Business & Commercial

High Noon Ethics Showdown, 7/14/2020

/ Jack Marshall / 11 Comments

“High Noon” is an ethics movie to be sure, but a very strange one. I put it on a list of ethics movies in 2016, but as I wrote then,

“High Noon” is a Western that shows the American people at their worst, refusing to help a single law man threatened on his wedding day, and cringing in fear and denial when their values need to be fought for.

I have long felt that the movie is like a “Twilight Zone” episode, or a Western version of “Invasion of the Body-Snatchers.” What’s wrong with those people? However, it feels less like a Rod Serling parable now, when I find myself thinking “What’s wrong with those people?” several times a day as I surf the news feeds.

It is reported that John Wayne was offered the role of the desperate law man, eventually played by the Duke’s friend, Gary Cooper. Wayne, who was always protective of the heroic character he had created over the course of his career, hated the script, and turned it down. I cannot imagine John Wayne running around a town begging for help as four gunfighters are on the way to seek revenge, and apparently neither could he. In response to “High Noon,” Wayne and Howard Hawks made “Rio Bravo,” about a sheriff who keeps refusing assistance as a rancher hires gunfighters to free the sheriff’s prisoner, his brother.  At every turn, people keep saving the sheriff anyway.

I think one reason Wayne wanted to star in “True Grit” so much is that Rooster Cogburn, old and fat, takes on four villains by himself, charging them on horseback with the reins in his teeth and guns blazing.

1. It’s amazing that everyone isn’t sick of this yet. The latest Times “fact check” of President Trump, like so many others, relies on an interpretations of the notoriously sloppy-speaking POTUS that nobody fair and attentive could possible  think was his intended meaning. The statement at issue was that “99% of which are totally harmless.”

By “totally harmless,” the hyperbole addicted President meant “aren’t fatal.” The game, however, is to pretend the Presidents words, whatever they are, are lies. (The Washington Post just updated its hilarious Trump lie database. I challenge anyone to pick ten entries at random that even include a majority of “lies.”)

The Times even writes, “Studies that have calculated the death rate based on broader antibody testing that takes these silent cases into consideration suggest an infection death rate of less than 1 percent, said Dr. Ashish K. Jha, the faculty director of the Harvard Global Health Institute.” Continue reading →

Regarding “Athlete A”….[Corrected!]

/ Jack Marshall / 9 Comments

“Athlete A,” the Netflix documentary that tells the awful story of USA Gymnastics doctor Larry Nassar’s decades of sexually abusing young female gymnasts—perhaps as many as 500 of them—, how he was allowed to continue his crimes after complaints from parents and others, and the young women who finally sent him to prison with their testimony, is both disturbing and depressing. I watched it last night with my wife, who was horrified that she didn’t know the Nassar story.

Ethics Alarms wasn’t as much help as it should have been. Its first full post about the scandal was this one, which, in grand Ethics Alarms tradition, slammed the ethics of the judge who sentenced Nasser to 60 years in prison, essentially a “Stop making me defend Dr. Nasser!” post. I’ll stand by that post forever, but it didn’t help readers who are link averse to know the full extent of Nasser’s sick hobby of plunging his fingers and hands into the vaginas and anuses of trusting young girls while telling them that it was “therapy.”

The second full post, in August of last year,  was more informative regarding Nasser, but again, it was about the aftermath of his crimes, not the crimes themselves. That post  focused on the the Senate hearings following the July 30 release of the report of an 18-month Senate investigation  that found that the U.S. Olympic Committee and others failed to protect young female athletes from Nasser’s probing hands, detailing “widespread failure by the U.S. Olympic and Paralympic Committee (the “Committee”) and other institutions to keep athletes safe.”  Then there was this: Continue reading →

Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally

/ Jack Marshall / 17 Comments

Let’s see what we have today…

1. Oh. The art made some people uncomfortable. Well that’s a good reason to destroy it… Vermont Law School is going to paint over a mural in its student center that celebrates Vermont’s role in the Underground Railroad and the abolitionist movement. Several students and alumni had recently objected to its depictions of African Americans and said it made some people uncomfortable.

VLS President and Dean Thomas McHenry said in a campus-wide email last week that the mural in the Chase Community Center  painted by Vermont-based artist Sam Kerson in 1993 had to go because “the depictions of the African-Americans on the mural are offensive to many in our community and, upon reflection and consultation, we have determined that the mural is not consistent with our School’s commitment to fairness, inclusion, diversity, and social justice. Accordingly, we have decided to paint over the mural.”

Translation: ‘Some of our African American students and alumni as well as supporters of the George Floyd Freakout thought this was an ideal time to show what they could  do by crying “racism” in an institution that could be counted upon to cave to just about any demands in order to avoid being called “unwoke” and be swarmed by social media mobs. And they were right!’

The mural is titled “The Underground Railroad, Vermont and the Fugitive Slave” and has two 8-by-24-foot panels, with four scenes in each panel intended to“celebrate the efforts of black and white Americans in Vermont and throughout the United States to achieve freedom and justice,” the artist’s website says.

The first panel includes half-naked Africans being forced into slavery and sold at auction, as well as resistance symbolized, in part, by “the resurgence of African culture via drums, masks and costumes.”

The second panel includes images of John Brown, Frederick Douglass and Harriet Beecher Stowe, as well as a scene where a blonde Vermont woman tries to block the view of a bounty hunter bearing down on fugitives trying to escape slavery on the Underground Railroad. Here it is…

VLS students Jameson Davis and April Urbanowski resembled yahoos at a modern art exhibit complaining that “them dang Picasso people look like freaks!,” writing “One issue of many, is the fact that the depictions of Black people are completely inaccurate. Regardless of what story is being told over-exaggerating Black features is not OK and should not be tolerated.”

The artist is not happy. “This is a monument to abolition in Vermont and a description of the people who struggled against slavery, and it is important to our culture,” Kerson said of his mural. “To paint it over is outlandish — it’s like burning books. It’s so inflammatory, I can’t believe it’s actually happening.”

Forget it, Sam. It’s George Floyd Freakout Town… Continue reading →

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part 2: Give My Demands To Broadway…)

/ Jack Marshall / 22 Comments

Upon careful consideration, I think this clip is the fairest representation of what black theater activists on Broadway are advocating:

In Part I of this series, we discussed the dead-end strategy recently pursued by the performing woke of imposing one-way limitations on which actors could portray what roles. Across the full range of group grievance activism, everyone is rushing to try to exploit and capitalize upon the George Floyd Freakout, perhaps recognizing that the present state of self-flagellation and submissiveness by white decision-makers, governments, businesses and other institutions won’t last forever. In their haste, many groups—in this I would include the “resistance,” Democrats and the news media among others—are metaphorically cutting their own throats. This is especially true of the theater community.

A coalition of theater artists called “We See You, White American Theater” has posted online a 29-page set of demands that if adopted, the New York Times opines, “would amount to a sweeping restructuring of the theater ecosystem in America.”

Wrong, Bias Breath! If adopted, the demands would kill commercial live theater, and it is more than half dead already, though most theater community members are in denial.

The list reminded me of the bad old days of the 1960s, when student anarchists, protesting the war in Vietnam, would take over university buildings and then, thinking that they had the upper hand, would submit a list of demands including the Moon and the kitchen sink, many of which had nothing to do with the war at all.  This list of demands makes those look reasonable, one reason being that simply reading the 29 pages of arrogant woke-speak is a task few will have the patience to undertake.

I’ll just focus on some highlights. (By the way, you need to know that BIPOC means “Black, Indigenous and People of Color”):

  • “We demand the naming and acknowledgement of American Indian, Alaska Native and Native Hawaiian tribal land and its Native peoples who have lived, currently live, and will live on the land where any theatre activity happens.”

I hate to keep having to break it to these naifs, but theater is just not that important to most people, particularly those in power. “We have to rename Indianapolis to have theater here? OK—we won’t have any theater then! Problem solved!”

This one is worth repeating in full: Continue reading →

Unethical Website Of The Month: Etsy

/ Jack Marshall / 14 Comments

I haven’t had an unethical website to feature for a while, once I decided that sites like the New York Times, Washington Post and CNN shouldn’t be considered. Today’s choice, however, really deserves the honor, because this is really, really stupid.

Etsy is a website that sells products from other producers, often small, home-based operations. During the Wuhan virus outbreak, Etsy merchants have been doing a booming business  marketing masks made out of mesh, lace, and other materials that have visible holes in them. These masks are advertised as fashionable, comfy, and “breathable,” none of which are features related to the purpose masks are supposed to serve. Continue reading →

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part I: “The Simpsons”)

/ Jack Marshall / 16 Comments

Item: Fox’s apparently immortal animated series The Simpsons  released a statement last month regarding casting for non-white characters, including  black characters like  Dr. Julius Hibbert: “Moving forward, ‘The Simpsons’ will no longer have white actors voice non-white characters.”

This, stupid as it is, follows the non-logic of recent white actresses who dropped their gigs as the voices of grayish-brown inked “mixed-race” cartoon characters. How will that “only people of the same race can play roles of characters of that race” be reconciled with the objective of  non-traditional casting, which was devised in part (many decades ago) to open up more opportunities for black and minority actors, allowing them to take on roles written as white?

It can’t. It’s as simple as that. The two approaches eventually clash, and are mutually exclusive. “The Simpsons” policy is wrong and destructive in every conceivable way, and its ethical values, as in competent, fair or responsible, are non-existent.

  • If white actors can only play white characters, then white characters cannot be played (or voiced) by black performers. Oh, I’m sure that while in the grip of fear during the George Floyd Freakout and overwhelmed with the desire to signal virtue to one’s peers, white performers will tolerate such an obviously unfair and absurd double standard for a while, but show business is a brutal and competitive field, and the vast majority of actors of any color have scant financial resources and no job security. The arrangement being pushed by black performers and activists as they sense a window of opportunity created by the Freak-out and the concomitant intimidation of decision-makers will eventually engender resentment and conflict. If the BLM lackeys in the entertainment field really think that this double-standard “solution” to “systemic racism”—which means installing a new system of systemic anti-white racism—will prevail, they are deluded.
  • Moreover, the idea is anti-art, as is the “non-traditional casting as affirmative action” fallacy. If the performing arts aren’t a meritocracy driven by the market—does the performance entertain, or doesn’t it?—then they are doomed. Even with all the brainwashing and bullying to come, the public will never have enough people who will like a show (or a novel, or a painting, or a song)—or pay money to see it— based on its demographics and diversity rather than the quality of the performances
  • To “The Simpsons” and similar products, if the authentically black voice of Dr. Hibbert isn’t as funny, well-timed and deft as white Harry Shearer’s performance, the character won’t be as effective.

I look at all productions this way: a perfect show has 1000 points. Everything that isn’t perfect loses points for that production—a bad accent here, an ill-fitting costume there, missed lines–they all count.  One flaw that loses a few points won’t kill the show; it might not even be noticed. But all of those lost points add up, and when the points sink below a certain level, the production is no longer viable.

“The Simpsons” is voluntarily giving up points, which is simply bad show business and terrible art. If Harry Shearer is the best voice for the Simpsons’ family doctor, then it can’t matter what color he is. The audience doesn’t care.  Every show loses points no matter how perfect it tries to be; giving them up intentionally is unethical, because the artist’s duty is to present the best, most popular and most profitable  work possible, not to meet EEOC quotas.

Continue reading →

Morning Ethics Warm-Up, 7/11/2020: Still Crazy After All These Posts

/ Jack Marshall / 14 Comments

1. Atticus, Aaron and Alexander. Today, July 11, was a crucial date in history for two great Americans, now in danger of being canceled by the ignorant woke. One cancellee was a real man, Founder Alexander Hamilton; the other is fictional, Atticus Finch. Both have been pronounced wanting in character of late because they did not manage to discern in their eras the full extent of the necessary racial equities Americans have largely come to understand today, with the benefit of decades more of debate and experience than Finch, and with a 250 years advantage over Hamilton.

In Finch’s case, this is his “birthday”:  on July 11, 1960,  34-year-old novelist  Harper Lee published her first, and except for a rejected “sequel” to  “Mockingbird” published later under ethically dubious circumstances, her only, novel.  Fortunately for Atticus, the version of the Depression Era small town Alabama lawyer that most Americans know is the film’s, where he is played by Gregory Peck as a pure idealist without any of the alleged flaws—like saying that it is wrong to assume that racists can’t still be good people—that the novel’s Atticus is condemned for today. (The multiple Atticus problem is discussed here.)

While Atticus Finch was “born” on this date, Alexander Hamilton died, perhaps by bravely but naively exhibiting ethical character while at the mercy of a man whose ethics were elusive at best, Aaron Burr, who fatally shot the nation’s first Secretary of the Treasury in a duel this day in 1804.

The adversaries met at 7 a.m. at the dueling grounds near Weehawken, New Jersey on the same spot where Hamilton’s son had died defending his father’s honor in 1801. (The concept of karma was apparently unknown in 1804.)  According to Hamilton’s “second,” Hamilton deliberately fired his weapon into the air rather than at Burr (Burr’s second claimed that Hamilton fired at Burr and missed) , whereupon Burr, who had the second shot,  killed  Hamilton by sending a bullet through his stomach into his spine. Hamilton died the next day.

If you think politics are crazy now, consider: Hamilton’s death was the direct result of his publicly attacking and demeaning Burr for years (“I feel it is a religious duty to oppose his career,” he once wrote). Hamilton also was instrumental in blocking Burr from becoming President in the ridiculous election of 1800, when a quirk in the election rules threatened to allow the sociopathic Vice-Presidential candidate  to defeat his running mate, Thomas Jefferson. Continue reading →

Update: The Answer To Question 13 [Updated Again!]

/ Jack Marshall / 23 Comments

The above is Reddit’s new policy. It is one more example of unthinking and unethical “answers” to systemic racism.

On June 17, in this post, I concluded with a proposed answer to my Question 13, “What is the “systemic reform regarding race in America” that the George Floyd protests purport to be seeking?” That answer:

…special accommodations and benefits for African Americans in all things. Affirmative action in employment, promotions, salaries and school admissions; preference in grading, contracting and hiring; elimination of any standards that African Americans continue to lag in meeting. Reparations, of course; race-based leniency in law-enforcement and sentencing; plus  culture wide discrimination in favor of blacks and against whites in all things, all instituted by the intimidation, punishment and “cancelling” of anyone who dissents.

The accuracy of my prognostication has become apparent within a little more than two weeks. As Jeff Goldlum says ruefully in “Jurassic Park” as the T-Rex escapes,

Though the text of the “What We Believe” section of the Black Lives Matter site is so expansively vague and utopian that it could, literally, mean anything, in the rush to satisfy the explicit and implicit threats levied by spokespersons for the “movement” and the reality of the mobs, the woke, the cowardly, the terrified and the foolish have laid the following at the feet of the champions of “systemic race reform”

  • Kentucky Governor Andy Beshear announced plans to “correct inequalities in healthcare coverage in the state” by  expanding health care coverage to every black Kentuckian. Of course, state benefits distributed on the basis of race are per se unconstitutional, but his announcement was widely praised.

This was among the priorities he priorities he said all Kentuckians should support on moral grounds as part of his responce to the fatal shooting of a black woman during a botched house search by Louisville police, though there was and is no evidence that the accident was triggered by race or racism.

  • Students at the University of Washington and elsewhere demanded that professors to grade black students’ finals with more leniency. Students started a petition on Change.org that asks for professors to “give Black students a break!”

Over 60, 000 have signed the petition. Such a policy, which some professors have implemented, endorses openly race-based grading.

  • Following through on The University of California Board of Regents vote to restore affirmative action to the admissions process, though granting preferential treatment to applicants based on their race or gender in public education or employment has been outlawed in California since 1996, the California legislature has voted to strike these words from the state constitution: “The state shall not discriminate against, or grant preferential treatment to, any individual or group on the basis of race, sex, color, ethnicity, or national origin.”

The debate made it clear that the intent of the amendment is to permit discrimination on the basis of race and color. It is in open defiance of basic civil rights and equal protection under the law.

UPDATE: This is as good as a place to mention his as anywhere. Don Lemon, CNN’s second dimmest anchor, recommended that it would be salutary to add Barack Obama, “front and center,” to Mt. Rushmore. The justification would be that he’s black.

  • Nikole Hannah-Jones, the avowed Marxist who was allowed to inflict her false history “1619” project on Times readers, schools and the nation, as given a platform again (in the Times Magazine) to call for reparations. Five days later, last Sunday, the paper itself devoted a its opinion section to  “The Economy We Need” (“The America We Need” online)  a series of articles by Leftist members of the Times Op-Ed staff and academics advocating reparations for African Americans, usually while not using those words. The section was headlined throughout in inch-high red block letters.

Among the most prominent articles: “Banks Should Face History and Cancel Black Debt Now. Continue reading →

Warning! You Never Know What Someone Is Going To Decide Is Racist…

/ Jack Marshall / 11 Comments

These four Jimmy John bozos were fooling around, playing with dough. One made a noose with the dough, except that nooses aren’t made out of dough, so it wasn’t a noose. He then looped the dough-noose over his neck, as you can see. Then they posted the hilarity on YouTube.

  • They would not have done this, presumably, if they thought it was a demonstration of racism.
  • There were no African Americans present who could decide that the dough-noose was some kind of threat.
  • Nothing in the video suggests a racist attitudes or a racial motive….

Continue reading →

Independence Day With Ethics Alarms 3…Ethics Fireworks (and Duds)!

/ Jack Marshall / 15 Comments

1. Gaslighting! Seth Abramson is an American professor, attorney, author, and political columnist whom I have been mercifully unaware of previously. In response to last night’s inspiring speech by the President (inspiring unless you’re in favor of gutting U.S. culture and rights), he tweeted,

Someone please explain to Seth that if you don’t pay better attention than that to what’s going on, you are ethically obligated to shut the hell up.

2. I have to mention this because it’s embarrasses Harvard. Claira Janover, who graduated in May from the once-respectable university with a degree in government and psychology, saw a  short clip she posted on Tik Tok where she threatened to stab anyone who had  “the nerve, the sheer entitled caucasity to say ‘all lives matter'” go viral.

“I’ma stab you,” the Connecticut native says on the clip, zooming in close on her face. “I’ma stab you, and while you’re struggling and bleeding out, I’ma show you my paper cut and say, ‘My cut matters too,’” she added.

Oh, I get it! She’s making an analogy between someone saying “All Lives Matter” as a retort to “Black Lives Matter,” saying killing non-black people isn’t an issue because black people being killed is to white people being killed  like a stabbing is to a paper cut! Or something like that. It’s not a very good analogy. No, it wasn’t a “a true threat,” either. It was just an ugly and obnoxious video that signaled that she is irresponsible and intolerant of other points of view. This impugned the judgment of her new employers, the international accounting and consulting firm Deloitte, and they canned her. Of course they did. She should have known that would happen.

I would have fired her just for saying “Ima stab you.” Corporations don’t tend to pay huge fees to people who say, “Ima” anything.

Rather than being accountable, Janover has decided to play the victim, claiming Trump supporters are at fault for her fate, and attacking her ex-employer.

“I’m sorry, Deloitte, that you can’t see, ” she said, “that you were cowardice [sic] enough to fight somebody who’s going to make an indelible change in the world and is going to have an impact.” If she keeps this up, she may successfully ensure that nobody hires her, and though she will no doubt claim otherwise, it will have nothing to do with racism.

Good job, Harvard! Continue reading →