Don’t Be Lulled Into Apathy Because It Involves A Silly Daytime Talk Show Watched By Idiots And A Reality Star Of Negligible Importance: CBS Pulled A TV Show Because Someone Dared To Criticize A Black Woman. It’s Time To Draw A Line In The Sand…

Osbourn

This makes two frightening ethics stories involving the media in a row, the worst back-to-back Ethics Alarms concerns that I’ve seen in ten years here. The seriousness of the previous story is easy to grasp: multiple news organizations deliberately misled the public to suggest misconduct by President Trump that never happened, and “coincidentally” they did so with perfect timing to affect the crucial special Senate elections in Georgia. This second horror is trickier, because it involves what to normal people is trivia layered on trivia. However, it may be the more terrible of the two.

Try to follow this without getting disgusted and turning on “Three’s Company” re-runs, or you can jump to the bottom of this nauseating account for the reason why the episode is important despite all evidence to the contrary…

1. It began with the Oprah interview of the narcissistic and manipulative Duchess of Sussex and her dominated husband last week, during which Meghan absurdly played poor little rich girl and poor princess while accusing conveniently un-named members of the Royal family of being racists. Even the fact that the couple sold the interview to O didn’t dissuade the celebrity-addled Princess Di cult from swallowing every whooper served up by the former actress like it was a culinary masterpiece. Tellingly, the interview went over like a lead balloon, as my father used to say, in Great Britain, where Meghan Markle and Harry are even less popular members of the royal family than Jeffrey Epstein pal Prince Andrew.

2. Then, on a British morning talk show the next day, celebrity muckraker Piers Morgan announced that he didn’t believe the couple’s tale of abuse, and thought it was outrageous for two entitled (literally) individuals of unearned wealth and power to present themselves as victims, and particularly offensive for Markle to be posing as a victim of “systemic racism.” For this he was accused of being biased—he’s white after all—and Morgan, who bottom-feeder though he is does not grovel or back down, quit his co-host job on the spot, walking off the set.

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Gullibility And Media Brainwashing Check: If You Believe This, You’ll Believe Anything

The Washington Post claims that “The first crisis of the Biden administration could be looming: America may have a president, the first in generations, who is impervious to impressionists.”

Riiiiight.

This is a topic I know a little bit about, having written, produced, directed and performed in satirical political reviews both professionally and otherwise for decades. I’ve also followed Saturday Night Live until relatively recently. If I hadn’t already abandoned the show as tired, biased and hopeless, Alec Baldwin’s inept and unfunny Trump impression would have driven me away.

It’s easy to come up with a funny impression of Joe Biden. Hell, I could do it: even if it wasn’t very good, it would be better than Baldwin’s Trump. There is one reason and one reason only that comedians are reluctant to mock Joe Biden: he’s a Democrat, and political satire today goes one way only.

The same hypocrites were afraid to make fun of Barack Obama, who was a cornucopia of mockworthy traits and tics for anyone with the guts to exploit them. The Post would really have us believe that any comics drew blood with an Obama impression, or even tried? Ah, but they were terrified of being called racists. (Has there ever been anyone more easy to ridicule than Maxine Waters? How about Sheila Jackson Lee? Have you ever seen them skewered?) TV comics today are, much like the mainstream media—pure partisan agents. They don’t want to be funny as much as they want to signal their virtue.

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As The NYT Charles M. Blow Desperately Searches For A Topic Worthy Of His Brilliance Now That He Can’t Attack Donald Trump In Every Column, And Settles On A Cartoon Skunk…

pepe

Of course Charles M. Blow quickly jumped on the “Cancel Dr. Seuss” bandwagon. I’m sure he was ticked off that he didn’t think of it first. The really woke publications have to include a race-baiter niche (or several) on their staffs, and Blow occupies that prime slot at the New York Times. Blow is an anti-white bigot in general, but he’s versatile: for the four years in which the Times enabled his virulent Trump Derangement, Blow proved he was also adept in pushing almost all of the anti-Trump Big Lies, not only the one that asserts that he is a racist. His columns were like crack for Trump-Haters. For everyone else, they were, like Blow himself, staggeringly repetitious, predicable, pompous, and boring.

Now, with Trump only intermittently in the news, Blow has a problem, being addicted to anti-Trump crack himself, and he’s clearly foundering. In his anti-Seuss screed—if you’re white like Theodore Geisel, Blow will presume you’re a racist (incidentally, he begins his columns by writing, “As a child, I was led to believe that Blackness was inferior.” That’s odd: I wasn’t!)—he also attacked Warner Bros. cartoon character Pepé Le Pew for contributing to “rape culture,” which is hilarious wokism self-parody.

Pepé Le Pew is one of the lesser Warner Brothers animated stars, an amorous French skunk whose cartoons consisted of a single gag: an incurable romantic obsessed with the pursuit of amorous conquests, Pepé kept mistaking cats and other creatures as female skunks (they somehow got white stripes painted on them in various accidents, hence the species misidentification), whereupon he would aggressively woo them, including hugging and kissing them without their consent.

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Ethics Observations On A Suddenly Ubiquitous Meme

bookswap-600x600

This thing is everywhere, particularly on conservative websites. It was even quoted on Ethics Alarms.

Observations:

1. It’s not true. Try not to embarrass yourself by quoting it, for “Wet Ass Pussy” was not, in fact, the “Song of the Year.” At last year’s Grammys, which gives out the annual “Song of the Year” awards, “Wet Ass Pussy” by female rapper Cardi B was not even nominated in the category. The nominees were…

  • Natalie Hemby, Lady Gaga, Hillary Lindsey & Lori McKenna for “Always Remember Us This Way” performed by Lady Gaga
  • Billie Eilish O’Connell and Finneas O’Connell for “Bad Guy” performed by Billie Eilish
  • Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker for “Bring My Flowers Now” performed by Tanya Tucker
  • Ruby Amanfu, Sam Ashworth, D. Arcelious Harris, H.E.R. & Rodney Jerkins for “Hard Place” performed by H.E.R.
  • Taylor Swift for “Lover” performed by Taylor Swift
  • Jack Antonoff & Lana Del Rey for “Norman Fucking Rockwell” performed by Lana Del Rey
  • Tom Barnes, Lewis Capaldi, Pete Kelleher, Benjamin Kohn & Sam Roman “Someone You Loved” performed by Lewis Capaldi
  • Steven Cheung, Eric Frederic, Melissa Jefferson & Jesse Saint John for “Truth Hurts” performed by Lizzo

The winner was “Bad Guy.”

This year’s Grammys have not yet been awarded, so “Wet Ass Pussy” can be called the “Song of the Year” by any measure.

2. Therefore the irony, the dripping contempt for contemporary culture, and the implication of corrupted societal values are only effective if one is ignorant of the topic. Nice.

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And Today In The Attack On Liberty And The Pursuit Of Happiness That Is Known At Ethics Alarms As “The Great Stupid”…

Liberty weeps

Online retailer eBay has announced that it will no longer allow owners of the six Dr. Seuss books eliminated this week from Theodore Geisel’s published children books to sell the books online in its auction platform.

Citing its offensive materials policy, eBay Corporate Communications Specialist Parmita Choudhury explained, “At eBay, we have a strict policy against hate and discrimination to ensure our platform remains a safe, trusted and inclusive environment for our global community of buyers and sellers.We’re currently sweeping our marketplace to remove these items. It can take some time to review all existing listings and provide education to impacted users. We’re also monitoring the newly published list to be reviewed.”

First they came for Yertle the Turtle….

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Someone Please Give Me A Reason To Link This To Ethics, Because I’m Going To Post It Anyway [Updated!]

snowplow contest

This story made me smile.

The Minnesota Department of Transportation held a contest last month to name eight new snowplows. 122,435 Minnesotans voted in the Name a Snowplow contest, which the organizers narrowed down to 50 top vote-getters. Each ballot allowed up to eight submissions.

After the voting concluded, the eight names receiving the most votes were announced winners. Here are the 50 top names and the votes they received:

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Happy Birthday, Dr. Seuss! You’re Cancelled, You Racist.

Suess birthday

Today is Dr. Theodore Geisel’s birthday. Better known to the world as Dr. Seuss, the author and illustrator of such classic children’s books as “The Cat in the Hat,” “Horton Hears A Who,” and my personal favorite, “Fox in Socks” because it drives my wife crazy, was born this day in Springfield, Massachusetts, in 1904. Geisel, who used his middle name and his mother’s maiden name as his nom de plume, wrote 48 books (even some for adults). His work has now sold over 200 million copies and been translated into multiple languages. His style of verse and illustrating have been imitated and parodied countless times. Jesse Jackson even read “Green Eggs and Ham” on Saturday Night Live.

Nobody ever thought of Dr. Seuss books as “racist” until recent fads, events , cancel culture and The Great Stupid washed over the land. Well, OK, not “nobody.” Ethics Alarms had a post about the Seuss Museum in Springfield cutting a piece out of a Dr. Seuss mural because three prominent children’s authors who had been invited to attend the Children’s Literature Festival at the Museum threatened to boycott the event on the theory that the mural, painted to replicate a scene from Dr. Seuss’s first book “And to Think That I Saw It on Mulberry Street,”  was, they claimed, offensive. It had, said one of the grandstanding hysterics, a “jarring image” of a man with slanted eyes and a coolie’s hat using chopsticks to eat rice, because, apparently, Chinese people never wore such hats, don’t use chopsticks and hate rice. I wrote, while awarding the museum an Ethics Dunce designation (I’m thinking about adding a “Weenie of the Week”…what do you think?):

There is nothing racially jarring about Geisel’s painting of a “Chinaman” except to someone already looking for offense. Dr. Seuss’ drawings can be fairly termed cartoons. The definition of a cartoon is “a simple drawing showing the features of its subjects in a humorously exaggerated way.”  What are these juvenile children book authors asserting…that all cartoons are racially insensitive? That only cartoon of non-whites are offensive?…Normal Americans, meanwhile, understand the cartoon art form, recognize that features are exaggerated, and thus do not take drawings like those by Dr. Seuss (or Matt Groening, the creator of The Simpsons) as literal or malicious.

Well, silly me. I thought this was just a one-off moment of woke insanity: I have since learned that the Woke never sleep. In the post, I referenced “The Simpsons” and the fact that nobody had called for the elimination of Apu. Apu has since been cancelled as “racially insensitive.” The show also decreed that white voice actors can no longer portray black characters, so Dr. Hibbard has a new sound. Presumably “The Simpsons” will eventually seek a low IQ hick to voice “Cletis the Slack-Jawed Yokel” and a socially awkward MIT PhD. to do the voice of Prof. Frink.

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Ethics Heroes Of The Great Stupid: University Of Texas Alumni Donors

Back in October of last year, this Ethics Warm-up related the truly ridiculous story of how the University of Texas’s school song, and a beloved Texas folk song as well, was being called “racist,” and some of the schools football players were calling for it to be “cancelled.” University President Jay Hartzell reacted with Authentic Frontier Gibberish: who knows what he was saying? He outlined steps UT would take to “recruit, attract, retain and support Black students,” while his statement said that he preferred to “acknowledge and teach about all aspects of the origins of ‘The Eyes of Texas’ as we continue to sing it moving forward with a redefined vision that unites our community.” What he should have said was that there is nothing whatsoever racist about the song, and his university was not going to be bullied and race-baited into changing revered school traditions just so social justice warriors and woke mobs can add another notch to their metaphorical belts.

You see, the claim that the song has “racist undertones” is simply false. You will search for them in the lyrics fruitlessly:

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Saturday Morning Ethics Warm-Up, 2/27/2021: Confusion And Irony

Doomscrolling” is a relatively new term to describe the habit of constantly checking one’s smartphone for bad news. Jeffrey Hall, professor of communication studies at the University of Kansas in Lawrence, has spent over 10 years studying technology use in conjunction with relationships. He says that the mass media is intentionally triggering the habit:

“People tend to have what’s called negativity bias when it comes to information. From an evolutionary perspective, it’s related to the idea that we needed to be more alert to threats. If things are not particularly surprising, we can reside in a very low energy state, but as soon as we see something that’s potentially threatening or worrisome, it piques our attention. The algorithms are picking up on what we engage in, and our attentive processes tend to focus on the more negative information….”

The professor recommends filtering social media as a remedy:

“You can also take active steps to recognize if there are people who are a part of your social network that seem to be fueling your sense of doom and gloom. You may want to consider unsubscribing or muting them. People are very loath to actually unfriend or stop following a person altogether. However, there are ways to not get that content. Oftentimes we’re very upset about content we see, but we don’t do anything to change what we see.”

I dunno, professor! The people on Facebook seem to revel in shared, if imaginary, gloom and doom. Most of them “muted” me when I pointed out that the false narratives about the President being some kind of a traitorous Nazi racist monster trying to end American democracy were media-driven, partisan scams. That should have been good news, and it happened to be true. Instead, my Facebook friends crawled back into their comforting imaginary crisis bubble and, from what I can see, virtually no one there reads any EA posts that I put up. Trump Derangement was (in fact, is) a fad, a pastime, and sort of a club that eventually metastasized into a mindless mob.

1. On the question of canceling artists of bad character…A note that on this date in 1936 Shirley Temple, who was all of seven years old, signed a deal paying her almost a million dollars per picture in today’s currency reminded me of this horrible story: when Shirley was an attractive teen seeking to transition away from child roles, she met with MGM’s legendary movie musical chief, Arthur Freed. He exposed himself at the interview, and Shirley’s mother decreed that she would have no further dealings with MGM.

First, how sick to you have to be to expose yourself to Shirley Temple (the term “scumbag” comes to mind)? Second, would that justify refusing to watch and enjoy all of the classic musicals he was responsible for at the studio, like “Singing in the Rain,” “The Bandwagon,” “Wizard of Oz,” “Gigi,” the Mickey and Judy films, “Meet Me in St. Louis,” and many more? How about all of the songs he wrote, including the ones used in “Singing’ in the Rain”? I love that movie, but it is presented as a celebration of Arthur Freed, as is another favorite, “That’s Entertainment!” And the guy exposed himself to Shirley Temple!!!

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Enforced Ideological Conformity: The Unethical Firing Of Gina Carano

Gina

Gina Carano, the actress who plays Cara Dune on Disney+’s “The Mandalorian,” was fired by Lucasfilm. I saw the note yesterday, and the company’s explanation which was that Carano’s

“…social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable.”

From this I presumed that the actress had posted something that was racist or otherwise bigoted and hateful—constitutional speech, but not a public opinion that an organization dependent on widespread public favor is obligated to tolerate from its employees. Then today, I saw what she wrote, which was,

“Because history is edited, most people today don’t realize that to get to the point where Nazi soldiers could easily round up thousands of Jews, the government first made their own neighbors hate them simply for being Jews. How is that any different than hating someone for their political views?”

She did not denigrate anyone based on their cultural and religious identities. LucasFilm’s statement is a lie, and indeed is very close to defamation. Carano should sue. Meanwhile, Pedro Pascal, who plays the Mandalorian in the same series, tweeted out this idiocy in 2018:

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