Popular Culture

Ethics Warm-Up, 11/15/2019: Idiots, “Friends,” Rationalizations And Doing Things The Hard Way

/ Jack Marshall / 5 Comments

The Korean War memorial on the Washington Mall….moving and ghostly.

Greetings!

1. The media, doing its best to make the public stupid. Yesterday the collected dolts  of “The View” managed to mangle the concept of hearsay, following a Democrat rep’s absurd contention that hearsay evidence cold be “better” than  direct testimony.  The panel show also misrepresented how the Clinton impeachment proceeded.

Sunny Hostin, the alleged conservative on the panel,  said that  President Clinton’s impeachment  was the result of Linda Tripp’s  testimony, saying , “Clinton was impeached because of Linda Tripp’s testimony, which was complete hearsay!”

How wrong can a statement be? Clinton was impeached because he lied under oath in a hearing involving the civil law suit against him by Paula Jones (as well as for lying to a grand jury and obstruction of justice.) Tripp had made an illegal tape recording of Lewinsky, which was not hearsay. Tripp’s tape was used to get Lewinsky to admit the affair, which was clearly not hearsay. Then there was that stained dress. Had not direct testimony and physical evidence backed up Tripp’s account, Clinton almost certainly   not have been impeached

2. This is why we can’t have nice things. It was inevitable, with all the recent resurgence in interest in the 90s sitcom “Friends,” that the long-running and still-popular show would finally be subjected to one of those depressing reunion specials. This was especially likely because the aging cast isn’t much in demand these days, and mots of them could use a boost.

But Beware, “Friends,” the woke posse is watching. The show about six white hetero singles living in New York was not diverse, and has been criticized in the 15 years since it ended for being implicitly racist, sexist, and anti-LGBTQ. Thus the Righteous have decreed, “Friends’ reunion is all we have wanted for years, but HBO Max version better have more racial diversity and LGBTQ representation.”

Thus we get this,

[T]he iconic NBC show is not without its problems, and yet it entertained us in real-time for ten years and for years after that, making us laugh on the days we are feeling low and making us believe that they will be there for us. It is only natural that we want to relive those feelings again, but even those of us who grew up on ‘Friends’ have outgrown those insensitive jabs about Chandler’s (Mathew Perry) drag queen father, unwarranted fat-shaming of Monica (Courtney Cox), repeated complicity of Joey’s (Matt LeBlanc) sexism and so on.

When the show does return in – hopefully – 2020 for an HBO Max audience, we should hope that it is rich in diversity without it being about tokenism. It is unfathomable that this group of friends who live in New York, the melting pot of America, hasn’t made friends with more diverse backgrounds. Even more so, it is difficult to believe that they haven’t even interacted with people of different sexualities, sexual identities, and races for them to know better than to make jokes about them. It may have flown in the 90s and 2000s, but it definitely isn’t going to in the current day and age.

No, we should hope that it is funny, but if awkward virtue signalling and making sure that all the EEOC boxes are checked while making up for ten years of insensitively showing a group of friends who hung out primarily with people like themselves (like most of us), are going to be the priorities, and you know they will be, it would be kinder and more responsible to leave Ross, Chandler, Joey, Phoebe, Rachel and Monica where they belong—in the past, on re-runs.

Incidentally, one of the two funniest jokes I ever heard on “Friends” involved “fat-shaming.” The groups was watching an old home movie taken when Monica was a grossly over-weight teen. The now svelte woman, embarrassed, said, “They say that the camera makes you look 15 pounds heavier,” to which Chandler replied, “Just how many cameras were on you?”

3. Upon reflection, I don’t think I need to add this new rationalization. The Rationalization List is stuck at 99, and I have been wondering what #100 would be. When I was writing about the now-fired Canadian hockey pundit Don Cherry bringing himself down with his big mouth, I was annoyed by how many of his defenders argued that Don was just being Don, and since he was always Don, and “didn’t mean anything” by being Don, and was popular because he was Don, being Don shouldn’t be held against him. I suspect this bothered me so much because it appears to be the only thing keeping Joe Biden from being ripped to pieces by #MeToo Furies, as he richly deserves to be. So briefly I considered the need for a “It’s just who he is” rationalization.

Upon reflection, I demurred. This is cutting the rationalizations too thin. We already have Rationalization 41 A. Popeye’s Excuse, or “I am what I am”:

Sure, let’s stipulate that the jerk is exactly who and what he presents himself as being. This doesn’t excuse his conduct in any way. He is what he is, and what he is is an irresponsible, narcissistic, rude, boorish, uncivil, nasty, destructive, ignorant, impulsive untrustworthy and despicable creep. Being a real  irresponsible, narcissistic, rude, boorish, uncivil, nasty, destructive, ignorant, impulsive untrustworthy and despicable creep is no more ethical than being a phony one. In this case, transparency is not a virtue.

..and Joe Biden even has his own rationalization springing from Cherry-like excuses, Rationalization 38B, Joe Biden’s Inoculation or “I don’t deny that I do this!”

A sub-rationalization to #38. The Miscreant’s Mulligan or “Give him/her/them/me a break!,” Joe Biden’s Inoculation argues that habitual bad conduct is mitigated by one’s open admission and acknowledgment that one’s engaging in it is an ongoing problem.

I think this base is well covered. The search for #100 goes on…

4. Why didn’t she just take the bar exam one more time?  I don’t understand this story at all.

Roberta Guedes graduated from Stetson University College of Law in 2014, but she  failed to pass the Florida Bar exam twice. The traditional remedy for this is boning up and taking the exam again, and again if necessary, but noooooo. 

Instead, federal prosecutors say, she used the name of a classmate  to register two new law firms with the state Division of Corporations. Agnieszka Piasecka attended law school with Roberta, and the friends  talked about starting a law firm together, When Guedes flunked the bar exam, Piasecka who did not flunk,   opened her own firm in Clearwater,  specializing in wills and trusts, immigration, and divorce cases.

The plot began when Guedes offered Piasecka the free use of her  office in downtown Tampa to meet with clients a few times.

In September 2014, Guedes incorporated a firm she called Ferguson and McKenzie LLC, listing Piasecka as its registered agent. In November, she started a second legal services business called Immigration and Litigation Law Office, Inc., listing another woman, Arlete Chouinard, as a vice president and manager.  Neither Piasecka nor Chouinard knew about this. She created websites for both companies, including claims of  national and international offices that didn’t exist, and faked partners and associates using stock photos. She also represented clients, accepting fees while never telling them that she had no license.

Now Guedes, 40, faces prison time after pleading guilty to federal charges of mail fraud and aggravated identity theft. It is fair to say that it is now too late to pass the bar exam.

Unethical Quote Of The Week (And Jumbo!) Washington College (in Md.) President Kurt Landgraf

/ Jack Marshall / 26 Comments

“Elephant? What elephant?” The thing is, Jimmy was playing a CLOWN when he uttered that line, not a college president.

“Our intent in cancelling the production was to prevent further harm to members of our community who already feel marginalized. However, the decision to cancel the play has been interpreted by some as a form of censorship on the part of the College. Censorship is anathema to the core values of Washington College, and this was never our intent.”

—-Kurt Landgraf, president of Washington College in Maryland, in his letter to the campus regarding the decision to cancel a student production of Larry Shue’s 1980 farce “The Foreigner.”

Got that? “Censorship? What censorship? Oh, you mean that thing when we stopped a play from being performed? You call that censorship?”

Yes, the president of an institution of higher learning is really and truly saying in print that administrators cancelled the production of a play, as in “prevented it from being seen,” because of concerns over the content of said play, and the need to protect some students from seeing it, hearing it, or knowing it was being seen and heard by others, yet did not intend this to constitute censorship, which it was by definition.

I’ll publish the whole weaselly, embarrassing letter at the end of the post, because otherwise you might not believe it.

I have seen “The Foreigner.” It’s not a classic by any means, but there is nothing controversial about it, and nothing that would legitimately “trigger” anyone with the sense God gave a trout.  Deciding that “The Foreigner” needs to be censored makes as much sense as blocking a production of “Arsenic and Old Lace.”

The comedy opened Off-Broadway in 1984 and won two Obie Awards and two Outer Critics Circle Awards as Best New American Play and Best Off-Broadway Production. Since then it has been a staple of regional theaters, community theaters, colleges and high schools. A very short version of the plot: Two Englishmen visiting a  fishing lodge in rural Georgia foil the plot of an evil  local Klansman to take over the lodge and use it as a KKK headquarters. The hero, Charlie Baker, pulls this off in part by pretending to be a non-English speaker and talking gibberish, as well as pretend language like ” Klaatu barada nikto” from the classic film “The Day the Earth Stood Still.”  Because people think he can’t understand them, they openly discuss their various plots and schemes in his presence.

The Horror. Continue reading →

Comment Of The Day: “High Noon Ethics Warm-Up, 11/12/2019: Laser Eyes And Science Trees”

/ Jack Marshall / 13 Comments

Just to prove that reader commentary doesn’t have to be over 600 words (Technically known as “Alizia-length” on Ethics Alarms) to qualify as a Comment of The Day, here is Michael West’s COTD regarding the Governor of Wisconsin’s decree that the state Christmas tree is a “holiday tree” and his call for the ornaments traditionally submitted by Wisconsin children be “science-themed,” from the post, “High Noon Ethics Warm-Up, 11/12/2019: Laser Eyes And Science Trees”:

What part of Christmas do they hate? The individual and spontaneous demonstrations of generosity, spawned entirely from personal choice free from central coordination and bestowed as private individuals see fit free from oversight?

or

Christ?

High Noon Ethics Warm-Up, 11/12/2019: Laser Eyes And Science Trees

/ Jack Marshall / 33 Comments

Yyyyup!

Sirius XM already has two Christmas stations operating, emulating Hallmark, which is showing nothing but cheesy Christmas movies starring B and C list actors (Candace Cameron Bure is one of the better known ones) all day long. Is there some significance to this rush to get to Christmas? Is it because everyone is so nasty and hostile that there is some kind of collective yearning for peace on earth and good will toward men, womyn and non-binary trans-pan-sexuals to arrive by cultural fiat? My wife is betting that the effort will just make everyone thoroughly sick of Christmas by the time we get there. Elmo learned, in a Sesame Street Christmas Special, that if every day is Christmas, nothing is.

But I digress…The reason I noted this was that I just heard Kelly Clarkson’s “My Grown-Up Christmas List” on the “Holiday Traditions” channel (I deemed it a better bet than The Doors, and “:Please Mister Custer”) and finally listened to the lyrics:

So here’s my lifelong wish
My grown up Christmas list
Not for myself but for a world in need
No more lives torn apart
That wars would never start
And time would heal all hearts
And everyone would have a friend
And right would always win
And love would never end, no
This is my grown up Christmas list.

Yeesh. Those are grown-up wishes? They are if “grown up” means ten-years-old.

Or you’re John Lennon.

I. One more ominous example of the Left channeling old fashioned totalitarianism..I knew that San Francisco was erecting a mural dedicated to the Climate Change Bullies’ own  Joan of Arc, creepy Greta Thunberg, but I didn’t realize how huge it was going to be. The conservative satire site the Babylon Bee joked that her eyes would be equipped with lasers to zap SUVs, at least I thought it was a joke. Legal Insurrection writes, 

Instead of focusing on issues of sanitation, job creation, or at least ensuring there are more high school students than drug addicts in the city, activists have chosen to honor Swedish “climate crisis” activist Greta Thunberg with a giant mural that will grace the skyline.

Andres “Cobre” Petreselli, an internationally renowned artist, is painting the activist teen with big blue eyes and a Mona Lisa smile.

The mural is still a work in progress, as Cobre is spending his days hoisted high up on a platform about 10 stories above Mason street, on the side of the Native Sons building near Union Square.

Thunberg is the 16-year old from Sweden who has inspired young people all over the world to take to the streets and let older people know they want climate change to be taken seriously.

“What I want from people is to realize have to do something for the world,” Cobre said. “Otherwise, it’s going to be the beginning of our extinction.”

Yikes. Continue reading →

Policy Clarification: If The Subject Of An Ethics Story Is The Use Of The Words “Nigger” Or “Fuck,” Ethics Alarms Will Appropriately Use Those Words And Not “N-Word” And “F-Word,” Because To Do Otherwise Will Be To Enable The Language, Speech And Expression Censors…

/ Jack Marshall / 16 Comments

…whose real goal is to control thought.

It is a matter of constant amazement to me how many news publications and editors choose to either keep their readers uninformed and confused (by using a vague and ambiguous term like “a racial epithet” or “a vulgarity” when the word in question is central to an episode, or, in my view worse, use the juvenile “N-word” or “F-word” euphemism as if the actual word isn’t what these codes mean, so the pretense that they are anything but the equivalent on speaking in pig-latin because the kiddies are around is an insult to adults everywhere. I wonder: would it be considered benign to use “N-word” as an insult, as in “You stupid N-word!”? Would am employee still be fired if he told his boss, “Oh, go F-word yourself you mother-F-wording  F-word head!”? If the euphemism means the same thing as the word, then why not use the word itself?

This is political correctness gaslighting, and I reject it categorically.  Here is a recent headline from the College Fix:

Another ‘N word’-in-context incident costs a university employee her job

That  headline is over a story about how absurd and anti-free speech it is to punish a professor for using the word “nigger” in a discussion about free speech, and the publication still balks at using the actual word in the context of its relationship to the story it describes while condemning the university’s decision! What sense that does that make? It’s hypocritical and incompetent, as well as cowardly.

Marlon Anderson, the janitor we discussed last month who was summarily fired for using the word “nigger” to tell a student not to call him a “nigger,” said, in the course of his defense, “So if the class is reading ‘To Kill a Mockingbird’ and the teacher is reading the book out loud and it gets to the part where the N-word is, the teacher gets fired?” Continue reading →

And Now It’s Zombie James Dean…

/ Jack Marshall / 16 Comments

From The Hollywood Reporter:

James Dean, who died in a 1955 car crash at the age of 24, is making an unexpected return to the big screen. The cultural icon, known for Rebel Without a Cause and East of Eden, has been posthumously cast in the Vietnam era action-drama Finding Jack.

Directed by Anton Ernst and Tati Golykh, the project comes from the filmmakers’ own recently launched production house Magic City Films, which obtained the rights to use Dean’s image from his family. Canadian VFX banner Imagine Engine will be working alongside South African VFX company MOI Worldwide to re-create what the filmmakers describe as “a realistic version of James Dean.”

We all saw this coming, didn’t we? Since this is about involuntarily resuscitating dead actors so greedy family members can put them to work doing whatever a director screenwriter wants them to do, I feel no need to write a new post, especially since my position hasn’t changed one bit from the other instances in which I looked at this issue. So here it is again, lightly edited… Continue reading →

Morning Ethics Warm-Up, 11/6/19: Goose Shit!

/ Jack Marshall / 14 Comments

Good morning!

My best friend of long standing’s  favorite singer is Nat King Cole. He really doesn’t sound like anyone else, does he? I wonder how many millennials have heard his amazing voice, or would have the perspective to appreciate it.

Speaking of listening, I was prompted this morning to reflect on what a vital life-competence skill listening is. It is really an acquired skill: various Facebook discussions make it clear that most of the Facebook Borg warriors are no longer listening (or otherwise paying attention) to any information that doesn’t bolster their confirmation bias.

What made me think about this today was happening upon an early morning showing of “Casablanca” on Turner Movie Classics. I must have seen the classic a hundred or more times since  first watched the whole movie in college, and yet today was the first time I heard what “Rick” Blaine’s real first name was. All the other times I watched the movie, this passed by my consciousness without leaving a trace, but his real name is used three times. (Hint: it’s not Richard, though that’s what Ingrid Bergman calls him…)

1. A great President in many ways, but also a terrible human being. Watch the culture and the news media bury this. “The Jews Should Keep Quiet: Franklin D. Roosevelt, Rabbi Stephen S. Wise and the Holocaust,” a new book (published in September) reveals new archival evidence that shows FDR’s callous and bigoted treatment of European Jews prior to and during the Holocaust. I know the author, Dr. Rafael Medoff of the David S. Wyman Institute for Holocaust Studies, as a result of his assisting The American Century Theater with several productions that involved the Jews and Israel.

The book’s revelations are not shocking to anyone who had looked at the evidence objectively even before this new material, but Roosevelt is a hallowed Democrat Party icon, and it has been, and I assume will continue to be, resistant to any effort to inform the public of this horrific moral and ethical failing, one of  many FDR was guilty of inflicting.  From a review: Continue reading →

Monday Evening Ethics Feature, 10/28/2019: Boo! Lyric Woking! Name-Calling! And Much, Much Worse…

/ Jack Marshall / 22 Comments

Good evening.

1. World Series ethics observations:

  • It was little noticed, but Houston Astros pitcher Gerrit Cole did something admirable and unusual last night on the way to dominating Washington Nationals hitters and leading his team to a 3-2 lead in the best-of-seven series. At one point in the game, Nationals first-baseman Ryan Zimmerman laid off a tantalizing pitch just off the plate with two strikes on him. Cole could be seen saluting the batter and saying “Good take!” It is rare to see a baseball player acknowledge an adversary’s skill on the field.

I wouldn’t mind seeing such gestures more often.

  • The President not only attended the game last night, but stayed unusually long for a dignitary, who usually go to baseball games to be seen more than to watch. Trump stayed until the 8th inning, when much of the discouraged Nats fandom was streaming to the exits. I wrote last week that I hoped he would subject himself to the fans’ ugliness, and they responded as we knew they would, loudly jeering and chanting “Lock him up!” It was a black eye for Washington, D.C., not President Trump.

Continue reading →

Mid-Day Ethics Overview, 10/24/2019: TV Ethics, Theater Ethics, Negotiation Ethics…You Know. Ethics.

/ Jack Marshall / 9 Comments

This song is about ethics, right?

Well, to me it is…

1. Unethical non-traditional casting.  Harvey Fierstein is playing Bella Abzug on Broadway. I know that Harvey, being a very large, undisguisably gay, 65-year old actor with a voice that sounds like he gargles piranha, has a tough time finding outlets for his acting and comic ability (he can be terrific, as he was in his Emmy-winning performance in “Torch Song Trilogy”), but that’s no reason to take it out on the late New York Congresswoman. Abzug was a woman, and being a woman was central to her career, appeal, legend, and legacy. She was not, to say the least, an attractive woman, but that does not mean that it is fair or respectful to cast a 275 pound unattarctive MAN to play her on Broadway. Feirstein is an LGBTQ activist and icon, but he’s ethically confused here.

2. Trump shouldn’t have backed down from holding the Group of 7 Summit at the Trump luxery golf club in Miami. Apparently he did so because Republican members of Congress complained about it, and they complained about it because they knew it would spark more bogus accusations of Emoluments Clause violations (Impeachment Plan C).

Any and every negotiations specialist will tell you that holding a meeting of adversaries in your own territory is a massive advantage. That is why such meetings are often held in Switzerland, or other neutral sites. Holding the Summit at a Trump property makes the President stronger at the meeting, and that benefits the country.

It would have been nice—responsible, educational, fair, honest—if the news media explained this basic principle to the public, but it doesn’t want to justify the President’s decisions or find benign reasons for them. It is in thrall to “the resistance,” and doing a complete analysis of factors involved in a decision like where to hold the Summit just detracts from the effort to undermine President Trump and characterize him as a corrupt and crooked fascist who must be removed from office at all costs.

Republican joined the ignorant stampede because, unfortunately, they aren’t very bright, or very brave. Thus the U.S. voluntarily forfeited a diplomatic advantage because Republicans couldn’t articulate why there was nothing sinister, and much advantageous,  about a world leader holding a meeting at a property that bears his name. Continue reading →

An Ethics Movie Review: “The Mule”

/ Jack Marshall / 24 Comments

I was not eager to see “The Mule,” for many reasons. Stories in which the protagonist is a drug dealer don’t interest me at all; I avoided “Breaking Bad” and “Weeds” for the same reason. The popular culture, especially Hollywood, played a major role in breaking down society’s consensus disapproval of recreational drug use, and I hope they are proud of all the harm they have caused, and the greater harm yet to come.

Then there is the fact that seeing Clint Eastwood looking like the Cryptkeeper (from HBO’s “Tales of the Crypt”) depresses me. I remember Clint from his “Rawhide” days, and seeing his ruined beauty makes me feel like I’m watching the villain rot at the end of “Indiana Jones and the Last Crusade” when he “chooses poorly,” but for real. I admired Cary Grant’s decision to stop making movies when he began to stop looking like Cary Grant, and Marlene Dietrich’s determination not to appear in public so that people would remember her as one of Hollywood’s great beauties, and not as an old lady.

But as often in the case for me, having limited options of films to watch while stuck in in a hotel made Eastwood’s latest directorial and performing effort the best of a bad group of entertainment choices. The film is based on the  true story of a ninety-year-old man (Clint isn’t quite that old, but he looks it) who became a drug mule, transporting  cocaine for a  Mexican drug cartel. The film has an excellent supporting cast including Bradley Cooper, Laurence Fishburne, Dianne Wiest and Andy Garcia. (who also looks like hell), though none of them have much to do except be props for Clint’s star turn.

To do as little spoiling as possible, I’ll just say that the story involves an aging—aged—narcissist who has neglected his family outrageously, falls into a lucrative gig transporting drugs because he loves to drive, has never had a ticket, and is unlikely to attract attention. Then he suddenly decides to make the needs of his family a priority over work for the first time in his life, getting him arrested and almost killed.

Clint still has his screen presence and charm, which is fortunate, because the central character, Earl Stone, is a selfish jerk. His toxic personal habits don’t seem so bad when the victims are  drug smugglers, but when, early in the movie, he skips his daughter’s wedding without warning because he’d rather be at a sales convention partying with his colleagues, it is hard to care what happens to him.

We quickly learn that this betrayal was characteristic of Earl, and that he rationalizes them all, arguing that he was absent from his family to provide for them, and is blameless. It’s clearly a lie: his family bores him, and he does exactly what he wants to do, always. Sometimes Earl helps people and is randomly kind, as when we see him pause in one of his drug runs to help a couple stranded on the road. Other times, he doesn’t give a damn.

When a family argument breaks out as he attempts to attend his grand-daughter’s bridal shower, a guest overhears that Earl has lost his home and business (that’s really why he showed up at his granddaughter’s place—that and the fact that she was the only family member still on speaking terms with him) and gives him a phone number. These people will pay him well just for driving, Earl is told. Continue reading →