KABOOM! Anti-White Stereotyping At The Smithsonian’s National Museum of African American History and Culture

Now this  is res ipsa loquitur.

My head exploded when I saw what you will see below, so you are warned. The racist chart  is from the anti-white section of  the  Smithsonian’s National Museum of African American History and Culture’s  web page.

The page and its agitprop are also anti-black: hard work, punctuality, believing in cause and effect, “rational thinking,” respect for authority, and civility  are all manifestations of “whiteness”, according to the museum. Writes Rod Dreher, obviously post head-explosion…

Did David Duke write this stuff? It’s crazy! If a white man said that black people are lazy, can’t keep to a schedule, have no respect for authority, can’t think straight, are rude, etc. — he would be rightly criticized as racist. But there it is, at the taxpayer-funded National Museum of African American History and Culture. Why? Why do we pay for this racist propaganda? …

The museum teaches black people that being on time for work is racist oppression. Don’t believe me? Look. … I can’t get over this. If you assume that everything these curators say below is true, then you can explain a great deal of the chronic problems within black America. What kind of neighborhood would you expect to have if most of the people in it devalued hard work, rejected the idea that they needed to be on time, refused to defer gratification, did not respect authority, sought out conflict, laughed at politeness, rejected the traditional family model, and so forth? You’d have communities that were beset by crime and generational poverty, without the cultural tools to overcome the chaos. There are plenty of white people in this country who live by similar rules — and they’re chronically poor too.

Hold on to your skull! Here is the chart: Continue reading

My Georgetown Diploma Joins My Harvard Diploma In Facing The Wall In Shame

Georgetown has apparently programmed its victims of a liberal education to not only believe in the suppression of free speech and dissent from the majority, but to engage in it. Nice.

By the way, Georgetown, the backs of Harvard’s diplomas are much more attractive than the backs of yours.

Georgetown University junior Billy Torgerson received a formal condemnation from  the Georgetown University Student Association as well as a call for the college to investigate him for “bias” based on a column, “A Nation Of Virtuous Individuals,” that he authored and posted on his own website.

That’s all you need to know, really. It is none of the Student Association’s business what a Georgetown student posts online on his own forum. The principle articulated in the recent Supreme Court case B.L v. Mahanoy Area School District holds even if the action of a student group doesn’t strictly constitute what the opinion prohibits. This is chilling free speech.

Torgerson’s primary “crime” seems to be that he opposes another recent SCOTUS ruling,  Bostock v. Clayton County, which extended protections under Title VII of the Civil Rights Act of 1964 to transgender individuals.  I think he’s wrong, but Torgerson’s position is similar to that of the  three dissenting judges  and many conservative analysts. And it doesn’t matter if he’s wrong. He has every right to state his opinion without being punished. Continue reading

Ethics Hero: New York Times Editor Bari Weiss

I supposed that should have read “former New York Times editor Bari Weiss.” Until her resignation today,  from 2017 to 2020, Weiss was the staff editor for the opinion section of the The New York Times.

Her letter of resignation to the Times publisher is here.  It is beyond excellent, beyond brave, beyond important.  It is breathtaking.

She writes in part,

I joined the paper with gratitude and optimism three years ago. I was hired with the goal of bringing in voices that would not otherwise appear in your pages: first-time writers, centrists, conservatives and others who would not naturally think of The Times as their home. The reason for this effort was clear: The paper’s failure to anticipate the outcome of the 2016 election meant that it didn’t have a firm grasp of the country it covers…

But the lessons that ought to have followed the election—lessons about the importance of understanding other Americans, the necessity of resisting tribalism, and the centrality of the free exchange of ideas to a democratic society—have not been learned. Instead, a new consensus has emerged in the press, but perhaps especially at this paper: that truth isn’t a process of collective discovery, but an orthodoxy already known to an enlightened few whose job is to inform everyone else…

Stories are chosen and told in a way to satisfy the narrowest of audiences, rather than to allow a curious public to read about the world and then draw their own conclusions. I was always taught that journalists were charged with writing the first rough draft of history. Now, history itself is one more ephemeral thing molded to fit the needs of a predetermined narrative. Continue reading

Regarding “Athlete A”….[Corrected!]

“Athlete A,” the Netflix documentary that tells the awful story of USA Gymnastics doctor Larry Nassar’s decades of sexually abusing young female gymnasts—perhaps as many as 500 of them—, how he was allowed to continue his crimes after complaints from parents and others, and the young women who finally sent him to prison with their testimony, is both disturbing and depressing. I watched it last night with my wife, who was horrified that she didn’t know the Nassar story.

Ethics Alarms wasn’t as much help as it should have been. Its first full post about the scandal was this one, which, in grand Ethics Alarms tradition, slammed the ethics of the judge who sentenced Nasser to 60 years in prison, essentially a “Stop making me defend Dr. Nasser!” post. I’ll stand by that post forever, but it didn’t help readers who are link averse to know the full extent of Nasser’s sick hobby of plunging his fingers and hands into the vaginas and anuses of trusting young girls while telling them that it was “therapy.”

The second full post, in August of last year,  was more informative regarding Nasser, but again, it was about the aftermath of his crimes, not the crimes themselves. That post  focused on the the Senate hearings following the July 30 release of the report of an 18-month Senate investigation  that found that the U.S. Olympic Committee and others failed to protect young female athletes from Nasser’s probing hands, detailing “widespread failure by the U.S. Olympic and Paralympic Committee (the “Committee”) and other institutions to keep athletes safe.”  Then there was this: Continue reading

Has The Freakout Reached Peak Insanity Yet? Based On the Following, Evidently Not…

What’s going on here?

Robin Broshi a member of the NYC Community Education Council, told  a colleague during a meeting: “It hurts people when they see a white man bouncing a brown baby on their lap!”

He responds, “I would like to know how having my friend’s nephew on my lap was racist.”

She replies: “Read a book! Read ‘White Fragility’!”

Imagine: this is a woman who has input into the education of New York City children.

Well, one utter lunatic is still less problematical than this: the United Teachers Los Angeles, a 35,000 member  union in the Los Angeles Unified School District issued a policy paper   that called called on local authorities to “keep school campuses closed when the semester begins on August 18, and outlined  provisions it says will be necessary to reopen schools again, including sequestering students in small groups throughout the school day, providing students with masks and other forms of protective equipment, and re-designing school layouts in order to facilitate “social distancing.”

Okay. Teachers have legitimate input in these decisions. However, the union has other demands. Continue reading

Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally

Let’s see what we have today…

1. Oh. The art made some people uncomfortable. Well that’s a good reason to destroy it… Vermont Law School is going to paint over a mural in its student center that celebrates Vermont’s role in the Underground Railroad and the abolitionist movement. Several students and alumni had recently objected to its depictions of African Americans and said it made some people uncomfortable.

VLS President and Dean Thomas McHenry said in a campus-wide email last week that the mural in the Chase Community Center  painted by Vermont-based artist Sam Kerson in 1993 had to go because “the depictions of the African-Americans on the mural are offensive to many in our community and, upon reflection and consultation, we have determined that the mural is not consistent with our School’s commitment to fairness, inclusion, diversity, and social justice. Accordingly, we have decided to paint over the mural.”

Translation: ‘Some of our African American students and alumni as well as supporters of the George Floyd Freakout thought this was an ideal time to show what they could  do by crying “racism” in an institution that could be counted upon to cave to just about any demands in order to avoid being called “unwoke” and be swarmed by social media mobs. And they were right!’

The mural is titled “The Underground Railroad, Vermont and the Fugitive Slave” and has two 8-by-24-foot panels, with four scenes in each panel intended to“celebrate the efforts of black and white Americans in Vermont and throughout the United States to achieve freedom and justice,” the artist’s website says.

The first panel includes half-naked Africans being forced into slavery and sold at auction, as well as resistance symbolized, in part, by “the resurgence of African culture via drums, masks and costumes.”

The second panel includes images of John Brown, Frederick Douglass and Harriet Beecher Stowe, as well as a scene where a blonde Vermont woman tries to block the view of a bounty hunter bearing down on fugitives trying to escape slavery on the Underground Railroad. Here it is…

VLS students Jameson Davis and April Urbanowski resembled yahoos at a modern art exhibit complaining that “them dang Picasso people look like freaks!,” writing “One issue of many, is the fact that the depictions of Black people are completely inaccurate. Regardless of what story is being told over-exaggerating Black features is not OK and should not be tolerated.”

The artist is not happy. “This is a monument to abolition in Vermont and a description of the people who struggled against slavery, and it is important to our culture,” Kerson said of his mural. “To paint it over is outlandish — it’s like burning books. It’s so inflammatory, I can’t believe it’s actually happening.”

Forget it, Sam. It’s George Floyd Freakout Town… Continue reading

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part 2: Give My Demands To Broadway…)

Upon careful consideration, I think this clip is the fairest representation of what black theater activists on Broadway are advocating:

In Part I of this series, we discussed the dead-end strategy recently pursued by the performing woke of imposing one-way limitations on which actors could portray what roles. Across the full range of group grievance activism, everyone is rushing to try to exploit and capitalize upon the George Floyd Freakout, perhaps recognizing that the present state of self-flagellation and submissiveness by white decision-makers, governments, businesses and other institutions won’t last forever. In their haste, many groups—in this I would include the “resistance,” Democrats and the news media among others—are metaphorically cutting their own throats. This is especially true of the theater community.

A coalition of theater artists called “We See You, White American Theater” has posted online a 29-page set of demands that if adopted, the New York Times opines, “would amount to a sweeping restructuring of the theater ecosystem in America.”

Wrong, Bias Breath! If adopted, the demands would kill commercial live theater, and it is more than half dead already, though most theater community members are in denial.

The list reminded me of the bad old days of the 1960s, when student anarchists, protesting the war in Vietnam, would take over university buildings and then, thinking that they had the upper hand, would submit a list of demands including the Moon and the kitchen sink, many of which had nothing to do with the war at all.  This list of demands makes those look reasonable, one reason being that simply reading the 29 pages of arrogant woke-speak is a task few will have the patience to undertake.

I’ll just focus on some highlights. (By the way, you need to know that BIPOC means “Black, Indigenous and People of Color”):

  • “We demand the naming and acknowledgement of American Indian, Alaska Native and Native Hawaiian tribal land and its Native peoples who have lived, currently live, and will live on the land where any theatre activity happens.”

I hate to keep having to break it to these naifs, but theater is just not that important to most people, particularly those in power. “We have to rename Indianapolis to have theater here? OK—we won’t have any theater then! Problem solved!”

This one is worth repeating in full: Continue reading

Unethical Website Of The Month: Etsy

I haven’t had an unethical website to feature for a while, once I decided that sites like the New York Times, Washington Post and CNN shouldn’t be considered. Today’s choice, however, really deserves the honor, because this is really, really stupid.

Etsy is a website that sells products from other producers, often small, home-based operations. During the Wuhan virus outbreak, Etsy merchants have been doing a booming business  marketing masks made out of mesh, lace, and other materials that have visible holes in them. These masks are advertised as fashionable, comfy, and “breathable,” none of which are features related to the purpose masks are supposed to serve. Continue reading

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part I: “The Simpsons”)

Item: Fox’s apparently immortal animated series The Simpsons  released a statement last month regarding casting for non-white characters, including  black characters like  Dr. Julius Hibbert: “Moving forward, ‘The Simpsons’ will no longer have white actors voice non-white characters.”

This, stupid as it is, follows the non-logic of recent white actresses who dropped their gigs as the voices of grayish-brown inked “mixed-race” cartoon characters. How will that “only people of the same race can play roles of characters of that race” be reconciled with the objective of  non-traditional casting, which was devised in part (many decades ago) to open up more opportunities for black and minority actors, allowing them to take on roles written as white?

It can’t. It’s as simple as that. The two approaches eventually clash, and are mutually exclusive. “The Simpsons” policy is wrong and destructive in every conceivable way, and its ethical values, as in competent, fair or responsible, are non-existent.

  • If white actors can only play white characters, then white characters cannot be played (or voiced) by black performers. Oh, I’m sure that while in the grip of fear during the George Floyd Freakout and overwhelmed with the desire to signal virtue to one’s peers, white performers will tolerate such an obviously unfair and absurd double standard for a while, but show business is a brutal and competitive field, and the vast majority of actors of any color have scant financial resources and no job security. The arrangement being pushed by black performers and activists as they sense a window of opportunity created by the Freak-out and the concomitant intimidation of decision-makers will eventually engender resentment and conflict. If the BLM lackeys in the entertainment field really think that this double-standard “solution” to “systemic racism”—which means installing a new system of systemic anti-white racism—will prevail, they are deluded.
  • Moreover, the idea is anti-art, as is the “non-traditional casting as affirmative action” fallacy. If the performing arts aren’t a meritocracy driven by the market—does the performance entertain, or doesn’t it?—then they are doomed. Even with all the brainwashing and bullying to come, the public will never have enough people who will like a show (or a novel, or a painting, or a song)—or pay money to see it— based on its demographics and diversity rather than the quality of the performances
  • To “The Simpsons” and similar products, if the authentically black voice of Dr. Hibbert isn’t as funny, well-timed and deft as white Harry Shearer’s performance, the character won’t be as effective.

I look at all productions this way: a perfect show has 1000 points. Everything that isn’t perfect loses points for that production—a bad accent here, an ill-fitting costume there, missed lines–they all count.  One flaw that loses a few points won’t kill the show; it might not even be noticed. But all of those lost points add up, and when the points sink below a certain level, the production is no longer viable.

“The Simpsons” is voluntarily giving up points, which is simply bad show business and terrible art. If Harry Shearer is the best voice for the Simpsons’ family doctor, then it can’t matter what color he is. The audience doesn’t care.  Every show loses points no matter how perfect it tries to be; giving them up intentionally is unethical, because the artist’s duty is to present the best, most popular and most profitable  work possible, not to meet EEOC quotas.

Continue reading

Unethical Quote Of The Year: House Speaker Nancy Pelosi

“People will do what they do.”

—-Speaker of the House Nancy Pelosi  yesterday, following being  asked at a press conference about her reaction to the statue of Christopher Columbus being torn down and dumped in the Bay by the usual gang of vandals and anarchists who are symbolically tearing down the United States and Western civilization, as well as its values.

I am serious about this being the Unethical Quote of the Year. I can’t imagine a worse one, once Pelosi’s status as the third ranking official in the United States Government and the leader of the Democratic Party is taken into consideration. This would be a morally, legally and ethically bankrupt statement if it came from a sociopathic teenager. Coming from a leader who people follow and trust, it is infinitely worse. Such an attitude strikes at the soul of civilized society. “They just do what they do” is a line from  “Jurassic Park,” as the paleontologist, Dr. Grant (Sam Neill) explains to the children that dinosaurs aren’t good or bad, they are just animals that “do what they do.”

But they were animals. Continue reading