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Humor and Satire
Your Mid-Day Brett Kavanaugh Nomination Ethics Train Wreck Update
It’s kind of like following O.J. slow-mo escape, but more interminable, and lot more ominous...
I. No, Matt Damon is not a hypocrite because he mocked Brett Kavanaugh on SNL.
Why is this so hard to grasp for those not in show-biz? Actors act. They don’t have to believe in or live by what their roles stand for? Damon said earlier last December, speaking of the situation where he was falsely accused of harassment or sexual abuse…
“If you make the same claim to me today. it would be scorched-earth. I don’t care if it would cost me $10 million in court for 10 years, you are not taking my name from me, you are not taking my name and reputation from me, I’ve worked too hard for it, I’ve earned it, you can’t just blow me up like that.”
Now conservative pundits are writing that Damon is a sell-out and a hypocrite for helping a TV satire show attack Kavanaugh for standing up for his name and reputation. Morons. Damon didn’t write that script, and very few actors, especially fading, aging leading men like Damon, can afford to demand that they personally agree with the vehicles they appear in or the characters they play. Even actors who have the money and clout to do that usually kill their careers. [See: Foster, Jody; Clooney, George; et al.] Continue reading
Sunday Morning Ethics Warm-Up, 9/30/18: Gay Bashing, A Stupid Social Experiment, And The Brett Kavanaugh Nomination Ethics Train Wreck Keeps Rolling Along…
Good Morning!
It’s the last day of the regular season for baseball, or should be: there could be two tie-breakers tomorrow, and they are officially considered part of the season. There were more baseball ethics posts this year than ever before. You can review them here.
1. And now for something completely stupid. I was temped to make this a free-standing post, but it triggered my stupid alarm, and doesn’t deserve it.
In Los Angeles, Boguslaw Matlak and Laura Quijano decided to stage a “social experiment” to determine whether bystanders would act to protect an endangered child. As their hidden cameras ran, they stuffed their 3-year-old son Leo into the trunk of their car. In truth, the back of the trunk had been rigged so Leo could climb into the back seat. He was in no danger.
“I was thinking maybe I should do a video to show people that they should do something about it when they see something wrong, to get involved,” Matlak said. They got involved, all right. Witnesses called the cops, who arrested the couple and took Leo into protective custody. The Illinois Department of Children and Family Services placed the child with a relative. For the last three weeks, the couple has been trying to get him back.
“They are hurting my son emotionally at this point,” Quijano told reporters. “He’s not home with his parents who love him very much and what else do they want from us? I just don’t understand at this point.”
The agency recently informed the parents that it would would be returning Leo to their custody. Matlak now faces one count of misdemeanor child endangerment.
Observations:
- Ethics lesson #1: Don’t use human beings as props.
- Ethics lesson #2: Three-year-olds can’t consent to such treatment.
- Ethics lesson #3: Police have enough to do dealing with real crimes. Staging fake ones to see what will happen should be illegal, if it isn’t already.
- What’s there to complain about? The social experiment was a success!
- Is proof that parents of a small child are idiots sufficient to remove him? No, I suppose not.
- The problem with this episode is that the child, who was innocent of wrong doing, is the primary one being punished.
My Confession, Just In Case The FBI Investigates…
In an earlier post about the Kavanaugh debacle, I introduced a poll with this:
Memory I: As a junior, I engineered an elaborate prank to steal a sofa from two classmates and friends who had swiped a sofa from two other students in their dorm. It almost worked, too: the pay-off was going to be when they visited our suite and saw their sofa there. The plan fell apart, and the original owners even got their sofa back.
Question: Should this episode, which technically involved attempted theft, disqualify me for some positions as an adult and professional?
The polls results:
Several commenters have admitted that their votes were tongue in cheek, so I don’t believe for a minute that there were really 13% of voters who believe that the episode when I was 20 should bar me from being an ethicist, a lawyer, or a SCOTUS judge, and needed to be investigated by the FBI. Just in case, however, I feel I should tell the whole, sordid story about what came to be called “The Great Sofa Caper,” and which is a tale told and retold at every reunion of my room mates.
It was the end of winter, and spring cleaning of sorts at the Harvard dorms. I lived in a suite at Lowell House with five other juniors, and was visiting friends and fellow classmates “Oscar” and “Felix” across the campus in the high rise dorms, Leverett Towers. “Oscar” was a theater friend who looked like a dissipated cross between Omar Shariff and Teddy Roosevelt; “Felix” looked like a pint-size Rodney Dangerfield. Shortly after I entered their abode, Felix said, “Hey, what do you think about the new sofa we swiped?” Indeed, prominently displayed in the main room was what appeared to be a very new, very nice, fully upholstered sofa.
“You swiped it?” I said, and Felix laughed. “No, I was just kidding. Some upperclassmen were changing rooms, and this was left out in the hall for anyone to take. Nice, eh?”
“You swiped it! That’s brand new! Nobody would throw that out. Come on!” I said. Indeed, furniture and other junk was often being left out for communal expropriating in such moves, but this seemed like wilful, contrived ignorance by my friends to me. Nonetheless, Felix and Oscar swore that they would never steal anything, and that the brand new sofa was abandoned property.
Right.
I went back to Lowell House deep in thought and ethics conflict, wondering what the right thing to do was. I couldn’t report my friends for what was, even if it was theft in the real world, pretty standard college silliness. Still, I felt this was excessive. Then I hit on my plan. It would be both a good practical joke and a lesson for Felix and Oscar. Continue reading
Brett Kavanaugh Nomination Ethics Train Wreck Report: The Lurking Smear, The Twin, The Hysterical Professor, And Other Things
I have some major ethics issues to explore in other areas, and oh how I wish this one would go away...
1. As predicted, conservative gadfly Ed Whelan woke up, slapped his forehead, and, perhaps after talking to his lawyer (though he is one), decided that he needed to apologize, and quick. Thus he tweeted,
“I made an appalling and inexcusable mistake of judgment in posting the tweet thread in a way that identified Kavanaugh’s Georgetown Prep classmate. I take full responsibility for that mistake, and I deeply apologize for it. I realize that does not undo the mistake.”
As apologies go, this is an excellent one. Unfortunately, it does not undo the mistake, and the mistake was so egregious and obvious that, as Whelan knows, the fact the he would make it undermines his authority and credibility. People have come back from worse, but not often, and it isn’t easy. It shouldn’t be easy. Then there is the fact that his victim has a very strong case for a defamation law suit.
2. The question now is whether any currently recognized standards of fairness or justice excuses rejecting Judge Kavanaugh on the basis of the evidence. A left-tilting professor, Christine Blasey Ford, has stated that she and four other people attended a small party over thirty years ago, during which which she was allegedly assaulted by a 17-year-old Brett Kavanaugh. Three of those people, PJ Smyth, Mark Judge, and Kavanaugh, have no w said that they have no recollection of attending such a party or of such an incident. Last night the fourth “witness,” a classmate of Ford’s at Holton-Arms named Leland Ingham Keyser issued a statement denying any recollection of attending a party with Brett Kavanaugh.
“Simply put, Ms. Keyser does not know Mr. Kavanaugh and she has no recollection of ever being at a party or gathering where he was present, with, or without, Dr. Ford,” lawyer Howard J. Walsh said in a statement sent to the Senate Judiciary Committee. Keyser is not, like Mark Judge, a likely Kavanaugh ally. In fact, she is is reportedly a lifelong friend of Ford’s.
Thus this is no longer a “she said/he said,” but a she said/ he said, and he said, and she said, and she said. Those who say “We believe Christine Blasey Ford” have no ethical or logical basis for doing so, just gender bias, a partisan agenda, and political animosity toward Kavanaugh. If it were a legal case, this one would be dropped as potentially embarrassing and a travesty of justice.
3. Garrett Ventry, a Senate Judiciary Committee spokesperson hired to help shepherd Brett Kavanaugh’s Supreme Court nomination, resigned when it was revealed that there had been a past allegation of sexual harassment against him.
“Garrett was one of several temporary staff brought on to assist in the committee’s consideration of the Supreme Court nomination, a team that has done outstanding work,” a Judiciary Committee spokesperson said in a statement. “While he strongly denies allegations of wrongdoing, he decided to resign to avoid causing any distraction from the work of the committee.”
I see no reason not to expect that in due time, every male politician, commentator, lawyer, judge, journalist, business executive and crossword puzzle champion will have one or more past allegations of sexual harassment or other sex or gender-related misconduct in their past, present or future, and since all women must be believed on this particular topic, the males will be permanently handicapped in any career or life objective they pursue. I have been scrupulously respectful of women in my personal and professional life since before I could vote, but I have been forced to try to imagine any incident as far back as high school that could be re-interpreted as nouveau sexual misconduct by a long-forgotten acquaintance or object of lust who wants to harm me. So far, I can’t think of any, nor of anyone in my past so full of hate and ideological mania that she would do such a thing. But today people are trying to ruin baseball players using tweets they authored in their teens. Actors have been suspended or lost jobs based on unsubstantiated accusations, and other performers have seen themselves turned into unemployable pariahs for expressing views about #MeToo a lot milder than some of my ethics posts. The idea is to make people afraid to talk, write, or think.
I’m sure my accuser is out there somewhere. Continue reading
Comment Of The Day: “Ethics Quiz: The ‘Racist, Sexist’ Cartoon”
Occasionally I request a comment from a regular reader who has special expertise; for example, I have asked “Curmie,” a drama teacher, director and superb blogger when he has the time, to weigh in on theater and casting ethics controversies. (And I just remembered that the last time he commented, he submitted a Comment of the Day that I neglected to post! Arghhh! I’m sorry, Curmie…it will be up today.) This time, the surprisingly lively debate over the allegedly racist Serena Williams cartoon prompted me to send out a Bat Signal for the reactions of King Kool, aka Jeff H., who is a long-time reader and a cartoonist himself. (His submission for “Everybody Draw Muhammad Day” periodically appears in the Ethics Alarms header.) He answered the call, and did so superbly.
There have been some new developments. The cartoonist, Mark Knight, has suspended his Twitter account because of all the hate coming his way. Knight said he was amazed at the reaction to his drawing. “I drew this cartoon Sunday night after seeing the US Open final, and seeing the world’s best tennis player have a tantrum and thought that was interesting,” he said. “The cartoon about Serena is about her poor behavior on the day, not about race.”
Popular Australian Broadcaster Neil Mitchell, among others, defended Knight, saying, “This shows an awful misunderstanding of Mark Knight and this country. I looked at that cartoon and it didn’t even cross my mind it was about race. It was a sports bully, a petulant child throwing a tantrum about losing…I drew her as an African-American woman. She’s powerfully built. She wears these outrageous costumes when she plays tennis. She’s interesting to draw. I drew her as she is, as an African-American woman.”
As I have explained elsewhere on the Ethics Quiz thread, the reason I made the issue a quiz rather than an ethics position post is that Knight’s cartoon struck me as racially provocative.
I believe it is racially insensitive, but I am not certain that in the field of opinion cartooning racial sensitivities should be ignored. If a white, male player who behaved like Williams—it is astounding that so many pundits are defending her—a mocking, tough cartoon, showing ugly conduct by portraying its perpetrator as symbolically ugly would be appropriate. I do not think it is fair or healthy for special immunity to be granted to a similarly misbehaving player, especially a repeat offender like Williams, because of her race and gender. This why my vote in the poll accompanying the quiz was the somewhat tongue-in-cheek, “Whatever it was, she deserved it.”
That response has gleaned 13% of the votes, with over 72% voting for the position that it’s just a cartoon. Against the 85% that are inclined to support Knight (all old white men who are constitutionally unable to recognize sexism and racism, according to one unbiased, unbigoted commenter), 14% agree that the cartoons is “racist.”
To its credit, Knight’s paper, the Herald Sun, took the remarkable step of devoting its entire front page to Knight’s defense, which you see above.
Here is Jeff H.’s Comment of the Day on the post, Ethics Quiz: The “Racist, Sexist” Cartoon:
One of the reasons I didn’t pursue doing political cartoons is because… no matter how much I practiced at it, I am absolutely awful at caricature. I tried drawing John Kerry dozens of times, and could never get it down. (Not that it ended up mattering.)
The image of Serena Williams has been called ‘something out of 1910,’ which I think it an exaggeration. However, the large lips, even the ponytail pointed straight up… to me, it does invoke some insensitive imagery of old caricatures and similar things. Maybe even the pose itself, her being completely in the air, maybe that is bothering some people for possibly comparing her motion to that of primitive man, or even that particular animal that racist jerks compare persons of color to. But that might be a stretch.
Again, that’s just my interpretation. I am not ascribing blame or intention. All I’m saying is… if the cartoon looked indubitably like Serena Williams, people would have a lot less to complain about, even if you could focus on part of it and say it parallels older racist art.
If it were me drawing this cartoon, I would have had Serena facing away from the ‘camera’ if I couldn’t make it look like her. The whiny facial expression isn’t important visually. We see her stomping the racket to pieces and the pacifier. The intention is clear. And thus, now that face is all we’re talking about. Continue reading
Morning Ethics Warm-Up, 9/11/18: As They Read The Names Of The Twin Towers Bombing…
Sad morning….
1. Serena ethics updates An indignant Facebook friend appeals to authority by telling me that Chris Evert and Billie Jean King are defending Williams, and that they know more about professional tennis than I do. That’s a classic appeal to authority, and a very lame one. What a surprise that female tennis superstars have each others’ back! Chris and Billie Jean sure aren’t ethicists. I’d love to interview them. “So you believe that coaching from the stands, even though forbidden by the rules, should be allowed? Do you think that an unknown player who behaved like Serena did would have been treated any differently? Do you think that anyone would be supporting her if she were penalized? Since the record shows that Ramos does not treat men any differently than he treats women on the court, doesn’t Serena owe him an apology? Can you comprehend why calling a ref, whose reputtaion depends on being regarded as fair and unbiased, a “thief” is worse that calling him a “four-letter word”?
I can play the biased expert witness game too: here’s Martina Navratilova’s op ed, which is comparatively ethically astute and tracks with my post in many respects.
The polls about Mark Knight’s “racist and sexist” cartoon has these results:
85% side with Knight. I’d love to hear the explanation of the one voter who said the cartoon was sexist but not racist.
The reason I made the issue an ethics quiz is because I’m really torn in the issue. Yes, cartoons of blacks employing exaggerated features naturally evoke Jim Crow and minstrel show racist images. But political cartoons exaggerate features, often in unflattering ways. That’s the art form. Does this mean that blacks are immune from ever being portrayed cruelly in a political cartoon? I think that’s what the anti-Knight contingent is arguing.
My view is that double standards are destructive and unethical. By the by, were Jimmy Carter’s lips that big?
Ethics Quiz: The “Racist, Sexist” Cartoon
Australian sports cartoonist Mark Knight drew the cartoon above criticizing Serena Williams’ tantrum and otherwise unacceptable behavior as she lost the women’s title at the U.S. Open to young Naomi Osaka.
The cartoon was immediately attacked as sexist and racist. Is any criticism of Williams’ conduct racist, since she couched it as justified as a protest against alleged gender discrimination by umpire Carlos Ramos? Is any caricature of an African American celebrity subject to accusations of racism? Here is another tennis cartoon by Knight mocking a white, male player:
The Washington Post claimed that the Williams cartoon employed “facial features reflecting the dehumanizing Jim Crow caricatures so common in the 19th and 20th centuries.”
Your Ethics Alarms Ethics Quiz of the Day ….
Is Knight’s Serena Williams cartoon racist or sexist?
This is a good one for a poll:
The Hitler Joke, Our Rights, And Our Nation
Prologue
When I was a junior in high school, I played Ko-Ko in the Gilbert and Sullivan Club’s production of “The Mikado.” The head of the music department directed, a Jewish teacher named Mr. Einsig. He had the staging notes for all of the Gilbert and Sullivan works from the director who had gained great acclaim from his work with the Boston Light Opera Company, and I must admit, I cribbed many of that director’s ideas myself, through Mr. Einsig.One effective staging concept was for the encores to “The Flowers That Bloom in the Spring.” Each one was performed as a different ethnic parody, with Ko-Ko singing translated lyrics. It began with Japanese, of course, then French, a Brooklyn dialect, and the biggest hoot of them all, German. I performed it, in my kimono, with an over-the-top Hitler imitation, complete with mustache, ending with an emphatic “Heil” gesture.
It brought down the house. Ten years later, at Georgetown University Law Center, I played Ko-Ko again, did the same Hitler parody again, and brought down the house again. Nobody complained. My late father, crippled for life in the fight against Hitler, detected nothing wrong with the routine. He also loved “Hogan’s Heroes,” with the show’s reluctant, inept, heiling Nazis, and the other Heil-filled spoofs of Hitler by Chaplin, Mel Brooks, and even the Three Stooges.
Now here is what happened to a private school teacher: read the whole, awful thing here. The short version: he was gesturing while explaining something in class, and noticed that his arm was raised Nazi-style, and said, “Heil Hitler,” jokingly. There was no question whether he was serious or not: everyone knew he was joking, and why he was joking. He even stopped and explained to the class that Once Upon A Time, in less enlightened eras, it was considered amusing to mock Hitler and the Nazis.
Ben Frisch, the teacher, a practicing Quaker whose father was Jewish and who had two great-grandmothers killed at Auschwitz, was fired by the private school anyway. The school principal who fired him explained his reason to the New York Times magazine by saying, “One of our pledges is to make all of our students feel safe. And that is something that I take very, very seriously.”
Says the Times reporter in part in reaction to this: Continue reading
The Return Of Louis C.K. For Ethics Dummies
Reading the news media and entertainment websites, one would think that Louis C.K.’s return to stand-up comedy after nearly a year in exile or rehab or something raises ethics conundrums that would stump Plato, Kant and Mill. It’s not that hard. The fact that everyone, especially those in the entertainment field, are displaying such confusion and angst just tells us something useful about them. They don’t know how to figure out what’s right and wrong.
In case you have forgotten, cult comedy star Louis C.K. admitted last November at the peak of the #MeToo rush that he had masturbed in front of at least five women without their consent. Ick. His cable show and other projects were cancelled, and he disappeared from the public eye. Then, last weekend, he returned to the stage at the Comedy Cellar in New York, performed for about 15 minutes, and received a standing ovation. This apparently alternately shocked or confused people. I’ll make it simple.
Does the comedian have a right to practice his art after the revelation of his disgusting conduct?
Of course he does. He wasn’t sentenced to prison. He has a right to try to make a living at what he does well. In fact, he has a First Amendment right to tell jokes any where others will listen to him.
OK, he technically has a right. But is it right for him to come back like nothing has happened?
What? The man was publicly shamed and humiliated. He can’t come back as if nothing has happened, because everyone knows that something has happened. Nevertheless, his art does not require the public trust. It does not demand good character, or even the absence of a criminal record. Does a great singer sound worse because he was abusive to women? No. Is there a law that says men who are abusive to women should never be able to work again? No, and there shouldn’t be. I wouldn’t hire C.K. to work in an office, because I see no reason to trust him around others. But he’s not a worker, he’s an artist. He never engaged in inappropriate conduct on stage. He can be trusted as an artist,at least when he’s performing solo.
Comedian Michael Ian Black tweeted regarding Louis C.K.that “Will take heat for this, but people have to be allowed to serve their time and move on with their lives.I don’t know if it’s been long enough, or his career will recover, or if people will have him back, but I’m happy to see him try.” For this he apologized, saying this position was “ultimately, not defensible.” after he was broiled on social media. Should he have apologized? Continue reading








