The Unethical—But Useful!— White House “Oopsie!” Doctrine

rotting fish head

In a—oh, hell, I’m out of adjectives to describe “This is so ridiculous it makes me want to throw myself into a woodchipper”—move that will transform U.S. culture, the White House has pioneered a new and refreshingly simple way for wrongdoers and law-breakers to take responsibility for their misconduct.

Just say, “I forgot to obey the law. Sorry!” Let’s call it the “Oopsie!” Doctrine.

Yes, this is how the White House bravely owned up to intentionally violating the statute, the National Defense Authorization Act, that requires the Executive Branch to alert Congress of the pending release of prisoners from Guantanamo at least 30 days in advance. Deputy National Security Adviser Tony Blinken called Senate Intelligence Committee Chairwoman Dianne Feinstein (D-Calif.) to officially say that the White House was sorry it failed to alert her, and therefore Congress, in advance of a decision to release five Taliban prisoners from the prison in Guantanamo in exchange for American deserter, and quite possible traitor, Bowe Bergdahl. The Obama Administration is calling this “an oversight.”

That’s right. The White House breaking the law is an oversight. Never mind that the President was well aware of this particular law, having stated that he regarded it as unconstitutional when he signed it. It was an oversight! None of the foreign policy experts and advisors, neither the Secretary of State or Defense or all their little deputies, nor the hoards of lawyers that Defense, State and the White House employ, remembered that there was a little matter of a relatively recent law that had to be followed in cases like this one. They all missed it, had a brain fart, whiffed, were day-dreaming, took their eye off the ball, goofed, tripped up, pulled a boner. It can happen to anyone! Continue reading

“Camp Kill Jews” Ethics

And they say “Washington Redskins” is offensive.

"What a charming name! What does it mean in your language? Oh...wait, WHAT???"

“What a charming name! What does it mean in your language? Oh…wait, WHAT???”

From Spain comes the news that the town of Castrillo Matajudios, which literally means “Camp Kill Jews,” has voted to change its name after 400 years. This appears to be part of Spain’s recent, rather belated, I would say, efforts to acknowledge and express regret to Jews for the persecution they endured during the Spanish Inquisition.

Strange as it seem, the current name probably came into being not to denigrate Jews, but to protect Jews in the town who had officially converted to Catholicism under threat of torture and death. As such, it is a piece of history, and the words convey information about the town, the country, and the people who lived there, not a slur….except to someone who knows nothing about the town.

I’m not aware of a perfect analogy for this situation. It has some similarities to the plight of the towns of Blue Ball, Pennsylvania, named for a famous and long-gone hotel in the area, and the Amish community of Intercourse, Pennsylvania, named when a common uses of that term conveyed “fellowship.” In a  parallel universe where political correctness was dictated by social conservatives rather censorious progressives, these towns might be getting coercive signed letters from Republican Senators “suggesting” that they change their names to something less offensive, even though, as with the Redskins name, history and context would be lost. Continue reading

Ethics Quiz: The 9-11 Memorial Museum Restaurant

" So...who's hungry?"

” So…who’s hungry?”

I’m sure this will come as a shock to some, but there are ethics controversies that I do not have strong opinions on, because I think both sides have strong ethical arguments. The dispute over whether the planned restaurant at the recently opened memorial and museum on the site of the Twin Towers bombing is one of them.

Con is  stated succinctly by New York Post columnist Steve Cuozzo, who wrote, “A bar and grill by any name on top of burnt fire trucks and human ashes is just plain gross.” Also being criticized is a black-tie party held at the museum to celebrate the opening. Said a family member of a firefighter who died that day: “This is the final insult and desecration of these 9/11 remains.”

The Pro, or at least the “It’s no big deal” position, is laid out by Ann Althouse, who wrote:

“At some point the taking of offense itself becomes offensive. Maybe out of respect for the dead, no one who still walks the face of the earth should ever laugh or take pleasure in anything every again. More than 100 billion human beings have died, perhaps right where you are standing/sitting/reclining right now. How dare you ever do anything? Look out your window and visualize the ghosts of all the human beings who, over the course of history and prehistory, died within that view. Will you mourn for them… ceaselessly… until you are one of them?”

The ethics issue is obviously respect. What is enough, and what is disrespectful? The analysis involves finding the right analogy, perhaps. There is a gift shop and restaurant at the Gettysburg Battlefield Visitors Center, but not on the site of Pickett’s Charge. The Holocaust Museum has a gift shop and snack bar as part of the complex, but nobody was exterminated in Washington, D.C. There’s no gift shop or snack bar at the Tomb of the Unknown Soldier; you can’t buy a sandwich at the Alamo. Is the 9-11 restaurant like the one at the Pearl Harbor museum, or is it like having a fish and chips eatery over the SS Arizona? The Pennsylvania site where Flight 93 crashed is being treated as hallowed ground, while the section of the Pentagon where its victims perished on 9-11 is back to being a workplace.

Is this just the Ick Factor,  something that feels a little “off,” like watching musicals and comedies in Fords Theater with Lincoln’s empty, ghostly box looming over the stage, or something more?

Your Ethics Alarms Ethics Quiz today…

Is placing a restaurant over the 9-11 Museum, on the site where 3000 people were murdered, disrespectful?

Continue reading

Michelle Obama’s Hashtag Mini-Train Wreck

mo_selfie_lg

The debate over Michelle Obama’s ill-advised foray into hashtag diplomacy–itself a misbegotten creature whose birth we will live to regret, if we don’t already–has turned nasty and stupid, and, of course, partisan, with the media, so incapable of objective analysis now that it hurts even to watch it pretend, rushing to defend the First Lady who walked right into this spinning blade, and should have known better.

Some observations and conclusions:

  • When the First Lady, any of them, presumes to wade into policy matters with the force of her husband’s office behind her, he is presumed to approve. When the policy matter involves international diplomacy, which, we hope, is carefully planned, whatever action or statement the First lady makes is indistinguishable from a Presidential action. Would the President of the United States appear anything other than weak and ridiculous if his response to any international crisis was to hold a sign in a photograph for Twiiter and make a frownie-face? No. Therefore, it was damaging to the President, the office and the nation for Michelle to tweet the same, but with her in his place, out to the world.
  • Two analogies, one real and one hypothetical, come to mind. In his short term of office, President Gerald Ford’s major domestic problem was exploding inflation, and he obviously had no idea what to do about it. His “program,” essentially, consisted of publicizing the mantra “Whip Inflation Now!,” most prominently embodied with the infamous “WIN” buttons. Ford was widely ridiculed by this exercise in futile gesture and magical thinking. He deserved it. Michelle’s stunt—it is a stunt—is redolent of Ford’s buttons.

The hypothetical: Imagine if the U.S. and the world’s (disgraceful and ) general policy of contrived ignorance of the Holocaust prior to our entering World War II was addressed by FDR having his “legs,” Eleanor, pose for a photo as she held up a sign reading “Save the Jews”…and frowning. Continue reading

Unethical Quote Of The Week: Tina Brown

“The Monica Lewinsky confessional in Vanity Fair brings back a torrent of unfond memories of the appalling cast of tabloid gargoyles who drove the scandal. Remember them? Treacherous thatched-roof-haired drag-queen Linda Tripp, with those dress-for-success shoulder pads? Cackling, fact-lacking hack Lucianne Goldberg, mealy-mouthed Pharisee Kenneth Starr—the whole buzzing swarm of legal, congressional and gossip industry flesh flies, feasting on the entrails. And, of course, hitting “send” on each new revelation that no one else would publish, the solitary, perfectly named Matt Drudge, operating in pallid obsession out of his sock-like apartment in Miami… They were the face of the future. The things that shocked us then—the illicitly taped conversations, the wholesale violations of elementary privacy, the globally broadcast sexual embarrassments, all the low-life disseminated malice—is now the communications industry as it operates every minute of every day.”

—-Daily Beast publisher Tina Brown, in an essay titled “How Monica Lewinsky Changed the Media”

Tina Brown, revealing the ugliness beneath...

Tina Brown, revealing the ugliness beneath…

This is an unethical statement for the ages. It launches an dishonestly titled piece with an unethical premise and unethical motives, virtually every phrase in it is despicable, and it reveals the dearth of admirable values not only within Brown, but within the millions of people who think like her, many of whom she and her cohorts corrupted.

In Abby Mann’s important drama, “Judgment at Nuremberg” (it had three forms of presentation: TV drama, film, and finally, stage), based on the third and final stage of the post World War II war crimes trials devoted to trying the Nazi judges, a vulnerable female witness and victim of Nazi justice is harshly cross-examined about an infamous case at the heart of the trials. Her humiliation is interrupted when one of the defendant judges (in the film, Bert Lancaster), stands to halt the inquisition, asking, “Are you going to do this again?”

The answer clearly coming from the Bill and Hillary Clinton Ethics Amnesia Team is clearly “Yes! It worked before, why not now?”

Monica was responsible for the whole impeachment train wreck, you see, and all that followed. That was Hillary’s position (once the original cover lie that it was all the fabrication of a vast right-wing conspiracy became unsustainable, with that stained dress and all), and as outrageous and audaciously despicable as it is, that it is still what the corrupt, corrupted and corrupting supporters of these two Machiavellian blights on our culture and politics are determined to make Americans believe, no matter how much bending of history, facts, logic, fairness, decency and responsibility it requires. Continue reading

“To Rialto Unified School District School Administrators: Don’t Be Moronic!” Sorry, But If You have To Write That Memo, It’s Already Too Late…

Assignment: Pro or Con: "Sarah Palin is the spawn of Satan." Cite authorities...

Assignment: Pro or Con: “Sarah Palin is the spawn of Satan.” Cite authorities…

Here’s a  helpful hint for middle school teachers: if you are going to ask your students to write essays arguing that the the Holocaust never happened, the fact that your Interim School Superintendent is named “Mohammad Z. Islam” may raise some eyebrows with the JDL. Honestly, when I read this story and saw that name, I was sure it was a hoax that had been picked up by the news media.

Nope. The name is real, but more disturbing, the eighth grade writing assignment in California’s Rialto Unified School District required students to write advocacy essay, based on authority and research, mind you, on “whether or not you believe the Holocaust was an actual event in history, or merely a political scheme created to influence public emotion and gain wealth.” Future topics for pro and con debate: Continue reading

Comment of the Day: “Clayton Lockett Is Dead, Right? Then 1) Good! and 2) His Execution Wasn’t “Botched””

capital-punishmentThere are well-established group of ethics topics that will always cause spirited debates here, because they are issues that have always divided public opinion and always will: morality vs ethics, drug legalization, abortion, war, social justice, socialism, plus various controversies involving race, sexuality and gender. I try to wade into these only when a current even beckons, as to some extent the arguments are futile and familiar, and too many people refuse to think or listen anymore, retreating to slogans and reflex positions articulated by others.

I decided to wade into one of the most polarized, of these, capital punishment, when the Clayton Lockett execution in Oklahoma sparked a national debate that seemed strange to me, and indeed driven by the unwarranted assumption, uncritically accepted by the news media, that the painlessness of executions were a crucial feature of making them ethical as well as societally palatable. It also opened the question of whether one execution that doesn’t follow the script necessarily calls capital punishment itself into question. I confess: both in my post’s title and in the tone of my responses to anti-death penalty commentators, I intentionally sought to roil the waters of debate, and was determined not to allow the nice people who usually express compassion for the pain and suffering of humanity’s worst and deadliest escape with the usual pieties.

Sure enough, this annoyed the heck out of some readers. Responding to the emphatic objections of one, Isaac delivered a personal and powerful rebuttal. Here is his Comment of the Day on the post Clayton Lockett Is Dead, Right? Then 1) Good! and 2) His Execution Wasn’t “Botched:” Continue reading

Ethics Quiz: “Ick!” Or Unethical—The Arabic Pledge Of Allegiance

"I pledge allegiance to the flag...that the terrorists who speak this language want to tear down..."

“I pledge allegiance to the flag…that the terrorists who speak this language want to tear down…”

In the latest smoking gun example of how the administrators of public schools are widely recruited from the Homes For The Bewildered, we learn of Rocky Mountain High School in Fort Collins, Colorado, where the principal, Tom Lopez, and his staff agreed to let the school’s “Cultural Arms Club” lead the student body in an Arabic version of the Pledge of Allegiance, one that replaced  “under God,” the ill-advised addendum to the Pledge added by Congress when the U.S. felt under siege from “godless Communism” with  “under Allah.”

As further proof that they should be managing a street corner balloon establishment, the school’s administration professes amazement that parents and citizens are upset with this, and as more evidence yet, places the blame on the students. After all it was their idea, and if they voted to have their fellow students recite the pledge in duck voices, or Pig Latin, or punctuated with “Heil Hitler!” salutes and “der Fuhrer” in place of “God,” I’m sure that would be okey-dokey too. Continue reading

Comment of the Day: “Ethics Quiz: Peeps Ethics”

Peeps Last Supper by Leonardo DiPeepchi

Peeps Last Supper by Leonardo DiPeepchi

Extradimensional Cephalopod’s thoughtful answer to today’s ethics quiz was instantly recognizable as a Comment of the Day, so here it is, EC’s musings on the ethical limits on peeps art, as posed by the post, Ethics Quiz: Peeps Ethics:

Full disclosure: I identify as a freethinker, which in my case means my opinions are informed by this idea: “It is the mark of an educated mind to be able to entertain a thought without accepting it.” –Aristotle (or so the Internet tells me)

With that in mind, offhand I’d say anyone who can’t handle the juxtaposition of a serious scene with a cutesy or comical medium is not emotionally mature enough to be trusted to react appropriately in today’s complex and nuanced culture, and their reverence is likely to be taken to unhealthy levels. I think it is not only ethical, but a requirement for intellectual health to be able to entertain different perspectives and styles of presenting even the most serious subjects. Before someone asks, yes, that includes depictions of the prophet Muhammad, along with all other historical figures on pedestals. I think taboos are unhealthy for a society because they limit critical thinking and creative free thought, both of which are necessary (yet seldom employed) to resolve social issues and differences in perspective.

Bad taste is still a valid concept, but it is context-dependent. It is possible that a subject is not appropriate for most contexts because it leads people to feel bad, but it is imperative that there be some place where it can be discussed, even if it is only under the Jester’s Privilege. My subjective judgment rules that depicting the Civil Rights Movement with marshmallows in this case is not intended with disrespect: the contest stipulated that the medium be marshmallows, and the artist chose a powerful scene without regard for the medium, as is the artist’s prerogative. I personally think the marshmallow scene is quite dignified, but then I am a bit out of sync with humanity as to what I take at face value and what I don’t. I form opinions of peeps by their actions, not by their countenance. It’s unethical for an artist to deliberately spread misconceptions about history, and it may be unethical for an artist to deliberately show disrespect to powerful agents of good. Disrespect is usually unethical because it causes so many problems. However, I’m not sure a sincerely respectful artist can be unethical in their art, unless they simply fail to do the research on the facts they depict and the cultural context for showing respect.

If depicting scenes from the Civil Rights Movement with marshmallows (and putting a good deal of effort into it) is wrong, though, what else is wrong? Crayon drawings by kids? Macaroni? Charcoal? Embroidery? Spray paint? Etch-A-Sketch? Is anything that looks insufficiently grandiose for depicting humanity’s legendary heroes an affront upon their memories? Are scenes of historical importance off-limits to mediocre artists, for fear the general public will lose respect for heroes drawn with funny expressions and ridiculous poses? What if an artist is deliberately depicting a heroic person comically, but without telling lies? Why can’t we be mature, and tell the history with respect while artists do their best in sincerity or spite? Why not simply say, “Well, it’s nice, but it really doesn’t do it justice,” and walk away?

Continue reading

Ethics Quiz: Peeps Ethics

peeps winner

I collect sentences that can safely be said to have never been uttered before in the history of mankind, and encountered one this morning in a letter of complaint to the Washington Post. It read…

“To take a sacred and historic event in our nation’s history and depict it using marshmallow candy is highly insulting and offensive to the legacy of the Rev. Martin Luther King Jr. and to all those who worked, and continue to work, for racial justice in this country.”

Like all of the sentences in my collection, my favorite being my sister’s immortal, “That fish looks so good, from now on I think I’ll wear my bra on my head,” this one requires some context. The Post holds an annual contest for its readers around Easter, challenging them to submit the best diorama of a scene, using marshmallow peeps. This year’s winner was created by Matthew McFeeley, Mary Clare Peate, and Alex Baker, and involved meticulously painting the colorful bunny stand-ins for King and his throng  at the 1963 March on Washingtonian eight shades of gray to evoke the black-and-white photographs of the event.

Your Ethics Alarms Ethics Quiz, in the sadly neglected field of peeps ethics, is…

Is it unethical to use marshmallow candy as a medium to portray serious, solemn, or other events that many feel deserve respect and reverence?

I know my answer, but this time, I’ll hold my fire until I hear from readers. I’d also be interested in whether any events—Gettysburg…JFK’s assassination…the Lindbergh baby kidnapping…the Crucifixion…Pearl Harbor…9-11…  are ethically off-limits for peeps creativity as inherently offensive, or if this is just  an unappetizing mixture of “ick,” art, humor, and candy.