealed himself as an ultra-political and partisan Attorney General. His latest is to darkly hint of scrutinizing “post-election audits to ensure they abide by federal statutory requirements to protect election records and avoid the intimidation of voters.” He wrote in part,
“As part of its mission to protect the right to vote, the Justice Department will, of course, do everything in its power to prevent election fraud and, if found, to vigorously prosecute it. But many of the justifications proffered in support of these post-election audits and restrictions on voting have relied on assertions of material vote fraud in the 2020 election that have been refuted by law enforcement and intelligence agencies of both this Administration and the previous one, as well as by every court — federal and state — that has considered them.”
That’s simply a lie. The claims have not been “refuted,” nor has the Federal government shown sufficient curiosity about “election fraud” to investige any of the many suspicious events related to mail-in ballots counted in Democratic strongholds in closely contested states.
Republicans take this as a veiled threat to interfere with the limited audits taking place in Arizona and Georgia. Arizona state Senator Wendy Rogers (R) minced no words in her response to the almost-SCOTUS justice, saying in part,
“You will not touch Arizona ballots or machines unless you want to spend time in an Arizona prison….The free state of Arizona will not tolerate this federal meddling. If Attorney General Merrick Garland thinks he has a right to our ballots and machines he should go to court. If he uses force when multiple courts have already authorized this audit he will be in violation of the law.”
Oh, I just love this Comment of the Day by Curmie, who was AWOL from the ethics comment wars for far too long, and whose return recently has made my heart soar like a hawk. I love it for many reasons, including, of course, the fact that it is well written and enlightening, far more so than my post that prompted it, which focused narrowly on the double standard of applauding the having a performer of one race portray another, but only when it’s the “right” races involved.
As with my posts about ethics issues in another lifetime passion, baseball, I know that many readers nod off when the framework is theater. But the conceit of Ethics Alarms is that the ethics issues and process of analysis are often universal regardless of where the dilemmas and conflicts pop up. As it happens, baseball and theater happen to be two realms that I know a lot about.
But not as much as Curmie, at least as far as theater is concerned. I had hoped that he would weigh in on the casting of a black actress as Anne Boleyn, and he did.
Literally two minutes after reading this post, I saw that Katori Hall had been awarded the Pulitzer Prize for Drama for her play The Hot Wing King. I don’t know the play—its Off-Broadway run was cut short by COVID, and as far as I can tell it hasn’t been published.
I do, however, recognize her name as the playwright of The Mountaintop, in which the two characters are Martin Luther King, Jr. and an employee of the Memphis hotel in which he is spending what he doesn’t know is his last night on earth. (Spoiler alert: she’s really an angel preparing him for what is to come.) It is a good, borderline great, play: by turns moving, humorous, and incisive. But what comes immediately to mind is the production by a student group at Kent State University, in which a white actor was cast as King. The director, of course, claimed the casting decision wasn’t a gimmick. (Newsflash: it was a gimmick.)
The original idea was to alternate the role between a white and a black actor to be, in the director’s words, “a true exploration of King’s wish that we all be judged by the content of our character and not the color of our skin.” The black actor had to drop out of the production, and the white one played the role throughout the run.
That’s Anne Boleyn on the photo above. No, really, it is. Well, okay, it’s really British actress Jodie Turner-Smith portraying King Henry the VIII’s doomed second wife, whom most people don’t realize was black. That is, of course, because she wasn’t black, just like Martin Luther King wasn’t Chinese and Genghis Kahn wasn’t a Hassidic Jew. However, a new TV mini-series, which premiered last week in Great Britain, cast Turner-Smith because no white actresses were available to play the role. No, that can’t be right. No white British actress were qualified to play an English historical figure? That can’t be true either. What’s going on here?
“It is the first time a Black actress has portrayed the Tudor queen onscreen,” the New York Times helpfully informs us. Really! The factoids we get from the Times! Why not, I wonder? Wait, wait, don’t tell me: has a man ever played Anne Boleyn in a serious historical drama? How about an octogenarian? An actress in a wheelchair? A dwarf? How about a moose? A block of cheese?
“We wanted to find someone who could really inhabit her but also be surprising to an audience,” Faye Ward, one of the show’s executive producers, said in an interview. Surprising, or confusing? Surprising is a piece of cake, as another doomed queen, but from France, would have said. Casting Woody Allen as Anne would be surprising. What’s the objective here?
The Times feature rapidly descends into a hybrid of Authentic Frontier Gibberish crossed with Wokish.
1. And now for something completely stupid…Poe’s Law is getting a workout as The Great Stupid heads into its final stage, and I have to discipline myself not to write about too many episodes like this one, which once would have been regarded as parody because it would have been parody. Raj Patel, an apparent communist, explains in this unhinged piece by The Guardian about “food injustice,” that the apple pie is a symbol of American imperialism and white supremacy, like this…
“Not that apples are particularly American….Apples traveled to the western hemisphere with Spanish colonists in the 1500s in what.. is now better understood as a vast and ongoing genocide of Indigenous people….
Not that the recipe for apple pie is uniquely American….By the time the English colonized the new world, apple trees had become markers of civilization, which is to say property….John Chapman, better known as Johnny Appleseed, took these markers of colonized property to the frontiers of US expansion where his trees stood as symbols that Indigenous communities had been extirpated.…
Not that the gingham on which our apple pie rests is uniquely American….this war capitalism enslaved and committed acts of genocide against millions of Indigenous people in North America, and millions of Africans and their descendants through the transatlantic slave trade. In the process, cotton laid the basis of finance, police and government that made the United States.
Since this is quite a lot to acknowledge, it is easier to misremember. In the drama of nationalist culture, the bloody and international origins of the apple pie are subject to a collective amnesia.“
This, though extreme, is the weaponization of the cognitive dissonance scale that has become a prime part of the strategy to unmake the United States, cancel its freedoms, and turn its values inside out. Consistent with Critical Race Theory, literally everything in our culture, including the best and most innocent of it, must be traced to something evil.
Even apple pie. Conservative websites are having fun mocking this article. They are foolish. Patel is deadly serious, and our children will be taught this perspective unless there is relentless resistance.
2. John Wayne died on this date in 1979. “The Duke” had the biggest impact on American culture and ethics of any performer; there really isn’t anyone close. And it was a positive impact; John Wayne (really Marion Morrison) the man is an interesting subject, but what mattered was his art. He dedicated his career to portraying the independent American male individualist with all his virtues and flaws, aided by some of the greatest film-makers in Hollywood history, notably John Ford and Howard Hawks. Even before Hollywood took its disastrous turn to the hard Left, Wayne suffered because of the enmity liberals and the academic elite held (and hold) toward the core American values that Wayne’s characters, often incompletely, tried to embody. Pauline Kael, much idolized as a film critic (I detested her), refused to do anything but ridicule Wayne’s performances out of pure political bias. For me, especially as I became more experienced as a stage director, Wayne’s acting impressed me more the more I watched him, and I have watched him more than I have watched anyone.
There has been an effort of late to “cancel” the Duke, but they’ll have more luck with apple pie. The John Wayne character remains strong, inspiring, and complex. Over 40 years after his death, Wayne’s movies are still featured on TV regularly; no actor made more great ones, and the good ones are still entertaining. My favorites? “Stagecoach” (of course), “Red River,” “Rio Bravo”, “She Wore A Yellow Ribbon,” “The Searchers,” “Hondo,” “True Grit”, “The Quiet Man,” and “The Man Who Shot Liberty Valence,” with Hawks’ “Hatari!” as a special guilty pleasure.
For all my (self-) vaunted dedication to popular culture, I had no idea who Jill Corey, pictured above, was. When I glanced at the New York Times obituary feature about her last month, it didn’t ring enough of a bell for me to read it. But I left the section lying around for some reason, and finally read it last night. Her life is a story filled with ethics enlightenment about life, luck, and priorities.
On Nov. 9, 1953, when she was only 17, Norma Jean Speranza of Avonmore, Westmoreland County, a coal miner’s daughter just like Loretta Lynn, was featured in a Life Magazine cover story called “Small Town Girl Gets New Name And a New Career.” She became a true overnight sensation, recording hundreds of songs for Columbia Records, including “Love Me to Pieces,” “I Love My Baby,” “Let It Be Me” (which the Everly Brothers covered memorably) and “Sometimes I’m Happy,” the featured single on her career-defining album, “Sometimes I’m Happy, Sometimes I’m Blue.” Corey, it is fair to say, had one of those rare female voices that are instantly appealing, like Judy Garland and Karen Carpenter. Listen…
Those low notes!
Critics and audiences loved her. Silver Screen magazine said she had a “voice as lovely as a glass slipper, and a personality to match,” and that was typical. Corey was a regular on the television variety programs “Robert Q’s Matinee” (1950–1956) “The Dave Garroway Show” (1953–1954),the 1958–1959 version of the iconic “Your Hit Parade,” and on Johnny Carson’s CBS comedy-variety show before he took over “Tonight.” She also had her own syndicated radio and television shows. In 1958 she starred in a feature-length musical film, “Senior Prom” (co-produced by Moe Howard!)
So why doesn’t (almost) anyone remember her today?
In 1961, she married Don Hoak. He’s remembered now more than Corey is thanks to “City Slickers”: in a scene on a dude ranch, the one woman in the group complains to Billy Crystal and his two friends that she doesn’t understand men’s obsession with baseball. Who cares who played third base for the 1960 Pittsburgh Pirates, she asks hypothetically, and the words are barely out of her mouth before the three guys blurt out, “Don Hoak!”
Corey stopped performing and recording to raise a family; she and Hoak had a daughter. He dropped dead of a heart attack in 1969 at the age of 41 while chasing a thief who had stolen his brother’s car. Unexpectedly, Jill Corey had to return to singing. But her moment had passed. She was no longer famous or in demand, and popular music, the culture and public tastes had moved at supersonic speed in the eight years between 1961 and 1969. Once seemingly everywhere in magazines, TV and the radio and seemingly headed to a long career, she was back to being an unknown. When she died in May at the age of 85, few noticed.
That’s not me, by the way. I would never wear a shirt like that…
1. Not substantiated, but worth mentioning: Fulton County, Georgia, poll manager Suzi Voyles says that when she sorted through a stack of mail-in ballots last November, she noticed strange uniformity in the markings on ballots favoring Joe. Biden. All the absentee votes contained perfectly filled-in ovals for Biden, except that each of the darkened bubbles featured an identical white space inside them in the shape of a tiny crescent, indicating they had been marked with toner ink instead of a pen or pencil. All of these ballots were printed on different stock paper than the others she handled as part of a statewide hand recount of the 2020 Presidential election, and none were folded or creased, as mail-in ballots usually are. To her, the Biden votes looked like they’d been duplicated by a copying machine. At least three other poll workers observed the same thing in stacks of absentee ballots for Biden they handled, have joined Voyles in swearing under penalty of perjury that they something was—is—seriously amiss. A state judge has ordered that all of the 147,000 mail-in ballots counted in Fulton be unsealed to allow a closer inspection of the Biden ballots for evidence of counterfeiting. Observations:
Why is this only happening now, rather than before the results were certified?
Even if the audit show that Trump “won” Georgia, indeed even if similar audits show that he should have won the election, nothing will change as far as the current government is concerned. You can’t unring that bell. Congratulate the Democrats: it worked!
Even the Georgia audit alone, if it turned up sufficient counterfeit ballots, would still force some accountability on the news media and progressive pundits, who have rather too vigorously insisted that the election was as pure as the driven snow.
So far, the mainstream media has ignored this story, and will continue to if it comes to nothing. Right now, it’s officially just more conservative conspiracy theory.
I am certain that there are many in authority who believe that even if there was widespread fraud in 2020, it shouldn’t be revealed because that knowledge would cause civil unrest. I almost feel that way myself, except that Democrats and news media have been shouting from the rafters that complaints about the loose controls on mail-in ballots are fanciful, and that Trump is “lying” when he says the election was stolen. Now the truth has to be determined, so that highly dubious narrative doesn’t prevent essential reforms.
If the Xeroxed ballot accusation turns out to be legitimate, things will get ugly. At that point, maybe they have to.
2. Accountability Ethics, Baseball Division. The last two nights, the Houston Astros were booed lustily in Boston by fans indignant about that team’s cheating in 2017, including during a close play-off series with the Red Sox on the way to the Astros’ World Championship. There’s a disconnect here: the primary villain in the cheating scandal is the current Red Sox manager, Alex Cora, who engineered the sign-stealing scheme the team used to help it’s hitters all season. Cora, of course, hasn’t bee jeered at all. Alex said that the booing of his former team made him uncomfortable. Good!He told the press after the game in part,
“Tough to hear it. Because at the end, I was part of that. I was part of the 2017 Astros, and I was part of the whole sign-stealing situation and them being booed and screamed at … I was part of that, too. I know there’s a lot of people in this town who are fans of the Boston Red Sox that don’t agree that I’m the manager [Note: Like me…] There’s others that yeah, they’re OK with it and others, they’re just happy that we have this [winning] record. But that was something I was wondering for a while — how people were going to treat them — because at the end, we were part of it. [Clarification: Not “part of it,” Alex. You were the instigator of it.] Me and [current Red Sox player] Marwin [Gonzalez] were part of that, and it was a tough one last night. When I got home, I thought about it. I was like, ‘Wow.’ It was tough. It was a tough night.”
Not tough enough. I also liked how he threw his own player under the metaphorical bus. Most Boston fans had forgotten that Gonzales, now with the Sox , was one of the Astros’ sign-stealing cheats. I’m sure he was happy to hear his manager remind everyone in his new city.
Ethics Alarms 