I’d be surprised if I haven’t posted on this before, but a recent advice column article about the issue made me realize that the common conflict almost all of us with friends in the performing arts face routinely is as perfect example of the phenomenon I have termed “ethics zugzwang” as there is.
A theater reporter in the New York Times wrote a column titled, “My Friend’s Show Was Kind of Terrible. What Do I Say When I See Them? (You can always consider telling the truth, but it may not be advisable in this case.) [Gift link!] He breaks down the options as,
- “Tell the truth, as a form of tough love.
- Find something to say that is appreciative but also incomplete.
- Lie.”
After reporting on interviews with performers and others in show biz, the reporter concludes that the most ethical option is “Lie.” He concludes, “So what to do? The consensus among those I spoke with is that the best way to be a friend is to be supportive. Leave the critical feedback to other people and other settings. ‘I think the move is always to lie,’ said the musical theater composer Joe Iconis . ‘Whether you enjoyed the show or not, if you’re actually a friend to the person who is part of the production, your job is to say ‘great job, fantastic show.’ I have never once appreciated a friend who came to a show of mine and offered unsolicited negative comments.’”







