Ethics Warm-Up, 7/19/2020: And The Hits Just Keep On Coming!

1. Final plug, as the bat above (and in my hands) reminds me: If you are set up with Zoom (it’s free, you know), you still have time to register for the Smithsonian Associates program  tomorrow evening (at 6:45 pm, EST) wherein I hold forth on how baseball has influenced American culture, values and history. Yes, it’s $35 bucks, but it goes to a good cause, and may help the Institute hire more competent employees who don’t peddle junk like the chart on “whiteness.” You’ll be able to ask questions, and I’m storing these experiences for the Ethics Alarms Zoom experience to come. Read all about it here…

2. If a left-wing dim bulb like Jonathan Chait can figure this out, surely more are to follow. He writes in New York Magazine…you know, where Andrew Sullivan was regarded as too conservative?…

The ideology of the racism-training industry …collapses all identity into racial categories. “It is crucial for white people to acknowledge and recognize our collective racial experience,” writes [ Robin DiAngelo, of temporary “White Fragility” fame,] whose teachings often encourage the formation of racial affinity groups. The program does not allow any end point for the process of racial consciousness. Racism is not a problem white people need to overcome in order to see people who look different as fully human — it is totalizing and inescapable. Of course, DiAngelo’s whites-only groups are not dreamed up in the same spirit as David Duke’s. The problem is that, at some point, the extremes begin to functionally resemble each other despite their mutual antipathy…. In some cases its ideas literally replicate anti-Black racism.”

Ya think??? Continue reading →

A Sunday Morning Ethics Quiz: “Ass and Boobs” vs. “The Camel’s Toe” [Corrected]

Roenick, Lipinski and Weir. Wait…Johnny Weir is gay?

Ex- pro hockey star Jeremy Roenick has sued NBC Sports for wrongful termination, claiming the network discriminated against him as a heterosexual. At issue is his firing in February of this year for saying,  during a Barstool Sports podcast called “Spittin’ Chiclets”, while discussing his wife and Kathryn Tappen, a coworker,

“I’m swimming with my wife and Kathryn, and they’ve got their bikinis on, and they look fuckin’ smokin. Ass and boobs everywhere. It’s great.”

I suppose I should mention by way of context that sports fans do not listen to ex-hockey players  blather on “Barstool Sports” to be enlightened on the writings of Marcel Proust. Nonetheless, NBC quickly suspended Roenick, and though he issued an apology, his NBC supervisor, Sam Flood, subsequently informed him that he was fired.

[Notice of Correction: I originally wrote that Barstool Sports was an NBC production, It isn’t. So Roenick was fired for comments made when he was not under the auspices of NBC.]

What sparked the lawsuit now was the absence of any discipline levied by NBC sports after NBC Sports commentators Tara Lipinski and Johnny Weir participated this May in a leering promotional video for the At-Home Variety Show on the Peacock streaming service, joined by “Pitch Perfect” actors Elizabeth Banks and John Michael Higgins. Continue reading →

Requiem For “My Mammy”

 

I was just running an errand, and on the Sirius XM 60’s Channel they were playing the top 40 songs from this date in 1967 (my favorite year). And what should come on but The Happenings, the Four Seasons-imitating group best known for “See You In September” and the whitest group in history, singing “My Mammy,” the Al Jolson trademark song that he originally sang in blackface.  (I apologize for using the non- “Jazz Singer” version of Jolson singing the song, but an article about blackface got Ethics Alarms banned from Facebook, and I don’t want to give them provocation to have me shot The video above also has another Jolson standard, “April Showers.” There’s nothing wrong with more Jolson; he was one of the great ones.)

I had forgotten that The Happenings had a mild hit with it as the follow-up to “I Got Rhythm.” “My Mammy,”music by Walter Donaldson and lyrics by Joe Young and Sam M. Lewis, is a terrific, tingles-up -the-spine song and performance piece (“I’d walk a million miles for one of your smiles!”), but I assume it is now impossible to present because of its blackface connotations.

The loss of “My Mammy” isn’t  a great tragedy, but it’s still a tragedy. Big chunks of our culture are going to be torched before this insanity burns itself out, if it ever does. I have a feeling that I’ll be fighting this battle for the rest of my life.

Ingratitude, Racism And Statue Toppling At The Asian Art Museum

I’ll begin with the ethics conclusion, and show how we get there.

If your organization, institution, or nation owes its existence to an individual that hindsight-wielding critics want to erase, your choice is to tell them to get lost while continuing to officially recognize the debt such organization, institution, or nation  owes to that individual, or to dissolve the entity. Recognizing in some form the fact that a founder has blemishes on his or her past may be justified and practical. Continuing to benefit from that founder’s actions while metaphorically kicking him or her in the teeth, however, is unethical and, in fact, despicable.

Thus we arrive at the current controversy at the Asian Art Museum  in San Francisco. The focus of the mess is the bust of Adrian Brundage you see above. Brundage is most remembered as the long-time (twenty years) President of the International Olympic Committee (IOC), and most reviled for his decision not to cancel the Munich Games in 1972 after the terrorist attack on the Israeli team in 1972. (I agreed with him then, incidentally, and still believe that he was correct, and courageous, in his decision.) Brundage also, however, created the Asian Art Museum, which is the centerpiece of San Francisco’s Civic Center Plaza, and which Brundage gave to the city in 1966 to house his fabulous personal collection of approximately 8,000 art pieces.

The New York Times story about the emerging controversy at the museum begins, “For 48 years, visitors to this city’s Asian Art Museum have had to pass the bust of Avery Brundage.” That’s right, they “had” to pass that bust because what they were coming to see belonged to Avery Brundage, the museum’s collection was his gift, and it was and is appropriate for that to be respected and acknowledged.

Given an opportunity by the zeitgeist of the George Floyd Freakout, however, the museum’s director and chief executive, Jay Xu, announced to a meeting of the board and commissioners in June that he was having Brundage’s bust  removed. There are two reasons given in the article. One is that Brundage was accused of being a Nazi sympathizer and anti-Semitic (with the decision not to stop the 1972 Olympics being cited as a prime piece of evidence for the latter), and that the museum he created “presents Asian art from a mostly white perspective.”

As for the last complaint, I will characterize it this way: it’s racism, pure and straight.

The George Floyd Freakout is being used to justify a national effort to “Get whitey,” and this disgusting outbreak of anti-white hatred (that so many white Americans are accepting with the meek submission and hollowed out character of post rats-in-his-face Winston Smith) will not end until sufficient numbers of the rational label it what it is: opportunistic hate and racism.

The museum presents Asian art from a “mostly white perspective”  because the museum’s collection was originally created by a  collector of Asian Art who was white. That does not justify an indictment of the collection, and if an Asian-American wants to establish a museum that reflects Asian art from a mostly Asian-American  perspective—not an Asian perspective now, be consistent, you racists!—then that Asian-American is welcome to spend millions on his or her own collection,  give it to the city, and see if anybody wants to see it. Continue reading →

Ethics Observations On The National Museum of African American History and Culture’s Retreat

The Smithsonian’s National Museum of African American History and Culture (NMAAHC) endured only a day of searing criticism before it removed its racist chart on “whiteness” from  its website. The site replaced the graphic, which Ethics Alarms reproduced here and here and never wants to see again, with this statement:

At the National Museum of African American History and Culture, we believe that any productive conversation on race must start with honesty, respect for others, and an openness to ideas and information that provide new perspectives. In that context, we recently unveiled “Talking About Race,” an online portal providing research, studies, and other academic materials from the fields of history, education, psychology, and human development.Our goal in doing so was to contribute to a discussion on this vitally important subject that millions of Americans are grappling with. Since yesterday, certain content in the “Talking About Race” portal has been the subject of questions that we have taken seriously. We have listened to public sentiment and have removed a chart that does not contribute to the productive discussion we had intended. The site’s intent and purpose are to foster and cultivate conversations that are respectful and constructive and provide increased understanding. As an educational institution, we value meaningful dialogue and believe that we are stronger when we can pause, listen, and reflect—even when it challenges us to reconsider our approach. We hope that this portal will be an ever-evolving place that will continue to grow, develop, and ensure that we listen to one another in a spirit of civility and common cause.

Observations: Continue reading →

On Polls, Biden, Britney Spears, And”Nah, There’s No Mainstream Media Bias!” Note #71, 546

Back when he was the lone moderate voice on Mediaite, Joe Concha had a brief set-to with Ethics Alarms that concluded with him writing some nice things about us. I hope he still checks in now and then. Concha’s with The Hill now, and one of the journalists who is fair to all sides while acknowledging his profession’s progressive rot.

In related but completely predictable news, the latest Rasmussen Report’s weekly White House Watch shows the President trailing Biden 44% to 47%, nearly within the margin of error, making up more than half of the alleged ten point deficit the same poll showed a little over a week ago.  The significance of this is not the numbers. As I keep pointing out, polls are generally unreliable, polls this far from a Presidential are especially unreliable, and polls involving President Trump and  phantom candidate Joe Biden are about as unreliable as polls can be.

Moreover, the news media has been using polls to demoralize Trump supporters, not to mention foes of open borders, speech suppression, racial and gender quotas, slavery reparations, presumption of guilt for males accused of sexual assault, government sanctioned riots, police defunding, drug legalization, the Green New Deal, manipulative news media, gun confiscation, airbrushing history, denigrating America, partisan coups, totalitarianism—you know, what the Far Left has pushed the Democratic Party into supporting, or at least pretending to. Continue reading →

Comment Of The Day: “KABOOM! Anti-White Stereotyping At The Smithsonian’s National Museum of African American History and Culture”

After a brief pause in eligible Comments of the Day, I am suddenly inundated with candidates, with blogging veteran Glenn Logan at the fore with two more to follow on his recent post. These, and another non-Logan COTD on the runway, were sparked by the Ethics Alarms post about the above content on a Smithsonian website, which threatens all records for “well-intentioned “racial stereotyping.

Here’s Glenn’s Comment of the Day #2 of three, (with the next coming up later today. Three is a row is a record!) on the post, “KABOOM! Anti-White Stereotyping At The Smithsonian’s National Museum of African American History and Culture”: Continue reading →

Ethics Observations On The Nick Cannon Meltdown

This is the kind of story that makes me doubt my own cultural literacy. Until the controversy involving Nick Cannon, I had never heard of the guy, and wouldn’t recognize him if he walked into my living room.  Yet he’s been around for 20 years as a juvenile TV star, a rapper, comic, actor, producer, director, the TV host of all sorts of shows I didn’t watch, and since 2012 he’s had his own show on MTV called “Wild and Out.” He also has a podcast.

The news that ViacomCBS had fired Cannon resonated throughout the popular media, and qualifies, apparently, as a Big Deal. In the June 30 installment of Cannon’s podcast, “Cannon’s Class,” he interviewed Professor Griff, a rapper who was a part of the group Public Enemy before being forced out after he said in an interview with The Washington Times, “The Jews are wicked. And we can prove this.” He also said that Jews were responsible for “the majority of wickedness that goes on across the globe.”

“I’m hated now because I told the truth,” Griffin told Cannon, who was immediately sympathetic. “You’re speaking facts,!”  Cannon said. “There’s no reason to be scared of anything when you’re speaking the truth.”

After referring to Dr. Griff as a “legend,” Cannon said he wished that Louis Farrakhan, the anti-white demagogue with a long history of anti-Semitic comments, had not been blocked by Facebook.

Then Cannon endorsed Griffin’s contention that six dominant media companies were controlled by Jews, comparing it to the power of the Rothschilds, the banking family at the center  of various  anti-Semitic conspiracy theories. “I find myself wanting to debate this idea and it gets real wishy and washy and unclear for me when we give so much power to the ‘theys,’ and ‘theys’ then turn into illuminati, the Zionists, the Rothschilds,”  Cannon said later in the podcast.

Got it. He’s an anti-Semite. Continue reading →

Ethics Outburst, 7/15/2020: An Execution, An Exoneration, A “Never Mind!” And More Freakouts…

1. Least surprising ethics revelation of the day: Kanye West is an asshole.  After posting this,

..sending the news media into a frenzy, setting off speculation about how much of the crucial black vote his candidacy might siphon off from Joe Biden, exciting all of those who inexplicably take the man seriously after ample evidence over the years that he is emotionally unstable, West has decided a mere eleven days later that he doesn’t want to run after all. His organization had hired 180 people who trusted him.

If there is a more irresponsible celebrity alive, I don’t want to know about him. Continue reading →

KABOOM! Anti-White Stereotyping At The Smithsonian’s National Museum of African American History and Culture

Now this  is res ipsa loquitur.

My head exploded when I saw what you will see below, so you are warned. The racist chart  is from the anti-white section of  the  Smithsonian’s National Museum of African American History and Culture’s  web page.

The page and its agitprop are also anti-black: hard work, punctuality, believing in cause and effect, “rational thinking,” respect for authority, and civility  are all manifestations of “whiteness”, according to the museum. Writes Rod Dreher, obviously post head-explosion…

Did David Duke write this stuff? It’s crazy! If a white man said that black people are lazy, can’t keep to a schedule, have no respect for authority, can’t think straight, are rude, etc. — he would be rightly criticized as racist. But there it is, at the taxpayer-funded National Museum of African American History and Culture. Why? Why do we pay for this racist propaganda? …

The museum teaches black people that being on time for work is racist oppression. Don’t believe me? Look. … I can’t get over this. If you assume that everything these curators say below is true, then you can explain a great deal of the chronic problems within black America. What kind of neighborhood would you expect to have if most of the people in it devalued hard work, rejected the idea that they needed to be on time, refused to defer gratification, did not respect authority, sought out conflict, laughed at politeness, rejected the traditional family model, and so forth? You’d have communities that were beset by crime and generational poverty, without the cultural tools to overcome the chaos. There are plenty of white people in this country who live by similar rules — and they’re chronically poor too.

Hold on to your skull! Here is the chart: Continue reading →