Popular Culture

Observations On The Great “Libs Of TikTok” Affair And Doxxing Ethics

/ Jack Marshall / 6 Comments

Let me begin by saying I hate this story. I hate it because it is, in part, web nerd inside baseball, and the answer to the retort, “Oh, who cares?” is hard to get out before the person asking has left to organize their sock drawer. Yet I have to write about it, not just because the conservative web is obsessed with it (that, and the fact that the mainstream media is ignoring it, thus branding the ugly mess as a “right wing story”—you know, a fantasy”) but because it explains just a bit more about how genuinely unscrupulous and ruthless the Warriors of Social Justice have become, at least to anyone who doesn’t know that already.

I’ll try to summarize the facts efficiently.

Ethics Alarms had posted a couple of the videos highlighted by the Twitter account Libs of TikTok, but I never focused on the account itself or its purpose, and because Twitter is an unethical platform that eats brains and censors opinions, I don’t hang out there. Ann Althouse is inexplicably fond of TikTok, which is a Chinese-owned social media platform on which members post videos. Now, thanks only to the current mess, I know that Libs of TikTok posts, often without comment, outrageous, crazy, hilarious or funny videos by radical progressives who are apparently unaware that their common sense, ethics alarms, and self-awareness have, in the immortal words of the Ghostbusters, “gone bye-bye.” This exposure holds the posters of these videos, as well as the ideologies that have rotted their brains, up for well-earned ridicule among the rational population. Progressives can’t stand that. The anonymous woman who posts as Libs of TikTok has also been a frequent guest of Tucker Carlson on Fox News, causing all Carlson-haters except critics like me to react to her mission like the hysterical lady from “The Birds”:

And so it was that the Washington Post—Nah, there’s no mainstream media bias!—assigned or allowed its tech reporter, Taylor Lorenz (formerly of the New York Times, which fired her as Ethics Alarms discussed here) to write and have published a furious attack on a humorous, if horrifying, Twitter account by a regular human being, even as you or I, because it regularly held ridiculous progressives up to well-deserved exposure and ridicule. An excerpt:

Libs of TikTok reposts a steady stream of TikTok videos and social media posts, primarily from LGBTQ+ people, often including incendiary framing designed to generate outrage. Videos shared from the account quickly find their way to the most influential names in right-wing media. The account has emerged as a powerful force on the Internet, shaping right-wing media, impacting anti-LGBTQ+ legislation and influencing millions by posting viral videos aimed at inciting outrage among the right.

The anonymous account’s impact is deep and far-reaching. Its content is amplified by high-profile media figures, politicians and right-wing influencers. Its tweets reach millions, with influence spreading far beyond its more than 648,000 Twitter followers. Libs of TikTok has become an agenda-setter in right-wing online discourse, and the content it surfaces shows a direct correlation with the recent push in legislation and rhetoric directly targeting the LGBTQ+ community.

Now, a responsible, ethical editor would stop reading right there and send the proposed article to the shredder. What is doing all of the dastardly things Lorenz is shouting “Fire!” about is not the account, but the deranged people who post the videos highlighted by the account. Libs of TikTok doesn’t call for action, or legislation, or anything but a smile or a slap to the head from those who watch what she found. Her posts seldom, at least the ones I’ve seen, include any commentary at all.

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The Easter Ethics Basket: 4/17/2022. Yes, There Are Some Rotten Eggs…

/ Jack Marshall / 11 Comments

Turner Movie Classics decided to kick off Easter with an abject lesson in art and life for us all. The movie is 1965’s “The Greatest Story Ever Told.” One of the very greatest of American film directors was George Stevens, who specialized in smart comedies (the Hepburn/Tracy classic “Woman of the Year”), light-hearted adventure films (“Gunga Din”) and musicals (“Swing Time,” the best in the Astaire-Rogers canon). Then, as wonderfully told in the documentary “Five Came Back,” he joined fellow directing greats John Ford, John Huston, William Wyler and Frank Capra in documenting World War II for the public, the troops, and posterity at the high cost, for all of them, of their emotional and mental health. (Wyler and Ford also suffered serious service-related injuries).

Stevens, though, drew the assignment of filming the horrors at the liberated extermination camps. When he returned to Hollywood, he didn’t feel light-hearted any more. From then on he directed dramas with serious themes, and they were his best films, like “Shane,” “Giant,” and “The Diary of Anne Frank.” Finally, he took on his most daunting challenge, filming the life of Christ with an all-star cast befitting of the project’s importance. “The Greatest Story Ever Told” is terrible; I find the film  unwatchable, and I’m not alone. Imagine the embarrassment of titling your movie “The Greatest Story Ever Told” and watching to turn out to be one of the worst movies ever made.

The bomb even has a special kick at the end when John Wayne appears as a Roman centurion staring up at Jesus on the cross, and says in the Duke’s trademark drawl, “Surely this man was the son of God!”

The Duke could shrug off, after all the resulting mockery; he had been more embarrassed playing Genghis Kahn throughout an entire film, Howard Hughes’ camp classic “The Conqueror.”

George Stevens, however, wasn’t used to bombing. The movie was a critical and box office bust, and the fiasco sent Stevens into retirement for five years. When he finally tried again, the director’s heart not only wasn’t light, it wasn’t in his work any more. “The Only Game in Town,” with Elizabeth Taylor and Warren Beatty, was an even bigger disaster than “The Greatest Story Ever Told,” though it’s easier to sit though. After all, it’s an hour shorter, and John Wayne doesn’t show up as a centurion.

The life lessons? Hubris and humility…don’t get cocky. Next: Nobody is too good or talented to fail, even at what they are best at. Finally: Aim for the stars, but be prepared to crash and burn.

1. Speaking of Stevens’ “The Diary of Anne Frank,” there was a weird episode on Ann Althouse’s blog. In one post she quoted David Mamet in his just-published book, as saying in part,

“Albert Hackett and Frances Goodrich… took an adolescent girl’s diary and raped it into “The Diary of Anne Frank,” a sitcom….”

Anne has many and large holes in her cultural literacy, especially regarding film. Her commentary left it open to question whether she really believed that Hackett and Goodrich had written a comedy based on Frank’s diary (They wrote a Tony Award-winning drama as well as the acclaimed film based on it), and passed on several comments by readers who took Mamet literally as well. An example: “Joan Rivers did an interview once about what things should never be the fodder for humor….Perhaps, younger people today are distanced enough from it for a sitcom about a Jewish family hiding in an attic for over two years who are then found and killed by the Nazis to not be in poor taste.” Another  “Turning the Diary of Ann Frank into a comedy is a pretty loathsome thing to do. Things like Hogan’s Heroes worked because the Nazis were the main objects of the jokes. The victims of the Nazis aren’t.” There are others. Why would Ann let those comments through to make the commenters look like fools, especially since she helped lead them astray? Or is she, as I very much suspect, unfamiliar with the movie (which is moving and excellent)? Continue reading →

Disney And The LGTBQ Activism Ethics Train Wreck: A Prelude [Corrected]

/ Jack Marshall / 32 Comments

I have been intending to examine the Disney empire’s misbegotten entry into the battle over Florida’s recently passed “Parental Rights in Education” law for weeks, but postponed the project because it is too complicated to do correctly without involving other complex issues that are closely related to it. Unfortunately, these issues have proliferated during the delay.

For example, Florida is threatening to remove Disney’s special status that allowed it to operate Disney World as an autonomous municipal government because of the company’s political action. Is that kind of punishment for a political opposition ethical? Should Disney have such special status, regardless of why it is being threatened with its removal? If the special status should be removed anyway, does it matter if it is done in response to political speech?

Here’s another: Republicans in Congress are threatening to end Disney’s copyright on Mickey Mouse, also in response to its LBGTQ activism. But that copyright should have ended decades ago, and its artificial endurance has stifled creative works blocked by thousands of other drawn-out copyrights that aren’t Disney. Now I am dealing with copyright law policy, the importance of Disney to the culture, and what, if anything, the government should do to–what? Reward it? Strengthen it? Direct it? Control it?

The Disney LGTBQ advocacy issue also involves, as virtually every issue does now, media ethics, as almost all outlets other than Fox have a clear pro-LGTBQ bias. The New York Times reporter assigned to covering Disney and the Florida law controversy is Brooks Barnes, and he can’t be trusted. In an earlier story last month, the reporter wrote,

Earlier in the week, Mr. Chapek, the company’s chief executive, botched an internal email to Disney employees. He was seeking to explain Disney’s public silence on anti-L.G.B.T.Q. legislation in Florida that activists have labeled the “Don’t Say Gay” bill.

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Morning Ethics Ketchup, 4/5/2022: Ten Ethics Tales, And More Are Still On The Shelf!

/ Jack Marshall / 25 Comments

No ethics warm-up for two straight days leaves me with a big pile of stinking undiscussed and aging issues and events….

1. So much of “in sickness or in health”...Baseball Hall of Fame lock Albert Pujols, recently signed to another multi-million dollar contract to be the St. Louis Cardinals designated hitter, waited a couple of days after his wife Deidre underwent  surgery removing a brain tumor to announce he was divorcing her. “I realize this is not the most opportune time with Opening Day approaching and other family events that have recently taken place. These situations are never easy and isn’t something that just happened overnight,” he wrote in part.  Yeah, I’d put the baseball stuff after the family stuff, Albert. I’m sure this came as no surprise to his wife (at least I hope so), and whatever part of the $344 million he has been paid through the years will definitely help, but especially with five children, letting his wife at least recuperate from a traumatic operation before dumping her would seem to be the more ethical course. Pujols’ reputation is one of being a nice guy; you know, like Will Smith.

2. Watching free speech get “chilled” in real time...at the Grammys—who watches the Grammys?—host Trevor Noah began by promising that the he would be keeping “people’s names out of [his] mouth,” referring to Smith’s shouted demand after he went slap-happy. And he did. Today the New York Times critic approved of Noah not taking “meanspirited swipes.” If Chris Rock’s mild joke about a woman choosing to shave her head for a public appearance is now “mean-spirited,” the Left’s attempt to shut-down all comedy (except meanspirited swipes at men, whites and Republicans, of course, is nearing success.

3. Calling the Humane Society and the ASPCA! Martha Stewart announced that her four dogs killed her cat when they “mistook her for an interloper and killed her defenseless little self.” Did the dogs sign a statement to that effect? Her four dogs constituted a pack, and making a cat try to coexist with a pack of dogs is irresponsible. What really happened, I’s surmise, is that the cat and one of the dogs had what would have normally been a brief altercation, and the pack instinct kicked in for the other three. Continue reading →

The Freakout To Florida’s Parental Rights in Education Law, Not The Law Itself, Will Send LGBTQ Acceptance Backwards

/ Jack Marshall / 14 Comments

There is nothing discriminatory, bigoted, ant-gay, anti-trans or unethical in the “Parental Rights in Education Bill’ signed into law by Florida Governor Jim DeSantis. Have you read it, or just relied on the hysterical and dishonest characterizations of the bill by the news media and woke activists like the three Oscar co-hosts, who chanted “Gay, gay,gay, gay!’ like four-year-olds in supposed bold and hilarious defiance of what progressives have been calling the “Don’t Say Gay” law.

Read the law. It doesn’t prohibit saying “gay” at all (the word doesn’t appear in the law), and as unfortunately vague as the wording sometimes is, no fair interpretation would find that it inhibits free speech.

Here is the closest wording in the bill to an “anti-LGBTQ” provision, in Section 3, page 4:

3. Classroom instruction by school personnel or third  parties on sexual orientation or gender identity may not occur  in kindergarten through grade 3 or in a manner that is not age-appropriate or developmentally appropriate for students in accordance with state standards.

The Horror. Only the most committed and unhinged gay activist could find that provision problematic, and the fact that so many progressives do is signature significance: they lave lost touch with common sense and reality. The law isn’t anti-gay, it’s pro-parent (and student). Any parents who really think their 4-8 year olds need to be trained in human sexuality are welcome to do it themselves. I would not want my child introduced to those topic by kindergarten through third grade teachers, even if I had the opportunity to closely examine the teachers’ qualifications for doing so and the way it would be done. This is not their job, and no, I wouldn’t trust them to take it on if it were. They have a hard enough time teaching language, arts, math, science and history. I don’t trust them to teach ethics. Continue reading →

Tuesday Ethics Afterthoughts, 3/29/2022: A Cheat Sheet, Mask Mayhem, And More

/ Jack Marshall / 4 Comments

(THERE IS NO GOOD GRAPHIC FOR “AFTERTHOUGHTS”)

The 29th is another of those ill-starred days in U.S. ethics, topped off in 1973 by the U.S. withdrawal from Vietnam, the half-way war that was an ethics train wreck for decades. Two years earlier, on the same date, Lt. William L. Calley was found guilty of premeditated murder by a U.S. Army court-martial at Fort Benning, Georgia. Calley, a platoon leader, had led his men in a massacre of Vietnamese civilians including women and children on March 16, 1968. Ten years before Calley’s conviction, Julius and Ethel Rosenberg were convicted of espionage for their role in passing atomic secrets to the Soviets during and after World War II. They were executed in 1953, a flashpoint in the schism between the American Left and Right that still is a sore point. (Ethel appears to have been a genuine villain.)

1. I thought this was a hoax. It’s not, unfortunately: someone got a photo of the cheat cheat for “talking points” that President Biden was holding when he massacred his explanation for his Russian regime change outburst in an exchange with Peter Doocy.

This does not fill me with confidence. You? The ethical value at issue is competence.

2. The propaganda and misinformation continues. Though some recently departed here could never grasp it, honest and trustworthy newspapers shouldn’t be publishing falsity and partisan propaganda in house opinion pieces. That’s when the opinion is offered using misleading or incomplete facts—deceit–and the New York Times does it almost every day. I can’t trust a group of editors who permit that. Examples:

It’s incredible how quickly we’ve normalized the fact that the last president tried to retain power despite losing the election and that a mob he incited stormed the Capitol. Many people took part in the effort to overturn the election — among them, we recently learned, the wife of a sitting Supreme Court justice, who hasn’t even recused himself in cases about the attempted coup.

The President in question wanted to challenge the results of an election he believed was the result of illegal manipulation, and as President, he had a duty to do that. I know Krugman isn’t a lawyer, but incitement is a term of art and a crime, and Trump did not “incite a mob” by addressing a crowd. Saying Justice Thomas “hasn’t even” recused himself because of the completely legal communications of his wife falsely implies that doing so is required or the justification for him to do so is undeniable. It isn’t. Editors should not allow such deliberately confusing and misleading opinion material Continue reading →

At Columbia, Free Speech Chilling Takes A Great Leap Forward

/ Jack Marshall / 12 Comments

The assault on free expression as well as the speech-chilling practice of seeking to publicly crush those who do not observe the social justice dictates of progressives in power advanced ominously yesterday. Unsurprisingly, the episode at issue occurred at an Ivy League University, as our educational sectors have been among the trailblazers in speech and idea suppression. Unsurprising to me at least was that it involved Twitter. Just like in the Illya Shapiro controversy at Georgetown Law Center, a scholar didn’t use quite the words he should have (to be safe, and safety is everything these days) according to the Democrats’ Little Red Book. This time, however, the hammer fell harder. Continue reading →

Black Like Us

/ Jack Marshall / 9 Comments

 Confirming my own half-baked research, apparently African-American actors are indeed disproportionately represented in TV commercials now. American Thinker records,

In the United States today, the White population (not including Hispanics) is 57.8%….Blacks comprise 14% of the U.S. population but appear in 50% of commercials. White actors now appear to promote health insurance, gold, loans, and some medicines. Moreover, if a White person appears in a commercial, he/she is usually old, sick, a freak, or at the very least, an appendage to a Black partner. If there’s a doctor on the screen, he’s usually Black, while the patient is usually White. Caucasian young men appear in only 4% of the commercials! If some aliens began to study the population of Planet Earth through our TV commercials they would have a somewhat distorted picture of Americans, to put it mildly.

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Mid-Day Ethics Break, 12/29/21: Alexa Goes Rogue

/ Jack Marshall / 29 Comments

I think I’m going to feature “Jingle Bells” here every day until New Years. Here’s a version by that infamous slavery fan, Nat King Cole:

December 29 is one of the bad ethics dates: the U.S. Cavalry massacred 146 Sioux men, women and children at Wounded Knee on the Pine Ridge reservation in South Dakota on this date in 1890. Seven Hundred and twenty years earlier, four knights murdered Archbishop Thomas Becket as he knelt in prayer in Canterbury Cathedral in England. According to legend, King Henry II of England never directly ordered the assassination, but expressed his desire to see someone ‘”rid” him of the “troublesome priest” to no one in particular, in an infamous outburst that was interpreted by the knights as an expression of royal will. In ethics, that episode is often used to demonstrate how leaders do not have to expressly order misconduct by subordinates to be responsible for it.

1. I promise: my last “I told you so” of the year. I’m sorry, but I occasionally have to yield to the urge to myself on the back for Ethics Alarms being ahead of the pack, as it often is. “West Side Story” is officially a bomb, despite progressive film reviewers calling it brilliant and the Oscars lining up to give it awards. What a surprise—Hispanic audiences didn’t want to watch self-conscious woke pandering in self-consciously sensitive new screenplay by Tony Kushner, English-speaking audiences didn’t want to sit through long, un-subtitled Spanish language dialogue Spielberg put in because, he said, he wanted to treat the two languages as “equal”—which they are not, in this country, and nobody needed to see a new version of a musical that wasn’t especially popular even back when normal people liked musicals. The New Yorker has an excellent review that covers most of the problem. Two years ago, I wrote,

There is going to be a new film version of “West Side Story,” apparently to have one that doesn’t involve casting Russian-Americans (Natalie Wood) and Greek-Americans (George Chakiris) as Puerto Ricans. Of course, it’s OK for a white character to undergo a gender and nationality change because shut-up. This is, I believe, a doomed project, much as the remakes of “Ben-Hur” and “The Ten Commandments” were doomed. Remaking a film that won ten Oscars is a fool’s errand. So is making any movie musical in an era when the genre is seen as silly and nerdy by a large proportion of the movie-going audience, especially one that requires watching ballet-dancing street gangs without giggling. Steven Spielberg, who accepted this challenge, must have lost his mind. Ah, but apparently wokeness, not art or profit, is the main goal.

Not for the first time, people could have saved a lot of money and embarrassment if they just read Ethics Alarms….

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Council Rock Elementary School, “Jingle Bells,”And When Something Trivial Demands A Strong Response (Part Two)

/ Jack Marshall / 14 Comments

Part I described the cowardly and pandering rationale for a New York elementary school to banish “Jingle Bells” from its curriculum, and why the cultural and political issue underlying the move is more important than the song itself.

Here is the response of the Brighton Central School District Superintendent, Kevin McGowan, in response to media inquiries about the decision. In the interests of efficiency, I will interweave my commentary with his statement, in bold.

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