
(The Introduction is here.; Chapter I is here.;Chapter 2 is here; Chapter 3 is here; Chapter 4 is here.)
Everything so far has been laying the foundation for the climactic and justly famous courtroom scene. But before that can happen, there needs to be a pretext for getting the story into court. Of course, the fact that Kris committed assault and battery on Mr. Sawyer would normally be enough to get him there on a criminal charge, but that wouldn’t have anything to do with Santa Claus, so we have a lot of dubious plot machinations that make no sense at all. in rapid succession—got to get to that courtroom scene!—we get…
Sawyer’s Perfidy
First, Sawyer acts like he’s been grievously wounded so he can credibly insist that Kris be committed. He’s a liar as well as a weasel. He’s also not very bright. He knows Macy’s has been using Kris a public relations cornucopia. He has to know that in any feud with a store Santa Claus who has made money for Macy’s, he’ll lose. Sawyer’s antipathy towards Kris to his own likely detriment makes no sense at all.
Doris’s Failure
Doris refuses to have anything to do with sending Kris to Bellevue, the NYC mental hospital, to be examined. She is, however, unlike Sawyer, responsible for Kris, and has said as much. Her duty is to Macy’s, and her employee attacked someone. This is where conflicts of interest get you in the workplace, and she should have seen this coming. Her job is to fix the problem, and instead she acts helpless. I find this to be nascent sexism in the film: “just like a woman,” Doris is being sentimental when she needs to be practical and decisive.
Actress Maureen O’Hara, a notorious tough proto-feminist, must have been seething.





